seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Irish Nationalism


by Leave a comment

Birth of Uinseann MacEoin, Architect & Republican Campaigner

Uinseann Ó Rathaille MacEoin, Irish architect, journalist, republican campaigner and historian, is born in Pomeroy, County Tyrone, on July 4, 1920.

MacEoin is born Vincent O’Rahilly McGuone to Malachy McGuone, owner of the Central Hotel in Pomeroy and a wine and spirit merchant, and Catherine (née Fox). He has three siblings. Both of his parents are nationalists, and name all their children after leaders of the Easter Rising in 1916. Under the First Dáil in 1918, his father is appointed a judge. This results in him being interned on the prison ship Argenta on Larne Lough from 1922 to 1923. The family moves to Dublin after his release. His father dies in 1933, which leads to his wife running a workingmen’s café in East Essex Street. The family later lives on Marlborough Road, Donnybrook.

MacEoin attends boarding school at Blackrock College and is then articled to the architectural practice of Vincent Kelly in Merrion Square. As an active republican, he lives in a house on Northumberland Road from late 1939 to May 1940 where he helps in the production and distribution of an Irish Republican Army (IRA) weekly newspaper, War News. The IRA is banned by the Irish government in 1936, and its bombing campaign in Britain in 1939 is viewed by the government as a threat to Irish neutrality. MacEoin is among a group of republicans arrested in June 1940 and imprisoned in Arbour Hill Prison for a year. Once released, he is rearrested and interned at the Curragh for three years. He is sentenced to 3-months imprisonment in October 1943 for possession of incriminating documents. He is also charged with possession of ammunition, but testifies he was given the rounds against his will and never appears to have engaged in any violence. During his internment, he is taught the Irish language by Máirtín Ó Cadhain and is exposed to the socialist views of his fellow inmates. It is at this time that he adopts the Irish form of his name, Uinseann MacEoin.

While imprisoned in the 1940s, MacEoin continues his studies by correspondence and qualifies as an architect in 1945 at University College Dublin (UCD). His designs for a memorial garden in 1946 to those who died during the Irish War of Independence are commended. In 1959, he designs the site in Ballyseedy, County Kerry, for a monument by Yann Goulet commemorating those killed in the Irish Civil War and members of the IRA from Kerry who died. In 1948, he qualifies in town planning and takes up a position with Michael Scott‘s architectural practice. He works for a short time with Dublin Corporation, with their housing department, before establishing his own practice in 1955.

During the 1950s, MacEoin is a contributing editor on interior design in Hugh McLaughlin‘s magazine Creation, becoming editor of Irish Architect and Contractor in 1955. He enters into a partnership with Aidan Kelly in 1969 as MacEoin Kelly and Associates. In the early 1970s, he designs a shopping and housing development outside Dundalk, called Ard Easmuinn. Throughout the 1960s and 1970s, he continues as an influential architectural journalist, founding and editing Build from 1965 to 1969, and later Plan. His company, Pomeroy Press, publishes Plan along with other serials such as Stream and Field. He writes a large proportion of the copy in these periodicals, much under his own name, but he also uses pseudonyms, in particular in Plan as “Michael O’Brien.” He writes about his strong views on social housing, national infrastructure, and foreign and slum landlords, often libelously.

Despite his republican and socialist views, MacEoin is a staunch advocate for the preservation of Georgian Dublin, and campaigns for their preservation. On this topic, he writes letters to newspapers, takes part in television and radio discussions, writes comment pieces and editorials, speaks at public hearings, and takes part in direct protests such as sit-ins in buildings including those on Baggot Street, Pembroke Street, Hume Street, and Molesworth Street. He is also an active member of the Irish Georgian Society, and he campaigns actively against the road widening schemes in Dublin the 1970s and 1980s.

MacEoin and his wife purchase five Georgian houses on Mountjoy Square and three on Henrietta Street in the 1960s, all almost derelict. They refurbish them and lease them out, under the company name Luke Gardiner Ltd. He renames the 5 Henrietta Street property James Bryson House. His architectural practice moves into one of the Mountjoy Square houses. Along with fellow campaigners, Mariga Guinness and Deirdre Kelly, this demonstrates that these buildings can be salvaged and are not the dangerous structures other architects and developers claim them to be. He also purchases and saves Heath House, near Portlaoise, County Laois, living there toward the end of his life. He offers free conservation and architectural advice to community groups and is a volunteer on the renovation works on projects including Tailors’ Hall.

MacEoin remains politically active, joining Clann na Poblachta, the Wolfe Tone Societies (WTS), the Dublin Civic Group, the Northern Ireland Civil Rights Association (NICRA) and the Irish Anti-Apartheid Movement. To what extent he is involved in republican or IRA activities after 1945 is not clear. However, in March 1963, he is called a witness to a case in Scotland involving a Glasgow bookmaker by the name of Samuel Docherty and the Royal Bank of Scotland. Docherty claims the bank owes him £50,000. MacEoin testifies that in February 1962 he had travelled with £50,000 in cash from Dublin to lodge to Docherty’s account in the Royal Bank of Scotland in Belfast, as a loan. When asked about the origin of this large sum of money, he states it was supplied by another person but does not divulge that person’s name. This immediately triggers the court’s suspicions, and the judge warns MacEoin he will be contempt of court if he does not name the supplier of the money. He is placed in police custody for the day, and eventually he agrees to give the name in writing in confidence to the judge. The judge ultimately rules that Docherty is guilty of attempted fraud and perjury and that MacEoin’s involvement reeks of criminality. However, no further action is ever brought forward against Docherty or MacEoin.

