seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Rathgar (Dublin)


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Death of Agnes O’Farrelly, Professor Of Irish at UCD

Agnes Winifred O’Farrelly (Irish: Úna Ní Fhaircheallaigh), academic and Professor of Irish at University College Dublin (UCD), dies in Dublin on November 5, 1951.

O’Farrelly is born Agnes Farrelly on June 24, 1874, in Raffony House, Virginia, County Cavan, one of five daughters and three sons of Peter Dominic Farrelly and Ann Farrelly (née Sheridan), a family with a traditional interest in the Irish language. After her articles Glimpses of Breffni and Meath are published in The Anglo-Celt in 1895, the editor, E. T. O’Hanlon, encourages her to study literature. Graduating from the Royal University of Ireland (BA 1899, MA 1900), she is appointed a lecturer in Irish at Alexandra College and Loreto College. A founder member in 1902, along with Mary Hayden, of the Irish Association of Women Graduates and Candidate Graduates, to promote equal opportunity in university education, she gives evidence to the Robertson (1902) and Fry (1906) commissions on Irish university education, arguing successfully for full co-education at UCD. Appointed lecturer in modern Irish at UCD in 1909, she is also a member of the first UCD governing body and the National University of Ireland (NUI) senate (1914–49). In 1932, on the retirement of Douglas Hyde, she is appointed professor of modern Irish at UCD, holding the position until her retirement in 1947. She is also president of the Irish Federation of University Women (1937–39) and of the National University Women Graduates’ Association (NUWGA) (1943–47).

One of the most prominent women in the Gaelic League, a member of its coiste gnótha (executive committee) and a director of the Gaelic press An Cló-Chumann Ltd, O’Farrelly is a close friend of most of its leading figures, especially Douglas Hyde, Kuno Meyer, and Eoin MacNeill. One of Hyde’s allies in his battle to avoid politicising the league, she is so close to him that students at UCD enjoy speculating about the nature of their friendship. She advocates pan-Celticism, but does not get involved in disputes on the matter within the league. A founder member, and subsequently principal for many years, of the Ulster College of Irish, Cloghaneely, County Donegal, she is also associated with the Leinster and Connacht colleges and serves as chairperson of the Federation of Irish Language Summer Schools.

Having presided at the inaugural meeting of Cumann na mBan in 1914, espousing its subordinate role in relation to the Irish Volunteers, O’Farrelly leaves the organisation soon afterward because of her support for recruitment to the British Army during World War I. A close friend of Roger Casement, in 1916, along with Col. Maurice Moore she gathers a petition that seeks a reprieve of his death sentence. She is a member of a committee of women which negotiate unsuccessfully with Irish Republican Army (IRA) leaders to avoid civil war in 1922, and is heavily defeated as an independent candidate for the NUI constituency in the general elections of 1923 and June 1927. In 1937 she is actively involved in the National University Women Graduates’ Association’s campaign against the constitution, seeking deletion of articles perceived as discriminating against women.

Popular among students at UCD, O’Farrelly has a reputation as a social figure and entertains frequently at her homes in Dublin and the Donegal Gaeltacht. A founder member (1914) and president (1914–51) of the UCD camogie club, she persuades William Gibson, 2nd Baron Ashbourne, to donate the Ashbourne Cup for the camogie intervarsities. She is also president of the Camogie Association of Ireland in 1941–42. A supporter of native Irish industry, she is president of the Irish Industrial Development Association and the Homespun Society, and administrator of the John Connor Magee Trust for the development of Gaeltacht industry. A poet and writer in both Irish and English, often using the pseudonym ‘Uan Uladh’, her principal publications in prose are The reign of humbug (1900), Leabhar an Athar Eoghan (1903), Filidheacht Segháin Uí Neachtáin (1911), and her novel Grádh agus crádh (1901); and in poetry Out of the depths (1921) and Áille an domhain (1927).

O’Farrelly retires from UCD in 1947, and lives at 38 Brighton Road, Rathgar. An oil portrait by Seán Keating, RHA, is presented to her by the NUWGA on her retirement. She dies on November 5, 1951 in Dublin. Taoiseach Éamon de Valera and President Seán T. O’Kelly attend her funeral to Dean’s Grange Cemetery. She never marries, and leaves an estate valued at £3,109.


