MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.
At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.
In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.
In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.
Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.
In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.
From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).
MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.
MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.
During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.
McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.
McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.
In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.
Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.
In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.
In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after DameNellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.
By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.
McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.
McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”
In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.
By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.
In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.
McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.
McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.
McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.
Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.
Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5 and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.
After serving as an instructor at the Central Flying School in 1918, Hazell takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, he shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). He is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927, at his own request.
In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.
Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the BurrishooleChurch of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I
The road and castle are on the northern bank of the Newry River, which marks the border between Northern Ireland and the Republic of Ireland. The Republic’s side of the river, the Cooley Peninsula in County Louth, is an ideal spot from which to launch an ambush. It is thickly wooded, which gives cover to the ambushers, and the river border prevents British forces from giving chase.
On the afternoon of August 27, a British Army convoy of one Land Rover and two four-ton lorries carrying soldiers of the 2nd Battalion, Parachute Regiment is driving from Ballykinlar Barracks to Newry. The British Army is aware of the dangers of using the stretch of road along the Newry River and often declares it out of bounds. However, they sometimes use it to avoid setting a pattern. At 4:40 p.m., as the convoy is driving past Narrow Water Castle, an 800-pound fertiliser bomb, hidden among bales of straw on a parked flatbed trailer, is detonated by remote control by IRA members watching from across the border in County Louth. The explosion catches the last lorry in the convoy, hurling it onto its side and instantly killing six paratroopers, whose bodies are scattered across the road. There are only two survivors amongst the soldiers traveling in the lorry, both of whom receive serious injuries. The lorry’s driver, Anthony Wood (19), is one of those killed. All that remains of his body is his pelvis, welded to the seat by the fierce heat of the blast.
According to the soldiers, immediately after the blast they are targeted by rifle fire from the woods on the Cooley Peninsula on the other side of the border, with this view supported by two part-time firefighters assisting the wounded. Shortly afterwards, the two IRA members arrested by the Garda Síochána and suspected of being behind the ambush, are found to have traces of gunsmoke residue on their hands and on the motorbike they are riding. The IRA’s first statement on the incident, however, denies that any shots had been fired at the troops, and according to Royal Ulster Constabulary (RUC) researchers, the soldiers might have mistaken the sound of ammunition cooking off for enemy gunfire. Nevertheless, at the official inquiry the soldiers declare on oath that they had been fired on.
The surviving paratroopers radio for urgent assistance, and reinforcements are dispatched to the scene by road. A rapid reaction unit is sent by Gazelle helicopter, consisting of Lieutenant Colonel David Blair, commanding officer of the Queen’s Own Highlanders, his signaler Lance Corporal Victor MacLeod, and army medics. Another helicopter, a Wessex, lands to pick up the wounded. Colonel Blair assumes command once at the site.
William Hudson, a 29-year-old from London, is killed by the British Army and his cousin Barry Hudson, a 25-year-old native of Dingle, is wounded when shots are fired across the Newry River into the Republic of Ireland about 3 km from the village of Omeath, County Louth.
The pair are partners in ‘Hudson Amusements’ and had been operating their amusements in Omeath for the duration of the Omeath Gala. When the first explosion is heard across the Lough, the pair go down to the shore to see what is unfolding. The pair makes their way to Narrow Water on the southern side of the border to get a better view of what is happening on the northern side. Barry Hudson is shot in the arm and as he falls to the ground he sees his cousin, who is the son of a coachman at Buckingham Palace, fall to the ground, shot in the head. He dies almost immediately.
The IRA had been studying how the British Army behaves after a bombing and correctly predicts that they would set up an incident command point (ICP) at the stone gateway on the other side of the road. At 5:12 p.m., thirty-two minutes after the first explosion, another 800-pound bomb hidden in milk pails explodes at the gateway, destroying it and hurling lumps of granite through the air. It detonates as the Wessex helicopter is taking off carrying wounded soldiers. The helicopter is damaged by the blast but does not crash.
The second explosion kills twelve soldiers, ten from the Parachute Regiment and the two from the Queen’s Own Highlanders. Lieutenant Colonel Blair is the second Lieutenant Colonel to be killed in the Troubles up until then, following Lieutenant Colonel Corden-Lloyd of the 2nd Battalion Royal Green Jackets in 1978. Only one of Colonel Blair’s epaulettes remains to identify him as his body had been vaporised in the blast. The epaulette is taken from the scene by BrigadierDavid Thorne to a security briefing with Prime MinisterMargaret Thatcher to “illustrate the human factor” of the attack. Mike Jackson, then a major in the Parachute Regiment, is at the scene soon after the second explosion and later describes seeing human remains scattered over the road, in the water and hanging from the trees. He is asked to identify the face of his friend, Major Peter Fursman, still recognisable after it had been ripped from his head by the explosion and recovered from the water by divers from the Royal Engineers.
