Born John Gerard Smyth, upon joining the Norbertine Roman Catholic religious order in 1945, he changes his name to Brendan. The Norbertines, also known as the “Premonstratensians,” are aware of Smyth’s crimes as early as the late 1970s, yet they do not report him to either the Garda Síochána or the Royal Ulster Constabulary (RUC). He is moved from parish to parish and between dioceses and countries whenever allegations are made. In some cases, the order does not inform the diocesan bishop that Smyth has a history of sexual abuse and should be kept away from children. He abuses children in parishes in Rhode Island and North Dakota and at one time works in Boston and is suspected of similar actions while on pastoral work in Wales and Italy. Norbertine Father Bruno Mulvihill makes several attempts to alert church authorities about the abuse committed by Smyth.
Smyth’s first conviction follows the reporting to police of his abuse of four siblings in Belfast’s Falls Road. After his arrest in 1991, he flees to the Republic of Ireland, where he spends the next three years on the run, staying mostly at Kilnacrott Abbey. This leads to the collapse of the Fianna Fáil–Labour Party coalition government in December 1994 when the poor handling of an extradition request from the RUC by the Irish Attorney General‘s office leads to a further delay of Smyth’s trial. An award-winning UTVCounterpoint programme on the scandal by journalist Chris Moore, followed by a book, accuses the head of the Norbertines and the Archbishop of Armagh of mishandling the case, and the Norbertines of negligence and a failure to tell others of Smyth’s crimes, enabling him to sexually abuse large numbers of children for 40 years.
Smyth dies in prison of a heart attack at the age of 70 on August 22, 1997, after collapsing in the exercise yard, one month into a 12-year prison sentence. The Norbertines hold his funeral before dawn and cover his grave with concrete to deter vandalism. He is buried in Kilnacrott Abbey, which is later put up for sale with 44 acres of land, including the grave.
On October 27, 2005, the title “Reverend” is removed from his gravestone following a campaign by one of Smyth’s victims.
Reviewers of the case differ as to whether there is a deliberate plot to conceal Smyth’s behaviour, incompetence by his superiors at Kilnacrott Abbey, or some combination of factors. Cahal Daly, both as Bishop of Down and Connor, a diocese where some of the abuse takes place, and later as Cardinal Archbishop of Armagh, is recorded as having been privately furious at the Norbertine “incompetence.” Smyth’s activities are investigated by the Northern Ireland Historical Institutional Abuse Inquiry, finding that: “…despite knowing his history of abusing children, the Norbertine religious order moved Smyth to different dioceses where he abused more children…”
In 2010, Daly’s successor as Roman Catholic Archbishop of Armagh, Cardinal Seán Brady, faces “huge pressure to resign” after he admits that in 1975, he witnessed two teenage boys sign oaths of silence after testifying in a Church inquiry against Smyth. Survivor groups see this as evidence of collusion, but Brady says he “did not have the authority” to turn Smyth in. On March 17, 2010, the Deputy First Minister of Northern Ireland, Martin McGuinness, calls for Brady to resign.
In 2013, some of Smyth’s alleged Rhode Island victims between 1965 and 1968, both male and female, call for the Diocese of Providence to investigate Smyth. As of 2019, he is among those listed by the Diocese of Providence as being “credibly accused” of committing sex abuse.
Module 6 of the 2014-2016 Northern Ireland Historical Institutional Abuse Inquiry is dedicated to Smyth’s crimes in Northern Ireland.
A two-part dramatisation of the Smyth case, Brendan Smyth: Betrayal of Trust, is broadcast by the BBC on March 13, 2011, with Ian Beattie in the title role and Richard Dormer as Chris Moore.
(Pictured: Father Brendan Smyth, Our Lady of Mercy, East Greenwich, Rhode Island, USA, c. 1965)
O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.
O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.
O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).
In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.
In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.
During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.
After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.
O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.
O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.
O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.
There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”
O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”
(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
The son of a member of the Royal Air Force (RAF), Keenan is born on July 17, 1941, in Swatragh, County Londonderry, Northern Ireland, before his family moves to Belfast. As a teenager, he moves to England to find work, for a time working as a television repairman in partnership with his brother in Corby, Northamptonshire. During this time, he comes to the attention of the police when he damages a cigarette machine, which leads to police having his fingerprints on file. He returns to Northern Ireland when the Troubles begin and starts working at the Grundig factory in the Finaghy area of Belfast where he acquires a reputation as a radical due to his involvement in factory trade union activities.
