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Tag Archives: World War II


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Birth of Michael O’Riordan, Founder of the Communist Party of Ireland

Michael O’Riordan, the founder of the Communist Party of Ireland who also fights with the Connolly Column in the International Brigades during the Spanish Civil War, is born at 37 Pope’s Quay, Cork, County Cork, on November 12, 1917.

O’Riordan is the youngest of five children. His parents come from the West Cork Gaeltacht of Ballingeary–Gougane Barra. Despite his parents being native speakers of the Irish language, it is not until he is interned in the Curragh Camp during World War II that he learns Irish, being taught by fellow internee Máirtín Ó Cadhain, who goes on to lecture at Trinity College, Dublin.

As a teenager, O’Riordan joins the Irish nationalist youth movement, Fianna Éireann, and then the Irish Republican Army (IRA). The IRA at the time is inclined toward left-wing politics and socialism. Much of its activity concerns street fighting with the quasi-fascist Blueshirt movement and he fights Blueshirt fascism on the streets of Cork in 1933–34. He is friends with left-wing inclined republicans such as Peadar O’Donnell and Frank Ryan, and in 1934, he follows them into the Republican Congress, a short-lived socialist republican party.

O’Riordan joins the Communist Party of Ireland in 1935 while still in the IRA and works on the communist newspaper The Irish Workers’ Voice. In 1937, following the urgings of Peadar O’Donnell, several hundred Irishmen, mostly IRA or ex-IRA men, go to fight for the Spanish Republic in the Spanish Civil War with the XVth International Brigade. They are motivated in part by enmity towards the 800 or so Blueshirts, led by Eoin O’Duffy who go to Spain to fight on the “nationalist” side in the Irish Brigade. He accompanies a party led by Frank Ryan. In the Republic’s final offensive of July 25, 1938, he carries the flag of Catalonia across the River Ebro. On August 1, he is severely injured by shrapnel on the Ebro front. He is repatriated to Ireland the following month, after the International Brigades are disbanded.

In 1938 O’Riordan is offered an Irish Army commission by the Irish Free State but chooses instead to train IRA units in Cork. As a result of his IRA activities during World War II, or the Emergency as it is known in neutral Ireland, he is interned in the Curragh internment camp from 1939 until 1943 where he is Officer Commanding of the Cork Hut and partakes in Máirtín Ó Cadhain’s Gaelic League classes as well as publishing Splannc (Irish for “Spark,” named after Vladimir Lenin‘s newspaper).

In 1944 O’Riordan is founding secretary of the Liam Mellows Branch of the Labour Party and in 1945 is a founding secretary of the Cork Socialist Party, whose other notable members include Derry Kelleher, Kevin Neville and Máire Keohane-Sheehan.

O’Riordan subsequently works as a bus conductor in Cork and is active in the Irish Transport and General Workers Union (ITGWU). In 1946 he stands as a Cork Socialist Party candidate in the Cork Borough by-election and afterwards moves to Dublin where he lives in Victoria Street with his wife Kay Keohane of Clonakilty, continues to work as a bus conductor and remains active in the ITGWU.

In 1947, O’Riordan is a founding secretary of the Irish Workers’ League and general secretary thereafter, and of its successor organisation the Irish Workers’ Party from 1962–70.

In the 1960s, O’Riordan is a pivotal figure in the Dublin Housing Action Committee which agitates for clearances of Dublin’s slums and for the building of social housing. There, he befriends Fr. Austin Flannery, leading Minister for Finance and future Taoiseach Charles Haughey to dismiss Flannery as “a gullible cleric” while the Minister for Local Government, Kevin Boland, describes him as a “so-called cleric” for sharing a platform with O’Riordan.

In all O’Riordan runs for election five times, campaigning throughout for the establishment of a socialist republic in Ireland but given Ireland’s Catholic conservatism and fear of communism, he does so without success. He does, however, receive playwright Sean O’Casey‘s endorsement in 1951.

O’Riordan’s participation in the Spanish Civil War is always an important part of his political identity. In 1966 he attends the International Brigades’ Reunion in Berlin and is instrumental in having Frank Ryan’s remains repatriated from Germany to Ireland in 1979.

