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Tag Archives: The Troubles


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Birth of Pat Doherty, Sinn Féin Politician & Member of Parliament

Patrick Doherty, retired Sinn Féin politician and the abstentionist Member of Parliament (MP) for West Tyrone from 2001 to 2017, is born in Glasgow, Scotland, on July 18, 1945. He is a member of the Northern Ireland Assembly for the West Tyrone Assembly constituency from June 1998 to June 2012. He serves as Vice President of Sinn Féin from 1988 to 2009, when Mary Lou McDonald becomes the party’s new Vice President.

Doherty is educated at St. Joseph’s College, Lochwinnoch, and is a site engineer who likes building stone walls. He is the brother of former Provisional Irish Republican Army (IRA) member Hugh Doherty, known for his involvement in the Balcombe Street siege. According to The Times Guide to the House of Commons, he is married with three daughters and two sons.

Doherty’s parents are from County Donegal in the Republic of Ireland. He moves to Donegal in 1968, shortly before the Troubles break out across the Irish border in Northern Ireland. He is an abstentionist Sinn Féin Member of Parliament of the British parliament for West Tyrone from 2001 to 2017, as well as a member of the Northern Ireland Assembly from the 1998 Northern Ireland Assembly election until 2012. He also stands for election in the Republic of Ireland, in the constituency of Donegal North-East in 1989, 1996 (a by-election) and 1997, and also in the Connacht–Ulster constituency in the European Parliament elections in 1989 and 1994.

In May 2002, using parliamentary privilege, Ulster Unionist Party (UUP) MP David Burnside names Doherty as a member of the IRA Army Council.

Over a two-and-a-half-year period, Doherty spends £16,000 on printer cartridges, an amount that he admits is “probably excessive.”

In 2012, to some surprise, Doherty writes to the Arts Council of Northern Ireland in support of funding for the loyalist Castlederg Young Loyalist Flute Band. He praises the band for reaching out to “all sections of the community.” The band had sought support for its funding application from a community group who then, unbeknownst to the band, reached out to Doherty. A spokesman for the band, whose website includes sections on IRA atrocities, the controversial B Specials and lyrics to songs, including one glorifying Ulster Volunteer Force (UVF) terrorist Brian Robinson, distances themselves from the application, claiming the band is unaware of Doherty’s support and does not want it. He adds that “The band harbours nothing but contempt for Irish republicanism and its attacks on their community.” Four of the band’s members are killed by the IRA.


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Birth of Eugene McCabe, Novelist, Playwright & Screenwriter

Eugene McCabe, Scots-born Irish novelist, short story writer, playwright, and television screenwriter, is born in Glasgow, Scotland, on July 7, 1930. John Banville says McCabe is “in the first rank of contemporary Irish novelists.”

Born to Irish emigrants in Scotland, McCabe moves with his family to Ireland in the early 1940s. He lives on a farm near Lackey Bridge, just outside Clones, County Monaghan. He is educated at Castleknock College.

McCabe’s play King of the Castle causes a minor scandal when first staged in 1964, and is protested by the League of Decency. He writes his award-winning trilogy of television plays, consisting of Cancer, Heritage and Siege, because he feels he has to make a statement about the Troubles. His 1992 novel Death and Nightingales is hailed by Irish writer Colm Tóibín as “one of the great Irish masterpieces of the century” and a “classic of our times” by Kirkus Reviews.

McCabe defends fellow novelist Dermot Healy, who had been negatively reviewed by Eileen Battersby in The Irish Times in 2011, using the Joycean invective “shite and onions”, provoking controversy in the Irish literary community.

Fintan O’Toole notes how living in Monaghan, just across the border from County Fermanagh, informed McCabe’s writing, and described him as “the great laureate of…indeterminacy, charting its inevitably tragic outcomes while holding somehow to the notion that it might someday become a blessing.”

McCabe dies at the age of 90 on August 27, 2020, in Cavan, County Cavan. He is survived by his wife Margot, his four children, Ruth, Marcus, Patrick and Stephen, and thirteen grandchildren.