Despite his family having no history of republicanism, Keenan joins the Provisional Irish Republican Army in 1970 or 1971, and by August 1971 is the quartermaster of the Belfast Brigade. He is an active IRA member, planning bombings in Belfast and travelling abroad to make political contacts and arrange arms smuggling, acquiring contacts in East Germany, Libya, Lebanon and Syria. In 1972, he travels to Tripoli to meet with Libyan leader Muammar Gaddafi in order to acquire arms and finance from his government. In early 1973 he takes over responsibility for control of the IRA’s bombing campaign in England and also becomes IRA Quartermaster General. In late 1973, he is the linchpin of the kidnap of his former employer at Grundig, director Thomas Niedermayer.
In early 1974, Keenan plans to break Gerry Adams and Ivor Bell out of Long Kesh using a helicopter, in a method similar to Seamus Twomey‘s escape from Mountjoy Prison in October 1973, but the plan is vetoed by Billy McKee. He is arrested in the Republic of Ireland in mid-1974 and sentenced to twelve months imprisonment for IRA membership. On March 17, 1975, he is shot and wounded while attempting to lead a mass escape from Portlaoise Prison. While being held in Long Kesh, Gerry Adams helps to devise a blueprint for the reorganisation of the IRA, which includes the use of covert cells and the establishment of a Southern Command and Northern Command. As the architects of the blueprint, Adams, Bell and Brendan Hughes, are still imprisoned, Martin McGuinness and Keenan tour the country trying to convince the IRA Army Council and middle leadership of the benefits of the restructuring plan, with one IRA member remarking “Keenan was a roving ambassador for Adams.” The proposal is accepted after Keenan wins support from the South Derry Brigade, East Tyrone Brigade and South Armagh Brigade, with one IRA member saying, “Keenan was really the John the Baptist to Adams’ Christ.”
In December 1975, members of an IRA unit based in London are arrested following the six-day Balcombe Street siege. The IRA unit had been active in England since late 1974 carrying out a series of bombings, and a few months after his release from prison Keenan visits the unit in Crouch Hill, London, to give it further instructions. In follow-up raids after the siege, police discover crossword puzzles in his handwriting and his fingerprints on a list of bomb parts. A warrant is issued for his arrest.
Garda Síochána informer Sean O’Callaghan claims that Keenan recommended IRA Chief of Staff Seamus Twomey to authorise an attack on Ulster Protestants in retaliation to an increase in sectarian attacks on Catholic civilians by Protestant loyalist paramilitaries, such as the killing of three Catholics in a gun and bomb attack by the Ulster Volunteer Force (UVF) on Donnelly’s Bar in Silverbridge, County Armagh on December 19, 1975. According to O’Callaghan “Keenan believed that the only way, in his words, to put the nonsense out of the Prods [Protestants] was to just hit back much harder and more savagely than them.” Soon after the sectarianKingsmill massacre occurs, when ten Protestant men returning home from their work are ordered out of a minibus they are travelling in and executed en masse with a machine gun on January 5, 1976.
Keenan is arrested on the basis of the 1975 warrant near Banbridge on March 20, 1979, when the Royal Ulster Constabulary (RUC) stopped two cars travelling north on the main road from Dublin to Belfast and is extradited to England to face charges relating to the Balcombe Street Gang‘s campaign in England. His capture is a blow to the IRA, in particular as he was carrying an address book listing his contacts including Palestinian activists in the United Kingdom. The IRA responds by dispatching Bobby Storey and three other members to break Keenan out of prison using a helicopter, but all four are arrested and remanded to Brixton Prison. Keenan stands trial at the Old Bailey in London in June 1980 defended by Michael Mansfield and is accused of organising the IRA’s bombings in England and being implicated in the deaths of eight people including Ross McWhirter and Gordon Hamilton Fairley. He is sentenced to eighteen years imprisonment after being found guilty on June 25, 1980.
