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Death of David Hammond, Singer, Folklorist & Television Producer

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, dies in Belfast, Northern Ireland, following a long illness, on August 25, 2008.

Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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Death of John Havelock Nelson, Composer & Conductor

John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.

Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.

Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.

By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.

As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.

His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.

Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).

During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.

Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.

(From: “John Havelock Nelson (1917-1996),” Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Death of Seán Lester, Last Secretary-General of the League of Nations

Seán Lester, Irish diplomat who is the last secretary-general of the League of Nations from August 31, 1940, to April 18, 1946, dies at Recess, County Galway, on June 13, 1959.

Lester is born on September 28, 1888, in Carrickfergus, County Antrim, as John Ernest Lester, the son of a Protestant grocer Robert Lester and his wife, the former Henrietta Ritchie. Although the town of Carrickfergus is strongly Unionist, he joins the Gaelic League as a youth and is won over to the cause of Irish nationalism. As a young man, he joins the Irish Republican Brotherhood (IRB). He works as a journalist for the North Down Herald and a number of other northern papers before he moves to Dublin, where he finds a job at the Freeman’s Journal. By 1919, he has risen to its news editor.

After the Irish War of Independence, a number of Lester’s friends join the new government of the Irish Free State. He is offered and accepts the position as director of publicity.

Lester marries Elizabeth Ruth Tyrrell in 1920 by whom he has three daughters.

In 1923, Lester joins Ireland’s Department of External Affairs. He is sent to Geneva in 1929 to replace Michael MacWhite as Ireland’s Permanent Delegate to the League of Nations. In 1930, he succeeds in organising Ireland’s election to the Council (or executive body) of the League of Nations for three years. He often represents Ireland at Council meetings and stands in for the Minister for External Affairs. He becomes increasingly involved in the work of the League, particularly in its attempts to bring a resolution to two wars in South America. His work brings him to the attention of the League Secretariat and begins his transformation from national to international civil servant.

When Peru and Colombia have a dispute over a town in the headwaters of the Amazon River, Lester presides over the committee that finds an equitable solution. He also presides over the less-successful committee when Bolivia and Paraguay go to war over the Gran Chaco.

In 1933, Lester is seconded to the League’s Secretariat and sent to Danzig (now Gdańsk, Poland), as the League of Nations’ High Commissioner from 1934 to 1937. The Free City of Danzig is the scene of an emerging international crisis between Nazi Germany and the international community over the issue of the Polish Corridor and the Free City’s relationship with the Third Reich. He repeatedly protests to the German government over its persecution and discrimination of Jews and warns the League of the looming disaster for Europe. He is boycotted by the representatives of the German Reich and the representatives of the Nazi Party in Danzig.

Lester returns to Geneva in 1937 to become Deputy Secretary General of the League of Nations. In 1940, he becomes Secretary General of the body, becoming the League’s leader a year after the beginning of World War II which shows that the League has failed its primary purpose. The League has only 100 employees, including guards and janitors, out of the original 700.

Lester remains in Geneva throughout the war and keeps the League’s technical and humanitarian programs in limited operation for the duration of the war. In 1946, he oversees the League’s closure and turns over the League’s assets and functions to the newly established United Nations.

Lester is given the Woodrow Wilson Award in 1945 and a doctorate of the National University of Ireland (NUI) in 1948.

Despite rumours that he would be prepared to stand for election as President of Ireland, Lester seeks no permanent office and retires to Recess, County Galway, in the west of Ireland, where he dies on June 13, 1959. In its obituary, The Times describes him as an “international conciliator and courageous friend of refugees.”

In August 2010, a room in the Gdańsk City Hall, the building that had been Lester’s residence during his stay, is renamed by Mayor Paweł Adamowicz as the Seán Lester Room.

Lester’s granddaughter, Susan Denham, is Chief Justice of Ireland for the Supreme Court of Ireland from 2011 to 2017.


