seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Bray (County Wicklow)


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Death of Jonathan Christian, Irish Judge

Jonathan Christian, SL, QC, PC (I), Irish judge, dies in Dublin on October 29, 1887. He serves as Solicitor-General for Ireland from 1856 to 1858. He is a judge of the Court of Common Pleas (Ireland) from 1858 to 1867 when he is appointed Lord Justice of Appeal in Chancery. On the creation of the new Irish Court of Appeal in 1878, he serves briefly on that Court, but retires after a few months.

Christian is considered one of the best Irish lawyers of his time, but as a judge, he regularly courts controversy. His bitter and sarcastic temper and open contempt for most of his colleagues leads to frequent clashes both in Court and in the Press. Though he is rebuked for misconduct several times by the House of Commons, no serious thought is given to removing him from office.

Christian is born in Carrick-on-Suir, County Tipperary, the third son of George Christian, a solicitor, and his wife Margaret Cormack. He is educated at the Trinity College Dublin, enters Gray’s Inn in 1831 and is called to the Irish Bar in 1834. He marries Mary Thomas in 1859 and they have four sons and four daughters. He lives at Ravenswell, Bray, County Wicklow.

Christian’s early years at the Bar are not successful, and he admits to being near to despair at times about his prospects. His practice lays in the Court of Chancery, with procedures that are extremely complex and he finds at first almost unintelligible. Gradually he masters the intricacies of Chancery practice becoming a leader of the Bar, and took silk in 1841. It is said that his expertise in Chancery procedures leave even the Lord Chancellor himself quite unable to argue with him.

Christian is appointed Law Adviser to the Lord Lieutenant of Ireland, an influential post which involves assisting the Attorney-General and Solicitor-General in advising the Crown in 1850, but resigns after only a few months on the grounds that it interferes with his private practice. He is appointed Third Sergeant later the same year but resigns in 1855, allegedly because he is disappointed at not receiving further promotion. Promotion does in time come his way. He is appointed Solicitor-General the following year and a judge of the Court of Common Pleas in 1858. He is unusual in having no strong political loyalty; it is said that his political allegiance is known only to himself.

As a judge of the Court of Common Pleas, Christian gets on well with his colleagues, and any dissenting judgements he writes are short and courteous. It is after his appointment as a Lord Justice of Appeal in Chancery in 1867 that his behaviour begins to attract unfavourable comment, as he goes out of his way to court controversy on a wide variety of topics.

His criticisms of legal rulings and arguments are invariably delivered in the form of a personal attack. Such exchanges are frequently continued through the letters page of The Times. Conservative in politics, he objects to the appointment of Thomas O’Hagan as Lord Chancellor in December 1868, dismissing him as a liberal “political necessity.” He goes to great lengths to point out legal flaws in the Landlord and Tenant (Ireland) Act 187, to the great annoyance of the Prime Minister, William Ewart Gladstone. His final public diatribe comes in 1877 when he launches an attack on the quality of law reporting, dismissing the contents of the Irish Reports as “a mass of utterly worthless rubbish.” He is vilified in the legal press and is the subject of cartoons in Dublin satirical journals. Pleading deafness, he retires in December 1878.

Christian dies on October 29, 1887, at his Dublin residence, 53 Merrion Square, and is buried in Dean’s Grange Cemetery, Deansgrange, County Dublin. In his will, approved in Dublin on December 3, 1887, he leaves an estate worth over £70,000. There is a fine portrait by Frank Reynolds in the dining hall of the Honourable Society of King’s Inns, Dublin.


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Death of Teresa Brayton, Irish Republican & Poet

Teresa Brayton, an Irish republican and poet who uses the pen name T. B. Kilbrook, dies in Kilbrook, a small village near Kilcock, County Kildare, on August 19, 1943.

Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.

Brayton later becomes a notable member of Irish national parties, the United Irish League and Cumann na mBan. She is described as “a patriot, but never in the vulgar sense a politician” in The Irish Times. She is closely associated with leaders of the 1916 Easter Rising, and writes poems in honour of Irish patriots including Charles Stewart Parnell, Roger Casement and Patrick Pearse.

Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.

Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.

In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.

In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.

Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).

Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.

Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.

Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.

Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”

Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.

From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.

Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.


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Death of Sir Robert Prescott Stewart, Organist, Conductor & Composer

Sir Robert Prescott Stewart, organist, conductor, composer, teacher, and academic, dies in Dublin on March 24, 1894. He is one of the most influential (classical) musicians in 19th-century Ireland.

Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.

Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.

Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.

By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.

Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.

Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.

Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.

In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).

Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.

(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of W. R. E. Murphy, Soldier & Policeman

William Richard English-Murphy, DSO MC, Irish soldier and policeman known as W. R. E. Murphy, dies on March 5, 1975, in Ardee, County Louth. He serves as an officer with the British Army in World War I and later in the National Army. In the Irish Civil War, he is second in overall command of the National Army from January to May 1923. He is first Irish Commissioner of the Dublin Metropolitan Police (DMP) and the last Commissioner of the force before its merger with the Garda Síochána in 1925. Thereafter he is the Deputy Commissioner of the Gardaí until his retirement in 1955.

Murphy is born in Danecastle, Bannow, County Wexford, on January 26, 1890. His parents die when he is four years old. His grandparents also die during his childhood. He and his sister Mae (Mary Sarah) are separately raised by relatives in Belfast and Waterford. He is completing his master’s degree at Queens University Belfast (QUB) when he follows the call of John Redmond to join the war effort and ensure Irish independence. Ulster regiments reject him because he is Catholic. Seeking a regiment that treats Irish volunteers with respect, he joins the British Army in Belfast in 1915 as an officer cadet in the South Staffordshire Regiment.

Murphy serves in the Battle of Loos in 1915 and is wounded but returns to action for the start of the Battle of the Somme in July 1916. He becomes commanding officer of the 1st Battalion, the South Staffordshire Regiment in August 1918, reaching the rank of temporary lieutenant colonel. In 1918, his regiment is posted to the Italian Front, at the Piave River, where they are when the armistice is declared on November 4, 1918. He is granted the rank of substantive lieutenant colonel on the retired list on May 16, 1922.

After he returns to Ireland, Murphy resumes his career as a teacher. At some point, he joins the Irish Republican Army (IRA), an organisation fighting to end British rule in Ireland.

In December 1921, the Anglo-Irish Treaty is signed between British and Irish leaders, resulting in the setting up of the Irish Free State. Conflict over the Treaty among Irish nationalists ultimately leads to the outbreak of the Irish Civil War in June 1922. Murphy enlists as a general in the new National Army of the Irish Free State. After the start of the Irish Civil War, he is put in command of troops charged with taking posts held by the anti-Treaty IRA in Limerick.

At the Battle of Kilmallock in July–August 1922, Murphy is second in command to Eoin O’Duffy. His troops successfully dislodge the anti-Treaty IRA from positions around Kilmallock in County Limerick, but he is criticised for his tendency to “dig in” and resort to trench warfare rather than rapid offensive action.

Afterward, Murphy is put in overall command of Free State forces in County Kerry until January 1923. He lobbies Richard Mulcahy, commander in chief, for 250 extra troops, to bring his command up to 1,500 and help to put down the guerrilla resistance there. In the early stages of the guerrilla war, he organises large-scale “sweeps” to break up the republican concentrations in west Cork and east Kerry. These meet with little success, however. He exercises overall command in the county, but day-to-day operations are largely run by Brigadier Paddy Daly, of the Dublin Guard.

In October, in response to continuing guerrilla attacks on his troops, Murphy orders a nightly curfew to be put into place in Tralee.

In December, Murphy writes to Mulcahy that the “Irregular [Anti-Treaty] organisation here is well-nigh broken up,” and suggests the end of the war in the county is in sight. His optimistic prediction, however, proves premature.

On December 20, Murphy sentences four captured republican fighters to death under the fictitious “Public Safety Act” for possession of arms and ammunition. However, the sentences are to be called off if local guerrilla activity ceases. Humphrey Murphy, the local IRA Brigade commander, threatens to shoot eight named government supporters in reprisal if the men are executed. Eventually, their sentence is commuted to penal servitude.

In January 1923, Murphy is promoted from his command in Kerry to “responsibility for operations and organisation at the national level” in the army. Paddy Daly takes over as commanding officer in Kerry. Murphy later voices the opinion that Daly had been a bad choice, given his implication in the Ballyseedy massacre and other events of March 1923, in which up to 30 anti-Treaty prisoners were killed in the county.

Murphy leaves the National Army after the end of the Irish Civil War in May 1923 and becomes the first Irish commissioner of the Dublin Metropolitan Police. He later becomes deputy commissioner of the Garda Síochána, when DMP is merged with the new national police force in 1925. He holds this post until his retirement in 1955.

