Dorrian is born in Downpatrick, County Down, on March 29, 1814, one of four sons of Patrick Dorrian and his wife Rose (née Murphy). He is educated first by a Unitarian minister in the classical school in the town, where he excels, and then in St. Patrick’s College, Maynooth, where he is ordained in 1833.
Dorrian’s first appointment is as a curate in the then developing town of Belfast, attached to St Patrick’s Church, Belfast, where he ministers for ten years. At a relatively young age he is appointed parish priest in Loughinisland, County Down, (1847-60) at which time he becomes Bishop of Gabala (Qabala) and Coadjutor Bishop of the Diocese of Down and Connor to assist the ailing, frail and irenic Bishop Cornelius Denvir.
Dorrian is consecrated bishop on August 19, 1860, in St. Malachy’s Church, Belfast, and eventually succeeds as bishop five years later on May 4, 1865. He is known for his authoritarian style of leadership, referred to as “Cullenite“. As the post-famine population of Belfast grows, so too does sectarian attitudes, especially among those moving into the city from rural districts all over Ulster looking for work. He seeks to defend Catholic interests, insisting on the necessity of separate Catholic education and seeking, where possible, to influence the social and political interests of his church.
In this respect, historiansSean Connolly and Gillian McIntosh refer to Dorrian’s “pugnacious” presiding over the rapid expansion in priests, churches and religious houses in contrast to the “scholarly but ineffective” Bishop Denvir.
It is estimated Dorrian is responsible for doubling the number of Catholic churches in the city of Belfast, and in 1866, early in his episcopate, St. Peter’s Cathedral, Belfast in Derby Street in the Lower Falls area is first used as a pro-cathedral. His episcopal chair, placed in that church for the occasion, is still in use by the bishops of the Diocese of Down and Connor. He attends the First Vatican Council and is one of the leading Irish delegation to the event.
Dorrian dies at the Episcopal Palace, Chichester Park, Belfast, at 7:00 a.m., on November 3, 1885. His remains are interred within the chancel of St. Patrick’s Church, Belfast, on Friday, November 6.
At a meeting of the parish priests held in the chapel of St. Malachy’s College, on November 6, 1885, immediately after Dorrian’s funeral, Patrick MacAlister is elected Vicar Capitular of Down and Connor. McAllister is then named by Pope Leo XIII as Dorrian’s successor as the 24th Lord Bishop of Down and Connor.
In November 2017, the historic chapel of Belfast’s Mater Infirmorum Hospital is re-opened after extensive refurbishment. It has, as a result of its connection with Dorrian, become known as the Dorrian Chapel.
Concannon is educated by the Loreto nuns in Coleraine, County Londonderry. In 1897, she studies modern languages at the Royal University of Ireland on a three-year scholarship. She studies abroad during these years as in 1899, she travels to Germany and studies German in Berlin University accompanied by her friend, Mary Macken. She then travels to France to study French at Sorbonne University. In 1900, she graduates Bachelor of Arts with first class honours and goes on to study Master of Arts in 1902 at the Royal University of Ireland. She is fortunate to being one of the first generation of educated women.
In 1906, Concannon marries Tomás Bán Ó Conceanainn, who she met in 1900 when he arrived home from the United States. They settle down in County Galway where they share the same love for the Irish language and write many Irish texts. They have no children. In Galway, she is a professor at University College Galway where she teaches history, which mainly involves the history of Irish women. In 1909, she is offered a lectureship at University College Dublin, in Italian, but the offer is then withdrawn before she can accept it, so she decides to pursue a writing career.
Concannon produces over twenty books, including works on religion, the history of Ireland and Irish women’s history. Her works are highly impacted by her political and nationalist views. Her analyses of Irish history is based on Catholicism and patriotism. She is also an advocate of Irish language restoration. Her first writings are love poems to her husband. These poems are ”simple, sensuous and passionate.”
Concannon also produces a number of imaginative historical text for children. She uses her married name for her publications and her first book, entitled A Garden of girls, or the famous schoolgirls of former days, is published in 1914. It is about “school life and education of real little girls” Her next well known piece is the Life of St. Columban in 1915, which is a study about the Irish ancient monastic life and a biography of a sixth-century saint.