O’Riordan is a member of the Irish Chile Solidarity Committee and attends the 1st Party Congress of the Communist Party of Cuba in 1984. He also campaigns on behalf of the Birmingham Six and attends their Appeal trial in 1990. He serves as General Secretary of the Communist Party of Ireland (1970–83) and as National Chairman of the party (1983–88). He publishes many articles under the auspices of the CPI.

O’Riordan’s last major public outing comes in 2005 at the re-dedication of the memorial outside Dublin’s Liberty Hall to the Irish veterans of the Spanish Civil War. He and other veterans are received by President of Ireland Mary McAleese. He is also presented with Cuba’s Medal of Friendship by the Cuban Consul Teresita Trujillo to Ireland on behalf of Cuban President Fidel Castro.

In 1969, according to Soviet dissident Vasili Mitrokhin, O’Riordan is approached by IRA leaders Cathal Goulding and Seamus Costello with a view to obtaining guns from the Soviet KGB to defend Irish republican areas of Belfast during the communal violence that marks the outbreak of the Troubles. Mitrokhin alleges that O’Riordan then contacts the Kremlin, but the consignment of arms does not reach Ireland until 1972. The operation is known as Operation Splash. The IRA splits in the meantime between the Provisional IRA and the Official IRA and it is the latter faction who receives the Soviet arms. Mitrokhin’s allegations are repeated in Boris Yeltsin‘s autobiography.

O’Riordan’s book, Connolly Column – The Story of the Irishmen who fought for the Spanish Republic 1936–1939, is published in 1979 and deals with the Irish volunteers of the International Brigade who fought in support of the Spanish Republic against Francisco Franco in the Spanish Civil War (1936–1939). An updated version of the book is reprinted in 2005 and is launched by the Lord Mayor of Dublin, Cllr. Michael Conaghan at a book launch at SIPTU headquarters, Liberty Hall. The book is the inspiration for Irish singer-songwriter Christy Moore‘s famous song “Viva la Quinta Brigada.”

In 1991, O’Riordan’s wife dies at the age of 81 at their home. He continues to live in their family home before moving to Glasnevin in 2000 to be close to his son Manus who lives nearby. He lives there until falling ill in November 2005 and is taken to the Mater Hospital. His health rapidly deteriorates, and he quickly develops Alzheimer’s disease. Soon afterwards he is moved to St. Mary’s Hospital in the Phoenix Park where he spends the final few months of his life, before his death at the age of 88 on May 18, 2006.

O’Riordan’s funeral at Glasnevin Crematorium is attended by over a thousand mourners. Following a wake the previous night at Finglas Road, hundreds turn up outside the house of his son Manus and traffic grounds to a halt as family, friends and comrades – many of whom are waving the red flag of the Communist Party of Ireland – escort O’Riordan to Glasnevin Cemetery. A secular ceremony takes place led by Manus O’Riordan, Head of Research at SIPTU, with contributions from O’Riordan’s family, Communist Party general secretary Eugene McCartan and IBMT representative Pauline Frasier.

The funeral congregation includes politicians such as Labour Party leader Pat Rabbitte, his predecessor Ruairi Quinn, party front-bencher Joan Burton, Sinn Féin TD Seán Crowe and councillor Larry O’Toole, ex-Workers’ Party leader Tomás Mac Giolla and former Fianna Fáil MEP Niall Andrews. Also in attendance are union leaders Jack O’Connor (SIPTU), Mick O’Reilly (ITGWU) and David Begg (ICTU). Actors Patrick Bergin, Jer O’Leary, singer Ronnie Drew, artist Robert Ballagh, and newsreader Anne Doyle are also among the mourners. Tributes are paid by President of Ireland Mary McAleese, Taoiseach Bertie Ahern, Sinn Féin leader Gerry Adams and Labour Party TDs Ruairi Quinn and Michael D. Higgins.


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Death of Composer Brian Patrick Boydell

Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.

Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.

Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.

However, his love of music leads him next to the Royal College of Music where he studies composition under Patrick Hadley, Herbert Howells and Vaughan Williams. Already a good pianist, he also becomes a proficient oboe player during this time.

Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.

Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.

Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.

Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.

Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).


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Birth of Thomas MacGreevy, Poet & Former Director of the National Gallery of Ireland

Thomas MacGreevy, a pivotal figure in the history of Irish literary modernism, is born on October 26, 1893, in Tarbert, County Kerry. A poet, he is also director of the National Gallery of Ireland from 1950 to 1963 and serves on the first Irish Arts Council (An Chomhairle Ealaíon).

MacGreevy is the son of a policeman and a primary school teacher. At age 16, he joins the British Civil Service as a boy clerk.

At the outbreak of World War I, MacGreevy is promoted to an intelligence post with the Admiralty. He enlists in 1916 and sees active service at the Ypres Salient and the Somme, being wounded twice. After the war, he studies at Trinity College, Dublin, in whose library his papers are now held. He then becomes involved in various library organisations, begins publishing articles in Irish periodicals, and writes his first poems.

In 1924, MacGreevy is first introduced to James Joyce in Paris. The following year he moves to London, where he meets T. S. Eliot and begins writing for The Criterion and other magazines. He also begins publishing his poetry.

In 1927, MacGreevy moves to Paris to teach English at the École normale supérieure. Here he meets Samuel Beckett and resumes his friendship with Joyce. His essay The Catholic Element in Work In Progress is published in 1929 in Our Exagmination Round His Factification for Incamination of Work In Progress, a book intended to help promote Joyce’s Finnegans Wake. Along with Beckett, he is one of those who signs the Poetry is Vertical manifesto which appears in issue 21 of transition. In 1931, he produces critical studies of both Eliot and Richard Aldington.

In 1934, Poems is published in London and New York City. The work shows that MacGreevy has absorbed the lessons of Imagism and of The Waste Land, but also demonstrates that he has brought something of his own to these influences. The book is admired by Wallace Stevens and the two poets become regular correspondents.

Unfortunately, although MacGreevy continues to write poetry, this is the only collection published in his lifetime. Since his death there have been two Collected Poems issued, one in 1971 and an edited edition collecting his published and unpublished poetry published twenty years later.

In 1929 MacGreevy begins working at Formes, a journal of the fine arts. He also publishes a translation of Paul Valéry‘s Introduction à la méthode de Léonard de Vinci as Introduction to the Method of Leonardo da Vinci. In the mid-1930s, he moves back to London and earns his living lecturing at the National Gallery there.

From 1938 to 1940 MacGreevy is the chief art critic for The Studio. He publishes several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960).

MacGreevy is a lifelong Roman Catholic. His faith informs both his poetry and his professional life. On returning to Dublin during World War II, he writes for both the Father Mathew Record and the Capuchin Annual and joins the editorial board of the latter.

MacGreevy is director of the National Gallery of Ireland from 1950–63. Although to many he seems a surprising choice, his latent talents as an administrator are brought to the fore. He is instrumental in bringing to the gallery such ideas as a lecture series and in-house restoration, which are commonplace abroad. It is through his persistent requests to the government that an extension to the gallery is approved. Unfortunately, the demands of the position take its toll. He has two heart attacks in 1956 and 1957 and ill health forces him to retire in 1963.

During his last years MacGreevy begins writing poetry again. He also begins his memoirs, which he never completes. He is admitted to the Portobello Nursing Home in Dublin for what is to be a minor operation in March 1967. He dies from heart failure on Saint Patrick’s Day eve, March 16, 1967.


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Death of John McCormack, Renowned Irish Tenor

Papal Count John Francis McCormack, KSG, KSS, KHS, Irish tenor celebrated for his performances of the operatic and popular song repertoires, and renowned for his diction and breath control, dies in Booterstown, Dublin, on September 16, 1945.

McCormack is born on June 14, 1884, in Athlone, County Westmeath, the second son and fifth of the 11 children of Andrew McCormack and his wife Hannah Watson. His parents are both from Galashiels, Scotland, and work at the Athlone Woolen Mills, where his father is a foreman. He is baptised in St. Mary’s Church, Athlone, on June 23, 1884.