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Death of Ulick O’Connor, Writer, Historian & Critic

Ulick O’Connor, Irish writer, historian and critic, dies on October 7, 2019, in Rathgar, County Dublin.

Born in Rathgar on October 12, 1928, to Matthew O’Connor, the Dean of the Royal College of Surgeons, O’Connor attends Garbally College, Ballinasloe, St. Mary’s College, Rathmines, and later University College Dublin (UCD), where he studies law and philosophy, becoming known as a keen sporting participant, especially in boxing, rugby and cricket, as well as a distinguished debater. During his time at UCD he is an active member of the Literary and Historical Society. He subsequently studies at Loyola University, New Orleans. He was called to the bar in 1951.

After practising at the Irish Bar in Dublin, O’Connor spends time as a critic before turning to writing. His work spans areas such as biography, poetry, Irish history, drama, diary, and literary criticism. He is a sports correspondent for The Observer from 1955 to 1961.

O’Connor is a well-known intellectual figure in contemporary Irish affairs and expresses strong opinions against censorship and the war on drugs. He contributes a regular poetry column to the Irish daily, the Evening Herald, also writes a column for the Sunday Mirror and a sporting column for The Sunday Times, as well as broadcasting on RTÉ.

O’Connor’s best-known writing is his biographies of Oliver St. John Gogarty, Brendan Behan, his studies of the early 20th-century Irish troubles and the Irish Literary Revival.

O’Connor is also known for the autobiographical The Ulick O’Connor Diaries 1970-1981: A Cavalier Irishman (2001), which details his encounters with well-known Irish and international figures, ranging from political (Jack Lynch and Paddy Devlin) to the artistic (Christy Brown and Peter Sellers). It also documents the progress of the Northern Ireland peace process during the same time, and the progress of the Northern Ireland Assembly. Although he travels extensively, he lives in his parental home in Dublin’s Rathgar. He is a member of Aosdána.

O’Connor’s great-grandfather is Matthew Harris, Land Leaguer, Fenian, and Irish Parliamentary Party (IPP) Member of Parliament. He is related to American actor Carroll O’Connor. He dies in Rathgar on October 7, 2019, five days short of his 91st birthday. He is buried at Dean’s Grange Cemetery, Deansgrange, County Dublin.


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Death of Wilhelmina Geddes, Stained Glass Artist

Wilhelmina Geddes, Irish stained glass artist who is an important figure within the Irish Arts and Crafts movement and also the twentieth-century British stained glass revival, dies in London, England, on August 10, 1955. Her notable works include windows at St. Bartholomew’s Anglican Church (Ottawa, Canada), St. Peter’s Church (Lampeter, Wales), and the King Albert Memorial Window, St. Martin’s Cathedral (Ypres, Belgium).

Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.

Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.

While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.

Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.

Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.

During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.

Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.

Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.

Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in Carnmoney Cemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”


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Birth of John Edgar, Minister & Professor of Theology

John Edgar, minister, professor of theology, moderator of the Secession Synod in 1828 and moderator of the Presbyterian Church in Ireland in 1842 is born near Ballynahinch, County Down, on June 13, 1798. He is Honorary Secretary to the Presbyterian Home Mission during the Great Famine in 1847.

Edgar is the eldest son of Samuel Edgar (1766-1826) and Elizabeth McKee (1771-1839). He attends the Royal Belfast Academical Institution where he excels as a student. He is ordained a minister in the Presbyterian church in 1820. He becomes D.D. of Hamilton College in Kirkland, New York, in 1836, is elected moderator of the Presbyterian Church in Ireland for 1842–43, and obtains LL.D. of New York in 1860.

Edgar is known as the origin of the Temperance movement in Ireland because he pours alcohol out his window in 1829. On August 14, 1829, he writes a letter in the Belfast Telegraph advocating temperance.

Edgar forms the Ulster Temperance Movement. In 1834, he tells a parliamentary committee inquiring into the causes and consequences of drunkenness in the United Kingdom that there are 550 “dram shops” in Belfast and 1,700 shops selling intoxicants in Dublin as well as numerous illicit distillers “even in the most civilised districts of Ulster.”

Edgar is also the founder of the Ulster Female Penitentiary in 1839 which is a residential home for prostitutes. He is also instrumental in getting the Deaf, Dumb and Blind Institute set up in Belfast. A meeting which leads to the establishment of the Presbyterian Orphan Society is held in 1866 in his drawing room.