Press photographer Peter Molloy, who arrives at the scene after the first explosion, comes close to being shot by an angry paratrooper who sees him taking photographs of the dead and dying instead of offering to help the wounded. The soldier is tackled by his comrades. Molloy says, “I was shouted at and called all sorts of things, but I understood why. I had trespassed on the worst day of these fellas’ lives and taken pictures of it.”
The Warrenpoint ambush is a victory for the IRA. It is the deadliest attack on the British Army during the Troubles and the Parachute Regiment’s biggest loss since World War II, with sixteen paratroopers killed. General Sir James Glover, Commander of British forces in Northern Ireland, later says it was “arguably the most successful and certainly one of the best planned IRA attacks of the whole campaign.” The ambush happens on the same day that Lord Mountbatten, a prominent member of the British royal family, is killed by an IRA bomb aboard his boat at Mullaghmore, County Sligo, along with three others.
Republicans portray the attack as retaliation for Bloody Sunday in 1972 when the Parachute Regiment shot dead 13 unarmed civilians during a protest march in Derry. Graffiti appears in republican areas declaring “13 gone and not forgotten, we got 18 and Mountbatten.” The day after the Mountbatten and Warrenpoint attacks, the Ulster Volunteer Force (UVF) retaliates by shooting dead a Catholic man, John Patrick Hardy (43), at his home in Belfast‘s New Lodge estate. Hardy is targeted in the mistaken belief that he is an IRA member.
Very shortly after the ambush, IRA volunteers Brendan Burns and Joe Brennan are arrested by the Gardaí. They are stopped while riding a motorbike on a road opposite Narrow Water Castle. They are later released on bail due to lack of evidence. Burns dies in 1988 when a bomb he is handling explodes prematurely. In 1998, former IRA member Eamon Collins claims that Burns had been one of those who carried out the Warrenpoint ambush. No one has ever been criminally charged.
According to Toby Harnden, the attack “drove a wedge” between the Army and the RUC. Lieutenant General Sir Timothy Creasey, General Officer Commanding Northern Ireland, suggests to Margaret Thatcher that internment should be brought back and that liaison with the Gardaí should be left in the hands of the military. Sir Kenneth Newman, the RUC Chief Constable, claims instead that the British Army practice since 1975 of supplying their garrisons in south County Armagh by helicopter gives too much freedom of movement to the IRA. One result is the appointment of Sir Maurice Oldfield to a new position of Co-ordinator of Security Intelligence in Northern Ireland. His role is to co-ordinate intelligence between the military, MI5 and the RUC. Another is the expansion of the RUC by 1,000 members. Tim Pat Coogan asserts that the deaths of the 18 soldiers hastens the move to Ulsterisation.
O’Shannon first becomes a journalist with The Irish Times on leaving the RAF in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).
In July 1972 O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.
O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).
In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan, which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminium production. He admits that he was attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one of the reasons for the move is that he had become unhappy with working at RTÉ, stating in an interview that “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for a television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he missed the varied life and travel of journalism. He retires early from Aughinish in 1992 and returns to making television documentaries with RTÉ.
O’Shannon announces his retirement at the age of 80 on January 12, 2007.
O’Shannon is awarded lifetime membership in the Irish Film & Television Academy in 2010, to which he says is “particularly gratifying that it occurs before I pop my clogs.”
After weakening health for two years, and spending his last days in hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011. His body is reposed at Fanagans Funeral Home in Dublin on October 25, 2011, followed by a funeral the following day at Glasnevin Cemetery Chapel, where it is afterwards cremated.
O’Shannon’s wife, Patsy, whom he met while they were working for The Irish Times office in London, dies in 2006. They are married for more than 50 years. In a 2008 television documentary O’Shannon admits that throughout his marriage he had been a serial womaniser, who had repeatedly engaged in extra-marital affairs unbeknownst to his wife.
Director-General of RTÉNoel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday.
Edward Montgomery O’Rorke Dickey is born in Belfast on July 1, 1894, the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.
Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.
Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.
In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.
Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.
While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.
Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.
Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.
Potter is born in Belfast on September 22, 1918, to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969, in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
Patterson is born on November 10, 1867, at Forgney, Ballymahon, County Longford, the son of a Protestant father and a Roman Catholic mother. He joins the British Army at Dublin in 1885 and is posted with the 3rd Dragoon Guards to India. In 1892 he is seconded to the Indian military works department as a supervisor of civil engineering projects. In 1894 he marries Frances Helena Gray, daughter of William Gray of Cork and Belfast, a building surveyor who founded the free library movement in Belfast. She goes on to earn science and law degrees.
In 1898 Patterson is sent to British East Africa to supervise 3,000 Indian and African labourers who are building a railway bridge spanning the Tsavo River as part of the Mombasa to Lake Victoria line. Construction is interrupted when two man-eating lions repeatedly attack the labourers’ camp at night. He embarks on a lion hunt, but by the time he shoots the two lions they have mauled and mutilated between 130 and 140 labourers.