Two of Concannon’s books, Daughters of Banba (1922) and St. Patrick (1932), receive the Tailteann Medal for Literature, and The Poor Clares in Ireland (1929) wins the National University Prize, a D.Litt. higher doctorate degree for historical research.
Concannon’s most common publication, Women of ‘Ninety Eight, is dedicated to all the dead women and all the living ones who have given their loved ones. This book emerges on the ideologies of Catholicism and patriotism “praising the devotion of Irish nationalist women while emphasising the centrality of women’s spiritual and domestic role in the home to the well-being of the nation.” As this work is written during the time of the Irish War of Independence, she stresses the importance of women help during the rebellion as “they acted as messengers and intelligence officers,” and in some cases, they fought as any men.
Concerning the Land Purchase (Guarantee Fund) Bill 1935, which according to George Cecil Bennett will negatively impact the rural middle class of which he is a representative, Bennett accuses Concannon and her fellow Dublin men of not caring about the people of the country. Concannon goes on to vote that the Dáil should disagree with the Seanad Éireann-proposed bill with 71 others.
Though Concannon is a TD as a university representative, she votes with her party to remove university representation from the Dáil, leading one TD to say, “I am very much surprised to see such a distinguished scholar and such a great contributor to Irish literature as Deputy Mrs. Concannon voting for the disfranchisement of the University that she has so well and so ably represented.”
Concannon speaks on behalf of Irish women in the Dáil in 1936. She speaks on how Irish women play a fundamental role in Ireland’s agricultural economy and therefore more money should be put toward educating these women.
Concannon is one of the minority voices against the role appointed to women in Éamon de Valera‘s constitution. She does not contest the Dáil election of 1937.
After the adoption of the Constitution of Ireland in 1937, the National University of Ireland constituency is reconstituted in the new Seanad Éireann. The first election takes place in 1938, and Concannon is elected. She is a popular figure and is re-elected each election in the Seanad until she dies in office on February 27, 1952.
O’Connor is a well-known intellectual figure in contemporary Irish affairs and expresses strong opinions against censorship and the war on drugs. He contributes a regular poetry column to the Irish daily, the Evening Herald, also writes a column for the Sunday Mirror and a sporting column for TheSunday Times, as well as broadcasting on RTÉ.
O’Connor is also known for the autobiographical The Ulick O’Connor Diaries 1970-1981: A Cavalier Irishman (2001), which details his encounters with well-known Irish and international figures, ranging from political (Jack Lynch and Paddy Devlin) to the artistic (Christy Brown and Peter Sellers). It also documents the progress of the Northern Ireland peace process during the same time, and the progress of the Northern Ireland Assembly. Although he travels extensively, he lives in his parental home in Dublin’s Rathgar. He is a member of Aosdána.
Dinneen is a leading figure in the Irish Texts Society, publishing editions of Geoffrey Keating‘s Foras Feasa ar Éirinn, poems by Aogán Ó Rathaille, Piaras Feiritéar, Tadhg Gaelach Ó Súilleabháin, and other poets. He also writes a novel and a play in Irish, and translates such works as Charles Dickens‘s A Christmas Carol into Irish. His best known work, however, is his Irish–English dictionary, Foclóir Gaedhilge agus Béarla, which is first published in 1904. The stock and plates of the dictionary are destroyed during the Easter Rising of 1916, so Dinneen takes the opportunity to expand the dictionary. A much larger second edition, compiled with the assistance of Liam S. Gógan, is published in 1927. His request to the Irish Texts Society to include Gogan’s name on the title page is refused. Gogan continues to work on the collection of words up to his death in 1979. This complementary dictionary is published online in 2011.
Goddard Henry Orpen, lawyer and historian, is born in Dublin on May 8, 1852, the fourth son of the five sons and three daughters of John Herbert Orpen, barrister, of Dublin, and Ellen Susanna Gertrude Richards, youngest daughter of Rev. John Richards of Grange, County Wexford.