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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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The Battle of Ballymore-Eustace

The Battle of Ballymore-Eustace is one of the events in the United Irish rebellion of 1798. It takes place on May 24, 1798, after the stationing of the 9th Dragoons, and members of the Tyrone, Antrim and Armagh Militias at Ballymore-Eustace in County Kildare near the border with County Wicklow on May 10. The town has been recently garrisoned by almost 200 soldiers and militia who have been sent to repress sedition in the area. The troops have been dispersed in billets among the populace as per counter-insurgency practice of “free-quarters” where responsibility for the provisioning and sheltering of militia is foisted onto the populace. During this time a quantity of arms are surrendered and letters of protection issued.

On May 23, one hundred twenty soldiers are recalled, leaving a garrison of around 80 men. At around 1:00 a.m. on May 24, the rebel force of approximately 200 attack the town. As in the attacks on Naas and Prosperous, the rebels seek to surprise and overwhelm the garrison by coordinated attacks before it can react and rally against them. The houses containing troops of the 9th Dragoons and the Tyrone Militia are to be attacked simultaneously.

However, the attack on garrison headquarters is miscarried due to lack of coordination and numbers so that the building becomes a rallying point for the Government troops. Captain Beevor is attacked in his own bedchamber by two rebels. Lieutenant Parkinson and some dragoons come to his aid and both rebels are slain. Other isolated billets are attacked but some units manage to cut themselves free and fight their way through the streets to the headquarters. A number of properties, including the Protestant church, are set on fire.

For two hours, the rebels attack the strongpoint but, without artillery, are unable to take the building and lose many men in the process. The momentum has by now slipped away from the rebels and they draw off their attack leaving behind around 50 dead but at a cost to the garrison of at least 12 dead and 5 wounded.

The battle leads directly to the Dunlavin Green executions, in which fears of a possible rebel attack on the garrison at nearby Dunlavin lead to the summary execution of rebel prisoners.


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The Battle of Farsetmore

The Battle of Farsetmore is fought near Letterkenny in County Donegal, on May 8, 1567, between the O’Neill and O’Donnell Túath. Shane O’Neill, chief of the O’Neills of Tír Eoghain, is defeated by Aodh mac Maghnusa Ó Domhnaill (Hugh O’Donnell) and the O’Donnells free themselves from O’Neill aspirations of ruling Ulster as its King.

Shane O’Neill had, in the previous 20 years, eliminated his rivals within the O’Neills and asserted his authority over neighbouring clans (or “septs“) the MacDonnells of Antrim in battle and O’Donnells by kidnapping the O’Donnell leader Calvagh, in Donegal. In 1566, the English Lord Deputy of Ireland, Henry Sidney, gives support to the O’Donnells by ransoming the long tortured Calvagh O’Donnell, against O’Neill who is regarded as a destabilising and anti-English power in the north of Ireland. O’Neill forces out these English troops, but the new O’Donnell chieftain, Hugh O’Donnell, who takes over after the long tortured Calvagh dies, takes the opportunity to assert his independence and raids O’Neill’s lands at Strabane. In response, O’Neill musters his armed forces and marches into O’Donnell territory.

O’Neill crosses into Tir Connell (O’Donnell territory) the traditional way by crossing the River Swilly at an Fearsaid mhór (known as Porterfields today), about 3 km (2 miles) east of the modern town of Letterkenny. O’Donnell has advance warning of this impending incursion so has prepared for the forthcoming attack by dispatching messengers to all his people. Both sides are not equal in size. O’Neills army is estimated at 2,000 men and are composed of cavalry (Nobility), Gallowglass, kearn and a small body of English soldiers who have deserted to him to provide modern weapon skills to his host. O’Donnell’s initial force is only about 40-foot and 80 horse (his personal guard).