In Sinn Féin‘s 1971 Éire Nua social and economic programme, MacEoin writes the chapter on “Planning,” and attends meetings in Monaghan in the early 1970s on the Dáil Uladh, a parliament for the 9-county Ulster province. In 1981, during the republican hunger strikes, one of his Mountyjoy Square houses is used as the national headquarters of the National H-Block Committee. Following the 1986 Sinn Féin split, he supports Republican Sinn Féin. He is a founding member of the Constitutional Rights Campaign in 1987, a group which aims to protect the rights of Irish citizens in the European Economic Community (EEC), having campaigned against Ireland joining the EEC in the early 1970s. In 1978, he is sentenced to two weeks in Mountjoy Prison for non-payment of a fine issued for not having a television licence. He had refused to buy one to protest the lack of Irish language programming.

As an environmentalist, MacEoin opposes private car ownership, and advocates for cycleways and the redevelopment of the railway lines. He writes about the “greenhouse effect” as early as 1969. As a hill walker and mountaineer, he claims to be the first Irishman to register successful climbs of all 284 Scottish peaks, known as the Munros, in 1987. He also climbs in the Alps and the Pyrenees.

MacEoin writes three books on his memories, and those of his former comrades: Survivors (1980), on the lives of leading Irish republicans, Harry (1986), a part biography part autobiography of Harry White, and The IRA in the twilight years 1923–48 (1997). He also publishes a novel, Sybil: a tale of innocence (1992) with his publishing house, Argenta, under the name Eoin O’Rahilly. He also interviews and records dozens of Republicans as part of his research for his books. These recordings are later converted into a digital oral history archive held in trust by the Irish Defence Forces.

MacEoin marries Margaret Russell in 1956 in Navan, County Meath. They have a daughter and two sons.

MacEoin dies in a nursing home in Shankill, Dublin, on December 21, 2007. His estate at the time of his death is valued at over €3 million. His son, Nuada, takes over his father’s architectural practice.


by Leave a comment

Birth of Tom Barry, Prominent Irish Republican Army Leader

Thomas Bernadine Barry, prominent guerrilla leader in the Irish Republican Army (IRA) during the Irish War of Independence and the Irish Civil War, is born on July 1, 1897, in Killorglin, County Kerry.

Barry is the second child and son among eleven children of Thomas Barry, small farmer, Royal Irish Constabulary (RIC) member and shopkeeper, and his wife, Margaret Donovan, daughter of a Liscarroll businessman. Educated at Ardagh Boys’ National School and Mungret College, near Limerick, he leaves school at 17, is employed as a clerk for a Protestant merchant in Bandon, County Cork, and joins the British Army in 1915 after falsifying his age. More committed, it appears, to the British Army than he is later to admit, he is mentioned in dispatches and serves in Mesopotamia, Asiatic Russia (where he is wounded), Egypt, Italy, and France.

Barry returns to Bandon in early 1919. He describes in his guerilla days in Ireland a Damascus-like conversion to Irish nationalism on hearing of the Easter Rising while with the Mesopotamian expeditionary force, but he is only accepted into the IRA with considerable caution. Initially tested in intelligence and training work, in mid-1920 he takes charge of the new brigade flying column, which is used both to train officers and to stage offensive actions.

Barry adapts his military experience successfully to the demands of guerrilla warfare, becoming the most famed of column leaders during the Irish War of Independence. In his memoirs, he pours scorn on the obsession of many with military titles and orthodox procedure, complaining of a “paper army.” He stresses the need for spontaneity, initiative, and knowledge of local conditions. “The reality,” he writes, “was a group of fellows, mostly in caps and not-too-expensive clothing, wondering how to tackle their job and where they would sleep that night or get their supper.” (The Reality of the Anglo–Irish War (1974)). He well realises that the war’s character does not permit any close control from the IRA’s GHQ in Dublin, hence increasing the importance of local leaders. His tactics put strong emphasis on speed of movement and on the need to attack the enemy at his weakest point. The column’s ambush successes are small in number but among the best-remembered of the war. He admits, however, that his own and his column’s lack of experience with mines frequently weakened their offensives.

The column’s first successful ambush is at Tooreen on October 22, 1920, followed on November 28 by the dramatic ambushing of a patrol of auxiliaries at Kilmichael while travelling from their Macroom base. A column of thirty-six men, divided into three sections, kill sixteen auxiliaries, with one captured and later shot, suffering two fatalities of their own. Controversy has raged since over whether a false surrender by the British force caused the brutality of some of the deaths. Together with the Bloody Sunday killings of a week earlier in Dublin, Kilmichael has a profound effect on the British military and political establishment, with the declaration in December of martial law for much of Munster and the implementation of wide-ranging internment, together with the authorisation of official reprisals.

After a short period in hospital with a heart condition, in early 1921 Barry leads unsuccessful attacks on Kilbrittain, Innishannon, Drimoleague, and Bandon barracks. The seizure of Burgatia House, outside Rosscarbery, in early February, and the successful resistance made there to British troops, wins much publicity but has little military significance. He is a leading figure in the brutal final stage of the war in the first six months of 1921, which sees widespread shooting of suspected spies and destruction of loyalist property. By March 1921, his flying column, with 104 men, is easily the largest in Ireland, and an explosives expert, Capt. McCarthy, has joined them.

The protracted engagement between Barry’s column and encircling British forces at Crossbarry on March 19, 1921, comes at a time when large-scale sweeps are making life increasingly difficult for the IRA. It consists of a daring and courageous breakout. Crossbarry is the largest action of the war, and Barry is to regard it as even more important than Kilmichael. Soon afterwards, Rosscarbery barracks is successfully attacked by a Barry-led party, representing one of the few successful such initiatives in 1921. Isolated triumphs, however, cannot hide the fact that pressure is increasing on the column, and he becomes increasingly critical of inactive regions. He is later to say that all County Kerry does during the war is to shoot one decent police inspector at Listowel Racecourse and a colleague of his. He is strongly critical also of the lack of assistance from GHQ and of the divisionalisation policy. He visits Dublin in May, travels around with Michael Collins, and is present when two American officers demonstrate the Thompson submachine gun. He is more aware than most of his 1st Southern Division colleagues of the scarcity of arms and ammunition at the war’s end.