On August 18, 1880, in St. Peter’s Church, Aungier Street, Dublin, Orpen marries Adela Elizabeth Richards, the daughter and heiress of Edward Moore Richards, engineer and the landlord of Grange, County Wexford. Adela is his first cousin once removed, her great-grandfather and his grandfather being the Rev. John Richards. They live for two decades after their marriage at Bedford Park, Chiswick, London, with their daughter Lilian Iris (b. 1883) and son Edward Richards (b. 1884). Soon after their marriage, he begins taking lessons in the Irish language in line with his passionate interest in Irish historical and antiquarian research, which gradually supplants his languishing legal career. He translates and edits a French rhymed chronicle about the Anglo-Norman conquest of Ireland, entitled The Song of Dermot and the Earl (1892), the title which he gives it and by which it has since generally been known in English. He also translates Émile de Laveleye‘s Le Socialisme Contemporain (The Socialism of Today, 1884), to which he adds a chapter on English socialism.
After Adela’s father transfers ownership of his estate to her in 1900, now renamed Monksgrange, the Orpens reluctantly leave London to live there, enabling Orpen to devote his time fully to research and writing. His major work is Ireland Under the Normans (Vols. 1–2, 1911; Vols. 3–4, 1920), which argue that the Norman invasion benefited the Irish, leading to advances in agriculture and trade.
Both before and after his death Orpen’s work is the subject of hostile criticism from those with more nationalist inclinations, starting with Eoin MacNeill in a series of lectures delivered in 1917. Despite his own eminence as a scholar of medieval Ireland, MacNeill resorts to unfair polemic in his attack on Orpen, caricaturing his account of pre-Norman Irish society and disregarding the more subtle nuances in his views of the English Irish relationship. In this he has been followed by generations of other scholars and readers, overlooking the depth of Orpen’s research, the perceptiveness of his interpretations, and the extent of his fieldwork on the archaeological evidence from the medieval period. Orpen takes the study of Anglo-Norman Ireland out of the realm of vague antiquarianism and professionalises it. His standards are not those of “the gentleman-amateur” as might be expected from his background, but of the twentieth century “scientific” historian, and he is therefore now widely regarded as the founder of the professional study of Anglo-Norman Ireland. Perhaps the most striking evidence of the continued validity and relevance of his work is that his four-volume Ireland Under the Normans has been twice republished in more recent years, in 1968 by Oxford University Press and in 2002 in a one-volume version by Four Courts Press.
Orpen is elected a member of the Royal Society of Antiquaries of Ireland (RSAI), serving as president in 1930–32), and the Royal Irish Academy (RIA) (1911), and contributes historical articles to their journals as well as to periodicals such as The American Historical Review (1913–14) and The Cambridge Medieval History (1932, 1936). A lecture to the New Ross Literary Society is later published as New Ross in the Thirteenth Century (1911). He also contributes a major chapter on the medieval church to the second volume of Walter Alison Phillips‘s History of the Church of Ireland (1934). Though his literary work is recognised by an honorary doctorate from TCD in 1921, he feels increasingly isolated as Monksgrange is targeted during the Irish Civil War and raided on several occasions. On religion he lists himself as an agnostic in the 1911 census.
Orpen’s final work is The Orpen Family, a personal family history printed for private circulation in 1930. A portrait of Orpen (above) by Seán O’Sullivan hangs in Monksgrange.
Orpen dies on May 15, 1932, at Monksgrange, and is buried alongside his wife Adela in St. Anne’s Churchyard, Killanne, County Wexford. His very extensive papers, including correspondence, manuscripts and drawings, as well as records and papers of the Orpen family, are held at Monksgrange. Included there is a very large collection of his photographs, a skill in which he notably distinguishes himself. A small collection of his correspondence is also held in the National Library of Ireland (NLI).
(From: “Orpen, Goddard Henry” by Philip Bull, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised March 2021 | Pictured: Portrait of Goddard Henry Orpen by Seán O’Sullivan)
Mac Thomáis comes from a staunch Republican family. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore, Dublin. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.
At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.
Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.
Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.
From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.
O’Hegarty is born on December 29, 1879, at Carrignavar, County Cork, to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).
He is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.
He serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.
He has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.
In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.