Murphy is at the forefront of efforts to close down Dublin’s red-light district, the Monto, in the early 1920s. Between 1923 and 1925, religious missions led by Frank Duff of the Legion of Mary, a Roman Catholic organisation, and Fr. R.S. Devane work to close down the brothels. They receive the cooperation of Murphy in his role as Dublin Police Commissioner, and the campaign ends with 120 arrests and the closure of the brothels following a police raid on March 12, 1925.

Murphy also holds the post for a time of president of the Irish Athletic Boxing Association.

Murphy lives with his daughter, Joan McMahon, in Ardee, County Louth, after his wife, Mary Agnes Fortune, dies on July 31, 1958. He dies on March 5, 1975, and is buried in St. Peter’s Churchyard, Bray, County Wicklow.

(Pictured: Major-General W. R. E. Murphy, as depicted on a Wills’ Irish Sportsmen cigarette card, from their boxing series)


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Birth of Lilian Davidson, Artist, Teacher & Writer

Lilian Davidson ARHA, Irish landscape and portrait artist, teacher and writer, is born on January 26, 1879, at Castle Terrace, Bray, County Wicklow.

Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.

Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).

Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.

Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.

Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.

As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”

Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.


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Death of Eamon Broy, Member of the Dublin Metropolitan Police & IRA

Eamon “Ned” Broy, successively a member of the Dublin Metropolitan Police (DMP), the Irish Republican Army (IRA), the National Army, and the Garda Síochána of the Irish Free State, dies in Rathgar, Dublin, on January 22, 1972. He serves as Commissioner of the Gardaí from February 1933 to June 1938. He later serves as president of the Olympic Council of Ireland for fifteen years.

Broy is born in Rathangan, County Kildare, on December 22, 1887. He joins the Royal Irish Constabulary (RIC) on August 2, 1910, and the Dublin Metropolitan Police on January 20, 1911.

Broy is a double agent within the DMP, with the rank of Detective Sergeant (DS). He works as a clerk inside G Division, the intelligence branch of the DMP. While there, he copies sensitive files for IRA leader Michael Collins and passes many of these files on to Collins through Thomas Gay, the librarian at Capel Street Library. On April 7, 1919, he smuggles Collins into G Division’s archives in Great Brunswick Street (now Pearse Street), enabling him to identify “G-Men,” six of whom are eventually killed by the IRA. He supports the Anglo-Irish Treaty of 1921 and joins the National Army during the Irish Civil War, reaching the rank of colonel. In 1925, he leaves the Army and joins the Garda Síochána.

Broy’s elevation to the post of Commissioner comes when Fianna Fáil replaces Cumann na nGaedheal as the government. Other more senior officers are passed over as being too sympathetic to the outgoing party.

In 1934, Broy oversees the creation of “The Auxiliary Special Branch” of the Garda, formed mainly of hastily trained anti-Treaty IRA veterans, who were opponents of Broy in the civil war. It is nicknamed the “Broy Harriers” by Broy’s opponents, a pun on the Bray Harriers athletics club or more likely on the Bray Harriers hunt club. It is used first against the quasi-fascist Blueshirts, and later against the diehard holdouts of the IRA, now set against former comrades. The “Broy Harriers” nickname persists into the 1940s, even though Broy himself is no longer in command, and for the bodies targeted by the unit is a highly abusive term, still applied by radical Irish republicans to the Garda Special Branch (now renamed the Special Detective Unit). The Broy Harriers engage in several controversial fatal shootings. They shoot dead a protesting farmer named Lynch in Cork, and when the matter is discussed in the Senate in 1934, the members who support Éamon de Valera‘s government walk out. They are detested by sections of the farming community. In the light of this latter history, their name is often used in reference to individuals or groups who attempt to disrupt contemporary dissident republicans, such as the remnants of the Provisional Irish Republican Army.

Broy is President of the Olympic Council of Ireland from 1935 to 1950. He is also a member of the Standing Committee of the Irish Amateur Handball Association.

Broy dies on January 22, 1972, at his residence in the Dublin suburb of Rathgar.

On September 17, 2016, a memorial to Broy is unveiled in Coolegagen Cemetery, County Offaly, close to his childhood home. His daughter Áine is in attendance, as are representatives of the government, the Air Corps, and the Garda Síochana.