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Seán MacManus Elected Mayor of Sligo

Seán MacManus, Sinn Féin politician, is elected Mayor of Sligo on July 3, 2000. He is the national chairperson of the party from 1984 to 1990.

MacManus is born in 1950 near Blacklion, County Cavan, and moves to London in the 1960s to find work. There he meets and marries Helen McGovern, a native of Glenfarne, County Leitrim. In 1976, he returns to Ireland and settled in the Maugheraboy area of Sligo, County Sligo, so that their family of two boys can be educated in Ireland.

Still based in Maugheraboy, MacManus is involved in Irish Republican politics since the early 1970s and is secretary of the County Sligo Anti-H-Block Committee which campaigns in support of the republican prisoners hunger strikes of 1980/81. He becomes a member of the Sinn Féin Ard Comhairle (National Executive) in 1982 and remains there for over twenty years. He is elected as the first Sinn Féin National Chairperson from 1984 until 1990. After the Irish Republican Army (IRA) ceasefire in 1994 he is part of the first Sinn Féin delegation to meet with the British government in over seventy years. He is also involved in the protracted negotiations leading to the Good Friday Agreement.

First elected to Sligo Corporation (now Sligo Borough Council) in 1994, MacManus remains until its abolition in May 2014. He is also elected to Sligo County Council in 1999 and is re-elected in 2004, 2009 and 2014. He steps down from elected politics in February 2017 being replaced by his son, Chris MacManus.

On July 3, 2000, MacManus is elected Mayor of Sligo, the first Sinn Féin Mayor in the Republic of Ireland since the beginning of the Troubles in 1969. He is also elected mayor in 2003. Sinn Féin President Gerry Adams says the election of McManus is a sign of “Sinn Féin’s rise as an active campaigning alternative in politics in the 26 counties”.

MacManus has two sons. Chris MacManus, the youngest, is also an elected member of Sligo Borough Council (1999–2014) and Sligo County Council (2017–2020) and is an MEP since March 2020. His eldest son, Joseph MacManus, was an IRA volunteer who was killed in a firefight against an off-duty Ulster Defence Regiment (UDR) soldier in Belleek, County Fermanagh, in February 1992.


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Birth of Anthony McIntyre, Former IRA Volunteer, Writer & Historian

Anthony McIntyre, a former Provisional Irish Republican Army volunteer, writer and historian, is born on June 27, 1957.

McIntyre is imprisoned for murder for 18 years in Long Kesh Detention Centre, spending four of those years on the dirty protest. Following his release from prison in 1992, he completes a PhD in political science at Queen’s University Belfast and leaves the republican movement in 1998 to work as a journalist and researcher. A collection of his journalism is published as a book in 2008, Good Friday: The Death of Irish Republicanism.

McIntyre is involved with the Boston College oral history project on the Troubles entitled the Belfast Project, conducting interviews with former Provisional IRA members who, like himself, had become disillusioned with the direction the republican movement had taken, such as Brendan Hughes and Dolours Price, and former Ulster loyalist paramilitaries such as David Ervine. The interviews are the basis for the book Voices from the Grave: Two Men’s War in Ireland by Ed Moloney.

In 2011, McIntyre becomes embroiled in controversy when transcripts of the interviews, held by Boston College, are subpoenaed by the Police Service of Northern Ireland (PSNI) in relation to an investigation of the 1972 abduction and killing of Jean McConville. In March 2014, the PSNI announces that it is seeking to question McIntyre over newly released Belfast Project recordings, specifically in reference to the alleged role of Gerry Adams in the kidnapping and murder of Jean McConville.

McIntyre is a prominent critic of modern-day Sinn Féin and its leadership. He has spoken at Republican Sinn Féin party events. He is a co-founder of The Blanket, a journal which casts a critical eye on the Northern Ireland peace process.


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Death of Gerard Dillon, Painter and Artist

Gerard Dillon, Irish painter and artist, dies following a second stroke on June 14, 1971.

Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.

Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.

In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.

Dillon travels widely in Europe and teaches for brief periods in the London art schools.

In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.

In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.

Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.

In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.

(Pictured: “Washing Day” by Gerard Dillon)


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Protestant March Ends in Bloody Battle on the Craigavon Bridge

A Protestant march against the creation of “no-go” areas in Londonderry on June 3, 1972, ends in a bloody battle on the Craigavon Bridge. Soldiers use rubber bullets and water cannon to control the crowd when the so-called “Tartan gangs” at the tail end of the march begin to throw bottles and stones at the British Army.

The “no-go” areas, known as Free Derry, are areas where both the Irish Republican Army and Provisional Irish Republican Army can openly patrol, train and open offices with widespread support and without involvement of security services. Bogside, Creggan and Brandywell make up the area Free Derry, and it is still known by that name despite the barricades no longer being present.

The 10,000 strong march sets off from Irish Street at 1500 GMT to call for an end to the “no-go” areas on the east bank side of the River Foyle.

The biggest security operation since the start of the Troubles is set up for the march with soldiers on every corner. The bridge is the centre of the trouble as it joins the Protestant side of the town to the “no-go” Roman Catholic areas of Bogside and Creggan.

Despite pleas from march organisers for the violence to stop it does not end until the Ulster Defence Association (UDA) steps in. They form a human barrier between the protesters and the Army. The confrontation lasts an hour and results in one man being injured but no arrests.

A spokesman for the Army says, “Naturally it is regretted that we have to fire rubber bullets but there we are. The only alternative is the Bogside would be invaded by the Protestant marchers.”

Despite the violence, William Craig, the leader of the Ulster Vanguard movement, who organised the march, says the marches will go on. “We are no longer protesting – we are demanding action,” he says.

On July 31, 1972, the then Secretary of State for Northern Ireland William Whitelaw orders 20,000 soldiers to dismantle IRA barricades in the “no-go” areas of Derry and Belfast.

1972 becomes the bloodiest year of the Troubles. Some 470 people are killed that year, the overwhelming majority of them civilians.

(From: “1972: Protestant march ends in battle,” BBC On This Day, http://news.bbc.co.uk/onthisday)


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The Glenanne Barracks Bombing

The Glenanne barracks bombing is a large truck bomb attack carried out by the Provisional Irish Republican Army (IRA) against a British Army (Ulster Defence Regiment) base at Glenanne, near Mountnorris, County Armagh, on May 31, 1991. The bombing leaves three soldiers dead and 14 people wounded, four of them civilians.

The bombing takes place at a time when the Northern Ireland Office arranges multi-party talks, known as the Brooke/Mayhew talks, on the future of Northern Ireland. Sinn Féin members are not invited to attend because of their links with the IRA, which prevents them from being recognised as a “constitutional” party. The talks end in failure soon after.

Built in 1972, the barracks house two companies of the 2nd Battalion, Ulster Defence Regiment (UDR). Seen as an outpost, it sits on the dividing line between a Protestant area and a Catholic area. Although the military barracks itself had not been attacked by the IRA previously, seven UDR soldiers from the base had already been killed during the Troubles.

At 11:30 PM, a driverless truck loaded with 2,500 lb (1,100 kg) of a new type of homemade explosive is rolled down a hill at the rear of the barracks and crashes through the perimeter fence. According to a witness, a UDR lance corporal who alerts the base, the truck is a Mercedes, and a Toyota HiAce van carrying at least two men acts as a support vehicle. The men are seen outside the parked van, masked and armed, one with a handgun and the other with a submachine gun. This same witness alerts the base believing the IRA team are about to carry out a mortar attack, and debris thrown up on the roof by the lorry as it plunges down the hill is misinterpreted by some inside the base as a mortar projectile. Automatic fire is heard by other witnesses just before the main blast. A Reuters report claims that IRA members trigger the bomb by firing upon the driverless vehicle. It is later determined that the lorry had been stolen the day before in Kingscourt, County Cavan, in the Republic of Ireland.

