Dodds is the son of schoolteachers. His father Robert is from a Presbyterian family and dies of alcoholism when Dodds is seven years old. His mother Anne is of Anglo-Irish ancestry. When he is ten, he moves with his mother to Dublin, and he is educated at St. Andrew’s College, where his mother teaches, and at Campbell College in Belfast. He is expelled from the latter for “gross, studied, and sustained insolence.”
In 1912, Dodds wins a scholarship at University College, Oxford, to read classics, or Literae Humaniores, a two-part, four-year degree program consisting of five terms of study of Latin and Greek texts followed by seven terms of study of ancient history and ancient philosophy. His friends at Oxford include Aldous Huxley and T. S. Eliot. In 1916, he is asked to leave Oxford due to his support for the Easter Rising, but he returns the following year to take his final examinations in Literae Humaniores, and is awarded a first-class degree to match the first-class awarded him in 1914 in Honour Moderations, the preliminary stage of his degree. His first tutor at Oxford is Arthur Blackburne Poynton.
After graduation, Dodds returns to Dublin and meets W. B. Yeats and George William Russell. He teaches briefly at Kilkenny College and in 1919 is appointed as a lecturer in classics at the University of Reading, where in 1923 he marries a lecturer in English, Annie Edwards Powell. They have no children.
In 1924, Dodds is appointed Professor of Greek at the University of Birmingham, and comes to know W. H. Auden, whose father George, Professor of Public Medicine and an amateur classicist, is a colleague. He is also responsible for Louis MacNeice‘s appointment as a lecturer at Birmingham in 1930. He assists MacNeice with his translation of Aeschylus, Agamemnon (1936), and later becomes the poet’s literary executor. He publishes one volume of his own poems, Thirty-Two Poems, with a Note on Unprofessional Poetry (1929).
On his retirement in 1960, Dodds is made an Honorary Fellow of University College, Oxford, until his death on April 8, 1979. He dies in the village of Old Marston, northeast of Oxford.
Among Dodds’s works are The Greeks and the Irrational (1951), which charts the influence of irrational forces in Greek culture up to the time of Plato, and Pagan and Christian in an Age of Anxiety, a study of religious life in the period between Marcus Aurelius and Constantine I. He is also editor of three major classical texts for the Clarendon Press, Proclus: Elements of Theology, Euripides‘ The Bacchae and Plato’s Gorgias, all published with extensive commentaries, and a translation in the case of the first. His autobiography, Missing Persons, is published in 1977. He edits Louis MacNeice’s unfinished autobiography The Strings are False (1965) and MacNeice’s Collected Poems (1966).
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.
Nicholas “Nicky” Rackard, Irish hurler whose league and championship career with the Wexford senior team spans seventeen years from 1940 to 1957, is born on April 28, 1922, in Killanne, County Wexford. He establishes many championship scoring records, including being the top championship goal-scorer of all time with 59 goals. He is widely regarded as one of the greatest hurlers in the history of the game.
Rackard is the eldest son of five boys and four girls born to Robert (Bob) Rackard and Anastasia Doran, who had been married in 1918. He is introduced to sport by his father who had hoped he would become a cricketer. His uncle, John Doran, won an All-Ireland medal as a Gaelic footballer with Wexford in 1918 and it is hurling and Gaelic football that Rackard develops a talent for.
Rackard plays his club hurling with his local Rathnure club and enjoys much success. He wins his first senior county title in 1948. It was Rathnure’s first ever championship triumph. Two years later in 1950 he captures a second county title, a victory which allows him to take over the captaincy of the county senior team for the following year. He wins his third and final county medal in 1955.
Rackard makes his debut on the inter-county scene when he is selected for the Wexford minor panel. He is just out of the minor grade when he is selected for the Wexford senior team in 1940. Over the course of the next seventeen years, he wins two All-Ireland medals as part of the Wexford hurling breakthrough in 1955 and 1956. He also wins four Leinster Senior Hurling Championship medals, one National Hurling League medal and one Leinster Senior Football Championship medal as a Gaelic footballer. He plays his last game for Wexford in August 1957.