Edgar is also involved in the relief effort by the Presbyterian church in Connacht during the Irish famine. The church is accused of proselytizing during the famine period. In the May Street Presbyterian Church he says, “I hope soon to have an opportunity of directing public attention to spiritual famine in Connacht, but our effort now is to save the perishing body … Our brother is starving, and, till we have satisfied his hunger, we have no time to inquire whether he is Protestant or Romanist.”

Edgar is interested in Gaelic language and culture, and is critical of other Protestant faiths particularly the Church of Ireland (Anglican) for not preaching in the Irish language.

Edgar dies at the age of 68 on August 26, 1866, in Cremore, Rathgar, Dublin, where he had gone to get medical treatment. He is survived by his wife Susanna, and is buried in Balmoral Cemetery, Belfast.


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Birth of Mary Lou McDonald, Current President of Sinn Féin

Mary Louise McDonald, Irish politician and President of Sinn Féin since February 2018, is born in Dublin on May 1, 1969.

McDonald is born into a middle-class family in south Dublin. Her father Patrick McDonald, a builder and surveyor, and her mother Joan, separate when she is nine years old, and she stays with her mother in Rathgar. She has three siblings, one older and two younger. Her great-uncle, James O’Connor, was a member of the Anti-Treaty IRA and was executed at the Curragh Camp during the Irish Civil War.

McDonald is educated at Rathgar National School and at the Catholic all-girls, Notre Dame des Missions in Churchtown, South Dublin, where she is involved in debating. She then attends Trinity College Dublin (TCD), the University of Limerick and Dublin City University (DCU), studying English Literature, European Integration Studies and Human Resource Management.

She works as a researcher for the Institute of European Affairs, a consultant for the Irish Productivity Centre, a human resources consultancy that is jointly operated by Ibec and Irish Congress of Trade Unions (ICTU), and a trainer in the Partnership Unit of the Educational and Training Services Trust.

McDonald starts her political career by first joining Fianna Fáil in 1998 but leaves the party after a year due to core policy differences, particularly in relation to Northern Ireland and social justice. She quickly realises that Sinn Féin is a more appropriate party for her Republican views after meeting Sinn Féin members through the Irish National Congress.

She first runs for office at the 2002 Irish general election when she unsuccessfully contests the Dublin West constituency for Sinn Féin, polling 8.02% of first preference votes.

In 2004, McDonald becomes Sinn Féin’s first Member of the European Parliament (MEP) in Ireland, when she is elected at the 2004 European Parliament election in Ireland for the Dublin constituency, receiving over 60,000 first preference votes. She serves until 2009 and is a prominent member of the Employment and Social Affairs committee and Civil Liberties committee.

McDonald is an unsuccessful candidate in the Dublin Central constituency at the 2007 Irish general election. In 2009 she becomes the vice president of Sinn Féin.

McDonald contests the Dublin Central constituency again at the 2011 Irish general election, this time picking up 13.1% of first preference votes. She is successful in taking the last seat in the constituency. Following the election, she becomes Sinn Féin’s Spokesperson for Public Expenditure and Reform and is a member of the Public Accounts Committee from then until 2017.

After her re-election to the Dáil at the 2016 Irish general election, in which she tops the poll in Dublin Central, she becomes Sinn Féin’s All-Ireland Spokesperson for Mental Health and Suicide Prevention, which she holds until being elected president of Sinn Féin in 2018.

At a Sinn Féin party conference on November 18, 2017, Gerry Adams is re-elected party leader but announces that he will ask party leadership to call for a special Ard Fheis to be held within three months to choose a new president, and that he will not stand for re-election as TD for the Louth constituency in the next election.

At the close of nominations to succeed Adams on January 20, 2018, McDonald is announced as the president-elect of Sinn Féin, as she is the sole nominee to enter the race. She is confirmed as president at a special Ard Fheis on February 10, 2018, in Dublin.

McDonald is nominated as Taoiseach on February 20, 2020, but is defeated 45 to 84. On June 26, 2020, Fianna Fáil, Fine Gael, and the Green Party form a coalition government, leaving Sinn Féin as the largest opposition party, and McDonald as Leader of the Opposition. She dismisses the coalition agreement as a “marriage of convenience,” and accuses Fianna Fáil and Fine Gael of conspiring to exclude Sinn Féin from government.