O’Donnell’s horsemen harass O’Neill’s men immediately after his fording of the river, leaving O’Donnell a short breathing space to locate his small force in a more defensible position, at Magherennan (near today’s entrance to the Letterkenny Rugby club). When their lord is in position the O’Donnell cavalry withdraws and there O’Donnell awaits his reinforcements. While his opponent waits, O’Neill sets up his camp in Cluain Aire beside the river to cover the ford. When O’Donnell’s troops finally arrive, they number 400 Gallowglass from all the MacSweeney septs. With this virtual parity in the usually decisive heavy infantry, the O’Donnell host proceeds to advance on O’Neill’s camp. When first perceiving their attack, Shane says, “It is very wonderful and amazing to me that those people should not find it easier to make full concessions to us, and submit to our awards, than thus come forward to us to be immediately slaughtered and destroyed.”

This statement, made just as the armies meet, is possibly a late attempt to put heart into his own surprised army. Significantly, the main O’Donnell war host has employed rising ground to successfully cover their advance until it is far too late for O’Neill to deploy his own Gallowglass spars into proper line of battle to hold the enemy while the O’Neill horse mount up. The O’Neill army are caught utterly unprepared, in much the same way as O’Neill himself had taken a MacDonnell host by surprise at Glentaisie in 1565. Despite the element of surprise and O’Neill’s lack of manoeuvre room, the resistance of the surprised O’Neill Gallowglass in this encounter battle is at first successful for the Four Masters state that the action lasted “for a long time.” Eventually, with their loose protective screen of Gallowglass cut down, a panicked rout of Shane’s force ensues. The O’Donnell pressure of attack continues so fiercely that the broken O’Neill host is forced back on the ford and attempts to recross the Swilly. As the tide is now coming in, many of them drown in the speeding rush of waters. O’Neill’s losses are estimated by their enemies at 1,400 men killed and no prisoners are mentioned, although the English sources note a more credible total of 680 dead. With many of his most senior commanders and advisors killed amid the chaos of the first onslaught, O’Neill himself escapes the final slaughter with the timely aid of a party of the Gallaghers. They guide him to Ath an Tairsi (Ford of protection), near Crieve Smith in Oldtown today, where they escort him to his own territory and relative safety.

Many of the Donnelleys, Shane’s foster family and the source of his strongest support, defend him to the last and are decimated at Farsetmore. Abandoned by his tanisté and all of his Urríthe, literally under-kings, and with the destruction of his army, the “most powerful force Gaelic Ireland had yet witnessed,” Shane begins looking for a mercenary force to sustain him until he can make good his losses. With all other options closed, he turns to a warband hired to fight against him the previous winter by William Piers from among the MacDonald’s of Dunnyveg. He arrives at their camp at Cushendun with a small retinue and during their negotiations an altercation occurs, in which Shane is killed. Despite being engineered by Piers, this assassination has gone down in history as retribution for Shane’s military action against the MacDonalds in 1565. Shane is buried in a place called CrossSkern Church at Ballyterrim townland in the hills above Cushendun. Later his remains are exhumed with his head then being sent to Dublin.

(Pictured: An artist’s impression of an O’Donnell gallowglass dispatching an O’Neill kern in the waters of the Swilly, with Glebe Hill in the background, May 8, 1567)


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Death of James Orr, Weaver, Radical & Poet

James Orr, weaver, radical, and poet, dies on April 24, 1816.

Orr is the son of James Orr, who farms a few acres and is a linen weaver. His mother’s name is unknown. They live in the small village of Ballycarry, in the parish of Broadisland, County Antrim. He is an only child, born when his parents are middle-aged. They are unwilling to risk sending him to school, so they carefully educate him at home, his father having been very well educated. A near-contemporary source George Pepper (1829), claims that the youngster is something of a prodigy, able to read Spectator essays at the age of six. Later in life, partly thanks to membership of a local reading society, he is remarkably well read. Handloom weavers are reputedly one of the most literate and politically radical groups in the period, and he certainly fits the stereotype. Pepper also claims that William Orr is James Orr’s uncle, and that the younger man lives for three years with William Orr and his family, where his literary talents are nurtured and where he develops an interest in radical politics. Other sources do not support this account, but if there is a relationship it might explain an almost morbid interest in assizes, executions, and gallows, evident in several poems. This also might have been prompted by witnessing William Orr’s trial and execution.

