Edgeworth Lysaght, later Edward Anthony Edgeworth Lysaght, and from 1920 Edward MacLysaght (Irish: Éamonn Mac Giolla Iasachta), a genealogist of twentieth century Ireland, is born on November 6, 1887, at Flax Bourton, Somerset, England. His numerous books on Irish surnames build upon the work of Rev. Patrick Woulfe’s Irish Names and Surnames (1923).
Lysaght is born to Sidney Royse Lysaght (1856-1941), of Irish origin, a director of the family iron and steel firm John Lysaght and Co. and a writer of novels and poetry, and Katherine (died 1953), daughter of Joseph Clarke, of Waddington, Lincolnshire. His grandfather, Thomas Royse Lysaght, is an architect, and his great-grandfather, William Lysaght, a small landowner distantly connected with the Barons Lisle. He is named “Edgeworth Lysaght” after his father’s friend, the economist Francis Ysidro Edgeworth. He loses the sight in one eye after a childhood accident.
Lysaght is educated at Nash House preparatory school, Bristol, and Rugby School at Rugby, Warwickshire, where he is unhappy, his parents’ frequent absence due to his father’s business responsibilities necessitating travel to South America, South Africa, and Australia contributing to this. He is a contemporary there of Rupert Brooke, whose father is Lysaght’s housemaster. Eighteen months after leaving Rugby, on the advice of Francis Edgeworth, he goes to Corpus Christi College, Oxford, to study law, but, having on his own account “had a wild time as part of the smart set” and anticipating rustication after a drunken incident, he leaves after three terms.
Lysaght takes up residence in a caravan at Lahinch, County Clare, where he had previously holidayed and become friendly with local people. His father, himself strongly connected to his Irish boyhood and wanting to establish himself as a “country gentleman,” recognizes his son’s enthusiasm for Ireland and in 1909 purchases a 600-acre estate at Tuamgraney, at which Lysaght farms until 1913, introducing an electrical generator and other forms of modernization including the development of a lime kiln, nursery, and school where young men of means can learn the basics of farming. This is the beginning of a metamorphosis for him. Although of English upbringing, he dislikes the local gentry, considering them “layabout rentiers,” and prefers to make friendships amongst employees and his neighbours. He seeks to replace his English accent with a Clare accent, eschews his lack of religion of a few years before in favour of Roman Catholicism, and becomes involved in the Gaelic League.
An integral factor in Lysaght’s reinvention is his relationship with Mabel (“Maureen”) Pattison. Five years his senior, they meet when he spends a period at a Dublin hospital. She is born and raised in South Africa, her father a civil servant there, but has Irish family including a local postmistress. His family seeks to avoid what they consider an unsuitable marriage, sending him and his brother Patrick on a world tour, but the couple are nevertheless married at the Brompton Oratory on September 4, 1913. Mabel introduces him to friends in the Arts Club, and he enters Dublin literary society. His father invests £300 in Maunsell’s publishers, who produces Lysaght’s book of poems, Irish Eclogues. As of the early 1930s, he serves on the General Committee of the Munster Agricultural Society.
By 1915, Lysaght’s command of the Irish language has improved dramatically, and in that year he founds the Nua-Ghaeltacht at Raheen, County Clare. He is an independent delegate to the 1917-18 Irish Convention in which he opposes John Redmond‘s compromise on Home Rule. By 1918 his involvement in all aspects of the Irish independence movement have deepened greatly. Although not known if he is actually a member of the Irish Republican Army (IRA), he is very active in the Irish War of Independence as a supporter, financially and otherwise, of the East Clare Brigade of the IRA and its legendary leaders, Michael and Conn Brennan.
In 1920, Lysaght, along with others of the name, changes his name to “MacLysaght,” “so as to emphasise its Gaelic origin.”
MacLysaght’s Raheen office serves as a meeting place for the Volunteers and guns, documents and ammunition are stored there. However, the war leads to a sharp decline in the fortunes of his farm. The execution of close friends such as Conor Clune of Quin in November 1920 and the subsequent devastating raids on his farm result in his playing a far more active role in Sinn Féin as a loyal supporter of the new TD for Clare, Éamon de Valera. For this he is imprisoned following his return from Britain as part of a Sinn Féin delegation which is publicising the Black and Tans atrocities.
Barry learns Irish from a young age. He attends Ballymartle National School but is unable to attend secondary school due to a lack of facilities in the area. He begins work on the family farm after primary school. In 1903, he moves to Cork to work as a draper‘s apprentice with the firm O’Sullivan and Howard, where he becomes involved in the Gaelic League and the Ancient Order of Hibernians. A successful athlete, he also plays for the Blackrock National Hurling Club and wins four senior county hurling championships between 1910–13.