At the 2024 Irish general election, McDonald is re-elected to the Dáil topping the poll in Dublin Central with Sinn Féin increasing their seat share by two seats, remaining the second largest party by representation in the Dáil and attaining 19% of the first preference votes, a fall of 5.5% from 2020 and fall behind Fianna Fáil by 2.9% and Fine Gael by 1.8%.

McDonald is again nominated as Taoiseach on December 18, 2024, but is defeated 44 to 110.

McDonald’s husband, Martin Lanigan, works as a gas control superintendent for the emergency dispatch division of Gas Networks Ireland, a state infrastructure provider. They have two children and live in Cabra, Dublin.


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Death of Eamon Broy, Member of the Dublin Metropolitan Police & IRA

Eamon “Ned” Broy, successively a member of the Dublin Metropolitan Police (DMP), the Irish Republican Army (IRA), the National Army, and the Garda Síochána of the Irish Free State, dies in Rathgar, Dublin, on January 22, 1972. He serves as Commissioner of the Gardaí from February 1933 to June 1938. He later serves as president of the Olympic Council of Ireland for fifteen years.

Broy is born in Rathangan, County Kildare, on December 22, 1887. He joins the Royal Irish Constabulary (RIC) on August 2, 1910, and the Dublin Metropolitan Police on January 20, 1911.

Broy is a double agent within the DMP, with the rank of Detective Sergeant (DS). He works as a clerk inside G Division, the intelligence branch of the DMP. While there, he copies sensitive files for IRA leader Michael Collins and passes many of these files on to Collins through Thomas Gay, the librarian at Capel Street Library. On April 7, 1919, he smuggles Collins into G Division’s archives in Great Brunswick Street (now Pearse Street), enabling him to identify “G-Men,” six of whom are eventually killed by the IRA. He supports the Anglo-Irish Treaty of 1921 and joins the National Army during the Irish Civil War, reaching the rank of colonel. In 1925, he leaves the Army and joins the Garda Síochána.

Broy’s elevation to the post of Commissioner comes when Fianna Fáil replaces Cumann na nGaedheal as the government. Other more senior officers are passed over as being too sympathetic to the outgoing party.

In 1934, Broy oversees the creation of “The Auxiliary Special Branch” of the Garda, formed mainly of hastily trained anti-Treaty IRA veterans, who were opponents of Broy in the civil war. It is nicknamed the “Broy Harriers” by Broy’s opponents, a pun on the Bray Harriers athletics club or more likely on the Bray Harriers hunt club. It is used first against the quasi-fascist Blueshirts, and later against the diehard holdouts of the IRA, now set against former comrades. The “Broy Harriers” nickname persists into the 1940s, even though Broy himself is no longer in command, and for the bodies targeted by the unit is a highly abusive term, still applied by radical Irish republicans to the Garda Special Branch (now renamed the Special Detective Unit). The Broy Harriers engage in several controversial fatal shootings. They shoot dead a protesting farmer named Lynch in Cork, and when the matter is discussed in the Senate in 1934, the members who support Éamon de Valera‘s government walk out. They are detested by sections of the farming community. In the light of this latter history, their name is often used in reference to individuals or groups who attempt to disrupt contemporary dissident republicans, such as the remnants of the Provisional Irish Republican Army.

Broy is President of the Olympic Council of Ireland from 1935 to 1950. He is also a member of the Standing Committee of the Irish Amateur Handball Association.

Broy dies on January 22, 1972, at his residence in the Dublin suburb of Rathgar.

On September 17, 2016, a memorial to Broy is unveiled in Coolegagen Cemetery, County Offaly, close to his childhood home. His daughter Áine is in attendance, as are representatives of the government, the Air Corps, and the Garda Síochana.

Neil Jordan‘s film Michael Collins (1996) inaccurately depicts Broy (played by actor Stephen Rea) as having been arrested, tortured and killed by Secret Intelligence Service (SIS) agents. In addition, G Division was based not in Dublin Castle, as indicated in the film, but in Great Brunswick Street. Collins had a different agent in the Castle, David Neligan. Broy is also mentioned and makes an appearance in Michael Russell’s detective novel The City of Shadows, set partly in Dublin in the 1930s, published by HarperCollins in 2012.