Pepper “heard from good authority” that Orr in 1797 is secretary to the Antrim Association, of which William Orr is president; presumably this means the Society of United Irishmen. He sings a patriotic song called “The Irishman,” one of his most celebrated compositions, at a meeting of that body. The earliest publications traced are poems published pseudonymously (1796–97) in the Northern Star newspaper. This paper, edited by Samuel Neilson, is sympathetic to United Irish views, and it is clear that Orr, like many of his neighbours, is actively involved in the 1798 rebellion. Several poems dealing with the events of June 1798, provide a rare participant’s perspective. He takes part in the skirmish at Donegore, and flees after the defeat at the Battle of Antrim. Local sources record his successful efforts to prevent cruelty and looting by his colleagues. He goes into hiding in an Irish-speaking area, perhaps in the Glens of Antrim or in the Sperrin Mountains. After a short time, he escapes to the United States, but unlike many of his former comrades he finds himself unable to settle there, and very soon returns home to Ballycarry, and thenceforth makes his living as a weaver. In 1800, he seeks to join the militia set up to counter a feared Napoleonic invasion, but the local gentry in command rejects his application because of his United Irish associations.

Orr’s first verses are composed at meetings of a local singing school, where rival versifiers produce impromptu verses for the company to sing to the psalm tunes being practised, and he later writes songs for masonic meetings. He publishes poems in the Belfast newspapers. A few carefully written essays on morality and education, signed “Censor, Ballycarry,” are apparently also his work. A collection of poems is published in 1804, with almost 400 subscribers, and another selection is published in 1817 after his death by his friend Archibald McDowell. Orr had requested that the proceeds should go to help the poor of Ballycarry. His poems are an excellent source of information about the life and concerns of a fairly humble stratum of late eighteenth-century Ulster society.

Many of Orr’s best poems deal with subjects of interest to his community – weaving, social life, and farming – and are written in the Scots language still widely spoken in the area. He expertly uses Scots stanza forms, and joyously participates in the almost competitive composition of verse typical of the Scots tradition. Several of his poems rework themes found in Robert Burns or other earlier writers. His An Irish Cottier’s Death and Burial is derived from a Burns poem, The Cottier’s Saturday Night, but later critics acknowledge that the Orr poem is much more successful. He and his friend Samuel Thomson are pioneers in the use of written Scots in Ulster and are regarded as the two most skillful Scots poets in Ulster. Both are celebrated in their day, and their work in Scots has been rediscovered in the twentieth-century revival of interest in the traditional literature and history of the north of Ireland.

Orr’s verse in standard English is equally competent, even more ambitious and almost as interesting. The best of his work, particularly in Scots, is characterised by pleasing cadences and assured control of tone and technique. His novel and generally impressive experiments with soliloquies, verse epistles, and versified direct speech, in English and Scots, parallel his interest in extending the registers in which he could use the vernacular Scots language. He seems not to have known of William Wordsworth‘s poetry, but, apparently independently and arguably more successfully, produces verse written in “the language really used by men” (Wordsworth, preface to Lyrical Ballads (1798)). As well as fascinating foreshadowings of romanticism, his work more often reveals the influence of the enlightenment and of New Light presbyterianism. He is a member of the congregation of the Rev. John Bankhead, whose theological views are decidedly liberal, tending even towards unitarianism. His poems provide a great deal of evidence on his reading, interests, radical aspirations and convictions; and in them and in the prose essays, the reader encounters a humane and generous personality. Like many other United Irishmen, he is an enthusiastic freemason, and believes that freemasonry and education will help to usher in a peaceful millennium. His poetry reveals humanitarian concerns, not yet common in the period. He opposess slavery and cruelty to animals and children and expresses support for a contemporary popular rising in Haiti. In 1812, he signs a petition in favour of Catholic emancipation.