O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.
He is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.
His son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.
Ware is born on November 16, 1594, in Castle Street, Dublin, eldest surviving son among ten children of Sir James Ware, auditor general, and his wife Mary Bryden, sister of Sir Ambrose Briden of Maidstone, Kent, England, whose house provides Ware’s base in England. His father, a Yorkshireman, comes to Ireland in the train of Lord Deputy of Ireland Sir William FitzWilliam in 1588 and builds up a substantial landed estate. He enters Trinity College Dublin (TCD), where his father is the college auditor, as a fellow commoner in 1605 and is presented a silver standing bowl in 1609. His association with the college continues, as he particularly remembers the philosophy lectures of Anthony Martin, who becomes a fellow in 1611. He takes his MA on January 8, 1628, but by then he has already launched on his future course. His father procures him the reversion of his office in 1613, and by 1620 he already owns the Annals of Ulster and is taking notes from the Black Book of Christ Church. In 1621, he marries Elizabeth Newman, daughter of Jacob Newman, one of the six clerks in chancery. Newman becomes clerk of the rolls in 1629, which apparently facilitates Ware’s assiduous research in the Irish public records.
From Ware’s numerous surviving notebooks, it is possible to follow his scholarly tracks over the rest of his life. He is particularly concerned to trace the succession of the Irish bishops. The first fruits appear in print in 1626, Archiepiscoporum Cassiliensium et Tuamensium . . . adjicitur historia coenobiorum Cisterciensium Hiberniae, followed in 1628 by De presulibus Lageniae . . ., the whole to be rounded off in 1665 with De presulibus Hiberniae. . . . However, he has wide interests in Irish history and in 1633 edits Edmund Spenser‘s A View of the Present State of Irelande and the Irish histories of Edmund Campion, Meredith Hanmer, and Henry of Marlborough. The first Irish biographical dictionary follows in 1639, De scriptoribus Hiberniae. Both publications are dedicated to the viceroy, Thomas Wentworth. In public life he is a supporter, first of Wentworth, later of James Butler, 1st Duke of Ormond, rather than a leader, and always a stout royalist. He is knighted in 1630 and following his father’s death in 1632 he succeeds as auditor general. He is elected member of parliament for Dublin University in 1634, 1640, and 1661, but is not admitted to the Privy Council of Ireland until 1640.
Shortly after the outbreak of rebellion in October 1641, Ware is in England, and in London at the time of the passing of the Adventurers’ Act 1640, presumably on the council’s business. During Ormond’s prolonged negotiations with the confederates, he is sent to advise the king at Oxford in November 1645. While there he works in the Bodleian Library and is incorporated into the university as a Doctor of Civil Law. On his way back to Ireland in January 1646, he is captured at sea by a parliament ship and held prisoner in the Tower of London until October 1646.
When Ormond is arranging the surrender of Dublin to the parliament in the summer of 1647, Ware is sent to London as one of the hostages for his performance of the terms. Back in Dublin he has been replaced as auditor general but is able to carry on his work on the public records. In 1648 he publishes the catalogue of his manuscript library. As a leading royalist he is unwelcome to those governing the city for the parliament and is sent into exile in France on April 7, 1649, with his eldest son, also James, who already holds the reversion of the auditor generalship and eventually succeeds his father. He is allowed to live in London from October 1650, and from 1653, when hostilities end in Ireland, he is allowed brief visits there, perhaps taking up residence again in 1658.
Ware’s years in London are spent in the library of Archbishop of ArmaghJames Ussher, then in Lincoln’s Inn, and in the Royal, Cotton, Carew, and Dodsworth libraries. He publishes his De Hibernia et antiquitatibus ejus disquisitiones in 1654, lamenting the inaccessibility of his notes, then in Dublin. The second edition, published in 1658, also includes the annals of Henry VII. His Opuscula Sancto Patricio . . . adscripta . . . appears in 1656. In it he remarks that his knowledge of the Irish language is not expert enough for an edition of the ‘Lorica’. According to Roderick O’Flaherty, Ware can read and understand but not speak Irish. For the older language he employs Irish scholars, Dubhaltach Mac Fhirbhisigh being the last and most learned. The 1660 Stuart Restoration sees him back as auditor general and one of the commissioners for the Irish land settlement. He publishes annals of Henry VIII in 1662, and in 1664 annals for 1485–1558.
