seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Dónal Lunny, Irish Folk Musician & Producer

donal-lunny

Dónal Lunny, Irish folk musician and producer, is born on March 10, 1947, in Tullamore, County Offaly. He plays left-handed guitar and bouzouki, as well as keyboards and bodhrán. As a founding member of popular bands Planxty, The Bothy Band, Moving Hearts, Coolfin, Mozaik, LAPD, and Usher’s Island, he has been at the forefront of the renaissance of Irish traditional music for over five decades.

Lunny attends secondary school at Newbridge College and, in 1963, joins the Patrician Brothers’ school for the Intermediate Certificate year. As a teenager, he joins an occasional trio called Rakes of Kildare, with his elder brother Frank and Christy Moore. They play mostly in pubs and are also booked for a couple of gigs, one at Hugh Neeson’s pub in Newbridge for Easter Monday in 1966.

In 1965, Lunny enrolls at Dublin‘s National College of Art & Design where he studies Basic Design and Graphic Design. He also develops an interest in metalwork leading him to become a skilled gold-and-silversmith, although he only practises the craft for a short time before devoting his energies fully to music. During his time in Dublin, he plays in a band called The Parnell Folk, with Mick Moloney, Sean Corcoran, Johnny Morrissey and Dan Maher.

When Moving Hearts breaks up in 1985, Lunny diversifies and becomes a producer. He is closely involved in the establishment of a new Irish record label, Mulligan Records (acquired in 2008 by Compass Records), and produces and plays on many of its early releases.

Lunny is the producer and music director of the soundtrack of Bringing It All Back Home, a BBC Television documentary series charting the influence of Irish music throughout the world. He produces albums for Paul Brady, Elvis Costello, Indigo Girls, Sinéad O’Connor, Clannad, Maurice Lennon, Baaba Maal, and Five Guys Named Moe. He appears on the compilation albums The Gathering (1981) and Common Ground (1996). In 1994, he produces Irish Australian singer/songwriter Mairéid Sullivan’s first recording, Dancer.

Lunny pushes new boundaries with his band Coolfin (1998) which includes uilleann piper John McSherry. He appears at the 2000 Cambridge Folk Festival, and the album that commemorates it. In 2001 he collaborates with Frank Harte on the album My Name is Napoleon Bonaparte. He produces the album Human Child (2007) by Faeroese Eivør Pálsdóttir, which is published in two versions, one English and one Faeroese.

As an arranger, Lunny works for The Waterboys, Fairground Attraction and Eddi Reader. Journey (2000) is a retrospective album. During 2003–2005, he is part of the reunited Planxty concert tour. He also produces Jimmy MacCarthy‘s album entitled Hey-Ho Believe, which is released on November 12, 2010.

Lunny is the brother of musician and producer Manus Lunny. He has a son, Shane, whose mother is singer Sinéad O’Connor.

(Pictured: Dónal Lunny at the Craiceann Bodhrán Festival 2016, Inis Oirr)


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Death of Dermot Morgan, Comedian & Actor

dermot-john-morgan

Dermot John Morgan, Irish comedian and actor who achieves international renown for his role as Father Ted Crilly in the Channel 4 sitcom Father Ted, dies of a heart attack on February 28, 1998, in Hounslow, London, England.

Morgan is born in Dublin on March 31, 1952. Educated at Oatlands College, Stillorgan, and University College, Dublin (UCD), Morgan comes to prominence as part of the team behind the highly successful RTÉ television show The Live Mike. Morgan makes his debut in the media on the Morning Ireland radio show produced by Gene Martin. Between 1979 and 1982 Morgan, who has been a teacher at St. Michael’s College, Ailesbury Road, plays a range of comic characters who appear between segments of the show, including Father Trendy, an unctuous trying-to-be-cool Catholic priest given to drawing ludicrous parallels with non-religious life in two-minute ‘chats’ to camera.

Morgan’s success as Father Trendy and other characters leads him to leave teaching and become a full-time comedian.

Morgan’s biggest Irish broadcasting success occurs in the late 1980s on the Saturday morning radio comedy show Scrap Saturday, which mocks Ireland’s political, business, and media establishment. The show’s treatment of the relationship between the ever-controversial Taoiseach Charles Haughey and his press secretary P.J. Mara prove particularly popular. When RTÉ axes the show in the early 1990s a national outcry ensues. Morgan lashes the decision, calling it “a shameless act of broadcasting cowardice and political subservience.”

Already a celebrity in Ireland, Morgan’s big break comes in Channel 4‘s Irish sitcom Father Ted, which runs for three series from April 21, 1995, until May 1, 1998. Writers Graham Linehan and Arthur Mathews audition many actors for the title role, but Morgan’s enthusiasm wins him the part.