McCormack receives his early education from the Marist Brothers in Athlone and later attends Summerhill College, Sligo. He sings in the choir of the old St. Peter’s Church in Athlone under his choirmaster Michael Kilkelly. When the family moves to Dublin, he sings in the choir of St. Mary’s Pro-Cathedral where he is discovered by Vincent O’Brien. In 1903 he wins the coveted gold medal of the Dublin Feis Ceoil. He marries Lily Foley in 1906 and they have two children, Cyril and Gwen.

In March 1904, McCormack becomes associated with James Joyce, who at the time has singing ambitions himself. He persuades Joyce to enter the Feis Ceoil that year, where the not yet famous writer is awarded the Bronze Medal.

Fundraising activities on his behalf enable McCormack to travel to Italy in 1905 to receive voice training by Vincenzo Sabatini, father of the novelist Rafael Sabatini, in Milan. Sabatini finds McCormack’s voice naturally tuned and concentrates on perfecting his breath control, an element that becomes part of the basis of his renown as a vocalist.

In 1906, McCormack makes his operatic début at the Teatro Chiabrera, Savona. The next year, he begins his first important operatic performance at Covent Garden in Pietro Mascagni‘s Cavalleria rusticana, becoming the theatre’s youngest principal tenor. In 1909, he begins his career in the United States.

In February 1911, McCormack plays Lieutenant Paul Merrill in the world premiere of Victor Herbert‘s opera Natoma with Mary Garden in the title role. Later that year, he tours Australia after Dame Nellie Melba engages him, then at the height of his operatic career, aged 27, as a star tenor for the Melba Grand Opera Season. He returns for concert tours in subsequent years.

By 1912, McCormack is beginning to become involved increasingly with concert performances, where his voice quality and charisma ensures that he becomes the most celebrated lyric tenor of his time. He does not, however, retire from the operatic stage until after his performance of 1923 in Monte Carlo, although by then the top notes of his voice have contracted. Famous for his extraordinary breath control, he can sing 64 notes on one breath in Mozart‘s “Il mio tesoro” from Don Giovanni, and his Handelian singing is just as impressive in this regard.

McCormack makes hundreds of recordings, his best-known and most commercially successful series of records being those for the Victor Talking Machine Company during the 1910s and 1920s. He is Victor’s most popular Red Seal recording artist after tenor Enrico Caruso. In the 1920s, he sings regularly on radio and later appears in two sound films, Song o’ My Heart (1930), playing an Irish tenor, and as himself appearing in a party scene in Wings of the Morning (1937), the first British three-strip Technicolor feature.

McCormack is one of the first artists to record the popular ballad “I Hear You Calling Me” written in 1908 by Harold Harford and Charles Marshall. He records it twice for Odeon Records starting in 1908 and a further four times for Victor between 1910 and 1927, becoming his best seller. He is the first artist to record the famous World War I song “It’s a Long Way to Tipperary” in 1914. He also records a best-selling version of another popular World War I tune, “Keep the Home Fires Burning,” in 1917. He also sings songs expressive of Irish nationalism and endorses the Irish Nationalist estrangement from the United Kingdom. He is associated particularly with the songs of Thomas Moore, notably “The Harp That Once Through Tara’s Halls,” “The Minstrel Boy,” “Believe Me If All (Those Endearing Young Charms),” and “The Last Rose of Summer.” Between 1914 and 1922, he records almost two dozen songs with violin accompaniment provided by Fritz Kreisler, with whom he also tours. He records songs of Hugo Wolf for the Hugo Wolf Society in German. In 1918, he records the song “Calling Me Home to You.”

In 1917, McCormack becomes a naturalised citizen of the United States. In June 1918, he donates $11,458 toward the U.S. World War I effort. By then, his career is a huge financial success, earning millions in his lifetime from record sales and appearances.

By 1920, Edwin Schneider has become McCormack’s accompanist and the two are “inseparable.” When Schneider retires, Gerald Moore takes over as accompanist from 1939 to 1943.

In 1927, McCormack moves into Moore Abbey, Monasterevin, County Kildare, and adopts a very opulent lifestyle by Irish standards. He also owns apartments in London and New York. He hopes that one of his racehorses, such as Golden Lullaby, would win The Derby, but this never occurs.

