Prosperous is founded by Sir Robert Brooke in 1780 as a village for processing cotton produced in the Americas. When a rebellion spearheaded by the United Irishmen breaks out against British rule in Ireland, rebel forces led by John Esmonde make plans to capture Prosperous. Esmonde has 200 rebels under his command, while Prosperous is garrisoned by elements of the Royal Cork City Militia under the command of Captain Richard Swayne and reinforced by detachments of a Welsh mounted fencible regiment, the Ancient British Regiment of Fencible Cavalry Dragoons (also known as the Ancient Britons), numbering 150 men in all.
On May 24, 1798, Esmonde leads his forces to attack Prosperous. Their entry is preceded by the infiltration of a small rebel vanguard, who with the possible help of female sympathisers residing in Prosperous, scale the walls of the town’s barracks, kill the sentries and open the town gates. The barracks are quickly surrounded and attacked by the rebels who repulse an attempt by the garrison to break out. “Swayne himself was surprised in bed, shot and piked to death and his body burned in a tar barrel.” The remainder of the garrison are trapped in the upper floors of the barracks, which is set on fire by the rebels, causing them to jump in desperation onto the ground below, where they are summarily executed with pikes. While the rebels suffer no known casualties, approximately 40 members of the garrison are killed in the battle.
Ten members of the garrison, all belonging to the Ancient Britons, manage to escape from Prosperous to Dunlavin, County Wicklow, where they participate in the Dunlavin Green executions on May 26. Esmonde is later captured by Crown forces and brought to Dublin for trial. As he had previously enlisted at the rank of lieutenant in the ClaneYeomanry, Esmonde is court-martialled on June 13 and found guilty of being a deserter. He is executed by hanging on June 14 on Carlisle Bridge (now the O’Connell Bridge) with his coat being worn reversed to indicate that he had been convicted of desertion. Prosperous remains under the control of the United Irishmen until June 19, when a detachment of the 5th Dragoon Guards under the command of Lieutenant Colonel Stewart recaptures the town.
Richards is born to John William Richards, a lawyer, and Adelaide Roper, suffragist who had chained herself to the railings in St. Stephen’s Green. She goes to school at Alexandra College, Dublin, and after that she attends a finishing school in Paris. Though her family is not in the arts, her godmother is Beatrice Elvery. Shes attends Elvery’s salons with her parents as a child. She meets W. B. Yeats when she is sixteen. Her niece, Geraldine Fitzgerald, daughter of her sister, Edith Catherine Richards, is also one of Ireland’s pre-eminent actresses.
Richards’s acting career starts while attending the Dublin drama league and she is asked at short notice to replace Eileen Crowe in Juno and the Paycock, playing the role of Mary Boyle in the Abbey Theatre production. Richards gets the role of Nora Clithero in the 1926 production of The Plough and the Stars, Seán O’Casey‘s next production. This role means that she ends up with police protection for the duration of the run due to the disturbances the play engenders. Another important role is to take on playing the lead in The Player Queen by Yeats. Maire O’Neill had previously made the role her own and Yeats had let no one perform the part since then so taking on such a challenge is intimidating. Richards continues to take on leading roles with the Abbey Theatre but in 1926 she also begins to direct.
On December 28, 1928, Richards marries playwright Denis Johnston in St. Anne’s Church in Dublin. She tours the United States with the Abbey players in 1932 and with the Irish Players in the mid 1930s. A role in 1938 in Molly Keane‘s Spring Meeting starring Gladys Cooper and A. E. Matthews takes her to Broadway in New York City. War in Europe breaks out while the run is still going on and Richards is advised to stay in the United States. However, by then she has two children, producer Micheal and novelist Jennifer Johnston, so she returns to Dublin. There she runs her own theater company at the Olympia Theatre with Nigel Heseltine. Her marriage to Johnston, broken in 1938, ends with divorce in February 1945.
In 1961 Ireland launches its first television service, Raidió Teilifís Éireann. Richards is one of the first producers, recommended to the station by Hilton Edwards. She is one of the few women in the new station. The first Irish play produced during the opening week is directed by her and she is nominated for a Best Actress award in another production, Inquiry at Lisieux. She works as producer on a wide number of programs for the station including documentaries, soap operas and religious programming. Both Tolka Row and The Riordans are produced by her as well as Denis Johnston’s The Moon on the Yellow River, George Bernard Shaw‘s Arms and the Man and John Millington Synge‘s Riders to the Sea.