Keenan continues to support Gerry Adams while in prison. In August 1982 Adams is granted permission by the IRA’s Army Council to stand in a forthcoming election to the Northern Ireland Assembly, having been refused permission at a meeting the previous month. In a letter sent from Leicester Prison, Keenan writes that he “emphatically” supports the move and endorses the Army Council’s decision.
Keenan is released from prison in June 1993 and by 1996 is one of seven members of the IRA’s Army Council. Following the events after the IRA’s ceasefire of August 1994, he is openly critical of Gerry Adams and the “tactical use of armed struggle,” or TUAS, strategy employed by the republican movement. After the Northern Ireland peace process becomes deadlocked over the issue of the IRA decommissiong its arms, he and the other members of the Army Council authorise the Docklands bombing which kills two people and marks the end of the IRA’s eighteen-month ceasefire in February 1996.
Keenan outlines the IRA’s public position in May 1996 at a ceremony in memory of hunger striker Seán McCaughey at Milltown Cemetery, where he states, “The IRA will not be defeated…Republicans will have our victory…Do not be confused about decommissioning. The only thing the Republican movement will accept is the decommissioning of the British state in this country.” In the same speech he accuses the British of “double-dealing” and denounces the Irish government as “spineless.”
On February 25, 2001, Keenan addresses a republican rally in Creggan, County Armagh, saying that republicans should not fear “this phase” of “the revolution” collapsing should the Good Friday Agreement fail. He confirms his continued commitment to the Armalite and ballot box strategy, saying that both political negotiations and violence are “legitimate forms of revolution” and that both “have to be prosecuted to the utmost.” He goes on to say, “The revolution can never be over until we have British imperialism where it belongs—in the dustbin of history,” a message aimed at preventing rank-and-file IRA activists defecting to the dissident Real IRA.
Keenan plays a key role in the peace process, acting as the IRA’s go-between with the Independent International Commission on Decommissioning (IICD). Gerry Adams remarks, “There wouldn’t be a peace process if it wasn’t for Brian Keenan.” Keenan resigns from his position on the Army Council in 2005 due to ill-health, and is replaced by Bernard Fox, who had taken part in the 1981 Irish hunger strike. On May 6, 2007, he is guest speaker at a rally in Cappagh, County Tyrone, to commemorate the 20th anniversary of the deaths of the so-called “Loughgall Martyrs,” eight members of the IRA East Tyrone Brigade killed by the Special Air Service (SAS) in 1987.
In July 2002, Keenan is diagnosed as suffering from terminal colorectal cancer. It is alleged by the Irish Independent and The Daily Telegraph that Keenan succeeded Thomas “Slab” Murphy as Chief of Staff of the Provisional IRA at some point between the late 1990s and the mid-2000s before he relinquished the role to deal with his poor health caused by cancer.
Keenan’s last years are spent living with his wife in Cullyhanna, County Armagh, where he dies of cancer on May 21, 2008. He is an atheist and receives a secular funeral, representing a major republican show of strength.
Paul Joseph Brady, Irish singer-songwriter and musician, is born in Belfast, Northern Ireland, on May 19, 1947. Interested in a wide variety of music from an early age, his work straddles folk and pop.
Brady begins learning piano around age six and by the age of eleven he has begun to play guitar, spending hours of his school holidays learning every song that the Shadows had recorded. He is also influenced by Chuck Berry.
In 1963, Brady begins performing as a piano player in a hotel in Bundoran, County Donegal. In October 1964, he attends University College Dublin and performs with a number of R&B groups, covering songs by the likes of Ray Charles and James Brown. The first of these is the Inmates (late 1964–about April 1965), which evolves into the Kult (about April–December 1965), featuring Brady, Jackie McAuley (ex-Them, and future Belfast Gypsies and Trader Horne), Brendan Bonass, and Dave Pennefather. He can be seen in the documentary film Charlie Is My Darling waiting outside Dublin‘s Adelphi Cinema for the Rolling Stones‘ concert of September 3, 1965. He next joins Rootzgroup (late 1965–May 1966) and Rockhouse (about May–December 1966).
