Simpson signs for Rangers from Linfield for a sum of £11,500 in 1950. He spends nine years (1950–59) at Rangers making 239 appearances and scoring 163 goals. He wins three championship medals and a Scottish Cup winners medal with Rangers to add to the two Northern Ireland Football League and two Irish Cups he wins with Linfield. He leaves Ibrox Stadium in 1959 and spends the last couple of years of his career with Stirling Albion, Partick Thistle and (then non-league) Oxford United.
As an illustration of his popularity, in the fictional song “A Trip to Ibrox,” Simpson is credited with scoring twice in a “Ne’erday” Old Firm Derby at Ibrox. Whereby Rangers are 1-0 down at halftime, and Simpson inspires his team to a second half comeback after Willie Waddell has scored an equaliser.
In recognition of his service to that club, Simpson is made a member of the Rangers F.C. Hall of Fame.
Simpson makes his debut for Northern Ireland in 1951 against Wales, scoring in the process. He represents his country twelve times in total between 1951 and 1958, scoring five goals. He is selected in Northern Ireland’s squad for the 1958 FIFA World Cup in Sweden but a late injury ensures he does not play at all during the finals.
In April 2015, the feature-length documentarySpirit of ’58 is screened as part of the Belfast Film Festival. It features Simpson prominently alongside the other surviving players (Billy Bingham, Peter McParland, Jimmy McIlroy and Harry Gregg) as it tells the story of Northern Ireland’s journey throughout the 1950s under the managership of Peter Doherty, culminating in the 1958 World Cup.
Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
McCann is educated at primary level at St. Gall’s Primary School, Belfast, and at St. Mary’s Grammar School, Belfast. He does not finish his education as he is arrested after becoming involved in rioting. He is charged and convicted of “riotous behaviour” and sentenced to six months in prison. Later that year he joins the Provisional IRA. He is later convicted and sentenced to two years imprisonment for the possession of explosives.
In 1988, McCann and Savage, along with Mairead Farrell, another IRA member, are sent to the British overseas territory of Gibraltar to plant a bomb in the town area, targeting a British Army band which parades weekly in connection with the changing of the guard in front of The Convent, the official residence of the governor of Gibraltar.
The British Government knows in advance about the operation, and specially dispatches to Gibraltar a British Army detachment to intercept the IRA team. While McCann, Savage and Farrell are engaged on March 6, 1988, on a reconnaissance trip in Gibraltar before driving in a car bomb, soldiers from the Special Air Service (SAS) regiment wearing civilian clothes confronts them in the streets of the town. McCann is shot five times at close range, the SAS soldiers later claiming that he had made an “aggressive move” when approached. Farrell, who is with McCann, is also shot dead. Savage is walking separately behind McCann and Farrell within eyesight distance, and seeing them ahead being confronted and fired upon, flees, running several hundred yards back into Gibraltar town closely pursued on foot by another SAS soldier, who catches up with him and shoots him dead also. All three IRA members are subsequently found to be unarmed.
A car bomb created by McCann, Savage and Farrell and ready to be driven into Gibraltar is found 36 miles away in Spain by the Spanish Police two days after their deaths, containing 140 lbs. (64 kg) of Semtex with a device timed to go off during the changing of the guard in Gibraltar.
A documentary entitled Death on the Rock, is produced and broadcast on British television about the failed IRA operation in Gibraltar shortly after it takes place, detailing the British and Spanish Government’s actions and that of the IRA team, in an operation that the British Government code-names Operation Flavius. The documentary also interviews civilian eyewitnesses to the shooting of the Provisional IRA members, raising questions about the veracity of the British Government and its involved soldiers’ accounts of it, focusing on whether the three IRA members had been offered the chance to surrender by the soldiers confronting them before they had been fired upon. It also questions whether the violence used had been proportionate, in line with ongoing rumours in the British media of a purported “Shoot to Kill” policy that the British Government is pursuing against the Provisional IRA during The Troubles.
At an IRA-sponsored collective funeral on March 16, 1988, for McCann along with Savage and Farrell at the IRA plot in Milltown Cemetery in West Belfast, as the bodies are being lowered into the ground, the funeral party comes under a hand grenadeattack from a lone Loyalist paramilitary. The funeral immediately descends into chaotic scenes, as a running fight occurs between the lone gunman firing a handgun and throwing more grenades at a group of mourners, as they pursue him through the cemetery’s grounds. Three mourners are killed and scores wounded in the incident.