Father Ted centres on three disparate characters. Father Ted Crilly, played by Morgan, lives a frustrated life trapped on the fictional Craggy Island. Irish TV comedy actor Frank Kelly plays Father Jack Hackett, a foul-mouthed and apparently brain-damaged alcoholic, while child-minded Father Dougal McGuire is played by comedian Ardal O’Hanlon. The three priests are looked after by their housekeeper, Mrs. Doyle, played by Pauline McLynn, with whom Morgan had worked on Scrap Saturday. Father Ted enjoys widespread popularity and critical acclaim. In 1998, the show wins a BAFTA award for the best comedy, Morgan wins a BAFTA for best actor, and McLynn is named best actress.

On February 28, 1998, one day after recording the last episode of Father Ted, Morgan has a heart attack while hosting a dinner party at his home in southwest London. He is rushed to hospital but dies soon afterwards. Morgan’s Requiem Mass in St. Therese’s Church in Mount Merrion, south Dublin, is attended by the President of Ireland Mary McAleese, her predecessor, Mary Robinson, and by political and church leaders, many of whom had been the targets of his humour in Scrap Saturday. He is cremated at Glasnevin Cemetery and his ashes are buried in the family plot in Deansgrange Cemetery.


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Death of Paul Funge, Painter & Arts Enthusiast

paul-funge

Paul Funge, internationally respected painter and arts enthusiast, dies at Loughlinstown Hospital in the south Dublin suburb of Loughlinstown on February 21, 2011, after a short illness.

A native of Gorey, County Wexford, Funge is a founder of the Project Arts Centre in Dublin and the founder of Gorey Arts Centre in 1970. He is also a founder of the Belltable Arts Centre in Limerick while the regional arts officer for the midwest. In addition, he establishes the Gorey Arts Festival, a three-week summer arts festival, and runs it for more than fifteen years. He is remembered as the man who brought U2 to play at the Gorey Arts Festival in the days before they became an international success.

A painter of portraits and landscapes, Funge teaches art in many schools including Clongowes Wood College and Newbridge College. He also lectures at the National College of Art and Design (NCAD), the University of California, and Kunsthistorisch Instituut in Amsterdam. He is also an inspector for art in the Department of Education for a number of years.

As a portrait artist Funge’s sitters included U2’s Adam Clayton, Frank McGuinness and Colm Tóibín as well as many ministers and academics.

Funge suffers a fall before Christmas 2010, badly fracturing his leg and he is admitted to St. Vincent’s Hospital. On January 6, he transfers from Vincent’s to recuperate at a nursing home in Bray. In early February he takes a turn and develops chest problems. His condition deteriorates and he is admitted to the ICU in Loughlinstown Hospital. Initially he appears to be making a reasonable recovery, but his condition deteriorates again in the days prior to his death.

Following Funge’s death, Eamon Carter, director of Gorey School of Art, pays tribute to him as a visionary who felt passionate about decentralising the arts to areas outside of Dublin.

Carter adds that it had just been announced that the Gorey School of Art is linking up with NCAD to provide a masters in fine arts and it is sad that in the week it receives such good news it also receives the sad news of Funge’s death. “I’m saddened that he wasn’t here to see that because he would have been chuffed obviously,” he said.


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Birth of Seán Mac Stíofáin, Irish Republican Army Commander

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Seán Mac Stíofáin, Irish Republican Army (IRA) commander and a founding member of the Provisional IRA and its first chief of staff, is born in Leytonstone, London on February 17, 1928.

Mac Stíofáin is born John Stephenson, the son of Protestant parents. He claims Irish ancestry on his mother’s side although the validity of this is uncertain. He leaves school at sixteen, working as a labourer and converting to Catholicism. He also serves in the Royal Air Force during World War II, working as a storeman. After the war, he becomes involved and obsessed with Irish republicanism. He joins the Irish Republican Army in 1949 and helps organise an IRA unit in London.

In 1953, Stephenson leads a raid that steals rifles and mortars from a cadet school armoury in Essex. He is stopped randomly by police, arrested and sentenced to eight years in prison. He serves more than three years behind bars, using this time to learn Irish Gaelic. Released in 1956, he marries an Irish woman, moves to Dublin and changes his name to Seán Mac Stíofáin, the Gaelic form of his birth name.

Mac Stíofáin gradually ascends through the ranks of the IRA, becoming its director of intelligence. The outbreak of the Troubles in 1969 opens up divisions in the IRA over strategy and tactics. While Cathal Goulding and other leaders want to use violence carefully, Mac Stíofáin and his supporters urge open warfare with the Royal Ulster Constabulary (RUC).