McCormack also purchases Runyon Canyon in Hollywood in 1930 from Carman Runyon. He sees and likes the estate while there filming Song o’ My Heart (1930), an early all-talking, all-singing picture. He uses his salary for this movie to purchase the estate and builds a mansion he calls ‘San Patrizio,’ after Saint Patrick. He and his wife live in the mansion until they return to England in 1938.

McCormack tours often, and in his absence, the mansion is often let to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks make many friends in Hollywood, among them Errol Flynn, Will Rogers, John Barrymore, Basil Rathbone, Ronald Colman, Charles E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deed the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervenes and he does not return.

McCormack originally ends his career at the Royal Albert Hall in London, during 1938. However, one year after that farewell concert, he is back singing for the Red Cross and in support of the war effort. He gives concerts, tours, broadcasts and records in this capacity until 1943 when poor health finally forces him to retire permanently.

Ill with emphysema, McCormack purchases a house near the sea, “Glena,” Booterstown, Dublin. After years of increasingly poor health, and a series of infectious illnesses, including influenza and pneumonia, he dies at his home in Booterstown on September 16, 1945. He is buried in Deans Grange Cemetery, St. Patrick’s section, plot reference E/120.


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Death of Thomas Falcon Hazell, World War I Fighter Pilot

Thomas Falcon Hazell, fighter pilot with the Royal Flying Corps and later the Royal Air Force during World War I, dies in Newport, County Mayo, on September 4, 1946. He scores 43 victories in 1917–18 making him the fifth most successful British “flying ace” of the war, the third most successful Irish-born pilot behind Edward Mannock and George McElroy, and the only pilot to survive the war from both groups.

Hazell is born in Roundstone, County Galway, on August 7, 1892. Upon the outbreak of the war in August 1914, he volunteers for service as a private with the South Irish Horse. On October 10 he is commissioned as second lieutenant in the 7th Battalion, Royal Inniskilling Fusiliers. As part of the 49th Brigade in the 16th (Irish) Division, the 7th Inniskillings are initially based at Tipperary, where he is promoted to lieutenant on June 4, 1915. The regiment lands in France in February 1916.

Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5 and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.

After serving as an instructor at the Central Flying School in 1918, Hazell takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, he shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). He is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927, at his own request.

In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.

Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the Burrishoole Church of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I.


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The Warrenpoint Ambush

The Warrenpoint ambush, also known as the Narrow Water ambush, the Warrenpoint massacre or the Narrow Water massacre, is a guerrilla attack by the Provisional Irish Republican Army (IRA) on August 27, 1979. The IRA’s South Armagh Brigade ambushes a British Army convoy with two large roadside bombs on the A2 road at Narrow Water Castle, just outside Warrenpoint, County Down, Northern Ireland.

The road and castle are on the northern bank of the Newry River, which marks the border between Northern Ireland and the Republic of Ireland. The Republic’s side of the river, the Cooley Peninsula in County Louth, is an ideal spot from which to launch an ambush. It is thickly wooded, which gives cover to the ambushers, and the river border prevents British forces from giving chase.

On the afternoon of August 27, a British Army convoy of one Land Rover and two four-ton lorries carrying soldiers of the 2nd Battalion, Parachute Regiment is driving from Ballykinlar Barracks to Newry. The British Army is aware of the dangers of using the stretch of road along the Newry River and often declares it out of bounds. However, they sometimes use it to avoid setting a pattern. At 4:40 p.m., as the convoy is driving past Narrow Water Castle, an 800-pound fertiliser bomb, hidden among bales of straw on a parked flatbed trailer, is detonated by remote control by IRA members watching from across the border in County Louth. The explosion catches the last lorry in the convoy, hurling it onto its side and instantly killing six paratroopers, whose bodies are scattered across the road. There are only two survivors amongst the soldiers traveling in the lorry, both of whom receive serious injuries. The lorry’s driver, Anthony Wood (19), is one of those killed. All that remains of his body is his pelvis, welded to the seat by the fierce heat of the blast.