During the truce, Barry becomes liaison officer for Munster, riling the British by insisting on his military rank, and criticising the IRA liaison men in Dublin for being overly deferential. He joins the overwhelming majority of the Cork IRA in opposing the Anglo–Irish Treaty but plays a characteristically maverick role throughout the treaty split. His independent attitude is heightened by his dislike of Liam Lynch, the republican IRA’s Chief of Staff, and his continuing respect for Michael Collins. He shows impatience at the long-drawn-out peace initiatives. In March 1922, therefore, he advocates armed confrontation with pro-treaty units over the occupation of barracks in Limerick, and on June 18 he submits a resolution, which only narrowly fails, at the army convention, giving British troops seventy-two hours to leave Dublin.

At the beginning of the Irish Civil War, Barry is arrested entering the Four Courts disguised as a woman. He escapes from an internment camp at Gormanston in early September 1922. For the rest of the war his actions mirror its confused nature. In late October 1922, he leads successful raids on the small towns of Ballineen and Enniskean, and later on Inchigeelagh and Ballyvourney. In December his column takes Carrick-on-Suir, demonstrating the weakness of the Free State army, but his talk of advancing on the Curragh and of large-scale actions does not materialise. There is no evidence that he is acting in accordance with any coordinated plan. By February 1923, he realises that the Republican IRA cause is hopeless and he is involved with Fr. Tom Duggan in efforts to get 1st Southern Division to declare a ceasefire. He journeys to Dublin to put pressure on the intransigent Lynch in this connection, telling Lynch, “I did more fighting in one week than you did in your whole life.”

Barry avoids capture in roundups after the war, remaining on the run until 1924. Unlike many republicans, he does not turn to constitutionalism, remaining strongly militaristic. He is always an unreconstructed republican, though by no means a naive one. In 1924 he becomes attached to Cleeves Milk Co., based in Limerick and Clonmel, and from 1927 to retirement in 1965 is general superintendent with the Cork harbour commissioners. He strongly advocates preserving the independence of the IRA army executive during the republican split of 1925–27. He is instrumental in continuing the drilling of IRA members and is a strong supporter of armed opposition to the Blueshirts.

During the 1930s Barry is arrested at various times for possession of arms and seditious utterances. He promotes an attack against a Freemasons’ meeting in Cork in 1936 and gives the orders for the killing on March 4 of that year of Vice-Admiral Henry Boyle Somerville. He is opposed to the use by Frank Ryan of IRA volunteers to support the republican cause in the Spanish Civil War and to the proposals of Seán Russell for a bombing campaign in England. To maintain the link with traditional republicanism, he is elected IRA chief of staff in 1937. His plan, however, for the seizure of Armagh city, as part of a direct northern offensive, quickly collapses due to a leak of information, and he soon resigns his position. He forcefully attacks the bombing of English cities in 1938, regarding attacks on innocent civilians as immoral and counterproductive. He enlists in the National Army on July 12, 1940, only to be demobilised a month later. In 1946, he stands as an independent candidate in a by-election in the Cork Borough constituency, finishing at the bottom of the poll. He is more comfortable the following year touring the United States on an anti-partition platform.

In 1949 his Guerilla Days in Ireland is published. It proves a best-seller and has frequently been reprinted. It is well written in a forceful and direct style, one memoir needing no assistance from a ghost writer. Age does not mellow him: lawyers and bank managers are threatened by him over matters relating to his own column, and in 1974 he publishes a fierce pamphlet, angry at perceived slights in the Irish War of Independence memoir of Liam Deasy. He does strive to achieve a public reconciliation with Collins’s memory by unveiling the memorial to Collins at Sam’s Cross in 1966. On the outbreak of the Northern Ireland crisis in the late 1960s, he takes a militant line, castigating the argument that the Six Counties can be brought into the Republic by peaceful means, and asking when had peaceful means existed there. At the memorial meeting in Carrowkennedy, County Mayo, in 1971, he claims that there is a perfect right at the opportune time to take the Six Counties by force. He remains opposed to IRA bombing of civilian targets.

Barry dies in Cork on July 2, 1980. He is buried in St. Finbarr’s Cemetery, Cork. Early in the truce of 1921 he marries Leslie Price, one of the most active of Cumann na mBan members during and after the rising. They have no children.

While Barry always remains an influential figure in republican circles, he will be remembered best as the pioneer of guerrilla warfare, the hero of Kilmichael and Crossbarry. His military flair, individualism, and ruthlessness are well suited to the 1919–21 conflict. After that, his strained relations with colleagues and his lack of flexibility reduce his importance. While his life after the revolutionary era appears anti-climactic, he retains much of his charisma. In later years, he is ever willing to remind politicians and historians how far Ireland has retreated from republican ideals. He is often prickly and autocratic yet could be generous to old colleagues of either side of the treaty split. He is arguably the most intelligent but also the most intolerant of the revolutionary leaders.

(From: “Barry, Thomas Bernadine (‘Tom’)” by M. A. Hopkinson, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Birth of Pauline Flanagan, Stage & Television Actress

Pauline Flanagan, Irish-born actress who has a long career on stage, is born in Sligo, County Sligo, on June 29, 1925. She is best known in the United States for her role as Annie Colleary, on the television soap opera Ryan’s Hope in 1979 and again in 1981. She later returns to the show as Sister Mary Joel.