Moore is the eldest son of Queen Victoria‘s honorary physician in Ireland, Dr. William Moore of Rosnashane, Ballymoney, and Sidney Blanche Fuller. His ancestors came to Ulster during the Plantation of Ulster, settling at Ballymoney, at which time they were Quakers. The Moore Lodge estate is inherited from a relative. The family owns several other houses: Moore’s Grove and Moore’s Fort. He goes on to become a Deputy Lieutenant for County Antrim and a Justice of the Peace.
In 1903, Moore is one of the first landowners of Ireland to sell off their estates under the land acts. By the early 1920s he owns a Belfastpied-à-terre called “Glassnabreedon,” in the village of Whitehouse, four miles north of Belfast. This house is once owned by the son of Nicholas Grimshaw, Ireland’s first cotton pioneer.
Moore becomes a member of the General Synod of the Church of Ireland and is a founder member of the Ulster Council. He is a passionate Orangeman: his vehemence in defending Ulster’s right to oppose Irish Home Rule is said to alarm even those who share his views. Speaking in England on March 10, 1913, he makes his feelings clear on the possibility of Irish Home Rule: “I have no doubt, if Home Rule is carried, its baptism in Ireland will be a baptism in blood.” He shows little respect for English politicians, and has nothing but contempt for Southern Unionists. The eventual political settlement in 1921 meets with his approval.
Moore dies at his home, Moore Lodge, in Ballymoney on November 28, 1944, less than a week after his 80th birthday. He is buried in the family burial ground, “Lamb’s Fold,” two days later.
Norman Derek Mahon, Irish poet, is born in Belfast, Northern Ireland, on November 23, 1941, but lives in a number of cities around the world. At his death it is noted that his “influence in the Irish poetry community, literary world and society at large, and his legacy, is immense.” President of IrelandMichael D. Higgins says of Mahon, “he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness.”
At Inst Mahon encounters fellow students who share his interest in literature and poetry. The school produces a magazine in which he produces some of his early poems. According to the critic Hugh Haughton, his early poems are highly fluent and extraordinary for a person so young. His parents cannot see the point of poetry, but he sets out to prove them wrong after he wins his school’s Forrest Reid Memorial Prize for the poem ”The power that gives the water breath.”
At times expressing anti-establishment values, Mahon describes himself as an “aesthete” with a penchant “for left-wingery […] to which, perhaps naively, I adhere.”
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ends its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.
Mahon dies in Cork, County Cork, on October 1, 2020, after a short illness, aged 78. He is survived by his partner, Sarah Iremonger, and his three children, Rory, Katy, and Maisie. His papers are held at Emory University.
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)
Craig, known as Jim, grows up in an Ulster Protestant family on the Shankill Road. In the early 1970s, he, a former boxer, is sent to the HM Prison Maze for a criminal offence unrelated to paramilitary activities. While serving his sentence at the Maze he joins the Ulster Defence Association (UDA), and is asked by the organisation’s commander at the time, Charles Harding Smith, to take control of the UDA prisoners inside, on account of his reputation as a “hard man.”
After his release in 1976, Craig sets up a large protection racket and becomes the UDA’s chief fundraiser. By 1985, he has managed to blackmail and extort money from a number of construction firms, building sites, as well as pubs, clubs, and shops in Belfast and elsewhere in Northern Ireland, whose intimidated owners pay protection money out of fear of Craig and his associates. It is alleged that the UDA receives hundreds of thousands of pounds, some of which also find their way inside Craig’s pockets as part of his “commission.” He is acquitted on a firearm charge and Ulster Freedom Fighters (a cover name for the UDA) membership on March 18, 1982. In 1985, he is brought to court after a number of businessmen decide to testify against him, with the condition that their identities remained hidden. The case falls apart when Craig’s defence argues that his client’s rights were violated by the concealment of the witnesses’ identities.
Craig allegedly is involved in the double killing of a Catholic man and a Protestant man on the Shankill Road in 1977. The men, both colleagues, had entered a loyalist club and were later stabbed, shot and put into a car which was set on fire. By this time the UDA West Belfast Brigade no longer wants him in their ranks, as they claim they can no longer “afford him.” Craig, who is ordered to leave the Shankill Road, goes on to join forces with John McMichael’sSouth Belfast Brigade. In addition to being the principal fundraiser, he also sits on the UDA’s Inner Council. He usually travels in the company of his bodyguard, Artie Fee, a UDA member from the Shankill Road.