In August 1969, Mac Stíofáin leads a raid on the RUC station at Crossmaglen, in defiance of IRA orders. In December, he and four others form a Provisional Army Council. This splinter group becomes the nucleus of the Provisional IRA.

Mac Stíofáin becomes the Provisional IRA’s first chief of staff. He also oversees its rearming and the escalation of its military campaign in Northern Ireland. In July 1972, he represents the Provisional IRA in secret talks with the British government in London. When these talks collapse, he orders an increase in Provisional IRA operations, beginning with the mass bombing of Belfast on July 21, 1972.

Mac Stíofáin remains in charge until November 1972, when a controversial television interview leads to his arrest, imprisonment and removal from the Provisional IRA leadership. He is released the following year but is no longer prominent in the Provisional IRA. He spends the rest of the 1970s working for a Sinn Féin newspaper.

Mac Stíofáin died on May 18, 2001, in Our Lady’s Hospital in Navan, County Meath, after a long illness. He is buried in St. Mary’s Cemetery, Navan. His funeral is attended by Gerry Adams and Martin McGuinness.


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Hanging of Peter Barnes & James Richards

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Irish Republican Army (IRA) volunteers Peter Barnes and James Richards are hanged in Winston Green Prison in Birmingham, England on February 7, 1940 for their involvement in a bombing in Coventry the previous year which killed five people.

Barnes and Richards (also known as James McCormack) are members of the Irish Republican Army (IRA) and participate in the August 25, 1939 Coventry bombing which kills five people. Although they both admit to constructing the bomb, which is intended to be used to destroy a power station, they claim not to be involved in planting the bomb.

Seán MacBride, a former Chief of Staff of the IRA and Irish barrister, attempts to secure their release claiming they are being illegally held without a writ of habeas corpus. However, both are charged with murder on December 12 along with Brigid O’Hara and Joseph and Mary Hewitt. All five plead not guilty before the court at Birmingham Assizes.

Brigid O’Hara issues statements between August 28 and September 4 to Scotland Yard and Birmingham City Police denying any knowledge of the bombings and later provides evidence for the prosecution. Found guilty of murder on December 15, Barnes and Richards are hanged at Winston Green Prison in Birmingham on February 7, 1940. Their remains are returned to Dublin in 1969.

The reinterment in Mullingar, County Westmeath is attended by an estimated 15,000 people. Mass is said in Irish in the Cathedral before the funeral to Ballyglass Cemetery. Among those attending are three brothers of Peter Barnes and a sister and brother of McCormack.

The trial and execution results in a public outcry in Ireland against Neville Chamberlain and the British Government as Peadar O’Donnell and other prominent Irish writers sign a petition campaigning for leniency towards the condemned men.


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Death of Helena Molony, Feminist & Labour Activist

helena-moloney

Helena Mary Molony, prominent Irish republican, feminist and labour activist, dies in Dublin on January 28, 1967. She fights in the 1916 Easter Rising and later becomes the second woman president of the Irish Trades Union Congress (ITUC).

Molony is born in Dublin on January 15, 1883, to Michael Molony, a grocer, and Catherine McGrath. Her mother dies early in her life. Her father later remarries, but both became alcoholics, something which influences her years later.

In 1903, inspired by a pro-nationalist speech given by Maud Gonne, Molony joins Inghinidhe na hÉireann and begins a lifelong commitment to the nationalist cause. In 1908 she becomes the editor of the organisation’s monthly newspaper, Bean na hÉireann (Woman of Ireland). The newspaper brings together a nationalist group – Constance Markievicz designs the title page and writes the gardening column, Sydney Gifford writes for the paper and is on its production team and contributors include Eva Gore-Booth, Susan L. Mitchell, and Katharine Tynan, as well as Patrick Pearse, Thomas MacDonagh, George William Russell, Roger Casement, Arthur Griffith and James Stephens.

Molony is central to the school meals activism of the movement. With Maud Gonne, Marie Perolz and others, she organises the supply of daily school meals to children in impoverished areas, and pressures Dublin Corporation and other bodies to provide proper meals to the starved children of Dublin city.

Molony also has a career as an actress and is a member of the Abbey Theatre. However, her primary commitment is to her political work. She is a strong political influence, credited with bringing many into the movement, including Constance Markievicz and Dr. Kathleen Lynn.

As a labour activist, Molony is a close colleague of Markievicz and of James Connolly. In November 1915 Connolly appoints her secretary of the Irish Women Workers’ Union, in succession to Delia Larkin. This union had been formed during the strike at Jacob’s Biscuit Factory that was part of the 1913 Dublin lock-out. She manages the union’s shirt factory in Liberty Hall, founded to give employment to the strikers put out of work and blacklisted after the strike. She is friendly with the family of Thomas MacDonagh and his wife, Muriel, and is the godmother of their daughter Barbara, whose godfather is Patrick Pearse.