Flanagan is born to Patrick and Elizabeth (née Mulligan) Flanagan, who are strongly nationalist and republican, and support the Republican Anti-Treaty during the Irish Civil War, both serving as Lord Mayor of Sligo. Her paternal family, originally from County Fermanagh, are driven out by anti‐Catholic pogroms and resettle in Sligo, where her parents manage a retail business. She is good friends with fellow Irish actresses Joan O’Hara and Paddy Croft. She spends much of the early 1950s touring with Anew McMaster, where she meets Harold Pinter at the Gate’s Pinter Festival.

Flanagan appears in many Broadway plays, making her debut in 1957 in the first Main Stem production of Dylan Thomas‘s Under Milk Wood. She stars as Mrs. Grose in the 1976 Broadway revival of the William Archibald play The Innocents. She also appears on Broadway in Brian Friel‘s play Philadelphia, Here I Come! in 1994.

Flanagan also acts in Off-Broadway productions on several occasions with the Irish Repertory Theatre, including Harold Prince‘s Grandchild of Kings (1992), Seán O’Casey‘s Juno and the Paycock (1995). and Hugh Leonard‘s A Life (2001). For her performance in Grandchild of Kings, she receives the 1992 Outer Critics Circle Awards nomination for Best Actress. Other Off-Broadway work includes Yeats! A Celebration by William Butler Yeats.

Flanagan appears as Myra White in Hugh Leonard’s play Summer (1974), both in the original production at the Olney Theatre Center in Olney, Maryland, and at the Olympia Theatre in the Dublin Theatre Festival.

Flanagan is nominated for the 1982 Drama Desk Award for Outstanding Featured Actress in a Play for Medea in which she performs on Broadway in 1982.

In 1997, Flanagan wins the Barclays Theatre Awards for Best Actress in a Supporting Role for her role in Jennifer Johnston‘s The Desert Lullaby: A Play in Two Acts, at the Lyric Theatre, Belfast. The Barclays Theatre Awards are for outstanding regional theatre (including opera and dance) in the United Kingdom.

In 2001, Flanagan wins a Laurence Olivier Award for Best Actress in a Supporting Role, for her performance in Frank McGuinness‘s Dolly West’s Kitchen at The Old Vic in Waterloo, London.

A resident of Glen Rock, New Jersey, Flanagan dies at The Valley Hospital in Ridgewood, New Jersey, on June 28, 2003, one day before her 78th birthday, of heart failure following a battle with lung cancer. She is survived by her husband, George Vogel (whom she married in 1958), a sister, Maura McNally, and her daughters Melissa Brown and Jane Holtzen.


by Leave a comment

Birth of Proinsias Mac Aonghusa, Journalist, Writer & Presenter

Proinsias Mac Aonghusa (English: Francis McGuinness), Irish journalist, writer, television presenter and campaigner, is born into an Irish-speaking household on June 23, 1933, in Salthill, Galway, County Galway. He becomes one of the most noted Irish language broadcasters and journalists of the 20th century.

Mac Aonghusa is the son of Criostóir Mac Aonghusa, a writer and Irish language activist, and Mairéad Ní Lupain, a nurse and native Irish speaker. The eldest of four siblings, he grows up speaking Irish as his first language and allegedly does not learn English until the age of eleven. His parents are left-wing Irish republicans who support Fianna Fáil and associate with the like-minded Máirtín Ó Cadhain and Peadar O’Donnell. His parents split when he is ten years of age. His mother takes his siblings away to Dublin while he and his father remain in Rosmuc, a remote village and part of the Galway Gaeltacht. As a teenager he is educated at Coláiste Iognáid (also known as St. Ignatius College), a bilingual school in Galway.

Upon leaving school, Mac Aonghusa first works as an actor at the Abbey Theatre in Dublin, performing in Irish language productions. In 1952, he becomes involved in Radio Éireann, first as an actor but later as a reader of short stories before advancing to becoming a newsreader, presenter and interviewer. As he advances his career, he works for RTÉ, UTV and BBC television from the 1960s. In 1962, he begins presenting An Fear agus An Sceal (The Man & his Story) on RTÉ television, an Irish language show which sees him interviewing a different guest of note about their life each episode. That same year he wins a Jacob’s Award for An Fear agus an Sceal, which he continues to host until 1964.

As well as attracting awards, An Fear agus an Sceal also brings controversy. Two interviews, one with Máirtín Ó Cadhain, one with Con Lehane, both criticise the measures practised by the Fianna Fáil government during World War II to suppress and imprison Irish republicans. In response, the Fianna Fáil government intervenes with RTÉ, and those episodes are not aired. This is not to be Mac Aonghusa’s only run-in with the Fianna Fáil government. After he recorded a programme in which he questioned the effectiveness of Ireland’s civil defence measures in the face of nuclear war, then Minister for Defence Kevin Boland has the episode suppressed. He once again runs afoul of the Fianna Fáil government when, after criticising the party in his anonymous weekly political gossip column in the Sunday Independent, then Minister for Agriculture Neil Blaney sees to it that the column is dropped. He is not deterred and returns anonymously as “Gulliver” in The Sunday Press and a gossip column on the back page of The Hibernia Magazine.

The latter half of Mac Aonghusa’s 1960s/70s broadcasting career is primarily associated with the Irish language current events show Féach, which he both presents and edits. He resigns from Féach in 1972 following a bitter dispute with the broadcaster and commentator Eoghan Harris.

Influenced by O’Donnell and Ó Cadhain in his youth, Mac Aonghusa also pursues left-wing republican politics as an adult. In 1958, he becomes, alongside David Thornley, Noël Browne, Owen Sheehy-Skeffington and Desmond Ryan, a member of the “1913 Club,” a group which seeks to ideologically reconcile Irish nationalism and socialism.