Orr never marries. His friend McDowell believes that the resulting lack of domestic comforts drives the poet to socialise in taverns, and it is said that local fame and popularity encourages his excessive drinking. He suffers from ill health in later life. A neglected cold in 1815 leads to tuberculosis. He dies on April 24, 1816, and is buried in the old Templecorran graveyard at Ballycarry. Some years later, freemasons erect an impressive monument over the grave.

Orr’s poems are republished by a group of local enthusiasts in 1935. Another selection appears in 1992. A plaque put up by the local district council commemorates “the bard of Ballycarry,” probably the most significant eighteenth-century English-language poet in Ulster.

(From: “Orr, James” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Roger Casement’s Efforts to Gain German Military Aid Ends

During World War I, Roger Casement makes efforts to gain German military aid for the 1916 Easter Rising. His journey on the German submarine SM U-19 comes to an end on April 21, 1916.

In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.

Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.

Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.

About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.

Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.

About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.

The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.

Casement’s trial at bar opens at the Royal Courts of Justice on June 26, 1916, before the Lord Chief Justice (Viscount Reading), Justice Horace Avory, and Justice Thomas Horridge. Refusing to agree to a “guilty but insane” plea, he is subsequently found guilty and sentenced to be hanged. He unsuccessfully appeals against his conviction and death sentence.

On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.

Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Birth of Sir Edward Carson, Politician, Barrister & Judge

Edward Henry Carson, Baron Carson, Irish unionist politician, barrister and judge, known as the “uncrowned king of Ulster,” is born on February 9, 1854, at 4 Harcourt Street, in Dublin. He serves as the Attorney General and Solicitor General for England, Wales and Ireland as well as the First Lord of the Admiralty for the British Royal Navy.

Although Carson is to become the champion of the northern province, he is born into a Protestant family in southern Ireland. He is educated at Portarlington School, Wesley College, Dublin, and Trinity College Dublin, where he reads law and is an active member of the College Historical Society. He graduates BA and MA.

From 1877, early in his Irish legal career, he comes to mistrust the Irish nationalists. As senior Crown prosecutor, he sternly enforces the Criminal Law and Procedure (Ireland) Act 1887, securing numerous convictions for violence against Irish estates owned by English absentee landlords. He is appointed Solicitor-General for Ireland and elected to the British House of Commons in 1892, is called to the English bar at Middle Temple on April 21, 1893, and serves as Solicitor General for England and Wales from 1900 to 1905. During these years he achieves his greatest success as a barrister. In 1895, his cross-examination of Oscar Wilde largely secures the Irish writer’s conviction for homosexuality.

On February 21, 1910, Carson accepts the parliamentary leadership of the anti-Home Rule Irish Unionists and, forfeiting his chance to lead the British Conservative Party, devotes himself entirely to the Ulster cause. His dislike of southern Irish separatism is reinforced by his belief that the heavy industry of Belfast is necessary to the economic survival of Ireland. The Liberal government (1908–16) under H. H. Asquith, which in 1912 decides to prepare a Home Rule bill, cannot overcome the effect of his extra-parliamentary opposition. The Solemn League and Covenant of resistance to Home Rule, signed by Carson and other leaders in Belfast on September 28, 1912, and afterward by thousands of Ulstermen, is followed by his establishment of a provisional government in Belfast in September 1913. Early in that year he recruits a private Ulster army, the Ulster Volunteer Force, that openly drills for fighting in the event that the Home Rule Bill is enacted. In preparation for a full-scale civil war, he successfully organizes the landing of a large supply of weapons from Germany at Larne, County Antrim, on April 24, 1914. The British government, however, begins to make concessions to Ulster unionists, and on the outbreak of World War I he agrees to a compromise whereby the Home Rule Bill is enacted but its operation suspended until the end of the war on the understanding that Ulster’s exclusion will then be reconsidered.

Appointed Attorney General for England in Asquith’s wartime coalition ministry on May 25, 1915, Carson resigns on October 19 because of his dissatisfaction with the conduct of the war. In David Lloyd George’s coalition ministry (1916–22) he is First Lord of the Admiralty from December 10, 1916, to July 17, 1917, and then a member of the war cabinet as minister without portfolio until January 21, 1918.