By the late 1940s, Rackard is a regular in the full-forward line on the Leinster inter-provincial team. Success comes in the twilight of his career and he claims his sole Railway Cup medal in 1956.
Rackard’s brothers, Billy and Bobby, also experience All-Ireland success with Wexford.
In retirement from playing Rackard becomes involved in team management and coaching. It is with the Wexford senior team that he enjoys his greatest successes as a selector when he helps the team secure the 1968 All-Ireland Senior Hurling Championship title.
Rackard is most famous for his scoring prowess and is the all-time top championship scorer at the time of his retirement from hurling. His private life is marred by periods of excessive drinking, which had started during his university studies, and eventually develops into alcoholism. After quitting drinking completely in 1970, he travels the country as a counsellor with Alcoholics Anonymous. In an interview in The Irish Press in 1975, he details his life as a recovering alcoholic and becomes one of the first sportspeople to break the taboo of alcoholism in Ireland.
Rackard death from cancer at St. Vincent’s Hospital in Dublin on April 10, 1976, sees a huge outpouring of grief amongst the hurling community. He is posthumously honoured by being named on the Hurling Team of the Century in 1984, however, he is sensationally omitted from the Hurling Team of the Millennium in favour of Ray Cummins. His scoring prowess has also earned him a place on the top ten list of all-time scoring greats. In 2005 the GAA further honours him by naming the Nicky Rackard Cup, the hurling competition for Division 3 teams, in his honour.
In 2006, a Wexford author, Tom Williams, writes a long-overdue biography of Rackard entitled Cuchulainn’s Son – The Story of Nickey Rackard. The same author also pens a now well-known song about Rackard many years earlier. It too is called Cuchulainn’s Son and has been recorded by various artists over the last 20 years and is a lament for the great sportsman.
In Wexford town, there is a statue to commemorate Rackard, erected in 2012.
Patrick (Pat) James John Eddery, flat racingjockey and trainer, is born on March 18, 1952, in Newbridge, County Kildare, near the Curragh Racecourse. He is the fifth of twelve children of Jimmy Eddery, a jockey who is Irish Flat Champion in 1954 and 1955, and who rides Panaslipper to win the Irish Derby in 1955. His mother, Josephine, is the daughter of Jack Moylan, also a jockey. His brother Paul goes on to become a successful jockey also. He initially attends the Patrician Brothers’ Primary School in Newbridge, later enrolling in Oatlands Primary School in Stillorgan when the family moves to Blackrock, Dublin.
Devoted from his earliest years to riding horses, Eddery has little interest in school. He begins his career on his fourteenth birthday as an apprentice jockey in Ireland (1966–67) with the stable of Seamus McGrath. In 1967, he moves to England where he is apprenticed to Frenchie Nicholson until 1972. After riding for more than a season without success, he records his first win on April 24, 1969, at Epsom Downs Racecourse on a horse named Alvaro, trained by Major Michael Pope. Alvaro provides Eddery with six wins in succession during the 1969 season.
Eddery finishes the 1971 season as champion apprentice with seventy-one winners, and in 1972 has his first Derby ride, the 50–1 chance Pentland Firth, who finishes third behind Roberto and Rheingold. In 1972 he also has his first victory in a Group 1 race via Erimo Hawk, when awarded the Ascot Gold Cup following the disqualification of Rock Roi for interference.
Eddery rides for the Newmarket trainer Geoffrey Barling in 1972 before becoming the stable jockey for leading trainer, Peter Walwyn, later that year. For Walwyn, he wins his first two English classic races on Polygamy (Oaks) and Grundy (Derby) and is Champion Jockey in four consecutive seasons from 1974 to 1977. While under retainer with Walwyn, he clinches the first of these titles when just twenty-two years old, a record in the post-war era. In 1975, after winning the Irish Derby on Grundy, he rides the horse to a hard-fought victory over Bustino in the King George VI and Queen Elizabeth Stakes at Ascot in what is described by many at the time as “the race of the century.”