In 1913, Barry joins the newly formed Irish Volunteers. In 1915, he moves to Kilkenny to take up employment there, where he continues his volunteer activities. Shortly after the 1916 Easter Rising, he is arrested in Kilkenny in a British Government crackdown, and sent to Frongoch internment camp in North Wales. In 1919, he returns to Cork, where he is Commandant of the Irish Republican Police (IRP) in Cork during the Irish War of Independence. In the Cork No. 1 Brigade of the Irish Republican Army (IRA), he helps with prisoner escapes and returning looted goods after the burning of Cork by Black and Tans. After the Anglo-Irish Treaty and the split that follows, he chooses the anti-Treaty branch of the IRA. He is captured by Irish Free State troops and is sent to Newbridge internment camp on October 6, 1922. He is not charged or convicted of any crime.
Irish Republican prisoners in Mountjoy Prison begin the 1923 Irish hunger strikes, protesting being interned without charges or trial and poor prison conditions. The strike quickly spreads to other camps and prisons, and Barry takes part starting on October 16. He dies 35 days later on November 20, 1923, at the hospital at Curragh Camp. IRA Volunteers Joseph Whitty from Newbawn, County Wexford, dies on September 2, 1923 and Andy O’Sullivan from Denbawn, County Cavan, dies as a result of hunger on November 22, 1923, in Mountjoy Prison. The 41-day hunger strike is called off the following day, November 23. Whitty, Barry and O’Sullivan are three of the 22 Irish Republicans who die on hunger-strike during the twentieth century. Barry is initially buried by the Free State army in the Curragh, but three days later, following a court order, his remains are disinterred. He is buried in the Republican plot at St. Finbarr’s Cemetery, Cork.
Prior to Barry’s body arriving in County Cork, the Bishop of Cork, Daniel Cohalan, issues a letter to the Catholic churches which forbids them to open their doors to his body. Bishop Cohalan expresses far different opinions on the 1920 death, also by hunger strike, of the Lord Mayor of CorkTerence MacSwiney. “Terence MacSwiney takes his place among the martyrs in the sacred cause of the Freedom of Ireland. We bow in respect before his heroic sacrifice. We pray that God may have mercy on his soul.”
In Barry’s hometown of Riverstick there stands a stone memorial, unveiled in 1966, in his honor and he is remembered with a wreath-laying commemoration every November.
She meets the Robertson commission in 1901 on behalf of St. Mary’s Dominican convent, Eccles Street, Dublin, where, as well as presenting the results of a questionnaire survey of women graduates, compiles in conjunction with Agnes O’Farrelly and Hanna Sheehy-Skeffington, she argues for the right of women to receive education on the same terms as men and in the same colleges, and to be employed by the universities on identical conditions (which is not realised until the Irish Universities Act of 1908). Along with Sheehy-Skeffington, she is a key figure in the formation of the Irish Association of Women Graduates in 1902, which concerns itself with various questions regarding women graduates’ employment in government departments, hospitals, and schools, as well as attempting to influence public policy in relation to sex discrimination.
After the passage of the Irish Universities Act in 1908, Hayden is appointed a member of both the senate of the National University of Ireland (NUI) and the governing body of the new University College Dublin (UCD), the first woman to hold such positions. In November 1909 she is appointed a lecturer in history, and in July 1911 first professor of modern Irish history at UCD, a position she holds until her retirement in 1938.
Hayden’s last major public campaign, at the age of 75, is in the lead-up to the referendum on the 1937 Constitution of Ireland, in opposition to articles 40, 41, and 45 concerning the status of women. Reversing her lifelong non-party-political stance, she helps to form the Women’s Social and Progressive League as a political party committed to opposing the constitution and any regressive consequences it would entail.
Hayden receives an honorary doctorate from the NUI in 1935, three years before her retirement. A dedicated cyclist and swimmer, she is fluent in Irish, Greek, and Hindustani, and after retirement devotes her efforts to improving the welfare of Dublin children through her newly formed social club. She dies on July 12, 1942, at her residence in Rathmines, Dublin. Her unpublished diaries are deposited in the NLI.
A biography of Hayden, Mary Hayden: Irish Historian and Feminist, by Joyce Padbury is published by Arlen House in 2020.
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.
Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.
Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.
In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.
In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.
Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.
In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.
Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.
At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.
Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.
Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.
Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.
Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.