Ware dies in his house in Castle Street on December 1, 1666, and is buried in the family vault in St. Werburgh’s Church, Dublin. He has numerous friends among the scholars of the day, including Irish Franciscans, across the sectarian divide. While clergy lists are still partly dependent on his work, his notebooks and manuscripts remain of first importance for the study of medieval Ireland. Of his ten children, two boys and two girls survive him. His wife dies on June 9, 1651. The engraving by George Vertue prefixed to Harris’ edition of Ware’s Works is claimed to be based on a portrait in the possession of the family.
(From: “Ware, Sir James” by William O’Sullivan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
On September 19, 1863, the 5th Confederate Infantry, consisting of a large number of Irish from Memphis, fight in one of the bloodiest battles of the American Civil War at Chickamauga, Georgia. One of the commanders is Cork-born Patrick Cleburne whom historians universally recognize as one of the most capable officers on either side during the awful conflict, although Chickamauga might not have been his finest hour. Cleburne is known as the “Stonewall of the West.” He is one of six Confederate generals to die in the Battle of Franklin.
After his successful Tullahoma campaign, Rosecrans renews the offensive, aiming to force the Confederates out of Chattanooga. In early September, he consolidates his forces scattered in Tennessee and Georgia and forces Bragg’s army out of Chattanooga, heading south. The Union troops follow it and brush with it at Davis’s Cross Roads. Bragg is determined to reoccupy Chattanooga and decides to meet a part of Rosecrans’s army, defeat it, and then move back into the city. On September 17 he heads north, intending to attack the isolated XXI Corps. As Bragg marches north on September 18, his cavalry and infantry fight with Union cavalry and mounted infantry, which are armed with Spencer repeating rifles. The two armies fight at Alexander’s Bridge and Reed’s Bridge, as the Confederates try to cross the West Chickamauga Creek.
Fighting begins in earnest on the morning of September 19. Bragg’s men strongly assault but cannot break the Union Army line. The next day, Bragg resumes his assault. In late morning, Rosecrans is misinformed that he has a gap in his line. In moving units to shore up the supposed gap, Rosecrans accidentally creates an actual gap directly in the path of an eight-brigade assault on a narrow front by Confederate Lieutenant GeneralJames Longstreet, whose corps has been detached from the Army of Northern Virginia. In the resulting rout, Longstreet’s attack drives one-third of the Union Army, including Rosecrans himself, from the field.
Union Army units spontaneously rally to create a defensive line on Horseshoe Ridge (“Snodgrass Hill“), forming a new right wing for the line of Major General George H. Thomas, who assumes overall command of remaining forces. Although the Confederates launch costly and determined assaults, Thomas and his men hold until twilight. Union forces then retire to Chattanooga while the Confederates occupy the surrounding heights, besieging the city.
Thomas withdraws the remainder of his units to positions around Rossville Gap after darkness falls. The Army of Tennessee camps for the night, unaware that the Union Army has slipped from their grasp. Bragg is not able to mount the kind of pursuit that would be necessary to cause Rosecrans significant further damage. Many of his troops had arrived hurriedly at Chickamauga by rail, without wagons to transport them, and many of the artillery horses had been injured or killed during the battle. The Tennessee River is now an obstacle to the Confederates and Bragg has no pontoon bridges to affect a crossing. Bragg’s army pauses at Chickamauga to reorganize and gather equipment lost by the Union Army. Although Rosecrans had been able to save most of his trains, large quantities of ammunition and arms are left behind.
Army of Tennessee historianThomas L. Connelly has criticized Bragg’s performance, claiming that for over four hours on the afternoon of September 20, he missed several good opportunities to prevent the Union escape, such as by a pursuit up the Dry Valley Road to McFarland’s Gap, or by moving a division to the north to seize the Rossville Gap or McFarland’s Gap via the Reed’s Bridge Road.