In 1959, Mac Aonghusa writes a series of six articles for The Irish Times in which he vehemently opposes the Fianna Fáil government’s proposal to abolish single transferable vote in Ireland in favour of first-past-the-post voting. He contends that first-past-the-post voting gives too much influence to party bosses, while proportional representation gives even small minorities representation, preventing them from feeling excluded by the state such as nationalists in Northern Ireland. In the referendum held on the matter on June 17, 1959, voters reject first past the vote by a margin of 2%. Fianna Fáil attempts to repeal proportional representation again in the late 60s, at which point Mac Aonghusa once again throws himself into the fight, leading a group called “Citizens for PR.” In the referendum of 1968, voters reject the first past the post system by over 20%. He later recalls that his defence of proportional representation his greatest achievement in politics.

In the 1960s, both Mac Aonghusa and his wife, Catherine, join the Sean Connolly branch of the Labour Party in Dublin. The branch had established a reputation as a haven for intellectuals who want a branch to themselves away from the many other Labour branches dominated by trade unionists. The branch comes to advocate for expressly socialist policies combined with on-the-ground grass-roots campaigning. Through the Sean Connolly Branch, both he and his wife begin to develop significant influence over the leader of the Labour party Brendan Corish.

In the 1965 Irish general election, Mac Aonghusa stands on behalf of the Labour party in the Louth constituency but is not elected. In 1966, he publishes a book of speeches by Corish, the speeches themselves mostly having been ghostwritten by his wife Catherine. The introduction of the book proclaims that Corish had developed a “brand of democratic republican socialism … broadened by experience and built firmly on Irish‐Ireland roots” and had rid the party of “do‐nothing backwoodsmen”, thereby becoming the “first plausible and respected Labour leader in Ireland”. It is at this same time that he is elevated to vice-chairman of the party. As vice-chair, he tries to convince Corish to stand in the 1966 Irish presidential election. When he fails to do so, he supports Fine Gael‘s Tom O’Higgins in his bid for the presidency. O’Higgins comes within 0.5% of beating the incumbent, an ageing Éamon de Valera.

It was around this same time that Mac Aonghusa becomes active in the Wolfe Tone Societies, a republican organisation linked almost directly to Sinn Féin. He suggests that republicans with “progressive views” should join the Labour party. In 1966, alongside Máirtín Ó Cadhain and other Gaeilgeoirí, he counter-protests and disrupts the Language Freedom Movement, an organisation seeking the abolition of compulsory Irish in the education system. For this, he and his allies are criticised as acting illiberally, while he maintains that those who oppose the Irish language are “slaves” unworthy of tolerance.

Mac Aonghusa’s open disdain for the conservative and trade union wings of the Labour, as well as his open embrace of republican sensibilities and tendency to make pronouncements on Labour policy without first consulting the party’s structures, bring him many internal enemies. An attempt is made to censure him for backing breakaway trade unions, but he is able to survive this. In 1966, he encourages the formation of the Young Labour League, an unofficial youth wing of the party led by Brian Og O’Higgins, son of former Sinn Féin president Brian O’Higgins. Mirroring his own position, the Youth League are Corish loyalists that openly rebel against the views of Labour’s conservative deputy leader James Tully. When the youth league begins publishing their own weekly newsletter, Labour’s administrative council condemns it after discovering material which is “violently” critical of Tully and other Labour conservatives. An ensuing investigation into the newsletter leads to Mac Aonghusa admitting that he had financed it and written some of the content, but not the anti-Tully material. After he refuses to co-operate with further investigations into the matter, he is expelled on January 12, 1967 for “activities injurious” to the party. In the aftermath, he portrays himself a left-wing martyr purged by a right-wing “Star chamber,” a tactic that garners him sympathy. Nevertheless, his expulsion is confirmed at the October 1967 party conference, despite one last appeal. His wife leaves the party alongside him.

In the aftermath of his expulsion from Labour, Mac Aonghusa expresses an interest in the social democratic wing of Fine Gael, which had been developing under Declan Costello since the mid-1960s. However, he does not join the party and instead runs as an independent candidate in the 1969 Irish general election in Dún Laoghaire–Rathdown. When he is not elected, he begins to refocus on the revival of the Irish language and with nationalist politics rather than being elected himself.

Upon the onset of the Troubles, Mac Aonghusa is initially supportive of Official Sinn Féin, however by 1972 he comes to resent them and, through the Ned Stapleton Cumann, their secret influence over RTÉ. During the Arms Crisis in 1970, he supports Charles Haughey and Neil Blaney, who stand accused of arranging to supply weapons to the Provisional IRA, in the pages of the New Statesman and other left‐wing journals. In this time period, he warns editors not to reprint his material in the Republic of Ireland as there is a de facto ban on him, and indeed, official attempts are made to block the transmission of his telexed reports.

Despite his earlier famed stark criticism of Fianna Fáil, Mac Aonghusa’s defence of Haughey leads to a friendship between the two men which results in him becoming one of Haughey’s loudest defenders throughout the rest of his career. His columns in The Sunday Press and Irish language paper Anois are accused of descending into self-parody in their stringent defences of Haughey.

During the 1970s, Mac Aonghusa writes a number of books covering significant figures in Irish republicanism. In order, he releases books on James Connolly, Patrick Pearse, Wolfe Tone and Éamon de Valera. In his work on De Valera, he emphasises what he perceives as the more radical aspects of the Fianna Fáil founder. During 1974 and 1975, he works as a United Nations Special Representative to the Southern Africa region with Seán MacBride, where they involve themselves in the South African Border War, and during which time Mac Aonghusa becomes involved in setting up a radio station in Namibia, linked to the South West Africa People’s Organisation (SWAPO) nationalist party.