Richards retires from her RTÉ career in the early 1970s though she continues to raise funds for the Gate Theatre through the Edwards–MacLiammóir Playhouse Society. In 1983, for her 80th birthday, the Abbey puts on a party for her which includes a special rendition of “Nora” from The Plough and the Stars. Richards is the last living member of the original 1926 cast. The song is repeated at her funeral in 1985. She died in Ballybrack, County Dublin, on January 19, 1985. Her funeral is held in St. Anne’s Church in Dublin and she is cremated in Glasnevin Cemetery.
Williams’s father works as a butcher and her mother is a housewife. She receives her primary education from St. Teresa Primary School in Belfast and attends St. Dominic’s Grammar School for Girls for her secondary school studies. Upon completing her formal education, she takes up a job of office receptionist.
Rare for the time in Northern Ireland, Williams’s father is Protestant and her mother is Catholic, a family background from which she later says she derived religious tolerance and a breadth of vision that motivated her to work for peace. Early in the 1970s she joins an anti-violence campaign headed by a Protestant priest. She credits this experience for preparing her to eventually found her own peace movement, which focuses on creating peace groups composed of former opponents, practicing confidence-building measures, and the development of a grassroots peace process.
Williams is drawn into the public arena after witnessing the death of three children on August 10, 1976, when they are hit by a car whose driver, an Irish Republican Army (IRA) paramilitary named Danny Lennon, had been fatally shot in return fire by a soldier of the King’s Own Royal Border Regiment. As she turns the corner to her home, she sees the three Maguire children crushed by the swerving car and rushes to help. Their mother, Anne Maguire, who is with the children, dies by suicide in January 1980.
Williams is so moved by the incident that within two days of the tragic event, she obtains 6,000 signatures on a petition for peace and gains wide media attention. With Mairead Corrigan, she co-founds the Women for Peace which, with Ciaran McKeown, later becomes the Community of Peace People.
Williams soon organises a peace march to the graves of the slain children, which is attended by 10,000 Protestant and Catholic women. However, the peaceful march is violently disrupted by members of the IRA, who accuse them of being “dupes of the British.” The following week, she leads another march in Ormeau Park that concludes successfully without incident – this time with 20,000 participants.
In recognition of her efforts for peace, Williams, together with Corrigan, become joint recipients of the Nobel Peace Prize for 1976.
The Peace Prize money is divided equally between Williams and Corrigan. Williams keeeps her share of the money, stating that her intention is to use it to promote peace beyond Ireland, but faces criticism for her decision. She and Corrigan have no contact after 1976. In 1978, Williams breaks off links with the Peace People movement and becomes instead an activist for peace in other areas around the world.
Williams receives the People’s Peace Prize of Norway in 1976, the Golden Plate Award of the American Academy of Achievement in 1977, the Schweitzer Medallion for Courage, the Martin Luther King, Jr. Award, the Eleanor Roosevelt Award in 1984, and the Frank Foundation Child Care International Oliver Award. In 1995, she is awarded the Rotary International “Paul Harris Fellowship” and the Together for Peace Building Award.
At the 2006 Earth Dialogues forum in Brisbane, Williams tells an audience of schoolchildren during a speech on Iraq War casualties that “Right now, I would like to kill George W. Bush.” From September 17 to 20, 2007, she gives a series of lectures in Southern California. On September 18, she presents a lecture to the academic community of Orange County entitled “Peace in the World Is Everybody’s Business” and on September 20 she gives a lecture to 2,232 members of the general public, including 1,100 high school sophomores, at Soka University of America. In 2010, she gives a lecture at WE DayToronto, a WE Charity event that empowers students to be active within their communities, and worldwide.
Speaking at the University of Bradford before an audience of 200 in March 2011, Williams warns that young Muslim women on campus are vulnerable to attacks from angry family members, while the university does little to help protect them. “If you had someone on this campus these young women could go to say, ‘I am frightened’ – if you are not doing that here, you are dehumanising them by not helping these young women, don’t you think?”