Disillusioned by the Government of Ireland Act 1920 that partitions Ireland and establishes what is essentially a Home Rule parliament in Belfast, Carson declines an invitation to head the Northern Ireland government and resigns as Ulster Unionist Party leader in February 1921. Accepting a life peerage, he serves from 1921 to 1929 as Lord of Appeal in Ordinary and takes the title Baron Carson of Duncairn.

Carson retires in October 1929. In July 1932, during his last visit to Northern Ireland, he witnesses the unveiling of a large statue of himself in front of Parliament Buildings at Stormont. The statue is sculpted by Leonard Stanford Merrifield, cast in bronze and placed upon a plinth. The inscription on the base reads “By the loyalists of Ulster as an expression of their love and admiration for its subject.” It is unveiled by James Craig, 1st Viscount Craigavon, in the presence of more than 40,000 people.

Carson lives at Cleve Court, a Queen Anne house near Minster-in-Thanet in the Isle of Thanet, Kent, bought in 1921. It is here that he dies peacefully on October 22, 1935. A warship brings his body to Belfast for the funeral. Thousands of shipworkers stop work and bow their heads as HMS Broke steams slowly up Belfast Lough, with his flag-draped coffin sitting on the quarterdeck. Britain gives him a state funeral on Saturday, October 26, 1935, which takes place in Belfast’s St. Anne’s Cathedral. He remains the only person to have been buried there. From a silver bowl, soil from each of the six counties of Northern Ireland is scattered onto his coffin, which had earlier been covered by the Union Jack. At his funeral service the choir sings his own favourite hymn, “I Vow to Thee, My Country.”


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Death of John McKeague, Northern Irish Loyalist

John Dunlop McKeague, a Northern Irish loyalist and one of the founding members of the paramilitary group the Red Hand Commando (RHC) in 1970, is killed by the Irish National Liberation Army (INLA) in Belfast, Northern Ireland, on January 29, 1982.

McKeague is born in 1930 at Messines Cottage, Bushmills, County Antrim, Northern Ireland, one of six children of Thomas McKeague and his wife, Isabella. The family operates a guesthouse in Portrush before moving to Belfast, where they open a stationer’s shop on Albertbridge Road. It is inherited by McKeague and in the late 1970s it becomes a confectioner’s shop and café.

In the late 1960s, McKeague is active in Ian Paisley‘s Free Presbyterian Church of Ulster and the Willowfield branch of the Ulster Protestant Volunteers (UPV). He is linked to William McGrath and the revived Ulster Volunteer Force (UVF) of the mid-1960s, and he publicises the claims of Gusty Spence that the police had framed him for the murder of a Catholic barman. On November 30, 1968, he participates in a banned demonstration by supporters of Ian Paisley against a civil rights march in Armagh city. Throughout the late 1960s and early 1970s he publishes a magazine, Loyalist News, full of anti-Catholic rhetoric and gossip, sectarian rhymes, Protestant religious material, and illustrated lessons in the use of firearms. He takes part in the bombing campaign of 1969 which leads to the downfall of Prime Minister of Northern Ireland Terence O’Neill and stands unsuccessfully for Belfast Corporation in 1969 as a Protestant Unionist Party (PUP) candidate. McKeague, who never marries, is a promiscuous homosexual. His paramilitary recruitment of young men has homoerotic overtones, and his violence contains elements of sexual perversion.