The blast leaves a crater 200 ft. (61 m) deep and throws debris and shrapnel as far as 300 yards (270 m). The explosion can be heard over 30 miles (48 km) away, as far as Dundalk. This is the biggest bomb detonated by the IRA up to this point. Most of the UDR base is destroyed by the blast and the fire that follows. At first, a massive mortar attack is suspected. Some livestock are killed and windows broken around the nearby Mossfield housing as a result of the explosion. The cars parked outside the base are obliterated. Ceilings are brought down and the local primary school is also damaged.

The barracks is usually manned by eight soldiers, but at the time there are 40 people in the complex, attending a social event. Three UDR soldiers – Lance Corporal Robert Crozier (46), Private Sydney Hamilton (44) and Private Paul Blakely (30) – are killed and ten are wounded. Two of them are caught by the explosion when they come out to investigate after a sentry gives the alarm. A third dies inside the base. Four civilians are also wounded. The Provisional IRA claims responsibility two days later.

Author Kevin Toolis lists the destruction of Glenanne UDR barracks in County Armagh as part of the cycle of violence and tit-for-tat killings in neighbouring County Tyrone. The IRA later claims that the death of three of its men in the town of Coagh is a Special Air Service (SAS) retaliation for the Glenanne bombing.

The base is never rebuilt. It had outlived its operational usefulness and a decision had already been taken to close it down. The decision not to rebuild the compound raises some controversy among unionists. A memorial stone is erected by the main entrance road with the names of the UDR soldiers killed over the years while serving in Glenanne.


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Birth of F. E. McWilliam, Surrealist Sculptor

Frederick Edward McWilliam CBE RA, Northern Irish surrealist sculptor, is born in Banbridge, County Down, on April 30, 1909. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.

McWilliam is the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.

McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.

During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.

After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.

The 1950s see McWilliam receive many commissions including the Four Seasons Group for the Festival of Britain exhibition in 1951. A major commission in 1957 is Princess Macha for Altnagelvin Area Hospital in Waterside, Derry.

During the Northern Ireland Troubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.

In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.

The Arts Council of Northern Ireland organises a retrospective of his work in 1981 and a second retrospective is shown at the Tate Gallery in 1989 for his 80th birthday.

McWilliam continues carving up to his death. He dies of cancer in London on May 13, 1992.

In September 2009 Banbridge District Council opens a gallery and studio dedicated to the work of and named after McWilliam.


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Birth of Ali McMordie, Bass Guitarist of Stiff Little Fingers

Alistair Jardine “Ali” McMordie, bass guitarist best known as a founding member of the punk rock band Stiff Little Fingers, is born in Belfast, Northern Ireland, on March 31, 1959. He plays with the band from 1977 until they break up in 1983 and joins them on the first few years of reunion tours five years later.

Prior to becoming Stiff Little Fingers, Jake Burns (vocals and guitar), Henry Cluney (guitar), Gordon Blair (bass), and Brian Faloon (drums), are playing in a rock music cover band, Highway Star (named after the Deep Purple song), in Belfast. Upon the departure of Blair, McMordie takes over on bass. Cluney has by this time discovered punk, and introduces the rest of the band to it. They decide that Highway Star is not a punk enough name, and after a brief flirtation with the name “The Fast,” decide to call themselves Stiff Little Fingers, after The Vibrators‘ song, which appears on the album Pure Mania.

Stiff Little Fingers is formed in 1977 at the height of the Troubles in Northern Ireland, which informs much of their songwriting. They are the first punk band in Belfast to release a record – the “Suspect Device” single comes out on their own independent label, Rigid Digits. Their album Inflammable Material, released in partnership with Rough Trade Records, becomes the first independent LP to enter the UK top 20.

In the face of low sales and concert attendances, Stiff Little Fingers disbands in 1983. McMordie joins a group of Reading musicians in the newly formed dance-punk band, Friction Groove. They secure a deal with Warner label, Atlantic Records, and go on to record an album, The Black Box, in Berlin and Brussels, from which the first single, “Time Bomb,” charts very briefly.