At the time she receives the Nobel Prize, Williams works as a receptionist and is raising her two children with her first husband Ralph Williams. This marriage is dissolved in 1981. She marries businessman James Perkins in December 1982 and they live in Florida in the United States.
In 2004, Williams returns to live in Northern Ireland. She dies on March 17, 2020, at the age of 76 in Belfast.
A major at the outbreak of the Second Boer War in 1899, Hickie serves on the staff of Lieutenant-Colonel P. W. J. Le Gallais, commanding officer of the mounted infantry. On November 6, 1900, he is involved in an attempt to capture General Christiaan De Wet at the Battle of Bothaville, when a force led by Le Gallais and Lieutenant-Colonel Wally Ross storm De Wet’s camp. De Wet escapes, while a rearguard of 100 men engages the British force. In a fierce fight Le Gallais is killed, and Wally Ross is badly wounded. Hickie decides to charge the Boer position and leads his small force forward just as reinforcements under Major-General C. E. Knox arrive. The Boers immediately surrender, and some are found with explosive bullets. He wants to execute them immediately, but Knox insists that they be tried. Exasperated with the whole affair, Hickie gives a highly critical interview after the action which is later published in The TimesHistory of the War in South Africa (7 vols, 1900–09), edited by Leo Amery.
Hickie is promoted to brevetlieutenant colonel in 1901 and appointed deputy-assistant adjutant general of the 8th division (1903–06). In 1906, he is given command of the 1st battalion of the Royal Fusiliers. Promoted to colonel in 1912, he serves as assistant quartermaster general of the Irish command (1912–14) and is appointed a Companion of the Order of the Bath in 1914. On the outbreak of World War I, he is promoted to brigadier general and serves in Belgium and France in command of the adjutant’s and quartermaster-general’s department of II Corps. In this capacity, he is involved in the retreat following the Battle of Mons and during the First Battle of the Marne (September 1914). In December 1915, he is appointed to command the 16th (Irish) Division, with the rank of major general, replacing General Sir Lawrence W. Parsons. The division is based around a core of Redmondite National Volunteers, and Hickie, a Catholic and a home ruler, is an acceptable commander to John Redmond and other Irish nationalists.
Hickie is professional, politically adept, and popular with his men, and under his leadership the 16th is renowned for its aggressive fighting spirit. He commands the division during the Battle of the Somme in 1916 and, while proud of his men’s success in capturing Guillemont and Ginchy (September 1916), is appalled by their losses. When the division is ordered to capture Messines (now Mesen) in June 1917, he gives Major Willie Redmond permission to advance as far as the first objective and, following Redmond’s death, reproaches himself bitterly. After this attack the division is transferred to the fifth army and provides assault troops for future attacks. During the Third Battle of Ypres, and especially during the attack on Langemarck in August 1917, the division suffers horrendous casualties, losing 221 officers and 4,064 men. Among the casualties is Fr. Willie Doyle, who Hickie unsuccessfully recommends for a Victoria Cross. The division’s losses at Langemarck are highlighted by Irish MPs in the House of Commons, and Hickie’s handling of the attack is criticised. By this time, nationalist disillusionment with the war means that few Irish replacements are available, and Hickie is forced to accept increasing numbers of non-Irish conscripts into the division. Worn down by years of command, his health finally breaks, and, in February 1918, he is sent home on sick leave, being replaced by Major-General Sir Richard Amyatt Hull.
In 1918, Hickie is created a Knight Commander of the Order of the Bath (KCB) and is also awarded the French Croix de Guerre. During the Irish War of Independence (1919–21), he is critical of the methods used by Crown forces, denouncing in particular the indiscipline of the Black and Tans. In 1921 he retires from the army and becomes a prominent figure in the Royal British Legion in Ireland, tirelessly campaigning on behalf of ex-servicemen. In the 1920s he is involved with the Irish battlefield memorial committee, which erects memorial crosses at Wytschaete, Guillemont, and Salonika, commemorating the 10th and 16th divisions. He later serves as a senator of the Irish Free State (1925–36). Retiring from public life in 1936 to his residence at Terryglass, County Tipperary, he devotes his last years to gardening and reading.