The rival Ulster Volunteer Force (UVF) carries out an investigation after it is rumoured Craig has been involved in the death of UVF major William Marchant, who is gunned down by Provisional Irish Republican Army gunmen from a passing car on the Shankill Road on April 28, 1987. Marchant is the third high-ranking UVF man to be killed by the IRA during the 1980s. Although their inquiries reveal that Craig had quarrelled with Marchant as well as Lenny Murphy and John Bingham prior to their killings, the UVF feel that there is not enough evidence to warrant an attack on such a powerful UDA figure as Craig.
In December 1987, when UDA South Belfast brigadier John McMichael is blown up by an IRA booby-trap car bomb outside his home in Lisburn‘s Hilden estate, it is believed that Craig had organised his death with the IRA. Allegedly Craig fears McMichael is about to expose his racketeering business, thus putting an end to his lucrative operation. McMichael reportedly sets up an inquiry and discovers that Craig is spending money on a lavish scale, going on holidays at least twice a year and indulging in a “champagne lifestyle.” At the same time, it is suggested that Craig has made certain deals with Irish republican paramilitary groups, dividing up the rackets in west Belfast, and he would be doing the IRA a favour by helping them to eliminate a high-profile loyalist such as McMichael. Craig has established links with republicans during his time in prison, and the profitable deals and exchanges of information between them ensures he will most likely not be a target for IRA assassination.
Craig is named as an extortionist in Central Television’s 1987 programme The Cook Report. He plans to sue the programme’s producers for libel. In January 1988, Jack Kielty (father of future television presenter Patrick Kielty), a building contractor from County Down who had promised to testify as a key witness against Craig, is murdered by the UDA. This killing is attributed to Craig, although it is never proven.
Craig is shot dead by two gunmen from the UDA in “The Castle Inn” (later called “The Bunch of Grapes”), a pub in Beersbridge Road, east Belfast on October 15, 1988, where he has been lured in the belief that there is to be a UDA meeting. He is playing pool in the pub at the time of his fatal shooting by the two men, both of whom are wearing boilersuits and ski masks and carrying automatic weapons. Upon spotting Craig they open fire, spraying the room with gunfire. Craig dies instantly. A bystander pensioner is also murdered in the attack, and four other bystanders are wounded by stray bullets. The UDA claims the killing is carried out due to Craig’s “treason” and involvement in John McMichael’s murder as they know he had provided the IRA with information to successfully carry out the assassination. They apologise for the unintentional death of the pensioner. Craig is not given a paramilitary funeral, and none of the UDA’s command attend it.
Lyons is a lecturer in history at the University of Hull and then at Trinity College Dublin. He becomes the founding Professor of Modern History at the University of Kent in 1964, serving also as Master of Eliot College from 1969 to 1972.
Lyons principal works include Ireland Since the Famine, the standard university textbook for Irish history from the mid-19th to late-20th century, which The Times calls “the definitive work of modern Irish history” and a biography of Charles Stewart Parnell.
Lyons is critical of Cecil Woodham-Smith‘s much-acclaimed history of the Great Irish Famine and has generally been considered among the “revisionist” historians who reconsiders the role of the British state in events like the Famine.
Lyons marries Jennifer Ann Stuart McAlister in 1954, and has two sons, one of whom, Nicholas, is a former Lord Mayor of London.
On September 15, 1983, Lyons is nominated, unopposed, as chancellor of Queen’s University Belfast (QUB). But less than a week later he is dead, succumbing in Dublin on September 21 to acute pancreatitis, which had struck him in mid-August. He had begun to write the first draft of his W. B. Yeats biography (having accumulated a great archive of material) only a few weeks before. His ashes are buried beside Trinity College chapel.
Johnny Adair, leader of “C Company” of the Ulster Loyalistparamilitary organisation Ulster Freedom Fighters (UFF), a cover name of the Ulster Defence Association, is born in Belfast, Northern Ireland, on October 27, 1963. He is known as Mad Dog. He is expelled from the organisation in 2002 following a violent power struggle. Since 2003, he, his family and a number of supporters have been forced to leave Northern Ireland by other loyalists.
Adair is born into a working class loyalist background and raised in Belfast. He grows up in the Lower Oldpark area, a site of many sectarian clashes during “The Troubles.” By all accounts, he has little parental supervision, and does not attend school regularly. He takes to the streets, forming a skinheadstreet gang with a group of young loyalist friends, who “got involved initially in petty, then increasingly violent crime.” Eventually, he starts a rock band called Offensive Weapon, which during performances espouses support for the British National Front.