According to the soldiers, immediately after the blast they are targeted by rifle fire from the woods on the Cooley Peninsula on the other side of the border, with this view supported by two part-time firefighters assisting the wounded. Shortly afterwards, the two IRA members arrested by the Garda Síochána and suspected of being behind the ambush, are found to have traces of gunsmoke residue on their hands and on the motorbike they are riding. The IRA’s first statement on the incident, however, denies that any shots had been fired at the troops, and according to Royal Ulster Constabulary (RUC) researchers, the soldiers might have mistaken the sound of ammunition cooking off for enemy gunfire. Nevertheless, at the official inquiry the soldiers declare on oath that they had been fired on.

The surviving paratroopers radio for urgent assistance, and reinforcements are dispatched to the scene by road. A rapid reaction unit is sent by Gazelle helicopter, consisting of Lieutenant Colonel David Blair, commanding officer of the Queen’s Own Highlanders, his signaler Lance Corporal Victor MacLeod, and army medics. Another helicopter, a Wessex, lands to pick up the wounded. Colonel Blair assumes command once at the site.

William Hudson, a 29-year-old from London, is killed by the British Army and his cousin Barry Hudson, a 25-year-old native of Dingle, is wounded when shots are fired across the Newry River into the Republic of Ireland about 3 km from the village of Omeath, County Louth.

The pair are partners in ‘Hudson Amusements’ and had been operating their amusements in Omeath for the duration of the Omeath Gala. When the first explosion is heard across the Lough, the pair go down to the shore to see what is unfolding. The pair makes their way to Narrow Water on the southern side of the border to get a better view of what is happening on the northern side. Barry Hudson is shot in the arm and as he falls to the ground he sees his cousin, who is the son of a coachman at Buckingham Palace, fall to the ground, shot in the head. He dies almost immediately.

The IRA had been studying how the British Army behaves after a bombing and correctly predicts that they would set up an incident command point (ICP) at the stone gateway on the other side of the road. At 5:12 p.m., thirty-two minutes after the first explosion, another 800-pound bomb hidden in milk pails explodes at the gateway, destroying it and hurling lumps of granite through the air. It detonates as the Wessex helicopter is taking off carrying wounded soldiers. The helicopter is damaged by the blast but does not crash.

The second explosion kills twelve soldiers, ten from the Parachute Regiment and the two from the Queen’s Own Highlanders. Lieutenant Colonel Blair is the second Lieutenant Colonel to be killed in the Troubles up until then, following Lieutenant Colonel Corden-Lloyd of the 2nd Battalion Royal Green Jackets in 1978. Only one of Colonel Blair’s epaulettes remains to identify him as his body had been vaporised in the blast. The epaulette is taken from the scene by Brigadier David Thorne to a security briefing with Prime Minister Margaret Thatcher to “illustrate the human factor” of the attack. Mike Jackson, then a major in the Parachute Regiment, is at the scene soon after the second explosion and later describes seeing human remains scattered over the road, in the water and hanging from the trees. He is asked to identify the face of his friend, Major Peter Fursman, still recognisable after it had been ripped from his head by the explosion and recovered from the water by divers from the Royal Engineers.

Press photographer Peter Molloy, who arrives at the scene after the first explosion, comes close to being shot by an angry paratrooper who sees him taking photographs of the dead and dying instead of offering to help the wounded. The soldier is tackled by his comrades. Molloy says, “I was shouted at and called all sorts of things, but I understood why. I had trespassed on the worst day of these fellas’ lives and taken pictures of it.”

The Warrenpoint ambush is a victory for the IRA. It is the deadliest attack on the British Army during the Troubles and the Parachute Regiment’s biggest loss since World War II, with sixteen paratroopers killed. General Sir James Glover, Commander of British forces in Northern Ireland, later says it was “arguably the most successful and certainly one of the best planned IRA attacks of the whole campaign.” The ambush happens on the same day that Lord Mountbatten, a prominent member of the British royal family, is killed by an IRA bomb aboard his boat at Mullaghmore, County Sligo, along with three others.