Hickie dies on November 3, 1950, in Dublin, and is buried at Terryglass. He marries a daughter of the novelist Rev. J. O. Hannay, who predeceases him. There is a small collection of his papers in the National Library of Ireland (NLI).
(From: “Hickie, Sir William Bernard” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
FitzGerald is born in Ireland in 1194, the son of Gerald FitzMaurice, 1st Lord of Offaly, and Eve de Bermingham. He succeeds to the title of Lord of Offaly on January 15, 1204, and is invested as a knight in July 1217, at the age of 33. In 1224, he founds South Abbey, Youghal, the proto-friary of the Irish Province of the Observant Franciscans, dedicated to Saint Nicholas. He is summoned to London to accompany King Henry III of England to Poitou and Gascony in October 1229. He is appointed Justiciar of Ireland in September 1232 and holds the post until 1245. His reputation is marred by rumours that he had contrived the death of Richard Marshal, 3rd Earl of Pembroke in 1234. He meets Marshal at the Battle of the Curragh on April 1, where Marshal is wounded and dies shortly after. It is rumoured that Marshal had been betrayed. FitzGerald then proceeds to London, where he takes an oath before Henry III, that he is innocent of any participation in Marshal’s death. In 1253, he founds Sligo Abbey, a Dominican convent in Sligo, to house a community of monks to say prayers for Earl Marshal’s soul.
In February 1235, the King criticises FitzGerald for his proceedings in office and describes him as “little pleasant, nay, beyond measure harsh in executing the King’s mandates.” The same year, he takes part in the subjugation of Connacht. In the years 1241 and 1242, and later in 1246, 1247, and 1248 he musters armies against the Irish. In 1247, he invades Tír Chonaill and fights the combined forces of Cenél Conaill and Cenél nEógain at the Battle of Ballyshannon. According to various Irish annals, three eminent lords fall in battle against him: Maol Seachlainn Ó Domhnaill, King of Tír Chonaill, An Giolla Muinealach Ó Baoighill, and Mac Somhairle, King of Argyll (a man seemingly identical to Ruaidhrí mac Raghnaill).
In 1245, FitzGerald is dismissed from his post as Justiciar as a result of tardiness in sending the King assistance in the latter’s military campaigns in Wales. His successor is John FitzGeoffrey. That same year he lays the foundations for Sligo Castle. In 1250, he holds both the office of Member of the Council of Ireland and Commissioner of the Treasury. He also founds the Franciscan Friary at Youghal; hence his nickname of an Brathair, which is Irish for The Friar. He is at the English royal court in January 1252, and receives an urgent summons from King Henry in January 1254.
He married Juliana de Grenville and by her, they have four sons:
In 1257, FitzGerald and his Norman army engage the forces led by Gofraidh Ó Domhnaill, King of Tír Chonaill, at the Battle of Creadran Cille, in Cairbre Drom Cliabh, now the northern part of County Sligo. The two men fight each other in single combat and both are gravely wounded. FitzGerald dies of his injuries at South Abbey, wearing the habit of the Franciscans, on May 20, 1257, aged 63 years. In the Annals of the Four Masters, 1257, his death is described thus: “Maurice FitzGerald for some time Lord Justice of Ireland and the destroyer of the Irish, died.” (In Irish this reads as: “Muiris macGerailt lustis Ereann re h-edh diosccaoilteach Gaoidheal d’écc”.)
Upon FitzGerald’s death, the properties of Lea, Rathangan, and Geashill pass to his grandson Maurice, son of Gerald FitzMaurice, who dies in 1243.
FitzGerald is succeeded as Lord of Offaly by his son, Maurice FitzGerald, 3rd Lord of Offaly, rather than the rightful successor, his grandson, Maurice, son of his eldest son, Gerald.
The couple are welcomed at NUI Galway by the Tánaiste (Deputy Prime Minister) Joan Burton, among the guests are Gerry Adams and Martin McGuinness.The highlight of Tuesday’s engagements is the historic handshake between the Prince and Gerry Adams. This is the first time a member of the British royal family and the Sinn Féin President have formerly engaged. They shake hands and speak briefly at a reception in NUI Galway, where the prince makes the first of two scheduled speeches.