While still in his teens, Adair joins the Ulster Young Militants (UYM), and later the Ulster Defence Association, a loyalist paramilitary organisation which also calls itself the Ulster Freedom Fighters.
By the early 1990s, Adair has established himself as head of the UDA/UFF’s “C Company” based on the Shankill Road. When he is charged with terrorist offences in 1995, he admits that he had been a UDA commander for three years up to 1994. During this time, he and his colleagues are involved in multiple and random murders of Catholic civilians. At his trial in 1995, the prosecuting lawyer says he is dedicated to his cause against those whom he “regarded as militant republicans – among whom he had lumped almost the entire Roman Catholic population.” Royal Ulster Constabulary (RUC) detectives believe his unit killed up to 40 people during this period.
Adair once remarks to a Catholic journalist from the Republic of Ireland upon the discovery of her being Catholic, that normally Catholics travel in the boot of his car. According to a press report in 2003, he is handed details of republican suspects by British Army intelligence, and is even invited for dinner in the early 1990s. In his autobiography, he claims he was frequently passed information by sympathetic British Army members, while his own whereabouts were passed to republican paramilitaries by the RUC Special Branch, who, he claims, hated him.
The Provisional Irish Republican Army (IRA) bombing of a fish shop on the Shankill Road in October 1993 is an attempt to assassinate Adair and the rest of the UDA’s Belfast leadership in reprisal for attacks on Catholics. The IRA claims that the office above the shop is regularly used by the UDA for meetings and one is due to take place shortly after the bomb is set to explode. The bomb goes off early, killing one IRA man, Thomas Begley, and nine Protestant civilians. The UFF retaliates with a random attack on the Rising Sun bar in Greysteel, County Londonderry, which kills eight civilians, two of whom are Protestants. Adair survives 13 assassination attempts, most of which are carried out by the IRA and Irish National Liberation Army (INLA).
During this time, undercover officers from the Royal Ulster Constabulary record months of discussions with Adair, in which he boasts of his activities, producing enough evidence to charge him with directing terrorism. He is convicted and sentenced to 16 years in HM Prison Maze. In prison, according to some reports, he sells drugs such as cannabis, ecstasy tablets and amphetamines to other loyalist prisoners, earning him an income of £5000 a week.
In January 1998, Adair is one of five loyalist prisoners visited in the prison by British Secretary of State for Northern Ireland, Mo Mowlam. She persuades them to drop their objection to their political representatives continuing the talks that leads to the Good Friday Agreement in April. In 1999, he is released early as part of a general amnesty for political prisoners after the Agreement.
Following his release, much of Adair’s activities are bound up with violent internecine feuds within the UDA and between the UDA and other loyalist paramilitary groupings. The motivation for such violence is sometimes difficult to piece together. It involves a combination of political differences over the loyalist ceasefires, rivalry between loyalists over control of territory and competition over the proceeds of organised crime.
In 1999, shortly after his release from prison, Adair is shot at and grazed in the head by a bullet at a UB40 concert in Belfast. He blames the shooting on republicans, but it is thought that rival loyalists are to blame.
In August 2000, Adair is again mildly injured by a pipe bomb he is transporting in a car. He again attempts to blame the incident on an attack by republicans, but this claim is widely discounted. A feud breaks out at the time between the UDA and the Ulster Volunteer Force (UVF) leaving several loyalists dead. As a result of Adair’s involvement in the violence, the then Secretary of State for Northern Ireland, Peter Mandelson, revokes his early release and returns him to prison.
In May 2002, Adair is released from prison again. Once free, he is a key part of an effort to forge stronger ties between the UDA/UFF and the Loyalist Volunteer Force (LVF), a small breakaway faction of the UVF loyalist paramilitary organization in Northern Ireland. The most open declaration of this is a joint mural depicting Adair’s UDA “C company” and the LVF. Other elements in the UDA/UFF strongly resist these movements, which they see as an attempt by Adair to win external support in a bid to take over the leadership of the UDA. Some UDA members dislike his overt association with the drugs trade, with which the LVF are even more heavily involved. A loyalist feud begins, and ends with several men dead and scores evicted from their homes.
On September 25, 2002, Adair is expelled from the UDA/UFF along with close associate John White, and the organisation almost splits as Adair tries to woo influential leaders such as Andre Shoukri, who are initially sympathetic to him. There are attempts on Adair’s and White’s lives.