The battle is damaging to both sides in proportions roughly equal to the size of the armies: Union losses are 16,170 (1,657 killed, 9,756 wounded, and 4,757 captured or missing), Confederate losses are 18,454 (2,312 killed, 14,674 wounded, and 1,468 captured or missing). Among the dead are Confederate generals Benjamin Hardin Helm (husband of Abraham Lincoln‘s sister-in-law), James Deshler, and Preston Smith, and Union general William H. Lytle. Confederate general John Bell Hood, who had already lost the use of his left arm from a wound at Gettysburg, is severely wounded with a bullet in his leg, requiring it to be amputated. Although the Confederates are technically the victors, driving Rosecrans from the field, Bragg did not achieve his objectives of destroying Rosecrans or of restoring Confederate control of East Tennessee, and the Confederate Army suffers casualties that they can ill afford.
Hayes-McCoy is born to Thomas Hayes-McCoy and Mary Kathleen Hayes-McCoy (née Wallace). His grandfather, Thomas Hayes-McCoy, is a Dubliner who as a child came to Galway in 1834 and is later a well-known Parnellite. His maternal grandfather, Thomas Burke, is a Galway artist. He grows up on Eyre Square where his father runs a gentleman’s hairdressing business. His two older siblings are Ignatius and Marguerite. The latter receives a PhD-degree in History at University College Galway (UCG), and later teaches at the Galway Technical School.
Hayes-McCoy receives his early education from the Patrician Brothers, Galway. His earliest notebook of 1927 and a manuscript history of Poland of the same year, now at the National Library of Ireland (NLI), testify to an early interest in history and heritage. From 1928 to 1932 he is a student scholarship holder at University College Galway, graduating in 1932 with a Bachelor of Commerce, and a Bachelor of Arts, with first-class honours in both, and a specialisation in “History, Ethics, Politics” for the latter. Mary Donovan O’Sullivan is one of his professors of history, and Liam Ó Briain, professor of Romance languages, is a stimulating influence. At this time, Hayes-McCoy is a member of the Republican Club, a committee member of the Literary and Debating Society, and in 1931 he is one of the founding members of a new Irish Students’ Association.
Hayes-McCoy pursues his PhD at the University of Edinburgh, and then spends two years at the Institute of Historical Research, London, in the Tudor seminar of J. E. Neale, rewriting his PhD and eventually publishing it as Scots mercenary forces in Ireland, 1565–1603 (Dublin and London, 1937), with a foreword by Eoin MacNeill. This is characterised by meticulous archival research, and it anticipates by sixty years the much-vaunted New British History of the late twentieth century by tracing the interconnections between events in England, Ireland, and Scotland.
In the absence of an academic post, Hayes-McCoy becomes an assistant keeper in the Art and Industrial Division at the National Museum of Ireland (1939–1959), with a responsibility for the Military History, and the Irish War of Independence collections. One of his first tasks is to prepare a standing exhibition on Irish history before 1916. His research, long-standing personal interest in the military, and his curatorial experience, helps form an expert knowledge of historical Irish warfare. This leads to his role in co-founding The Military History Society of Ireland in 1949 whose journal, The Irish Sword, he edits. He describes the vagaries of setting up such a body, its reception, and the historiographical considerations attendant on it, in a paper published posthumously in The Irish Sword.
On August 19, 1941, Hayes-McCoy marries Mary Margaret “May” O’Connor, daughter of C.J. and M.B. O’Connor of New Ross/Enniscorthy. They have three daughters and two sons: Mary, Ann, Ian, Robert, Felicity. The family home is in Dublin.
Earning high reputation by continued research and by publishing leads to Hayes-McCoy’s receipt of the D.Litt. degree from the National University, and to his membership in the Royal Irish Academy in 1950. In his professional career, apart from the broad spectrum of press publications, he publishes prolifically. The works that are judged most influential, are his Scots mercenary forces in Ireland 1565–1603 (1937), the papers “The early history of guns in Ireland” (1938–1939), “Strategy and tactics in Irish warfare, 1593–1601” (1941), “The army of Ulster, 1593–1601” (1951), the controversial “Gaelic society in Ireland in the late sixteenth century” (1963), and the monographs “Irish battles” (London 1969), and “A history of Irish flags from earliest times” (Dublin 1979). A member of the Irish Manuscripts Commission, his most notable contribution is the publication “Ulster and other Irish maps, c.1600” (Dublin 1964).