Eddery remains as stable jockey to Walwyn for eight years, before joining the Ballydoyle racehorse training facility of legendary Irish trainer Vincent O’Brien, for whom he rides a string of big-race winners, including the brilliant Golden Fleece, owned by Robert Sangster, in the 1982 Epsom Derby.
The O’Brien–Eddery combination experiences controversial defeat in the 1984 Epsom Derby when Eddery rides then unbeaten 2000 Guineas Stakes-winner El Gran Senor and seems to be cruising to victory in the final furlong, only to be caught on the line and beaten by a short head by Secreto, trained by O’Brien’s son David. He later admits that he should have won the race, but when the horses in front of him fell away early in the straight he was left in front too soon and was unable to repel Secreto’s late challenge. He later wins the Irish Derby on El Gran Senor, beating the subsequent Prix de L’Arc de Triomphe winner, Rainbow Quest. During 1984, he also partners the O’Brien-trained and subsequent outstanding stallion, Sadler’s Wells, to two of his three Group 1 successes.
The 1980s represent the pinnacle of Eddery’s career and include victories in the 1983 Arlington Million in Chicago on Tolomeo, the 1985 Breeders’ Cup Turf at Aqueduct Racetrack, New York, on Pebbles, and the 1986 Japan Cup on Jupiter Island, the latter two horses being trained by Clive Brittain. He also has four victories in the Prix de l’Arc de Triomphe: on Detroit in 1980, Rainbow Quest in 1985, the great Dancing Brave, on whom he also wins the King George VI and Queen Elizabeth Stakes in 1986, and Trempolino in 1987. The field for the 1986 ‘Arc’ is extremely strong and Dancing Brave’s late winning run a thrilling spectacle. The race is voted “the greatest ever horserace” in a poll conducted by the Racing Post in 2022.
Rainbow Quest and Dancing Brave are both owned by the Saudi Prince Khalid Abdullah, whose Juddmonte Farms is by then one of the world’s largest racing and breeding organisations. In 1987, Eddery becomes Abdullah’s retained jockey. Highlights of their association, which lasts until 1994, include Quest for Fame winning the 1990 Epsom Derby, and Zafonic, winner of the 1993 2000 Guineas Stakes.
Meanwhile, Eddery continues to win the jockeys’ championships, a task made easier by being retained by Juddmonte in England rather than commuting regularly to Ireland to ride for Vincent O’Brien. His highest seasonal total of wins is 209 in 1990, which is the first time a jockey has exceeded 200 since Sir Gordon Richards in 1952. His epic battle for the championship in 1987 with American Steve Cauthen is particularly intense, with Cauthen securing the title with 197 winners and Eddery coming close at 195. The title would have been shared at 196 winners apiece but for a successful objection by the rider of the third horse to the winner after the last definitive race between Eddery and Cauthen when they finished first and second, respectively. In 1988, Eddery retains the title with 183 winners from just over 480 rides, a remarkable strike rate of over thirty-eight per cent. He wins the championship for the eleventh and final time in 1996. His final classic win is on Silver Patriarch in the St. Leger Stakes of 1997.
Eddery rides major winners outside Europe and the United States, including Jupiter Island in the 1986 Japan Cup, and French Glory in the Canadian International Stakes. He teams up with Lester Piggott, Joe Mercer and French jockeys Freddie Head and Yves Saint-Martin to take part in a series of challenge races under the Ritz Club Challenge Trophy at Singapore and other Asian cities starting in 1983 for several years. His overall total of winners in the UK, Ireland, mainland Europe and overseas, exceeds 6,000. Although fiercely competitive on the racetrack, he is popular with fellow jockeys, trainers, owners and racegoers, who respond to his good-natured personality, courtesy and sense of humour.
Eddery has a distinctive riding style that is not classically elegant but undoubtedly effective and strong in a finish. He rides a number of truly outstanding racehorses including Dancing Brave, El Gran Senor and Pebbles, but maintains that the brilliant and undefeated Derby winner, Golden Fleece, is the greatest of all the horses he partnered throughout his career.