Adair returns to prison in January 2003, when his early release licence is revoked by Secretary of State for Northern Ireland, Paul Murphy, on grounds of engaging in unlawful activity. On February 1, 2003, UDA divisional leader John Gregg is shot dead along with another UDA member, Rab Carson, on returning from a Rangers F.C. match in Glasgow. The killing is widely blamed on Adair’s C Company as Gregg is one of those who organised his expulsion from the UDA. Five days later, on February 6, about twenty Adair supporters, including White, flee their homes for Scotland, widely seen as a response to severe intimidation.
Adair is released from prison again on January 10, 2005. He immediately leaves Northern Ireland and joins his family in Bolton, Lancashire, where it is claimed he stays with supporters of Combat 18 and the Racial Volunteer Force.
The police in Bolton question Adair’s wife, Gina, about her involvement in the drugs trade, and his son, nicknamed both “Mad Pup” and “Daft Dog,” is charged with selling crack cocaine and heroin. Adair is arrested and fined for assault and threatening behaviour in September 2005. He had married Gina Crossan, his partner for many years and the mother of his four children, at HM Prison Maze on February 21, 1997. She is three years Adair’s junior and grew up in the same Lower Oldpark neighbourhood.
After being released, Adair is almost immediately arrested again for violently assaulting Gina, who suffers from ovarian cancer. Since this episode he reportedly moves to Scotland, living in Troon in Ayrshire.
In May 2006, Adair reportedly receives £100,000 from John Blake publishers for a ghost-written autobiography.
In November 2006, the UK’s Five television channel transmits an observational documentary on Adair made by Dare Films.
Adair appears in a documentary made by Donal MacIntyre and screened in 2007. The focus of the film centers around Adair and another supposedly reformed character, a Neo-Nazi from Germany called Nick Greger, and their trip to Uganda to build an orphanage. Adair is seen to fire rifles, stating it is the first time he has done so without wearing gloves. He also admits to being “worried sick” and “pure sick with worry” after Greger disappears in Uganda for days on end. It turns out that he had gone off and married a Ugandan lady. Adair confesses via telephone that he “thought something might have happened to Nick.”
On July 20, 2015, three Irish republicans, Antoin Duffy, Martin Hughes and Paul Sands, are found guilty of planning to murder Adair and Sam McCrory. Charges against one of the accused in the trial are dropped on July 1.
On September 10, 2016, Adair’s son, Jonathan Jr., is found dead in Troon, aged 32. He dies from an accidental overdose while celebrating the day after his release from prison for motoring offences. He had been in and out of prison since the family fled Northern Ireland. He served a five-year sentence for dealing heroin and crack cocaine. The year before, he had been cleared of a gun raid at a party and in 2012 is the target of a failed bomb plot. He was also facing trial later that year on drugs charges.
In December 2023, while recording a podcast with far-right activist Tommy Robinson, Adair surprisingly expresses a grudging respect for the IRA hunger strikers, describing the manner of their deaths as “dedication at the highest level” for a political cause and admitting that he would not have volunteered to do the same if asked.
Morrow is born on April 26, 1863, in Comber, County Down, the second son of George Morrow, a painter and decorator from Clifton Street in west Belfast. Of his seven brothers, four, George, Jack, Edwin, and Norman, are also illustrators and all but one are artists. He is a keen ornithologist in his youth. In later life he is a keen walker and paints landscapes for leisure.
While studying under T. M. Lindsay at the Government School of Art in 1880, Morrow is awarded a £10 prize for drawing from the eminent publishers Cassell, Petter and Galpin. In 1881, while still learning his trade, he paints a mural of Belfast for the Working Men’s Institute in Rosemary Street, where his father is chairman. Later in that same year he exhibits a watercolour sketch of a standing figure entitled Meditative at the gallery of Rodman & Company, Belfast.
Morrow then wins a three-year scholarship worth £52 per year which he takes to the National Art Training School at South Kensington in 1882, where he begins a lifelong friendship with the British sculptor Albert Toft. In 1883, while still attending South Kensington, he joins the staff of The English Illustrated Magazine in preparation for the launch of the first edition. Two of his works are published in the Sunday at Home magazine in September of the same year.
J. Comyns Carr, first editor of TheEnglish Illustrated Magazine, commissions Morrow to complete a series on English industry when he has yet to complete his studies at South Kensington.
In 1890, Morrow begins illustrating for Bits and Good Words. He exhibits nine works at the Royal Academy of Arts between 1890 and 1904, all of which are watercolours, and another in 1917, and an offering in chalk at the 159th Exhibition, in the year of his death.