Neil Jordan‘s film Michael Collins (1996) inaccurately depicts Broy (played by actor Stephen Rea) as having been arrested, tortured and killed by Secret Intelligence Service (SIS) agents. In addition, G Division was based not in Dublin Castle, as indicated in the film, but in Great Brunswick Street. Collins had a different agent in the Castle, David Neligan. Broy is also mentioned and makes an appearance in Michael Russell’s detective novel The City of Shadows, set partly in Dublin in the 1930s, published by HarperCollins in 2012.


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Death of Sheila Pim, Crime Novelist & Horticulturalist

Sheila Pim, Irish crime novelist and horticulturalist, dies in Dublin on December 16, 1995.

Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.

But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.

When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.

In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.

Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.


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Death of Helen Maybury Roe, Librarian & Antiquarian

Helen Maybury Roe, Irish librarian and antiquarian and a champion of medieval Irish art and iconography, dies on May 28, 1988, at Grove Nursing Home in Killiney, County Dublin.

Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.

In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.

Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.

Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.

The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.


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Birth of Artist Paul Henry

Paul Henry, Irish artist noted for depicting the Connacht province landscape in the west of Ireland in a spare Post-Impressionist style, is born at 61 University Road, Belfast, on April 11, 1876.

Henry is the third of four sons of the Rev. Robert Mitchell Henry, minister of the Reformed Presbyterian Church, and his wife Kate Ann Berry, eldest of four daughters of Thomas Berry, minister of the Baptist church, Athlone. His father becomes a Baptist in 1858 and pastor of Great Victoria Street Baptist Church, Belfast, resigning in 1875 to join the Plymouth Brethren.

Henry begins to draw in pencil and watercolours at the age of four, even before entering the kindergarten at Methodist College Belfast (MCB), in 1882 where he first begins drawing regularly. At the age of fifteen he moves to the Royal Belfast Academical Institution. He studies art at the Belfast School of Art before going to Paris in 1898 to study at the Académie Julian and at James McNeill Whistler‘s Académie Carmen.

Henry marries the painter Emily Grace Mitchell on September 17, 1903, in London at St Peter’s Anglican church, Bayswater. He returns to Ireland in 1910. From then until 1919 he lives on Achill Island, where he learns to capture the peculiar interplay of light and landscape specific to the west of Ireland. In 1919, he moves to Dublin and in 1920 he is one of the founders of the Society of Dublin Painters, originally a group of ten artists. He designs several railway posters, some of which, notably Connemara Landscape, achieves considerable sales. He separates from his wife in 1929. His second wife is the artist Mabel Young.

In the 1920s and 1930s, Henry is Ireland’s best-known artist, one who has a considerable influence on the popular image of the west of Ireland. Although he seems to cease experimenting with his technique after leaving Achill and his range is limited, he creates a large body of fine images whose familiarity is a testament to its influence.

Henry’s use of colour is affected by his red-green colour blindness. He loses his sight in 1945 and does not regain his vision before his death.

Henry dies on August 24, 1958, at his home at 1 Sidmonton Square, Bray, County Wicklow, and is buried at St. Patrick’s Church, Enniskerry, County Wicklow. He is survived by his wife, Mabel. His papers and sketchbooks are in the libraries of the National Gallery of Ireland and Trinity College Dublin.

A commemorative exhibition of Henry’s work is held at Trinity College, Dublin, in 1973 and the National Gallery of Ireland holds a major exhibition of his work in 2004.

A painting by Henry is featured on an episode of the BBC‘s Antiques Roadshow, broadcast on November 12, 2006. The painting is given a value of approximately £40,000–60,000 by the Roadshow. However, due to the buoyancy of the Irish art market at the time, it sells for €260,000 on December 5, 2006, in James Adams’ and Bonhams’ joint Important Irish Art sale.

Pictured: “Roadside Cottages, below Mweelrea Mountain” by Paul Henry, RHA, oil on panel, 1940)


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Death of Cearbhall Ó Dálaigh, the Fifth President of Ireland

Cearbhall Ó Dálaigh, Fianna Fáil politician, judge and barrister who serves as the fifth president of Ireland from December 1974 to October 1976, dies on March 21, 1978, in Sneem, County Kerry. He serves as Attorney General of Ireland from 1946 to 1948 and from 1951 to 1953, a Judge of the Supreme Court of Ireland from 1953 to 1973, Chief Justice of Ireland from 1961 to 1973 and a Judge of the European Court of Justice from 1973 to 1974.