Eddery continues to ride into his fifties, finally retiring in 2003. He is appointed an honorary Order of the British Empire (OBE) in 2005. He sets up an owners’ syndication business and takes out a training licence but has difficulty adjusting to life out of the saddle and becomes increasingly dependent upon alcohol. His training career meets with limited success, though he does train Hearts of Fire to win the Group 1 Gran Criterium of Italy in 2009.
Eddery marries Carolyn Mercer in November 1978. She is the daughter of flat jockey Manny Mercer, niece of jockey Joe Mercer, and granddaughter of jockey Harry Wragg. They have two daughters, Nichola and Natasha, and a son Harry. He has a son from an extramarital relationship, Toby Atkinson, who also becomes a jockey. The marriage with Carolyn breaks down in 2008 and the couple divorces in 2009.
Shortly after his marriage breaks down, Eddery begins living with Emma Owen, a former stable employee, at his 100-acre Musk Hill stud farm near Aylesbury, Buckinghamshire. He becomes progressively estranged from his children due to his continued alcoholism.
Eddery dies of a heart attack at the age of 63 on November 10, 2015. He leaves his £1.3 million estate to Emma Owen. His funeral takes place on December 8, 2015, and his remains are cremated at Oxford. Throughout his career, Eddery rode the winners of 4,632 British flat races, a figure exceeded only by Sir Gordon Richards and was UK Champion Jockey on eleven occasions and Irish Champion Jockey once. A plaque in his honour is unveiled by his children Nichola, Natasha and Harry at Ascot Racecourse in 2016, where he had been champion jockey at the Royal meeting on six occasions. He is inducted into the Qipco British Champions Series Hall of Fame in 2021, the second jockey after Lester Piggott to be so honoured.
(From: “Eddery, Patrick (Pat) James John” by P. Gerry McKenna, Dictionary of Irish Biography, http://www.dib.ie, September 2022)
O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.
Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.
In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.
From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.
O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.
Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.
Ordained in 1924, the theology in which McQuaid is trained is conservative — strongly neo-scholastic and hostile to modernism and liberalism. His hatred of the French Revolution is expressed in several pastorals and speeches throughout his career. He also regards Protestantism as a fundamental error from which Irish Catholics should be quarantined as much as possible.
Appointed Dean of Studies at Blackrock College, McQuaid becomes a prominent figure in Catholic education and chairs the Catholic Headmasters’ Association for several years. In 1931 he is appointed president of Blackrock College, in which capacity he becomes acquainted with Éamon de Valera, the future Irish Taoiseach whose sons attend the school. In 1936 while drafting a new Irish constitution, de Valera consults McQuaid, although he rejects McQuaid’s draft “One, True Church” clause which states, among other things, that the Catholic Church is the one true church in Ireland.
When McQuaid is appointed Archbishop of Dublin in 1940, the appointment of a priest from the regular clergy causes considerable surprise. Irish government archives reveal that de Valera, as is suspected at the time, presses McQuaid’s claims at the Vatican. However, it is doubtful whether the Vatican needs much persuasion. There is a dearth of potential episcopal talent and McQuaid has an outstanding reputation as a Catholic educationalist.
Once appointed, McQuaid proves to be one of the ablest administrators in the history of the Irish Church. In the first two years of his episcopate, he sets up the Catholic Social Service Conference to alleviate the poverty and distress in Dublin which is aggravated by the war, and the Catholic Social Welfare Bureau to help the thousands of Irish emigrants going to Britain for war work. These two organizations fill a much-needed gap and continue to exist after the war. The expansion of Dublin city and its suburbs during his episcopate requires the building of new churches, schools, and hospitals. Meeting these demands also necessitates a considerable increase in the number of clergies, secular and regular, whose numbers more than double in the period from 1941 to 1972.