During Brady’s time at college in Dublin, the country sees a huge rise in interest in traditional Irish music. He joins the popular Irish band The Johnstons when Michael Johnston leaves in May 1967. They move to London in 1969 and subsequently to New York City in 1972 to expand their audience. Despite some success, he returns to Ireland in 1974 to join the Irish group Planxty, the band that subsequently launches the solo careers of Andy Irvine, Liam O’Flynn, Dónal Lunny, and Christy Moore.
When Planxty disbands in late 1975, Brady forms a duo with Irvine from 1976 to 1978, a partnership that produces the successful album, Andy Irvine/Paul Brady. The next few years see him establish his popularity and reputation as one of Ireland’s best interpreters of traditional songs. His versions of ballads like “Arthur McBride” and “The Lakes of Pontchartrain” are considered definitive and are still popular at concerts today. In 1975 in New York, he records three albums for Shanachie Records as guitar accompanist to resident Irish fiddlers Andy McGann, Paddy Reynolds and John Vesey. He also records a 1976 album, The High Part of the Road, for the same label with Irish fiddler Tommy Peoples.
In 1978, Brady releases his first solo album, Welcome Here Kind Stranger, which wins him critical acclaim and is voted the “Folk Album of the Year” by Melody Maker magazine. However, it proves to be his last album covering traditional material. He decides to delve into pop and rock music and releases his first album of this genre in 1981, Hard Station.
Brady releases a number of successful solo albums throughout the 1980s: True for You (1983), Back to the Centre (1985), and Primitive Dance (1987). By the end of the decade, he is recognised and accepted as a respected performer and songwriter. His songs are being covered by a number of other artists, including Santana and Dave Edmunds.
Dylan is sufficiently impressed by Brady’s work to name-check him in the booklet of his 1985 box set, Biograph. The actual quote is “(…) people get too famous too fast these days and it destroys them. Some guys got it down – Leonard Cohen, Paul Brady, Lou Reed, secret heroes, John Prine, David Allen Coe, Tom Waits. I listen more to that kind of stuff than whatever is popular at the moment. They’re not just witchdoctoring up the planet, they don’t set up barriers (…)”.
In 1991, Brady reaches number 5 in the Irish Singles Chart with Nobody Knows.
Since his Hard Station album (1981), Brady is on various major labels until he creates his own label, PeeBee Music, in the late 1990s. He releases three albums in the 1990s: Trick or Treat, Songs & Crazy Dreams (a remixed compilation of earlier songs) and Spirits Colliding, which are met with critical acclaim. Trick or Treat is on Fontana/Mercury Records and receives a lot of promotion. As a result, some critics consider it his debut album and note that the record benefits from the expertise of experienced studio musicians, as well as producer Gary Katz, who works with the rock group Steely Dan. Rolling Stone, after praising his earlier but less-known solo records, calls Trick or Treat Brady’s “most compelling collection.”
Brady goes on to record several other albums, fifteen in total since going solo in 1978, and collaborates with a number of other established musicians including Bonnie Raitt and Richard Thompson. In 2006, he collaborates with Cara Dillon on the track “The Streets of Derry” from her album After the Morning. He also works with Fiachra Trench.
Brady’s fifteenth studio album, Hooba Dooba, is released in March 2010.
In 2017, a friendship is struck with Theo Katzman (Vulfpeck) and Brady tours Ireland in 2019 as half of this duo with Joe Dart, also of vulfpeck, Louis Cato and Lee Pardini. He continues to tour, record and collaborate with other artists. In 2019, Jimmy Buffett begins performing a cover of Brady’s hit, “The World is What you Make It.” In September 2019, Brady joins Buffett on his tour stops in both Dublin and London.
Brady releases the album Unfinished Business on his own label, PeeBee Music, licensed to Proper Music UK, in 2017.
While Brady and Andy Irvine’s planned tour of their 1976 album Andy Irvine/Paul Brady is impacted by the COVID-19 pandemic, they finish the tour in 2022. Musicians to join them on the tour include fiddle player Kevin Burke and multi-instrumentalist Dónal Lunny, both of whom had played on the original album.
In 2009, Brady receives an honorary degree of Doctor of Letters from the University of Ulster, in recognition of his services to traditional Irish music and songwriting.
Frederick Edward McWilliamCBERA, Northern Irish surrealistsculptor, dies in London on May 13, 1992. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.