Ó Dálaigh, one of four children, is born on February 12, 1911, in Bray, County Wicklow. His father, Richard O’Daly, is a fishmonger with little interest in politics. His mother is Una Thornton. His birth name is registered in English as Carroll O’Daly, which he uses during his legal career, and which is recorded by some publications.

Ó Dálaigh has an elder brother, Aonghus, and two younger sisters, Úna and Nuala. He goes to Saint Cronan’s Boys’ National School in Bray, and later to Synge Street CBS in Dublin. While attending University College Dublin (UCD), he becomes auditor of An Cumann Gaelach and of the Literary and Historical Society. He also becomes Irish language editor of The Irish Press.

Ó Dálaigh is a committed Fianna Fáil supporter who serves on the party’s National Executive in the 1930s. He becomes Ireland’s youngest Attorney General in 1946, under Taoiseach Éamon de Valera, serving until 1948. Unsuccessful in Dáil and Seanad elections in 1948 and 1951, he is re-appointed as Attorney General of Ireland in 1951. In 1953, he is nominated as the youngest-ever member of the Supreme Court by his mentor, de Valera. Less than a decade later, he becomes Chief Justice of Ireland, on the nomination of Taoiseach Seán Lemass. He is a keen actor in his early years and becomes a close friend of actor Cyril Cusack. It is commonly stated that Ó Dálaigh and Cusack picketed the Dublin launch of Disney‘s Darby O’Gill and the Little People in 1959, for what they felt was the film’s stereotyping of Irish people. However, there is no known contemporary reference to this having occurred.

Ó Dálaigh is an opponent of the United States bombing of North Vietnam.

In 1972, Taoiseach Jack Lynch suggests to the opposition parties that they agree to nominate Ó Dálaigh to become President of Ireland when President de Valera’s second term ends in June of the following year. Fine Gael, confident that its prospective candidate, Tom O’Higgins, will win the 1973 presidential election, having almost defeated de Valera in 1966, turn down the offer. Fianna Fáil’s Erskine H. Childers goes on to win the election that follows.

When Ireland joins the European Economic Community (EEC), Lynch appoints Ó Dálaigh as Ireland’s judge on the European Court of Justice. When President Childers dies suddenly in 1974, all parties agree to nominate Ó Dálaigh to replace him.

Ó Dálaigh’s tenure as president proves to be contentious. While popular with Irish language speakers and with artists, and respected by many republicans, he has a strained relationship with the Government of the 20th Dáil, particularly with Minister Conor Cruise O’Brien and Taoiseach Liam Cosgrave.

Ó Dálaigh’s decision in 1976 to exercise his power to refer a bill to the Supreme Court to test its constitutionality brings him into conflict with the Fine Gael-Labour National Coalition. Following the assassination of the British Ambassador to Ireland, Christopher Ewart-Biggs, by the Provisional Irish Republican Army (IRA), on July 23, 1976, the government announces its intention to introduce legislation extending the maximum period of detention without charge from two to seven days.

Ó Dálaigh refers the resulting bill, the Emergency Powers Bill, to the Supreme Court. When the court rules that the bill is constitutional, he signs the bill into law on October 16, 1976. On the same day, an IRA bomb in Mountmellick, County Laois, kills Michael Clerkin, a member of the Garda Síochána, the country’s police force. Ó Dálaigh’s actions are seen by government ministers to have contributed to the killing of this Garda. On the following day, Minister for Defence Paddy Donegan, visiting a barracks in Mullingar, County Westmeath, to open a canteen, attacks the President for sending the bill to the Supreme Court, calling him a “thundering disgrace.”

Ó Dálaigh’s private papers show that he considered the relationship between the President (as Commander-in-Chief of the Defence Forces) and the Minister for Defence had been “irrevocably broken” by the comments of the Minister in front of the army Chief of Staff and other high-ranking officers. Donegan offers his resignation, but Taoiseach Liam Cosgrave refuses to accept it. This proves the last straw for Ó Dálaigh, who believes that Cosgrave had additionally failed to meet his constitutional obligation to regularly brief the President. He resigns from the presidency on October 22, 1976, “to protect the dignity and independence of the presidency as an institution.” He is succeeded as President of Ireland by Patrick Hillery.

Ó Dálaigh dies of a heart attack on March 21, 1978, less than two years after resigning the presidency. He is buried in Sneem, County Kerry.