Fianna Éireann, the cadet body of the Irish Volunteers, is founded by Constance Markievicz in Molony’s home at 34 Lower Camden Street, Dublin, on August 16, 1909. Markievicz works closely with Molony and Bulmer Hobson in organising the fledgling Fianna. It is during this period of working together in building the Fianna that Molony and Hobson grow close and became romantically linked. However, the relationship does not last.

Molony is a prominent member of Cumann na mBan, the republican women’s paramilitary organisation formed in April 1914 as an auxiliary of the Irish Volunteers. Members of Cumann na mBan train alongside the men of the Irish Volunteers in preparation for the armed rebellion against the English forces in Ireland.

During the 1916 Easter Rising, Molony is one of the Citizen Army soldiers who attacks Dublin Castle. During the defence of City Hall, her commanding officer, Sean Connolly, is killed and she is captured and imprisoned until December 1916.

After the Irish Civil War, Molony becomes the second female president of the Irish Trades Union Congress. She remains active in the republican cause during the 1930s, particularly with the Women’s Prisoner’s Defense League and the People’s Rights Association.

Molony retires from public life in 1946 but continued to work for women’s labour rights. She dies in Dublin on January 28, 1967.


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Death of Architect Michael Scott

michael-scott

Michael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.


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Birth of Poet & Linguist Michael O’Siadhail

michael-o-siadhail

Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.

O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).

At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).

O’Siadhail studies at Trinity College Dublin (1964–68) where his teachers include David H. Greene and Máirtín Ó Cadhain. He is elected a Scholar of the College and takes a First-Class Honours Degree. His circle at Trinity includes David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at the University of Cambridge). He subsequently embarks on a government exchange scholarship studying folklore and the Icelandic language at the University of Oslo. He retains lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.

In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.

For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”

During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.

O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.

O’Siadhail represents Ireland at the Poetry Society‘s European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He is writer-in-residence at the Yeats Summer School in 1991 and writer in residence at the University of British Columbia in 2002.

O’Siadhail is now married to Christina Weltz, who is a native of New York, and Assistant Professor of surgical oncology at Mount Sinai Hospital. They reside in New York.


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Death of Padraic Colum, Poet & Novelist

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Padraic Colum, Irish-born American poet, novelist, biographer, playwright, and children’s author whose lyrics capture the traditions and folklore of rural Ireland, dies in Enfield, Connecticut on January 11, 1972. He is one of the leading figures of the Irish Literary Revival.

Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.

Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.

The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.

Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.

Padraic Colum dies on January 11, 1972, at the age of 90, in Enfield, Connecticut. He is buried in St. Fintan’s Cemetery in Sutton, Dublin.


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The Allihies Copper Mine Museum

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On January 7, 2000, experts underline the important heritage value of a 19th Century relic that stands on the site of a disused copper mine. A conservation appeal is launched to safeguard a unique engine house at a mountain mine in the Beara peninsula. A rare surviving symbol of Cornish type mining technology, the structure is the primary surviving embodiment of a once thriving copper mining industry in Allihies, County Cork.

The industrial mines in Allihies date back to 1812, when they are first opened by John Puxley. Mining activity reaches its peak there in 1845, when the mines employ around 1,600 people, after which the mines suffer with the local area during the Great Famine. The mines are operational until 1962, when they are finally closed. Large Cornish engine houses are constructed around the mining site, ruins of which survive today. These are used to pump out water to allow for deeper mining, and to transport miners and equipment down shafts that go below sea level. The site still contains a number of engine houses, mining shafts and a church. These are constructed by and for the Cornish miners who are brought to the area in the 1800s to mine copper ore. Once the mine becomes unprofitable, many of the miners emigrate to Butte, Montana.

The Allihies Copper Mine Museum (ACMM) is housed in a renovated Methodist church dating from 1845. It is officially opened by President Mary McAleese on September 13, 2007, after ten years of work by the Allihies Mines Co-op, a group that is formed to preserve the history of the area and mining heritage in the Allihies area, supported by the Mining Heritage Trust of Ireland.

The exhibitions cover all aspects of the history of copper mining in the area, from prehistoric times all the way up to the nineteenth century and the Industrial Revolution. The displays also cover the local geology and the social history of the mining heritage. The collections contain examples of mining equipment and tools from the various eras of activity. The exhibition space is also used to display artworks, with local artists such as Charles Tyrrell, Cormac Boydell, Rachel Parry and Tim Goulding exhibiting there.

(Pictured: Engine House, Allihies by John Gibson, view of the 1862 house for the 36″-cylinder beam engine that powered the man-engine and winder on Mountain Mine)