Charles and Camilla then go on to visit the Burren in County Clare, fulfilling one of Charles’ life-long goals, by exploring the karst landscape for almost an hour.
They conclude their first day by dining with the President of Ireland, Michael D. Higgins, and his wife Sabina, at Lough Cutra Castle in south County Galway. They dine on blanched Highgrove asparagus to start, followed by pan-seared halibut, with panna cotta and poached Highgrove rhubarb for dessert.
Their packed itinerary for Wednesday begins with a trip to Lissadell House with a civic reception and a viewing of the Niland Collection at The Model contemporary arts centre in Sligo. Mayor of Sligo, Seán MacManus, formerly of Sinn Féin, attends the reception. MacManus’ son was killed in a gun battle with security forces in Northern Ireland in 1992.
The prince then visits the Institute of Technology, Sligo, and the couple has lunch at Lissadell. They then visit the grave of W. B. Yeats and attend a service at St. Columba’s Church, in Drumcliff. The royal couple takes part in a tree-planting and unveil a plaque. The theme of this service and the tree-planting is peace and reconciliation.
The prince then visits Mullaghmore Harbour on Wednesday afternoon. On August 27, 1979, his great-uncle, Lord Louis Mountbatten, is killed in a bomb attack executed by the Irish Republican Army (IRA). Mountbatten holidayed every summer at Classiebawn Castle near the harbor. He had, along with family and friends, embarked on a lobster-potting and angling expedition when a bomb on board was detonated just a few hundred yards from the harbor. He died of his injuries, along with his grandson Nicholas Knatchbull (14), Paul Maxwell (15), from County Fermanagh, and Lady Brabourne (83), his eldest daughter’s mother-in-law.
Charles and Camilla conclude their Wednesday itinerary with a trip to the Sligo races.
On Thursday and Friday, Charles and Camilla travel to Northern Ireland. Their engagements include a reception and a concert featuring a selection of local performers at Hillsborough Castle. They make a trip to Mount Stewart House and gardens to mark the completion of a three-year restoration programme. They also visit the Corrymeela Community, Northern Ireland’s oldest peace and reconciliation centre, which is celebrating its 50th anniversary in 2015.
(From: “History is made as Prince Charles fulfills life-long dream in Ireland” by Cathy Hayes, IrishCentral, http://www.irishcentral.com, May 20, 2015 | Pictured: The Prince of Wales and the Duchess of Cornwall at Mullaghmore pier on May 20, 2015)
Rynne’s father is Stephen Rynne, a writer, broadcaster, author and wit, while his mother, Alice Curtayne, is a writer, hagiographer, lecturer, linguist and scholar. He attends Prosperous National School from 1947 to 1951 and Ring College Waterford from 1951 do 1952. From 1961 to 1968, he attends the Royal College of Surgeons in Ireland. After graduation, he emigrates to Canada with an internship with Hamilton Civic Hospital.
Rynne starts his general practise in Mitchell, Ontario, from 1968 to 1973, where he is introduced to vasectomy. In 1970, he is appointed as the coroner for Perth County, Ontario. In January 1974, he returns to Ireland and establishes a general practise in Clane, County Kildare.
In 1975, Rynne joins Irish Family Planning Association and starts doing vasectomies for them. In 1984, he sells condoms as an act of civil disobedience and gets fined £500. In the following year, he becomes the Chairman of IFPA. In the same year, he founds Clane General Hospital with the opposition from the Catholic Church and the local supporters.
In 1990, Rynne is shot by a man on whom he had carried out a vasectomy eight years previously. According to Rynne, the gunman fires six or seven times with a .22 Long Rifle and shoots him in the right hip. The incident is the subject of a short film The Vasectomy Doctor by Paul Webster.
Johnson works on the docks for an Irish fish merchant, spending much of his time in Dunmore East and Kinsale. It is this way that he picks up ideas about socialism and Irish nationalism, joining a Liverpool branch of the Independent Labour Party in 1893. In 1900 he starts work as a commercial traveller, then moves in 1903 with his family to Belfast where he becomes involved in trade union and labour politics.