Lehane is the only surviving child of Denis Lehane, an excise officer originally from County Cork, and his wife Mary (née Connolly), a native of the Falls Road, Belfast. He grows up in an Irish-speaking household. Joseph Connolly, the senator, is his uncle on his mother’s side, while Michael O’Lehane, the trade unionist, is his uncle on his father’s side. His family emigrates to Hartlepool, in County Durham, England, in 1912, and then to Dublin in 1920. He is educated at Synge Street CBS and University College Dublin (UCD), where he studies Law and qualifies as a solicitor. He marries Marie O’Neill in 1937, and they have a son and two daughters.
As a solicitor, Lehane takes to defending members of the Irish Republican Army (IRA) in the Irish Courts. In 1927 he obtains permission for IRA prisoners to speak privately to their solicitors from the Irish High Court. He is active in other republican and nationalist circles. He is a member of the Moibhí Branch of Conradh na Gaeilge, and by the 1930s appears to become active in the IRA itself. In 1931 he is involved in Saor Éire, an attempt by the Irish left-wing to create a communist political party that would be linked to the IRA.
Lehane is a member of the IRA’s arms committee and in 1935 he is sentenced to 18-months’ imprisonment by the Military Tribunal for his membership of the IRA.
Lehane is an actor and has a keen interest in Irish language theatre. A committed Irish speaker, Lehane is at home in it, whether on radio, stage or in street conversation. He is one of the leading actors of the Irish Language Theatre Company between 1943 and 1958. He is a member of Dublin City Council and of the Citizens for Civil Liberties committee.
In 1977, the remains of Frank Ryan, one of the leading left-wing Republicans of the 1930s, are repatriated from East Germany, and Lehane delivers the eulogy.
Lynch is born on November 9, 1893, in Barnagurraha, Anglesboro, County Limerick, the fifth child among six sons and a daughter of Jeremiah Lynch, farmer, and Mary Lynch (neé Kelly). The family is politically active. His father’s brother, John, had taken part in the Fenian Rising of 1867 and his mother had been joint secretary of the Ballylanders branch of the Ladies’ Land League.
Lynch attends Anglesboro national school (1898–1909). In 1910 he moves to Mitchelstown, County Cork, to take up a three-year apprenticeship in the hardware store of P. O’Neill on Baldwin Street. He remains there until the autumn of 1915. While in Mitchelstown he is a member of the Gaelic League and the Ancient Order of Hibernians. He also joins the Irish Volunteers. In 1914, when that organisation splits, he does not immediately join the militant rump. He then moves to Fermoy, County Cork, where he works in the store of Messrs J. Barry & Sons Ltd. His move coincides with a period of inactivity as neither Volunteer faction is very active nor is he known. Consequently, he does not take part in the 1916 Easter Rising, but it is a turning point for him. On May 2, 1916, he watches as the Kent family are led through Fermoy, having been captured by British soldiers. Richard Kent dies from a wound sustained that day and Thomas Kent is executed a week later. Lynch becomes a committed Volunteer at this point.
Once committed, Lynch’s enthusiasm and aptitude ensures that he quickly attains positions of responsibility. From early 1917 he is first lieutenant in the small Fermoy company. In September 1917, the Irish Volunteers in east Cork are reorganised. Nine local companies are formed into the Fermoy battalion, and he is elected adjutant. In April 1918, at the height of the conscription crisis, he briefly quits his job to concentrate on organising the Volunteers. In May he is lucky to escape arrest during the sweep that accompanies the “German plot.” When the immediate danger ends, he returns to Barry & Sons.
In January 1919, at the beginning of the Irish War of Independence, the Volunteer organisation in Cork undergoes a major restructuring. Three brigades are established, and Lynch becomes brigade commandant of Cork No. 2. In April he visits Irish Republican Army GHQ in Dublin to discuss plans and to seek arms. It is a frustrating experience as the GHQ has few guns and are cautious about action. Throughout the summer of 1919 he presses GHQ to authorise attacks on British targets as a method of acquiring arms and to prevent boredom and stagnation setting in among his men. Finally, GHQ sanctions attacks if the primary aim is the capture of arms. In response, on September 7, 1919, twenty-five men from the Fermoy company, led by Lynch, ambush fourteen British soldiers on their way to service in the Wesleyan church in Fermoy. Fifteen rifles are captured, one soldier killed, and three wounded. Lynch is shot in the shoulder, probably by one of his own men. As a result, he has to leave his job and hides out in Waterford for a time. A series of arrests follow, among those is Lynch’s close friend, Michael Fitzgerald, who dies on hunger strike in Cork County Gaol in 1920.