Republicans portray the attack as retaliation for Bloody Sunday in 1972 when the Parachute Regiment shot dead 13 unarmed civilians during a protest march in Derry. Graffiti appears in republican areas declaring “13 gone and not forgotten, we got 18 and Mountbatten.” The day after the Mountbatten and Warrenpoint attacks, the Ulster Volunteer Force (UVF) retaliates by shooting dead a Catholic man, John Patrick Hardy (43), at his home in Belfast‘s New Lodge estate. Hardy is targeted in the mistaken belief that he is an IRA member.

Very shortly after the ambush, IRA volunteers Brendan Burns and Joe Brennan are arrested by the Gardaí. They are stopped while riding a motorbike on a road opposite Narrow Water Castle. They are later released on bail due to lack of evidence. Burns dies in 1988 when a bomb he is handling explodes prematurely. In 1998, former IRA member Eamon Collins claims that Burns had been one of those who carried out the Warrenpoint ambush. No one has ever been criminally charged.

According to Toby Harnden, the attack “drove a wedge” between the Army and the RUC. Lieutenant General Sir Timothy Creasey, General Officer Commanding Northern Ireland, suggests to Margaret Thatcher that internment should be brought back and that liaison with the Gardaí should be left in the hands of the military. Sir Kenneth Newman, the RUC Chief Constable, claims instead that the British Army practice since 1975 of supplying their garrisons in south County Armagh by helicopter gives too much freedom of movement to the IRA. One result is the appointment of Sir Maurice Oldfield to a new position of Co-ordinator of Security Intelligence in Northern Ireland. His role is to co-ordinate intelligence between the military, MI5 and the RUC. Another is the expansion of the RUC by 1,000 members. Tim Pat Coogan asserts that the deaths of the 18 soldiers hastens the move to Ulsterisation.

Lieutenant Colonel Blair is remembered on a memorial at Radley College, Oxfordshire.


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Birth of Cathal O’Shannon, Journalist & Television Presenter

Cathal O’Shannon, Irish journalist and television presenter, is born in Marino, Dublin, on August 23, 1928. He is a reporter with The Irish Times, and television reporter/presenter and documentary film maker with RTÉ. The Irish radio and television broadcaster Terry Wogan describes O’Shannon as possibly the greatest Irish television journalist of the 20th century.

O’Shannon is the son of Cathal O’Shannon (Sr.), a Socialist and Irish Republican. He receives his formal education at Colaiste Mhuire School, in Parnell Square, Dublin. Despite his father’s politics, as a 16-year-old he volunteeres for war time service with the Royal Air Force (RAF) in Belfast in 1945 during World War II. He utilizes a forged birth certificate to disguise being underage for enlistment with the British Armed Forces. After air crew training, he is posted to the Far East, as a tail gunner in an Avro Lancaster bomber to take part in the Burma campaign, but the war ends with the downfall of the Japanese Empire before he is required to fly combat sorties.

O’Shannon first becomes a journalist with The Irish Times on leaving the RAF in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).

In July 1972 O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.

O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).

In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan, which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminium production. He admits that he was attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one of the reasons for the move is that he had become unhappy with working at RTÉ, stating in an interview that “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for a television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he missed the varied life and travel of journalism. He retires early from Aughinish in 1992 and returns to making television documentaries with RTÉ.

In January 2007, O’Shannon’s last documentary, Hidden History: Ireland’s Nazis, is broadcast by RTÉ as a two-part series. It explores how a number of former Nazis and Nazi collaborators from German-occupied Europe go to live in the Republic of Ireland after World War II — the best known of whom is Otto Skorzeny, who lives for a period in County Kildare. Others include such Breton nationalists as Alan Heusaff, Yann Fouéré and Yann Goulet, as well as two Belgians, Albert Folens and Albert Luykx.

O’Shannon announces his retirement at the age of 80 on January 12, 2007.

O’Shannon is awarded lifetime membership in the Irish Film & Television Academy in 2010, to which he says is “particularly gratifying that it occurs before I pop my clogs.”

After weakening health for two years, and spending his last days in hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011. His body is reposed at Fanagans Funeral Home in Dublin on October 25, 2011, followed by a funeral the following day at Glasnevin Cemetery Chapel, where it is afterwards cremated.