In 1946, Hayes-McCoy is appointed to a committee of eight historians to advise on setting up the Bureau of Military History, a body established for the creation and compilation of material on the history of the Irish movements for independence, 1913–1921, specifically from witness statements. The committee is also to further offer guidance and oversee progress of the Bureau in coordination with the Ministry of Defence. It subsequently expresses concerns about the state’s role and methods in the collection of statements.
Having begun writing for the press at an early stage, Hayes-McCoy’s public position at the Museum encourages him to go further. He has broad involvement with local history groups to whom he presents papers, and also works for newspapers and for radio and television. To the national and Galway press he usually contributes articles on military aspects of Irish history, as well as book reviews, but he also uses them as a platform to engage with what he sees are flaws in the education of history in Ireland which during his lifetime is constrained by a certain degree of political and cultural state control.
During the 1940s and 1950s, Hayes-McCoy becomes involved in a number of paratheatrical events of national significance one of which – the “Pageant of St.Patrick” for which he writes the script (An Tóstal 1954) – is realised on an immense scale. He scripts these works to begin with and is later principally engaged as historical consultant. In that capacity, he collaborates in 1955 and 1956 with Micheál Mac Liammóir and Denis Johnston on their scripts for pageants on St. Patrick and on the Táin Bó Cuailgne, at times finding it difficult to square the historical liberties taken by these artists with his own role.
On Irish radio and television Hayes-McCoy is most active in the mid-1960s, editing and contributing to Thomas Davis lectures series, writing scripts for a series of thirty children’s programmes on all aspects of Irish history, and preparing/contributing on air to the television series “Irish battles” and “The long winter.” As well as writing for RTÉ, Ireland’s national broadcaster, he contributes scripts to BBC Northern Ireland‘s schools radio programmes.
In 1959, Hayes-McCoy succeeds to the chair of his former history professor at UCG with the full remit of lecturing, administering examinations to undergraduates, and supervising postgraduate theses. Among his students who continue in the field of history are Nicholas Canny, Martin Coen, Patrick Melvin, Peter Toner, Tony Claffey, and Breandán Ó Bric. After his appointment to UCG, the family home remains in Dublin, and he commutes to Galway weekly during term time.
In the early 1960s, Hayes-McCoy becomes a spokesperson for the movement rekindled by the Old Galway Society to preserve the landmark “Lion’s Tower” in the city. The ultimate failure of the campaign informs his regret, expressed a year later, that Ireland is forgetful about its past and that “we don’t bother to find out about it or to maintain our ancient heritage,” and, on a perceived spirit of conformity, “take my own city of Galway, it is now more prosperous than it was, but it is no longer distinctive. I do not believe that it is essential for progress that we should lose our heritage.”
While at one time member and secretary of the London Sinn Féin office and informed by a pride of country and place, Hayes-McCoy’s professional and private outlook are marked by a distrust of nationalism or of any antagonising national agendas compromising genuine scholarship. In a paper drafted on tendencies in modern historical studies, he criticises the two historiographical extremes, each to be avoided, each unfortunately characteristic of the moment – extreme de-bunking and extreme “adding for effect.” “A history is a record of fact; to add pseudo-facts is as grave a sin as to leave out real facts that may change the colour of the whole.”
Hayes-McCoy’s abiding pastime is drawing. Among his papers in the James Hardiman Library, NUI Galway are approximately 40 items with predominantly maritime subjects, and he has a special regard for the history of ships, and a romantic liking of the sea. He also has a lifelong interest in Robert Louis Stevenson, Sir Walter Scott, and their works, and in the Pre-Raphaelite movement.
Hayes-McCoy’s middle age is marked by intermittent ill health. He dies on November 27, 1975, in his room at the Great Southern Hotel, Eyre Square, Galway.
Hayes-McCoy’s papers are held at the James Hardiman Library, National University of Ireland, Galway.