Lynch spends the early months of 1920 at GHQ in Dublin. During this time, he is offered the position of deputy chief of staff, but turns it down, preferring to return to Cork. Although not an articulate speaker, he impresses those he meets. His organisational talents, attention to detail, ability to inspire, and intolerance for those who waste meetings endlessly discussing side issues, are noted. He has a low tolerance for politicians and at all times considers the military wing of the movement to be of primary importance. He is engaged to Bridie Keyes, but marriage is postponed pending a final settlement of hostilities.
On June 26, 1920, Lynch, Seán Moylan, and two colleagues capture Major-GeneralCuthbert Lucas while he is fishing on the Munster Blackwater. He gives a false name when he is arrested on August 12, 1920, at City Hall, Cork, with Terence MacSwiney, Lord Mayor of Cork, and ten others. All but MacSwiney are released four days later. He then sets about organising a flying column within the brigade. Ernie O’Malley arrives from headquarters to train the men. This column achieves a major coup on September 28, 1920, when they briefly capture the British Army barracks at Mallow, leaving with a large booty of rifles, ammunition, and two machine guns. The British respond to this increase in activity and the war settles into a pattern of ambush and counter-ambush. The Mallow battalion suffers severe losses in February 1921 and Lynch himself narrowly escapes when four are killed during an encounter at Nadd in March 1921.
In early 1921 Lynch seeks to encourage greater cooperation between the various brigades in the south. Senior brigade officers meet on three occasions to discuss cooperation and a plan to import arms from Italy. The importation project fails, but the First Southern Division is formed on April 26, 1921, bringing eight brigades from Cork, Kerry, Waterford, and west Limerick together. He is elected divisional commandant, making him the most powerful officer outside GHQ. His influence is further increased by his appointment as Southern Divisional Centre and Supreme Council member of the clandestine Irish Republican Brotherhood (IRB) in March 1921.
Lynch is wary when the truce is called in July 1921. He works hard to maintain order in his division and to achieve a state of readiness in case the negotiations fail. For him the Anglo-Irish Treaty is a failure. When the Supreme Council of the IRB meets on December 10, 1921, he is the only voice against the agreement. He is among the officers who insist that an army convention should be called to discuss the treaty, effectively asserting that the army no longer accepts a position subordinate to the Dáil. The army, he believes, is the army of the Republic, and no civilian body can order it to abandon the Republic. The provisional government tries to ban this convention, but it goes ahead on March 26, 1922, and elects an army executive. Lynch is elected Chief of Staff. Between March and June, he works hard to prevent a civil war. He believes unity can be maintained, even under the Treaty, if a republican constitution can be enacted. He also cooperates with Michael Collins in promoting Irish Republican Army (IRA) activity in Ulster. In his adherence to the idea of a republic, the practicalities of politics have little impact on his consciousness, and he is dismissive of the popular support for the Treaty. He is horrified at the thought of civil war but fails to see that his position is leading almost inexorably in that direction. Distrusted as too moderate by Liam Mellows and Rory O’Connor, he is locked out of the Four Courts for a time.
When the Four Courts are attacked, Lynch immediately leaves his headquarters at the Clarence Hotel to travel south. He is briefly detained, before reaching Kingsbridge Station, and has a meeting with Eoin O’Duffy. He is disgusted when Free State figures later claim that he was released, having promised not to take arms against the government. The most plausible explanation of the incident appears to be that O’Duffy interpreted Lynch’s comments, merely indicating disappointment that a war had started, as constituting a statement of intent not to involve himself.
Lynch’s initial actions seem designed to avoid full-scale conflict. He does not order an attack on Dublin, nor does he attempt to seize Limerick. He chooses a containment strategy, seeking to hold a line from Limerick to Waterford for the republican forces. This fails, as the government sends troops in from the rear by sea. The republicans have no urban base when Lynch abandons Fermoy on August 11, 1922. He continues to meet individuals who seek a way to end the war, but intransigence has set in, and he insists that armed struggle will only end with a republic or absolute defeat. As early as August many republicans believe the war is lost and urge a reassessment of tactics, but Lynch rejects all such calls. Operating from secret headquarters in Santry, he orders the shooting of pro-Treaty politicians in retaliation for the execution of republican prisoners.