O’Shannon’s wife, Patsy, whom he met while they were working for The Irish Times office in London, dies in 2006. They are married for more than 50 years. In a 2008 television documentary O’Shannon admits that throughout his marriage he had been a serial womaniser, who had repeatedly engaged in extra-marital affairs unbeknownst to his wife.

Director-General of RTÉ Noel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday.


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Death of E. M. O’R. Dickey, Wood Engraver & Painter

E. M. O’R. Dickey, wood engraver and oil painter who is active at the beginning of the twentieth century, dies on August 12, 1977. He is a founder member of the Society of Wood Engravers.

Edward Montgomery O’Rorke Dickey is born in Belfast on July 1, 1894, the son of Edward O’Rorke Dickey. He later marries Eunice Emmeline Howard and they have one son, Daniel. He is educated at Wellington College and Trinity College, Cambridge. He studies painting under Harold Gilman at the Westminster School of Art.

Dickey is art master at Oundle School in Oundle, Northamptonshire, England, and then becomes professor of fine art and director of King Edward VII School of Art, Armstrong College, Durham University from 1926 to 1931. He is then staff inspector of art from 1931 to 1957 for the Ministry of Education.

At the beginning of World War II Dickey is seconded from the Ministry of Information and, from 1939 to 1942, is secretary of the War Artists’ Advisory Committee. He is a full member of the committee from 1942 to 1945. During this period he establishes a close relationship with Eric Ravilious. He is appointed a CBE in 1952.

Dickey becomes the first curator of The Minories in Colchester, Essex, a post he holds for five years from 1957 to 1962.

Dickey is a founder member of the Society of Wood Engravers in 1920, and exhibits with them from 1920 to 1924. He is at his most active in the early 1920s and virtually all his engravings date from this period.

In 1922 Dickey contributes a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Gerald Duckworth and Company and an enthusiast for the new style of wood engravings. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, writes about him in his introduction to the book Mr. Hagreen and Mr. Dickey are among the engravers who rely very much upon the effective use of white lines and spaces. This is a limited edition of 550 copies, as is the only book that he illustrates with wood engravings, Workers by the Irish writer Richard Rowley, published by Balston at Duckworth in 1923.

Dickey devotes more time to working in oils. He is one of the most experimental painters in Ireland technically and stylistically. He paints extensively on the continent, and shows at the Royal Academy of Arts and the New English Art Club. He is elected to the London Group in 1920. He has several one-man exhibitions, at the Leicester Galleries in 1923, at the Manchester City Art Gallery in 1924, and the Beaux Arts Gallery in 1935.

There are a number of examples of Dickey’s oil paintings in public collections.

Dickey’s lasting legacy, rather than his wood engravings and oils, is his distinguished contribution to arts administration and art education.

(Pictured: “Kentish Town Railway Station” by Edward Montgomery O’Rorke Dickey, oil on canvas, 1919, Hollytrees Museum, United Kingdom)


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Birth of Liam Redmond, Stage, Film & Television Character Actor

Liam Redmond, Irish character actor known for his stage, film and television roles, is born in Limerick, County Limerick, on July 27, 1913.

Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.

While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.


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Death of A. J. Potter, Irish Composer & Teacher

Archibald James (Archie) Potter, Irish composer and teacher who writes hundreds of works including operas, a mass, and four ballets, as well as orchestral and chamber music, dies suddenly in Greystones, County Wicklow, on July 5, 1980.

Potter is born in Belfast on September 22, 1918, to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.

Possessed of a good voice and natural musical ability, Potter is accepted as a treble by the world-famous choir of All Saints, Margaret Street. In 1933, after four years as a chorister, he is sent to Clifton College, Bristol. From there he goes to the Royal College of Music on a scholarship and studies composition under Vaughan Williams. While at the Royal College he wins the Cobbett prize for chamber music.

World War II interrupts Potter’s music education, and he leaves college to serve with the London Irish Rifles in Europe and the Far East. After the war he settles in Dublin, where he continues his studies at Trinity College, Dublin, gaining a Doctorate in Music in 1953.

Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicator Arnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.

In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.

In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969, in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.

Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.

Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.