The following year Patterson leads a safari trip in the protectorate accompanied by Audley James Blyth, a son of James Blyth, 1st Baron Blyth, and his wife, Ethel Jane. During the expedition Blyth shoots himself in the head with a revolver and dies. Patterson claims that Blyth was suffering from heat stroke, but there are rumours of a romantic attachment between Patterson and Mrs. Blyth. The colonial secretary Lord Crewe exonerates Patterson in return for his resignation as chief game warden. The incident serves as the plot for Ernest Hemingway‘s short story “The Short Happy Life of Francis Macomber.”
In 1913 Patterson commands the West Belfast division of the Ulster Volunteer Force (UVF) and sees service in Flanders before being sent to Egypt in early 1915. In Alexandria, two Russian Jewish Zionists, the journalistZe’ev Jabotinsky and veteran of the Russo–Japanese WarJoseph Trumpeldor, ask General John Maxwell, commander of the British forces in Egypt, to establish a Jewish legion that will liberate the Holy Land from the Turks. Maxwell refuses, proposing instead that the Jews form a volunteer transport unit to serve in Gallipoli. Patterson, who is imbued with a deep knowledge of the Old Testament and draws spiritual sustenance from biblical heroes such as Joshua and Gideon, is appointed commander of the Assyrian Jewish refugee mule corps, a colonial corps of the Egyptian expeditionary force. He sails with the Zion Mule Corps, as it is popularly known, to Gallipoli in April 1915, where the corps serves with distinction, carrying water and ammunition to the Allied troops on the peninsula. He falls ill in November 1915 and is sent to convalesce in London. The Zion Mule Corps is evacuated from Gallipoli in December and disbanded in March 1916.
When manpower and political considerations persuade the British authorities to create the Jewish Legion in 1917, Patterson is appointed its commander. He marches his 38th Battalion Royal Fusiliers through the City of London and Whitechapel, cheered by a crowd of several thousand Jews. The Jewish Legion participates in General Edmund Allenby‘s sustained attack, which successfully pushes the Turks out of Palestine. His experiences with his Jewish soldiers turn him into a committed Zionist. In 1916 he writes With the Zionists in Gallipoli, and in 1922 With the Judaeans in the Palestine Campaign, which contain a scathing attack on Britain’s policy towards the Jews during and after World War I.
Throughout the 1920s and 1930s, Patterson increasingly allies himself with the revisionist Zionist agenda espoused by Jabotinsky’s New Zionist Organisation. When World War II breaks out, he travels with Jabotinsky to the United States, moving permanently to La Jolla, California, in 1940. With others, including the Irish Jew and later Lord Mayor of DublinRobert Briscoe, he agitates for the formation of a large Jewish army that would fight with the Allies against Nazi Germany. After Jabotinsky’s death in 1940, he works with Benzion Netanyahu, the Palestinian Jewish executive director of the American revisionist Zionists. In 1946 he becomes godfather to Netanyahu’s first son, who is named Yonatan (the closest Hebrew name to John) in Patterson’s honour. Yonatan later leads Operation Entebbe, the successful 1976 Israeli raid on Entebbe Airport to free Israeli hostages.
On June 18, 1947, just a year before the establishment of the Zionist state of Israel, for which he had worked so hard, Patterson dies at Bel Air, California. A week later, the United Zionist Revisionists of Great Britain hold a memorial meeting at the Anglo–Palestinian Club near Piccadilly Circus in Patterson’s memory. His documents and personal effects are held at the Jabotinsky Institute and Museum in Tel Aviv. His uniform and other memorabilia are on display in Beit Hagdudim, the Jewish Legions Museum at Netanya, Israel. His two man-eating lions are on display in Chicago’s Field Museum of Natural History, where his son Bryan Patterson later serves as curator.
(From: “Patterson, John Henry” by Yanky Fachler, Dictionary of Irish Biography, http://www.dib.ie)
In 1910 Day forms the local Irish Women’s Franchise League branch in Cork as an activist group for women’s suffrage. The following year she leaves that group and founds the non-militant Munster Women’s Franchise League. Her new interest in politics leads to her winning the election of poor law guardians the same year. Her later writings reveal that she sees the Cork workhouses as an expensive self-perpetuating evil run by amateurs. This leads to her first novel, The Amazing Philanthropists (1916). From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Geraldine Cummins, Broken Faith (1913), The Way of the World (1914), and Fox and Geese (1917), which is the most successful of the three.
The Battle of Verdun lasts most of 1916 and during that time Day is amongst a group from the Society of Friends who cares for the wounded. She is in France for fifteen months and uses the experience to create her 1918 book Round about Bar-le-Duc. Where the Mistral Blows is published in 1933 and describes her time in Provence in France.
Day works as a member of the fire service in London during World War II. She lives in Cork, France and London. At the time of her death she is living at 47 Argyle Road, Kensington, London. She dies in the Cromer and District Hospital on May 26, 1964.
The work of Suzanne Rouviere Day and Geraldine Cummins has been described as a mixture of paganism and melodrama and has been suggested as a precursor to John B. Keane.
(Pictured: Suzanne R. Day in the cast of the 1901 production of The Mikado, Cork, County Cork)
seamus dubhghaill 