Given his previous career, the importance McQuaid assigns to education is not surprising. He is critical of the low priority accorded to education by successive governments and is particularly critical of the poor and pay conditions of teachers. His intervention in the primary teachers’ strike in 1946 is poorly received by the government and marks the souring of his relationship with de Valera. During his episcopate the number of primary schools increases by a third while the number of secondary schools more than double but, as with social welfare, the government increasingly assumes a dominant role in education from the 1960s onwards. Almost immediately after his appointment in 1940, he takes a hardline stand against the attendance of Catholic students at Trinity College Dublin. The ban lasts until 1970, when the increase in student numbers renders it untenable and he accedes reluctantly.
McQuaid has a formidable list of achievements in health care, especially maternity and pediatric services, physical and mental handicap services, and the treatment of alcoholism. It is ironic, therefore, that the most controversial episode of his career occurs in this area — the Irish hierarchy’s rejection in 1951 of a free mother-and-child health service. This leads to the resignation of the Minister for Health, Dr. Noël Browne, and is a watershed in Church-State relations in Ireland. With Irish tuberculosis and infant mortality statistics ranking among the highest in the world, the hierarchy, and particularly McQuaid, lose considerable support by lining up with the conservative medical establishment to resist efforts at socialized medicine.
From various pastorals that McQuaid issues at the time, it is clear that he does not see the need for the Second Vatican Council. As its deliberations proceed, his unease grows, and he becomes increasingly preoccupied with the issue of episcopal power and independence that he believes are being threatened by the Council. In the areas of liturgical reform, greater lay participation, and ecumenism, he is slow in implementing the Vatican II reforms. His views on ecumenism had always been lukewarm and had led to allegations that he was anti-Protestant. His personality and policies are criticized by a more assertive Dublin laity, but being a shy, reserved man who increasingly feels the isolation of office, he never responds to such comments. In 1968 the reaction to Humanae vitae causes open rebellion in the Dublin diocese, the force of which catches him unaware. His last pastoral as archbishop in 1971 betrays his anger and bemusement at the response to Humanae vitae in Dublin.
McQuaid’s substantial archives are released by the Dublin Diocesan Archives in the late 1990s. In 1999 journalist John Cooney publishes a hostile biography of McQuaid, which makes controversial allegations of sexual abuse against McQuaid. The allegations are based on tenuous evidence gathered by McQuaid’s nemesis from the 1951 Mother and Child controversy, Dr. Noël Browne, who had died in 1997. No corroborating evidence is produced or has since emerged.
Mangan is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.
Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.
Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.
Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.
Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.
Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.
Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.
Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.
(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.
Roddy Doyle, novelist, dramatist and screenwriter known for his unvarnished depiction of the working class in Ireland, is born in Dublin on May 8, 1958. His distinctively Irish settings, style, mood, and phrasing make him a favourite fiction writer in his own country as well as overseas.
Doyle grows up in a middle-class family in Kilbarrack. His mother, Ita Bolger Doyle, is a first cousin of the short story writer Maeve Brennan. After majoring in English and geography at University College Dublin, he teaches those subjects for fourteen years at Greendale Community School, a Dublin grade school. During the summer break of his third year of teaching, he begins writing seriously. In the early 1980s he writes a heavily political satire, Your Granny’s a Hunger Striker, but it is never published.
Doyle publishes the first editions of his comedy The Commitments (1987; film 1991) through his own company, King Farouk, until a London-based publisher takes over. The work is the first installment of his internationally acclaimed The Barrytown Trilogy novels, which also include The Snapper (1990; film 1993), and The Van (1991; film 1996). The series centres on the ups and downs of the never-say-die Rabbitte family, who temper the bleakness of life in an Irish slum with familial love and understanding.
Doyle’s fourth novel, Paddy Clarke Ha Ha Ha (1993), wins the 1993 Booker Prize. Set in the 1960s in a fictional working-class area of northern Dublin, the book examines the cruelty inflicted upon children by other children. The protagonist, 10-year-old Paddy Clarke, fears his classmates’ ostracism, especially after the breakup of his parents’ marriage. In 1994 he writes the BBC miniseries Family, which generates heated controversy throughout conservative Ireland. The program sheds harsh light on a family’s struggle with domestic violence and alcoholism and portrays the bleaker side of life in a housing project, the same venue he had used in the more comedic Barrytown novels. The Woman Who Walked into Doors (1996) and its sequel, Paula Spencer (2006), concern the ramifications of domestic abuse and alcoholism.