McWilliam is born in Banbridge, County Down,on April 30, 1909, the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.
McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.
During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.
After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.
During the Northern IrelandTroubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.
In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.
Hughes is born in Bellaghy, County Londonderry, Northern Ireland, on February 28, 1956, into a republican family, the youngest of four brothers in a family of ten siblings. His father, Joseph, had been a member of the Irish Republican Army in the 1920s and one of his uncles had smuggled arms for the republican movement. This results in the Hughes family being targeted when internment is introduced in 1971, and his brother Oliver is interned for eight months without trial in Operation Demetrius. He leaves school at the age of 16 and starts work as an apprentice painter and decorator.
Hughes is returning from an evening out in Ardboe, County Tyrone, when he is stopped at an Ulster Defence Regiment (UDR) checkpoint. When the soldiers realise he comes from a republican family, he is badly beaten. His father encourages him to see a doctor and report the incident to the police, but he refuses, saying he “would get his own back on the people who did it, and their friends.”
Hughes initially joins the Official Irish Republican Army but leaves after the organisation declares a ceasefire in May 1972. He then joins up with Dominic McGlinchey, his cousin Thomas McElwee and Ian Milne, before the three decide to join the Provisional Irish Republican Army in 1973. He, Milne and McGlinchey take part in scores of IRA operations, including daylight attacks on Royal Ulster Constabulary (RUC) stations, bombings, and attacks on off-duty members of the RUC and UDR. Another IRA member describes the activities of Hughes:
“He led a life perpetually on the move, often moving on foot up to 20 miles for one night then sleeping during the day, either in fields and ditches or safe houses; a soldierly sight in his black beret and combat uniform and openly carrying a rifle, a handgun and several grenades as well as food rations.”
On April 18, 1977, Hughes, McGlinchey and Milne are travelling in a car near the town of Moneymore when an RUC patrol car carrying four officers signals them to stop. The IRA members attempt to escape by performing a U-turn but lose control of the car which ends up in a ditch. They abandon the car and open fire on the RUC patrol car, killing two officers and wounding another, before running off through the fields. A second RUC patrol comes under fire while attempting to prevent the men from fleeing, and despite a search operation by the RUC and British Army the IRA members escape. Following the Moneymore shootings, the RUC name Hughes as the most wanted man in Northern Ireland, and issue wanted posters with pictures of Hughes, Milne and McGlinchey. Milne is arrested in Lurgan, County Armagh, in August 1977, and McGlinchey later in the year in the Republic of Ireland.
Hughes is arrested on March 17, 1978, at Lisnamuck, near Maghera in County Londonderry, after an exchange of gunfire with the British Army the night before. British soldiers manning a covert observation post spot Hughes and another IRA volunteer approaching them wearing combat clothing with “Ireland” sewn on their jackets. Thinking they might be from the Ulster Defence Regiment, one of the soldiers stands up and calls to them. The IRA volunteers open fire on the British troops, who return fire. A soldier of the Special Air Service (SAS), Lance Corporal David Jones, is killed and another soldier wounded. Hughes is also wounded and is arrested nearby the next morning.
In February 1980, Hughes is sentenced to a total of 83 years in prison. He is tried for, and found guilty of, the murder of one British Army soldier (for which he receives a life sentence) and wounding of another (for which he receives 14 years) in the incident which leads to his arrest, as well as a series of gun and bomb attacks over a six-year period. Security sources describe him as “an absolute fanatic” and “a ruthless killer.” Fellow republicans describe him as “fearless and active.”
Hughes is involved in the mass hunger strike in 1980 and is the second prisoner to join the 1981 Irish Hunger Strike in the H-Blocks at the Long Kesh Detention Centre. His hunger strike begins on March 15, 1981, two weeks after Bobby Sands began his hunger strike. He is also the second striker to die, at 5:43 p.m. BST on May 12, after 59 days without food, refusing requests from the IRA leadership outside the prison to end the strike after the death of Sands. The journey of his body from the prison to the well-attended funeral near Bellaghy is marked by rioting as the hearse passes through loyalist areas. His death leads to an upsurge in rioting in nationalist areas of Northern Ireland.