Morrow becomes a member of the Belfast Art Society in 1895, exhibiting with them in the same year. In 1896, a Morrow print is published in Volume 2 of the limited-edition print-collection Les Maîtres de l’Affiche selected by “Father of the Poster” Jules Chéret. In the same year he shows a watercolour of a Gurkha at the Earls Court in the Empire of India and Ceylon exhibition. In 1900, he exhibits with two Ulster artists, Hugh Thomson and Arthur David McCormick, at the Linen Hall Library in Belfast, who along with Morrow had contributed to the early success of TheEnglish Illustrated Magazine.
Morrow is one of the founders of the Ulster Arts Club in November 1902 along with five of his brothers, an organisation that has a nonsectarian interest in Celtic ideas, language and aesthetics. In November 1903, he exhibits at the first annual exhibition of the Club when he shows alongside John Lavery, Hans Iten, James Stoupe and F. W. Hull. He exhibits The Itinerant Musician, a watercolour that he had previously shown at the Royal Academy in 1902. Honorary membership is conferred upon him the following year. Three years later he is honoured with a solo exhibition of sketches and posters in conjunction with the Ulster Arts Club, at the Belfast Municipal Gallery.
In 1908, Morrow joins his brothers in an exhibition at 15 D’Olier Street, Dublin, an address which is later registered to the family business in 1913. Among his contributions to the family exhibition is his painting of Brandon Thomas, The Clarionette Player, which had previously been exhibited at the Royal Academy, and a poster entitled Irving in Dante.
In 1917, Morrow joins his brother George and 150 artists and writers, in petitioning the British Prime MinisterDavid Lloyd George to find a way of enacting the unsigned codicil to Hugh Lane’s will and establish a gallery to house Lane’s art collection in Dublin. Among the 32 notable artists who sign this petition are Jack B. Yeats, Sir William Orpen, Sir John Lavery, and Augustus John.
Morrow illustrates books for children and adults, but he is best known for the hundreds of posters he designs for the theatre, with the bulk of his commissions coming from just one lithographical printer, David Allen and Sons. As a cartoonist he draws for children’s annuals, and contributes three cartoons to Punch in 1923, 1925 and posthumously in 1931.
Morrow dies at his home in West Hoathly, West Sussex, on October 26, 1927, at the age of 64. He is survived by his wife and two children. His headstone in the local churchyard at All Saints Church, Highbrook is designed by his friend, the sculptor and architect, Albert Toft.
Farquhar is assistant priest at Dunsford and Ardglass Parish. He is a hospital chaplain in 1966. He is later assigned to teach Latin at St. MacNissi’s College, Garron Tower, where he stays as a teacher from 1966 to 1970. From 1970 to 1975 he is assistant chaplain, along with Ambrose Macaulay, to Queen’s University Belfast, and finally as Chaplain/Lecturer at the University of Ulster from 1975 to 1983.
On April 6, 1983, aged 42, Farquhar is appointed Titular Bishop of Hermiana and, with Patrick Walsh, as Auxiliary Bishop of Down and Connor. The principal consecrator is the Bishop of Down and Connor, Cahal Daly, (later Cardinal Archbishop of the Archdiocese of Armagh) and principal co-consecrators are Archbishop Gaetano Alibrandi, the Apostolic Nuncio to Ireland and William J. Philbin (Bishop Emeritus of Down and Connor). During the ordination ceremony, the assistant Priests to Bishop Farquhar are his priest uncles, Canon Walter Larkin and Fr. Thomas Aquinas Larkin O.C.D.
Farquhar’s episcopal motto is “Sapientia Proficere” (“to increase in wisdom”) from Luke 2:52. He takes an active and ongoing interest in interchurch relations and serves as Chairman of the Irish Catholic Bishops’ Conference on Ecumenism.
In December 2007, he officiates at the dedication of the new altar in the Church of the Good Shepherd in his native parish of the Most Holy Rosary, Belfast, following the renovation programme.
A book titled Inter-Church Relations: Developments and Perspectives, published by Veritas Communications to mark the 25th anniversary of Farquhar’s ordination as a bishop, contains contributions by a number of people praising Farquhar’s work. Seán Brady notes he was “engaged actively in promoting bonds of friendship and understanding at times when it has been far from easy to do so.”
On December 3, 2015, Pope Francis accepts Farquhar’s resignation on the grounds of age. He is at the time the longest serving bishop in Ireland.
Farquhar dies in Belfast on November 18, 2023, at the age of 83. His funeral requiem mass is celebrated in the Church of the Good Shepherd, Ormeau Road, Belfast, on November 23 followed by interment in the adjoining cemetery.
seamus dubhghaill 