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Death of Pearse Hutchinson, Poet, Broadcaster & Translator

Pearse Hutchinson, Irish poet, broadcaster and translator, dies of pneumonia in Dublin on January 14, 2012.

Hutchinson is born in Glasgow, Scotland, on February 16, 1927. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.

Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.

Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.

In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.

Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.

Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.

In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.

In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.

From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.

A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.

Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012. His extensive archive is in the library of Maynooth University. Its opening on May 24, 2015, is accompanied by the inauguration of an annual Pearse Hutchinson seminar and the launch of a collection of unpublished Hutchinson poems, Listening to Bach.

Some critics argue that Hutchinson’s concern with simplicity and Ireland’s place in the comparative history of human oppression too often deteriorates into banality, didacticism, and regurgitation of sentimental revivalist tropes. Even these, however, acknowledge his occasional greatness, while his champions argue that his achievement has not yet been fully recognised and absorbed.


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Birth of Richard Orpen, Architect, Painter & Illustrator

Richard Francis Caulfield Orpen, Irish architect, painter, illustrator and designer, is born on December 24, 1863.

Orpen is born to Anne (née Caulfield) and Arthur Herbert Orpen, a solicitor of Oriel, Blackrock, Dublin. His maternal grandfather is the Bishop of Nassau, Charles Caulfield. He is the eldest of four brothers and two sisters. His youngest brother is William, the painter. He attends St. Columba’s College in Whitechurch, Dublin, and graduates from Trinity College Dublin (TCD) with a BA in 1885. While attending St. Columba’s, he publishes an Irish comic alphabet for the present times in 1881, which is a mix of cartoons and verse mocking Charles Stewart Parnell and the home rule movement.

Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”

From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.

Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.

At the 1907 Irish International Exhibition, Dublin, Orpen exhibits a number of chalk drawings. The same year he designs the cover of a satirical pamphlet, The Abbey row, not edited by W. B. Yeats, which mocks The Arrow and the riots at the first production of The Playboy of the Western World. He unveils a bust of Hugh Lane at the opening of the Municipal Gallery of Modern Art on Harcourt Street in 1908. He is appointed secretary to the municipal gallery committee by Lane. In 1910, he is appointed architect to Christ Church Cathedral, as well as architect to St. Canice’s Cathedral, Kilkenny, and St. Patrick’s Cathedral, Dublin. In 1911 he is elected an associate of the Royal Hibernian Academy, a full member in 1912, and was the academy’s secretary from 1925 to 1937.

From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.

Orpen marries Violet Caulfield in 1900. They are both descended from William Caulfeild, 1st Viscount Charlemont. He dies on March 27, 1938, at his home, Coologe, and is buried in Dean’s Grange Cemetery.

Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.


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Death of May Tennant, Civil Servant & Trade Unionist

Margaret Edith (May) Tennant (née Abraham), CH, civil servant, trade unionist, factory inspector, and campaigner, dies at Great Maytham, near Rolvenden, Kent, England, on July 11, 1946.

Abraham is born on April 5, 1869, in Rathgar, County Dublin. She works to improve conditions for industrial workers and is also involved in women’s health and education. She is one of the first people to be appointed to the Order of the Companions of Honour in 1917.

Abraham is educated at home. Following her father’s death in 1887, she decides to move to London in search of employment. In London she becomes secretary to Emilia, Lady Dilke, who is a leader of the Women’s Trade Union League, an organisation of which she becomes treasurer. She supports the London Dock Strike of 1889 and helps organise laundresses.

In 1891, Abraham is appointed to the Royal Commission on Labour, set up to investigate the poor conditions faced by industrial workers, as one of four women assistant commissioners.

H. H. Asquith decides to appoint women factory inspectors in 1893, and Abraham is one of his first choices, soon superintending a team of five women inspectors. In this position, she is known for her good humour which helps relations with factory managers. In 1895, she joins the Departmental Committee on Dangerous Trades. She writes a book on factory legislation in 1896, The Laws Relating to Factories and Workshops, Including Laundries and Docks.

In 1896, Abraham marries Harold Tennant, brother-in-law of and parliamentary secretary to Asquith, and chairman of the Departmental Committee on Dangerous Trades. She resigns in 1897 shortly before the birth of her first son, to devote herself to her family. She goes on to have five children. Her eldest son, Henry, is killed in battle in 1917 during World War I.