In the 1980s, Haughey twice appoints Mac Aonghusa to the Arts Council as well as naming him president of Bord na Gaeilge (1989-93). This is an issue as Mac Aonghusa is already president of Conradh na Gaeilge. Being head of the main Irish language lobbying body as well as the state body responsible for the Irish language has an obvious conflict of interest. In 1991, following the announcement by Haughey that the government is to fund the creation of an Irish-language television station (launched in 1996 as Teilifís na Gaeilge), an elated Mac Aonghusa suggests that Haughey would be “remembered among the families of the Gael as long as the Gaelic nation shall survive.”

In 1992 there are calls for Mac Aonghusa to step down from Bord na Gaeilge after he pronounces that “every respectable nationalist” in West Belfast should vote for Sinn Féin’s Gerry Adams over the Social Democratic and Labour Party (SDLP) candidate Joe Hendron in the 1992 United Kingdom general election as he considers a defeat for Adams “a victory for British imperialism.” Nevertheless, he simultaneously advises voters in South Down to vote for the SDLP’s Eddie McGrady over Sinn Féin. He rails against his detractors at the Conradh na Gaeilge ardfheis that year, declaring that “The mind of the slave, of the slíomadóir, of the hireling and the vagabond is still fairly dominant in Ireland.”

As of 1995, Mac Aonghusa continues to label himself a socialist. In the foreword to the book, he writes about James Connolly that is released that year, he declares that “the abolition of capitalism is essential if the great mass of the people in all parts of the globe are to be emancipated.”

However, with the recent collapse of the Soviet Union in mind, Mac Aonghusa declares that the Stalinist regimes of Eastern Europe have not been socialist and argues that the social democracies of Scandinavia are what James Connolly had envisioned as the desired socialist society. In the same text, he accuses the Irish education system as well as Ireland’s media of obfuscating Connolly’s views on socialism and nationalism.

Mac Aonghusa battles through ill health in his final years but remains able to continue writing a number of books. His last publication, Súil Tharam (2001), comes just two years before his death in Dublin on September 28, 2003.

In 1955, Mac Aonghusa marries Catherine Ellis, a member of the Church of Ireland from Belfast. For her married name, she chooses to use “McGuinness,” the English language equivalent of Mac Aonghusa. Catherine McGuinness goes on to become a Senator and a Judge of the Circuit Court, High Court and Supreme Court over the course of her legal career. Together they have three children together.


by Leave a comment

Birth of Margaretta D’Arcy, Actress, Writer, Playwright & Activist

Margaretta Ruth D’Arcy, Irish actress, writer, playwright, and activist, is born in London on June 14, 1934. She has been a member of the Irish association of artists, known as Aosdána, since its inauguration and is known for addressing Irish nationalism, civil liberties, and women’s rights in her work.

D’Arcy is born to a Russian-Jewish mother and an Irish Catholic father. She works in small theatres in Dublin from the age of fifteen and later becomes an actress.

D’Arcy is married in 1957 to English playwright and author John Arden. They write several plays together which are highly critical of the British presence in Ireland. They settle in Galway in 1971 and establish the Galway Theatre Workshop in 1976. The couple has five sons, one of whom predeceases his mother.

The couple writes a number of stage pieces and improvisational works for amateur and student players, including The Happy Haven (1960) and The Workhouse Donkey (1964). She writes and produces many plays, including The Non-Stop Connolly Show (1977).

D’Arcy has also written a number of books, including Tell Them Everything (1981), Awkward Corners (with John Arden, 1988), and Galway’s Pirate Women: A Global Trawl (1996).

As an activist, in 1961, D’Arcy joins the anti-nuclear Committee of 100, led by Bertrand Russell. In 1981, her peace-activism results in her incarceration in Armagh Jail, after defacing a wall at the Ulster Museum. Her book Tell Them Everything (Pluto Press, 1981) tells the story of her time during the Armagh and H-Block dirty protests and is one of the earliest accounts about the Armagh women, their republicanism and imprisonment.

D’Arcy also directs Yellow Gate Women (2007), a film about the attempts by women of Greenham Common Women’s Peace Camp to outwit the British and United States military at RAF Greenham Common with bolt cutters and legal challenges. Challenging censorship since 1987, she runs a women’s kitchen pirate radio from her home in Galway.

In 2011, D’Arcy refuses to stand for a minute’s silence to honour Police Service of Northern Ireland (PSNI) officer Ronan Kerr, killed by dissident republicans, at an Aosdána meeting. Her actions are deliberate, she tells the media afterwards, which attracts fierce criticism of her perceived support for armed republican groups in Northern Ireland.

Along with Niall Farrell, D’Arcy is arrested in October 2012 for scaling the perimeter fence of Shannon Airport, in protest at the use of the airport as a stopover for U.S. military flights. As a consequence of her trespassing on airport property, she is imprisoned in 2014 after she refuses to sign a bond saying that she will not trespass on non-public parts of Shannon Airport.


by Leave a comment

Death of Seán Lester, Last Secretary-General of the League of Nations

Seán Lester, Irish diplomat who is the last secretary-general of the League of Nations from August 31, 1940, to April 18, 1946, dies at Recess, County Galway, on June 13, 1959.

Lester is born on September 28, 1888, in Carrickfergus, County Antrim, as John Ernest Lester, the son of a Protestant grocer Robert Lester and his wife, the former Henrietta Ritchie. Although the town of Carrickfergus is strongly Unionist, he joins the Gaelic League as a youth and is won over to the cause of Irish nationalism. As a young man, he joins the Irish Republican Brotherhood (IRB). He works as a journalist for the North Down Herald and a number of other northern papers before he moves to Dublin, where he finds a job at the Freeman’s Journal. By 1919, he has risen to its news editor.

After the Irish War of Independence, a number of Lester’s friends join the new government of the Irish Free State. He is offered and accepts the position as director of publicity.

Lester marries Elizabeth Ruth Tyrrell in 1920 by whom he has three daughters.