Hughes’s cousin Thomas McElwee is the ninth hunger striker to die. Oliver Hughes, one of his brothers, is elected twice to Magherafelt District Council.
The play is a tragicomedy about a small rural town in Ireland where many of the townspeople are extras in a Hollywood film. The story centres on Charlie Conlon and Jake Quinn, who, like much of the town, are employed as extras for the filming. The key point in the play is when a local teenager commits suicide, by drowning himself with stones in his pockets, after he is humiliated by one of the film stars. The script calls upon the cast of two to perform all 15 characters (men and women), often switching gender and voice swiftly and with minimal costume change. Comedy also derives from the efforts of the production crew to create the proper “Irish feel” – a romanticised ideal that often conflicts with the reality of daily life.
The play is first shown as a DubbleJoint Production premiering in West Belfast in August 1996. The set design, by Jack Kirwan, is simple – a backcloth depicting the cloudy sky above the Blasket Islands, a row of shoes (symbolising the myriad characters) and a trunk, a box, and two tiny stools. The lighting design is originally by James C. McFetridge and this design is used in both the London West End and the Broadway versions of the show.
The show moves to the Edinburgh Festival Fringe in 1999. It then returns to Ireland and has a brief run in Dublin before moving to London‘s Tricycle Theatre. It then transfers to the New Ambassadors Theatre in London’s West End. The show, however, proves so successful, its run is extended and moves to the Duke of York’s Theatre up the road, where it remains for three years.
The original cast of Hill and Campion take the show to Broadway and, as its West End run continues to play to packed houses, actors line up to play Charlie and Jake, most notably Bronson Pinchot, Rupert Degas and Simon Delaney.
The play wins the Irish Times/ESB Irish Theatre Award for Best Production in 1999, wins two Laurence Olivier Awards in 2001 for Best New Comedy and Best Actor (Conleth Hill) and is also nominated for three Tony Awards in 2001.
The play is revived at London’s Tricycle Theatre in 2011, with Jamie Beamish as Charlie and Owen McDonnell as Jake, and at the Tron Theatre, Glasgow in 2012 performed by Robbie Jack and Keith Fleming.
For the 20th anniversary of the first production, The Dukes in Lancaster and The Theatre Chipping Norton co-produce a touring production which opens at The Dukes on February 25, 2016, and tours 35 venues between then and May 28, 2016. Charlie de Bromhead plays Jake and Conan Sweeny plays Charlie.
The original version of the play is created in collaboration with theatre director Pam Brighton, who later sues Marie Jones for co-authorship rights. Brighton loses the case in the high court, and subsequently becomes bankrupt.
Gerard “Jock” Davison, a former commander of the Provisional Irish Republican Army (IRA) in Belfast and later a supporter of Sinn Féin’s peace strategy, is shot dead in the city shortly after 9:00 a.m. on May 5, 2015, in the Markets area of south Belfast at the junction of Welsh Street and Upper Stanfield.
One of the first operations Davison is involved in is the shooting of Irish People’s Liberation Organisation (IPLO) Belfast Brigade commander Sammy Ward on October 31, 1992, during the Night of the Long Knives in Belfast.
Davison, the former IRA man, who more recently is a community worker in the working-class Markets area of Belfast, is questioned about the murder of 33-year-old Robert McCartney in January 2005. He is released without charge. He always denies ordering the murder of the father of two following an argument outside Magennis’s Bar in the city centre.
On May 5, 2015, around 9:00 a.m., Davison is shot numerous times at Welsh Street in the Markets area of south Belfast. While police do not identify who killed him, Kevin McGuigan, a former subordinate of Davison’s, is named as the chief suspect after he is also shot dead, reportedly by members of the Provisional IRA, on August 12, 2015.
On the evening of the killing, The Guardian’s Henry McDonald reports: “Davison is the most senior pro-peace processrepublican to have been killed since the IRA ceasefire of 1997. Security sources said it was highly unlikely that any Ulster loyalist group was behind the murders, adding that the killers may instead have come from within the nationalist community, possibly from people who had a longstanding grudge against the victim.”