In 1907 Johnson helps James Larkin organise a strike in the port, but has to watch in dismay as the strike, which begins with remarkable solidarity between labour, Orange, and nationalist supporters, collapses in sectarian rioting. At various times he is the president, treasurer and secretary of the Irish Trades Union Congress (ITUC) which is, at the time, also the Labour Party in Ireland, until officially founded in 1912 by James Connolly and James Larkin. Johnson becomes Vice-president of the ITUC in 1913, and President in 1915.
Johnson sympathizes with the Irish Volunteers, many of whom are sacked from their jobs, for illegal activities. During the Easter Rising, he notes in his diary that people in Ireland paid little heed to the fate of the defeated revolutionaries. He succeeds as leader of the Labour Party from 1917, when the party does not contest the 1918 Irish general election. When the British government tries to enforce conscription in Ireland in 1918, he leads a successful strike in conjunction with other members of the Irish anti-conscription movement.
Johnson is later elected a TD for Dublin County to the Third Dáil at the 1922 Irish general election and remains leader of the Labour Party until 1927. As such, he is Leader of the Opposition in the Dáil of the Irish Free State, as the anti-treaty faction of Sinn Féin refuses to recognise the Dáil as constituted. He issues a statement of support for the Government of the 4th Dáil when the Irish Army Mutiny threatens civilian control in March 1924.
Johnson is the only Leader of the Labour Party who serves as Leader of the Opposition in the Dáil. He loses his Dáil seat at the September 1927 Irish general election, and the following year he is elected to Seanad Éireann, where he serves until the Seanad’s abolition in 1936.
In 1896 he meets Marie Tregay, then a teacher in St. Multose’s National school, outside Kinsale. A native of Cornwall, she has advanced political views. They marry in 1898 in Liverpool. Their only son, Frederick Johnson, is born in 1899, and becomes a well-known actor. Johnson dies on January 17, 1963, at 49 Mount Prospect Avenue, Clontarf, Dublin.
Each summer, Labour Youth holds the “Tom Johnson Summer School” to host panel discussions, debates and workshops.
Described as having an “ardent and self-confident manner,” Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St. Peter’s Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, Francis Joseph Bigger, and John Patrick Campbell. Dedicated to seeking out and recording such ancient melodies as are yet to be found in the more remote glens and valleys of Ulster, he produces Songs of Uladh (1904) with Joseph Campbell, illustrated by his brother John and paid for by Bigger. Throughout his career, he collects and arranges hundreds of traditional melodies and publishes many of them in his own unique arrangements. Three of his best-known works are the celebrated songs, My Lagan Love, She Moved Through the Fair, and Down by the Salley Gardens, which are published as part of his four collections of Irish Country Songs, his key achievement. These are written in collaborations with the poets Joseph Campbell and Padraic Colum, and W. B. Yeats himself. A dispute with Hamilton Harty over copyright on My Lagan Love is pursued on Bigger’s advice, but fails.
Hughes has a unique approach to arranging Irish traditional music. He calls upon the influence of the French impressionistClaude Debussy in his approach to harmony: “Musical art is gradually releasing itself from the tyranny of the tempered scale. […] and if we examine the work of the modern French school, notably that of M. Claude Debussy, it will be seen that the tendency is to break the bonds of this old slave-driver and return to the freedom of primitive scales.” He regards arrangements as an independent art form on an equal level with original composition: “[…] under his [i.e. the arranger’s] hands it is definitively transmuted into an art-song, an art-song of its own generation.” His folksong arrangements have been sung all across the English-speaking world. John McCormack and Kathleen Ferrier are the first to record them on gramophone records.
Hughes also composes a limited amount of original chamber music (a violin sonata is mentioned in a letter to Hughes from Bernard van Dieren dated April 4, 1932), and some scores for the stage (like And So to Bed by James Bernard Fagan) and film. Hughes and John Robert Monsell also create songs for a musical version of Richard Brinsley Sheridan‘s The Rivals called Rivals!, which is staged at the Kingsway Theatre in London in October 1935 by Vladimir Rosing and runs for 86 performances.
Married to Lillian Florence (known as Meena) Meacham and Suzanne McKernan, Hughes has three children: Patrick, known professionally as Spike Hughes, Angela and Helena. He dies in Brighton, England, at the relatively early age of fifty-four on May 1, 1937.
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 