In 1923, Lester joins Ireland’s Department of External Affairs. He is sent to Geneva in 1929 to replace Michael MacWhite as Ireland’s Permanent Delegate to the League of Nations. In 1930, he succeeds in organising Ireland’s election to the Council (or executive body) of the League of Nations for three years. He often represents Ireland at Council meetings and stands in for the Minister for External Affairs. He becomes increasingly involved in the work of the League, particularly in its attempts to bring a resolution to two wars in South America. His work brings him to the attention of the League Secretariat and begins his transformation from national to international civil servant.

When Peru and Colombia have a dispute over a town in the headwaters of the Amazon River, Lester presides over the committee that finds an equitable solution. He also presides over the less-successful committee when Bolivia and Paraguay go to war over the Gran Chaco.

In 1933, Lester is seconded to the League’s Secretariat and sent to Danzig (now Gdańsk, Poland), as the League of Nations’ High Commissioner from 1934 to 1937. The Free City of Danzig is the scene of an emerging international crisis between Nazi Germany and the international community over the issue of the Polish Corridor and the Free City’s relationship with the Third Reich. He repeatedly protests to the German government over its persecution and discrimination of Jews and warns the League of the looming disaster for Europe. He is boycotted by the representatives of the German Reich and the representatives of the Nazi Party in Danzig.

Lester returns to Geneva in 1937 to become Deputy Secretary General of the League of Nations. In 1940, he becomes Secretary General of the body, becoming the League’s leader a year after the beginning of World War II which shows that the League has failed its primary purpose. The League has only 100 employees, including guards and janitors, out of the original 700.

Lester remains in Geneva throughout the war and keeps the League’s technical and humanitarian programs in limited operation for the duration of the war. In 1946, he oversees the League’s closure and turns over the League’s assets and functions to the newly established United Nations.

Lester is given the Woodrow Wilson Award in 1945 and a doctorate of the National University of Ireland (NUI) in 1948.

Despite rumours that he would be prepared to stand for election as President of Ireland, Lester seeks no permanent office and retires to Recess, County Galway, in the west of Ireland, where he dies on June 13, 1959. In its obituary, The Times describes him as an “international conciliator and courageous friend of refugees.”

In August 2010, a room in the Gdańsk City Hall, the building that had been Lester’s residence during his stay, is renamed by Mayor Paweł Adamowicz as the Seán Lester Room.

Lester’s granddaughter, Susan Denham, is Chief Justice of Ireland for the Supreme Court of Ireland from 2011 to 2017.


by Leave a comment

Death of Stephen Lucius Gywnn, Writer & Politician

Stephen Lucius Gwynn, Irish journalist, biographer, author, poet and Protestant Nationalist politician, dies on June 11, 1950, at Terenure, Dublin. As a member of the Irish Parliamentary Party (IPP) he represents Galway Borough as its Member of Parliament from 1906 to 1918. He serves as a British Army officer in France during World War I and is a prominent proponent of Irish involvement in the Allied war effort. He founds the Irish Centre Party in 1919, but his moderate nationalism is eclipsed by the growing popularity of Sinn Féin.

Gwynn is born in St. Columba’s College in Rathfarnham, County Dublin, where his father John Gwynn (1827–1917), a biblical scholar and Church of Ireland clergyman, is warden. His mother, Lucy Josephine (1840–1907), is the daughter of the Irish nationalist William Smith O’Brien. He is the eldest of ten children (eight brothers and two sisters). Shortly after his birth the family moves to Ramelton in County Donegal to the parish where his father has been appointed parson. He later becomes Regius Professor of Divinity at Trinity College Dublin (TCD).

Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.

After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.

This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.

Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.

On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.

Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.

Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.

Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.

Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.

During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).

Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.

Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.

Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).

Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.


by Leave a comment

Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


by Leave a comment

Death of Helen Maybury Roe, Librarian & Antiquarian

Helen Maybury Roe, Irish librarian and antiquarian and a champion of medieval Irish art and iconography, dies on May 28, 1988, at Grove Nursing Home in Killiney, County Dublin.

Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.

In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.

Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.

Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.

The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.


by Leave a comment

Birth of Ernie O’Malley, Republican Revolutionary & Writer

Ernest Bernard (Ernie) O’Malley, Irish republican revolutionary and writer, is born on May 26, 1897, in Ellison Street, Castlebar, County Mayo, the second child among nine sons and two daughters of Luke Malley, solicitor’s clerk, of County Mayo, and Marion Malley (née Kearney) of County Roscommon. Christened Ernest Bernard Malley, his adoption of variations on this name reflects his enthusiasm for a distinctively Irish identity – an enthusiasm that lay at the heart of his republican career and outlook.

In 1906, O’Malley’s family moves to Dublin, where he attends the Christian Brothers‘ School, North Richmond Street. In 1915, he begins to study medicine at University College Dublin (UCD). Having initially intended to follow his older brother into the British Army, he rather joins the Irish Volunteers in the wake of the 1916 Easter Rising, as a member of F Company, 1st Battalion, Dublin Brigade. He becomes a leading figure in the Irish Republican Army (IRA) during the Irish War of Independence which the Easter Rising helps to occasion. In 1918, having twice failed his second-year university examination, he leaves home to commit himself to the republican cause. He is initially a Volunteer organiser with the rank of second lieutenant, under the instruction of Richard Mulcahy, operating in Counties Tyrone, Offaly, Roscommon, and Donegal. His work in 1918 involves the reorganisation, or new establishment, of Volunteer groups in the localities.