In 1969, McKeague and his associates take over the nascent Shankill Defence Association (SDA), which had been formed to oppose a destructive redevelopment scheme. He becomes its chairman and, despite his outsider status and eccentricities, is given to strutting around wearing a helmet and brandishing a stick, often seen as offering communal defence against a perceived Catholic threat. The organisation acquires 1,000 members. In August 1969, he orchestrates mob attacks on Catholic enclaves in Belfast, including Bombay Street. He boasts of these activities, becoming a figure of hate for Catholics. In October 1969, he is arrested and charged with conspiracy to cause an explosion but is cleared in February 1970. The sentence is reduced to three months on appeal. He testifies before Justice Leslie Scarman‘s tribunal, appointed to inquire into the unrest. In the course of his evidence, he exults over the August 1969 riots and the tribunal’s report condemns him by name. He later further enrages Catholics by calling the events of Bloody Sunday in January 1972 “Good Sunday” in a television interview.

McKeague seeks publicity and power, but his eccentricity and unwillingness to participate where he cannot command dooms his political ambitions. In the 1970 United Kingdom general election he wins only 441 votes in Belfast North. He is expelled from the UPV after being prosecuted in February–March 1970 over the loyalist bombing campaign of 1969, even though he is acquitted. He and Ian Paisley exchange bitter invective and he subsequently supports William Craig‘s Vanguard movement. In 1971, he and two associates are prosecuted under the new Incitement to Hatred Act for publishing a Loyalist song book, which includes verses, probably composed by McKeague, reveling in the murder of Catholics. The defendants plead that the book is purely a historical record, and their acquittal vitiates the act. After he quarrels with the newly formed Ulster Defence Association (UDA), which is created by a federation of the SDA with other local vigilante groups, his elderly mother is burned alive when the UDA petrol-bombs the family shop on May 9, 1971.

Early in 1972 McKeague is expelled from the SDA. He founds the Red Hand Commandos (RHC), centered on east Belfast and north Down, which perpetrates numerous sectarian murders. As RHC leader, he allegedly participates in murders involving torture and mutilation. He aligns the RHC with the UVF in 1972 and in February 1973 he is one of the first loyalist internees. He is subsequently imprisoned for three years for armed robbery, although he always asserts his innocence of this charge. During his imprisonment he assumes a leadership role among loyalist prisoners, undertaking two short hunger strikes in protest against the Special Powers Act and prison conditions. Later, in December 1981, he acts as an intermediary during a loyalist prison protest. On his release in 1975, the RHC splits and thereafter he denies any connection with the organisation, threatening to sue newspapers that link him with it. Until his death he is co-chair of the Ulster Loyalist Central Co-ordinating Committee (ULCCC), a paramilitary umbrella group established in 1974. On October 6, 1975, a Catholic customer is killed and McKeague’s sister severely injured when his shop is bombed by the Irish Republican Army (IRA).

From the mid-1970s McKeague advocates negotiated independence for Northern Ireland, arguing that this can accommodate republican anti-British feeling and unionist fears of a united Ireland. “The days of the Orange card are gone forever,” he says (Sunday World, January 31, 1982). He is a founder and deputy leader of the minuscule Ulster Independence Association and suggests that the “Londonderry Air” become Ulster‘s national anthem. In talks with nationalists and republicans, he tells the Catholic priest Des Wilson that a united Ireland would be acceptable to Protestants, provided “we enter as a free people, even if we’re only independent for five minutes.” However, his record is an insuperable barrier to these initiatives.

In his last years, McKeague is chairman of the Frank Street–Cluan Place–Stormont Street Housing Association. He lobbies for a security wall to shield this Protestant district of Belfast from the Catholic Short Strand on which it borders. Construction of the wall begins just before his death. He is shot dead by the INLA at his shop on Albertbridge Road on January 29, 1982. Shortly before his death, he is linked to the rape and prostitution of teenage boys at Kincora Boys’ Home in east Belfast. He had apparently been an informer to the security forces, and it is sometimes suggested that his murder is part of an official cover-up. He is buried in Bushmills, with Church of Ireland rites.

McKeague exemplifies the social deviant who can gain prominence during political instability, projecting and legitimising his hatreds and obsessions through extremist politics. In his last years, he accepts that he will die violently. He says that if loyalists kill him, “I want . . . to be left in the Republican area so that they’re blamed” (Sunday World, January 31, 1972).

(From: “McKeague, John Dunlop” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)