A Star Called Henry (1999) centres on an Irish Republican Army (IRA) soldier named Henry Smart and his adventures during the Easter Rising. Smart’s further adventures are detailed in Oh, Play That Thing (2004), which follows him as he journeys through the United States, and The Dead Republic (2010), which chronicles his return to Ireland. In Smile (2017) a lonely middle-aged man looks back on his life, especially his troubled childhood. His next novel, Love (2020), follows two old friends as they spend a night drinking and looking back at their lives. The Deportees and Other Stories (2007), Bullfighting (2011), and Life Without Children (2021) are short-story collections. He also writes a number of books for children, including Wilderness (2007) and A Greyhound of a Girl (2011).
In 1987 Doyle marries Belinda Moller, granddaughter of former Irish PresidentErskine Childers. They have three children – Rory, Jack and Kate.
In the television series Father Ted, the character Father Dougal Maguire‘s unusual sudden use of (mild) profanities, such as saying “I wouldn’t know, Ted, you big bollocks!,” is blamed on his having “been reading those Roddy Doyle books again.”
Rafferty is the third son of Irish miner and lorry driver Joseph Rafferty and his Scottish wife Mary Skeffington. His abusive alcoholic father dies when Gerry is only sixteen years old. He grows up in a council house on the town’s Glenburn estate and attends St. Mirin’s Academy. Inspired by his Scottish mother, who teaches him both Irish and Scottish folk songs, and the music of Bob Dylan and the Beatles, he starts writing his own material. In 1963 he leaves St. Mirin’s Academy and works in a butcher’s shop and as a civil service clerk while also playing with the local group Maverix on weekends.
In the mid-1960s Rafferty earns money busking on the London Underground. In 1966 he meets fellow musician Joe Egan and they are both members of the pop band the Fifth Column. In 1969 he becomes the third member of the folk-pop outfit the Humblebums, which also features comedian Billy Connolly and Tam Harvey. He and Connelly record two well-received albums on the Transatlantic Records label as a duo.
Rafferty releases his first solo album, Can I Have My Money Back?, in 1972. That same year he and Egan form the group Stealers Wheel. Stealers Wheel has a huge hit with the jaunty and witty song “Stuck in the Middle with You,” which peaks at #6 on the Billboard pop charts. Stealers Wheel has a lesser Top 40 hit with “Star” ten months later and eventually breaks up in 1975.
In 1978 Rafferty hits pay dirt with his second solo album, City to City, which soars to #1 on the Billboard album charts and sells over five million copies worldwide. The album also begets the hit song “Baker Street.” This haunting and poetic ballad is an international smash that goes to #2 in the United States, #3 in the United Kingdom, #1 in Australia, and #9 in the Netherlands.
Rafferty’s third album, Night Owl, likewise does well. Moreover, he has additional impressive chart successes with the songs “Right Down the Line,” “Home and Dry,” “Days Gone Down,” and “Get It Right Next Time.” Alas, a handful of albums he records throughout the 1980s and 1990s all prove to be commercial flops. He sings the vocal on the song “The Way It Always Starts” for the soundtrack of the movie Local Hero.
Rafferty is married to Carla Ventilla from 1970 to 1990. He records his last album, Another World, in 2000 and releases the compilation CD, Life Goes On, in 2009.
Rafferty has problems with alcoholism that directly contributes to his untimely death. In November 2010, he is admitted to the Royal Bournemouth Hospital where he is put on a life support machine and treated for multiple organ failure. After being taken off life support, he rallies for a short time, and doctors believe he might recover. He dies, however, of liver failure at the home of his daughter Martha in Stroud, Gloucestershire, on January 4, 2011.
seamus dubhghaill 