In August 1918, O’Malley is sent to London by Michael Collins to buy arms. During 1919 he works as an IRA staff captain attached to General Headquarters (GHQ) in Dublin, and also trains and organises Volunteers in Counties Clare, Tipperary, and Dublin. He has a notable military record with the IRA during the Irish War of Independence and is a leading figure in attacks on Hollyford barracks in County Tipperary (May 1920), Drangan barracks in County Kilkenny (June 1920), and Rearcross barracks in County Tipperary (July 1920). His IRA days thus involve him with comrades such as Dan Breen, Séumas Robinson, and Seán Treacy. In December 1920, he is captured in County Kilkenny by Crown forces. He escapes from Dublin’s Kilmainham Gaol in February 1921, to take command of the IRA’s 2nd Southern Division, holding the rank of commandant-general.

O’Malley’s republican commitment has political roots in his conviction that Ireland should properly be fully independent of Britain, and that violence is a necessary means to achieve this end. But the causes underlying his revolutionism are layered. Family expectations of respectable, professional employment combined with a religious background and an enthusiasm for soldiering provide some of the foundations for his IRA career. As an IRA officer he enjoys professional, military expression for a visceral Catholic Irish nationalism. He also finds excitement, liberation from the frequent dullness of his life at home, defiant rebellion against his non-republican parents, an alternative to his stalled undergraduate career, and, in political and cultural Irish separatism, a decisive resolution of the profound tension between his anglocentrism and his anglophobia.

O’Malley rejects the 1921 Anglo–Irish Treaty as an unacceptable compromise. He spends the 1921 truce period training IRA officers in his divisional area, in preparation for a possible renewal of fighting. He is, in the event, to be a leading anti-treatyite in the 1922–23 Irish Civil War. In the Four Courts in 1922, at the start of the latter conflict, he is captured on the republicans’ capitulation on June 30 but then manages to escape from captivity. Subsequently he is appointed assistant Chief of Staff of the anti-Treaty IRA and also becomes part of a five-man anti-Treaty army council, along with Liam Lynch, Liam Deasy, Frank Aiken and Thomas Derrig.

O’Malley is dramatically captured and badly wounded by Free State forces in Dublin in November 1922. Imprisoned until July 1924, he is during the period of his incarceration elected as a TD for Dublin North in the 1923 Irish general election and is also a forty-one-day participant in the republican hunger strike later that year. Following release from prison, he returns home to live with his parents in Dublin. He decides not to focus his post-revolutionary energy on a political career. During 1926–28 and 1935–37 he unsuccessfully tries to complete his medical degree at UCD, but increasingly his post-1924 efforts are directed toward life as a Bohemian traveler and writer. He spends much of 1924–26 on a recuperative journey through France, Spain, and Italy; and 1928–35 traveling widely in North America. During 1929–32 he spends time in New Mexico and Mexico City. In Taos, New Mexico, he mixes with, and is influenced by, writers and artists as he works on what are to become classic autobiographies of the Irish revolution: On Another Man’s Wound (1936) and The Singing Flame (1978).

O’Malley meets Helen Hooker, daughter of Elon and Blanche Hooker, in Connecticut in 1933. They marry in London in 1935, each rejecting something of their prior lives in the process: he, his Irish republicanism, through marriage to somebody entirely unconnected with that world; she, her wealthy and respectable upbringing, through liaison with a Catholic, Irish, unemployed, bohemian ex-revolutionary. They settle first in Dublin then, from 1938 onward, primarily in County Mayo. Burrishoole Lodge, near Newport, is his main base until 1954, when he moves to Dublin. Three children are born to the O’Malleys: Cahal (1936), Etáin (1940), and Cormac (1942). Sharing enthusiasm for the arts, he and Helen enjoy several years of intimacy. However, by the mid-1940s their relationship has frayed. In 1950, Helen kidnaps (the word is used by both parents and by all three children) the couple’s elder two children and takes them to the United States. From there she divorces O’Malley in 1952. Cormac remains with his father.

O’Malley’s post-American years are devoted to a number of projects. He writes extensively, including work for The Bell and Horizon. He is involved with the film director John Ford in the making of his Irish films, including The Quiet Man (1952). He gives radio broadcasts on Mexican painting for BBC Third Programme (1947), and on his IRA adventures for Radio Éireann (1953). In the latter year he suffers a heart attack, and his remaining years are scarred by ill health. He dies of heart failure on March 25, 1957, in Howth, County Dublin, at the house of his sister Kathleen. Two days later he is given a state funeral with full military honours. He is buried in the Malley family plot in Glasnevin Cemetery, Dublin.

O’Malley exemplifies some important themes in modern Irish political and intellectual history. His powerful memoirs form part of a tradition of writing absorbedly about Ireland, while under idiosyncratic emigrant influences which lend the writing much of its distinctiveness. His aggressive republicanism exemplifies a persistent but ultimately unrealisable tradition of uncompromising IRA politics. His unflinching single-mindedness is the condition for much courageous and striking activity, but also lay behind his infliction and his suffering of much pain. Literary, intellectual, and defiantly dissident, he is the classic bohemian revolutionary. His historical significance lies in his having been both a leading Irish revolutionary and the author of compelling autobiographical accounts of those years. His memoirs are distinguished from their rivals on the shelf by subtlety, self-consciousness, and literary ambition. In particular, his preparedness to identify motives for Irish revolutionary action, beyond the terms of ostensible republican purpose, renders his writing of great value to historians. Similarly, the large body of archival material left in his name (especially, perhaps, the papers held in UCD archives, and those in the private possession of his children) leaves scholars in his debt. The most striking and evocative visual images of O’Malley are, arguably, the set of photographic portraits taken in 1929 by Edward Weston and held at the University of Arizona‘s Center for Creative Photography (CCP). These capture with precision his reflective concentration, his piercing earnestness, and his troubled intensity.

(From: “O’Malley, Ernest Bernard (‘Ernie’)” by Richard English, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Photograph of Ernie O’Malley taken by Helen Hooker, New York City, 1934)