Under war conditions it is impossible for the army executive to meet regularly, and this leaves Lynch in almost complete control. As the pro-surrender lobby grows within the republican forces, he delays a meeting of the executive, claiming with some justification that it is too dangerous. He leaves Santry and attends a meeting of the Southern Division Council in the last days of February 1923. Sixteen of the eighteen officers there tell him that the military position is hopeless. This forces the calling of an executive meeting on March 6, 1923. No agreement is reached. He strongly favours fighting on, but a motion from Tom Barry, calling for an immediate end to hostilities, is barely rejected. Another meeting is arranged for April 10. On that morning a group, including Lynch and Frank Aiken, suddenly find themselves in danger of capture in a farmhouse on the slopes of the Knockmealdown Mountains in County Tipperary. They flee and are pursued. During the chase Lynch is shot in the abdomen. It seems clear that he is shot by the pursuing Free State soldiers, although Irish historian Meda Ryan has considered the theory that he may have been shot by one of his own in order to remove the major stumbling block to surrender. His colleagues are forced to abandon him, and he is captured. Initially the Free State troops believe they have caught Éamon de Valera. He is taken first to a public house in Newcastle, County Tipperary, and then to St. Joseph’s Hospital in Clonmel, but dies from his wound at 8:45 p.m. that evening. His last request is to be buried beside Michael Fitzgerald in Kilcrumper Cemetery, Fermoy, County Cork. On hearing of Lynch’s death, Ernie O’Malley writes, “You who were a living force are now a battle cry.” O’Malley is wrong, however, as the peace faction within republicanism is strengthened by his death and Aiken orders the suspension of activities on April 27.
In 1935, a massive memorial, consisting of a 60-foot-tall round tower, guarded by four bronze Irish Wolfhounds, is erected at Goatenbridge, County Tipperary, near the site of his capture. It is unveiled on April 7, 1935. Separate annual commemorations are held at Goatenbridge and Kilcrumper. Three biographies have been written and the Liam Lynch memorial pipe band is based in his native Anglesboro. The Lynch family possess a substantial collection of private correspondence.
O’Hegarty is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the Dublin civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.
O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.
O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.
O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much “republican bitterness.” A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.
O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.
On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.
Thomson is born on August 19, 1903, in West Dulwich, London, the eldest of a family of three sons and two daughters born to William Henry Thomson, an accountant, and his wife Minnie (née Clements). Inheriting an interest in Ireland from his maternal grandfather, an Ulsterman of Orange stock, and his mother, he attends Irish language classes run by the Gaelic League in London while a pupil at Dulwich College (1916–22).
Thomson moves back to England in 1934, when he returns to King’s College, Cambridge, to lecture in Greek. He becomes a professor at the University of Birmingham in 1936, the year he joins the Communist Party of Great Britain. He pioneers a Marxist interpretation of Greek drama. His Aeschylus and Athens (1941) and Marxism and Poetry (1945) win him international attention. In the latter book he argues a connection between the work song and poetry, and that pre-industrial songs are connected to ritual.
Thomson befriends and is an important influence on Alfred Sohn-Rethel and his theory of the genesis of occidental thought in Ancient Greece through the invention of coining.
Thomson first visits the Blasket Islands off the west coast of Ireland in 1923. Mac Tomáis, as he quickly becomes known to the islanders, had attended rudimentary Irish classes at a branch of Conradh na Gaeilge in London before he went to Cambridge. When he arrives on the island, he immerses himself in the language. In six weeks of walking around, talking with Muiris Ó Súilleabháin and others, he achieves near complete fluency in the language.
Thomson spends several years with the people of the islands studying their language, history and culture. He maintains a special study of the now extinct community in Ireland, in which he perceives elements of surviving cultural resonances with historical society prior to the development of private property as a means of production. He becomes a champion of the Irish language.
Thomson has a role in the publication of the memoirs of Muiris Ó Súilleabháin, Fiche Bliain Ag Fás (Twenty Years Growing) in 1933. The introduction to Ó Súilleabháin’s autobiography by E. M. Forster can also be attributed to Thomson.
When Thomson applies for the new position of lecturer of Greek at the National University of Ireland, Galway, in 1931 he, in the words of Richard Roche, “astonished the interview board with a flow of Blasket Irish” and is awarded the post.
In 1951, Thomson is the only member of the Communist Party’s Executive Committee to vote against the Party’s programme, The British Road to Socialism, because “the dictatorship of the proletariat was missing.” He also serves on the Party’s Cultural Committee.
The Chinese revolution of 1949 has a profound effect on Thomson and leads to differences with the British Communist Party, from which he eventually drifts. He never loses his political beliefs. He is committed to working class education, including giving lectures to factory workers at Birmingham’s Austin car plant. He also maintains a special affection and support for the Morning Star in his later years.
Thomson authors three popular expositions on Marxism published by the China Policy Study Group in the early 1970s. From Marx to Mao Tse-tung: A study in revolutionary dialectics (1971), Capitalism and After: The rise and fall of commodity production (1973), and The Human Essence: The sources of science and art (1974). He is also the author of Marxism and Poetry (1945).
seamus dubhghaill 