Alasdair McDonnell, the Belfast SouthSocial Democratic and Labour Party (SDLP) Westminster candidate, condemns the shooting, saying, “This is a horrendous crime and those responsible have shown no regard for anyone that could have been caught in the middle of it during the school rush hour. My thoughts and prayers are with the individual’s family at this traumatic time.” He adds, “People here want to move on from the violence of the past. This community will reject those who bring murder and mayhem to our streets. I would appeal to anyone with any information to bring it forward as soon as possible.”
Sinn Féin president Gerry Adams says, “People will be appalled by this morning’s murder in the Markets area of south Belfast. This brutal act will be condemned by all sensible people. There can be no place today for such actions. I would urge anyone with any information to bring that forward to the PSNI (Police Service of Northern Ireland).”
Following his arrest in Fuengirola in August 2021, it is revealed Gerry ‘The Monk’ Hutch is to be questioned in relation to a weapon used in Davison’s murder.
Born Annie Roslyn Roycroft, she is the fifth of six children born to Tom Roycroft of County Cork and Annie Stephens of County Kerry. Her father works in the Royal Irish Constabulary (RIC), which is what prompts the move to County Down. She gets her education at Bangor Central Public Elementary School and Technical College before going on to get a job with the local newspaper, the County Down Spectator in 1941.
Roycroft begins her career with the County Down Spectator as a junior office assistant but shows the instincts of a journalist and learns journalistic skills by typing up the reports dictated by the newspaper’s journalists. She begins submitting local news stories and in 1952 she is taken on as a journalist despite misgivings among the teams locally about a woman working in the field.
Roycroft then takes a break working as a clerk for North Down Borough Council before being asked to return as the editor for the County Down Spectator. A member of the National Union of Journalists, so that she knows how to pay her journalists properly, she has a reputation of standing her ground during reporting of the Troubles. She leaves County Down and her role as editor in 1983 when she marries Joe Stephens and eventually moves to Cork.
Roycroft is very involved in the Church of Ireland. She is a Sunday school teacher from the age of sixteen. When she moves to Cork, she turns her time to working with the church.
Roycroft dies in Beaumont, Cork, on January 11, 2019. She is predeceased by her husband. She writes her memoirs, Memoirs of a Scribbler, in 1995. She is remembered in the book Bangor in the Eighties which is dedicated to her.
(Photo: From “Annie Stephens obituary: One of Ireland’s first female newspaper editors,” The Irish Times, http://www.irishtimes.com, February 16, 2019)
Long comes from a carpentry and blacksmithing background. In 1959, he enters Queen’s University Belfast to study civil engineering. He graduates with first class honours and then takes a PhD at Queens. In 1967, he moves to Canada, working as a bridge designer for Fenco Engineering in Toronto.
Long, however, spends only a year in Canada, returning to Belfast in 1968 to become an associate professor of civil engineering at Queen’s University Belfast. In 1976, he is promoted to a full professorship. His work is largely in the field of concrete structures, particularly in chloride resistance, maintenance problems and arch bridge structures. He publishes twenty papers in journals managed by the Institution of Civil Engineers and wins eight of the institution’s medals for these, including the ICE Gold Medal.
From 1997 Long works on the FlexiArch, a precast concrete arch in which the individual voussoirs are joined by a flexible polymeric membrane. The arch arrives to site flat packed and when lifted into position by a crane, the gaps between the voussoirs close under gravity and form the correct arch profile. He patents the product, which is produced by Irish precast manufacturer Macrete, in 2004. The product can be constructed within a day and, containing no corrodible elements, has been stated to have a design lifespan of 300 years. More than fifty FlexiArch bridges have been constructed in the UK and Ireland and spans up to 30m are possible.
By 2002, Long is appointed dean of the faculty of engineering at QUB. In November of that year, he is appointed president of the ICE for the 2002–2003 session, the first Northern Irish person to hold that position. He is also a Fellow of the Royal Academy of Engineering and of the Institute for the Advancement of Engineering.
Long is appointed an officer of the Order of the British Empire in the 2006 New Year Honours for services to higher education and civil engineering. He resigns as professor at QUB in 2006 but remains there as an emeritus professor in the School of Natural and Built Environment. Since 2015, the ICE Northern Ireland awards the Adrian Long medal to the best paper in an ICE journal to be authored by a Northern Ireland member. The medal features a bust of Long.
seamus dubhghaill 