Around 1986 McMordie provides, along with other Friction Groove members, the core band behind Sinéad O’Connor, who had just arrived in London from Dublin. He is later sacked.

Between 1992 and 1994, McMordie is executive producer for the Peace Together Irish concert events. Since 1994 he has been the tour manager for American artist Richard Hall, AKA Moby, with whose band he has sometimes played bass. He has also been used as the live bassist for Belfast singer-songwriter Dan Donnelly, having played in Dan’s live band at the Beautiful Days music festival in Devon in 2006.

In 2006, it is announced that McMordie is rejoining Stiff Little Fingers for their current tour, and subsequently he rejoins the band on a permanent basis. As of 2021, he is still playing bass with Stiff Little Fingers.

Besides being a live musician, McMordie runs Alistair McMordie Tour Management.


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Gerry Adams & Hillary Clinton Meet in New York City

On March 16, 2015, the eve of Saint Patrick’s Day, two ascendant politicians—one from Ireland, one from the United States—meet in a ballroom at the Essex House, in New York City. Hillary Clinton is there to be inducted into the Irish America Hall of Fame, in recognition of her “outstanding leadership” in bringing peace to Northern Ireland during the 1990s, when her husband was president of the United States. Gerry Adams, the president of the Irish Republican political party Sinn Féin, is there because for many Americans he is a living symbol of that peace. One of the architects of the Good Friday Agreement, which brought an end to the decades-long conflict in Northern Ireland that is known as the Troubles, he is very popular in the United States and makes regular trips here to raise funds for his party. According to a report in The Irish Times, Sinn Féin has raised twelve million dollars in the United States over the prior two decades, from construction companies, labor unions, and movie stars like Anjelica Huston and Martin Sheen.

Adams, however, remains a polarizing figure in Ireland. Though he is a longtime figurehead of the Republican movement, he insists that he was never a member of the Irish Republican Army (IRA) and that he played no role in the violence of the Troubles. Some people in Ireland do not actually believe this story, and, in recent years leading up to this meeting, some of his former compatriots in the Republican movement have said that he authorized a series of wartime atrocities, including the murder and secret burial of Jean McConville, a mother of ten. Adams denies these claims, and generally derides those who ask questions about his past as political foes with an agenda or opponents of the peace process.

“I remember very well when the request came, back in 1993, that my husband approve a visa for Gerry Adams,” Clinton told the crowd at the Essex House. Bill Clinton granted the visa, which was a controversial move at the time, because of Adams’s alleged association with the IRA, but also a crucial moment in the peace process, because it helped cement Adams’s transformation from a revolutionary to a statesman. “Absent that first step, that first risk, we might not have had the momentum to move forward, to get to the Good Friday accords and all that has followed,” Clinton said.

There is no way of knowing whether Clinton, dressed in Kelly green, felt any distaste at the prospect of sharing a table with Adams. There is some thirty-five million Irish Americans, a great many of whom regard Adams as a kind of Nelson Mandela, and no prospective presidential candidate can decline a Saint Patrick’s Day invitation. And to be sure, the IRA is not alone in standing accused of atrocities during the Troubles. Loyalist paramilitary groups and British government forces also perpetrated war crimes for which they have not been brought to account. But Clinton does indicate, obliquely, that the transition in Northern Ireland is not entirely complete. “There is still work to be done,” Clinton acknowledges. “You cannot bring peace and security to people just by signing an agreement.” The question for the people of Northern Ireland, and for Adams’s supporters in the United States, is whether you can bring enduring peace and security without some reckoning—by all parties in the conflict—with the crimes of the past.

(From: “Gerry Adams and Hillary Clinton in New York” by Patrick Radden Keefe, The New Yorker, http://www.new yorker.com, March 17, 2015 | Photo: Hillary Clinton at a previous meeting with Gerry Adams at the State Department in 2009. Photograph by Mark Wilson/Getty)