Despite her new family life, Tennant does not give up her work entirely, remaining on the Committee on Dangerous Trades. In 1899, she becomes chairman of the Industrial Law Indemnity Fund, which provides compensation to victimised workers. She is on the Royal Commission on Divorce in 1909 and is a founder and treasurer of the Central Committee for Women’s Employment.

During World War I, Tennant takes on more work. She works initially for the War Office as welfare advisor, then briefly in the Women’s Department of the National Service Department, before moving to the Ministry of Munitions. After the war, she reduces her workload, but still serves on committees on maternal mortality and maternal health. She is also a governor of Bedford College in London, an institution founded for the education of women that is part of the University of London. From 1941 she is closely involved in campaigning for the Royal Air Force Benevolent Fund.

Tennant and her husband purchase and rebuild a country house, Great Maytham, at Rolvenden, Kent, a property whose old walled garden had earlier been the inspiration for The Secret Garden by Frances Hodgson Burnett. She develops expertise as a gardener, becoming prominent in the Royal Horticultural Society. After her husband’s death in 1935, she moves to a smaller house named Cornhill at Great Maytham, where she dies July 11, 1946. Some of her correspondence is in the British Library, London.


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Birth of Agnes O’Farrelly, Academic & Professor of Irish at UCD

Agnes Winifred O’Farrelly (Irish: Úna Ní Fhaircheallaigh), academic and Professor of Irish at University College Dublin (UCD), is born Agnes Farrelly on June 24, 1874, in Raffony House, Virginia, County Cavan.

O’Farrelly is one of five daughters and three sons of Peter Dominic Farrelly and Ann Farrelly (née Sheridan), a family with a traditional interest in the Irish language. After her articles Glimpses of Breffni and Meath are published in The Anglo-Celt in 1895, the editor, E. T. O’Hanlon, encourages her to study literature. Graduating from the Royal University of Ireland (BA 1899, MA 1900), she is appointed a lecturer in Irish at Alexandra College and Loreto College. A founder member in 1902, along with Mary Hayden, of the Irish Association of Women Graduates and Candidate Graduates, to promote equal opportunity in university education, she gives evidence to the Robertson (1902) and Fry (1906) commissions on Irish university education, arguing successfully for full co-education at UCD. Appointed lecturer in modern Irish at UCD in 1909, she is also a member of the first UCD governing body and the National University of Ireland (NUI) senate (1914–49). In 1932, on the retirement of Douglas Hyde, she is appointed professor of modern Irish at UCD, holding the position until her retirement in 1947. She is also president of the Irish Federation of University Women (1937–39) and of the National University Women Graduates’ Association (NUWGA) (1943–47).

One of the most prominent women in the Gaelic League, a member of its coiste gnótha (executive committee) and a director of the Gaelic press An Cló-Chumann Ltd, O’Farrelly is a close friend of most of its leading figures, especially Douglas Hyde, Kuno Meyer, and Eoin MacNeill. One of Hyde’s allies in his battle to avoid politicising the league, she is so close to him that students at UCD enjoy speculating about the nature of their friendship. She advocates pan-Celticism, but does not get involved in disputes on the matter within the league. A founder member, and subsequently principal for many years, of the Ulster College of Irish, Cloghaneely, County Donegal, she is also associated with the Leinster and Connacht colleges and serves as chairperson of the Federation of Irish Language Summer Schools.

Having presided at the inaugural meeting of Cumann na mBan in 1914, espousing its subordinate role in relation to the Irish Volunteers, O’Farrelly leaves the organisation soon afterwards because of her support for recruitment to the British Army during World War I. A close friend of Roger Casement, in 1916, along with Col. Maurice Moore she gathers a petition that seeks a reprieve of his death sentence. She is a member of a committee of women which negotiate unsuccessfully with Irish Republican Army (IRA) leaders to avoid civil war in 1922, and is heavily defeated as an independent candidate for the NUI constituency in the general elections of 1923 and June 1927. In 1937 she is actively involved in the National University Women Graduates’ Association’s campaign against the constitution, seeking deletion of articles perceived as discriminating against women.

Popular among students at UCD, O’Farrelly has a reputation as a social figure and entertains frequently at her homes in Dublin and the Donegal Gaeltacht. A founder member (1914) and president (1914–51) of the UCD camogie club, she persuades William Gibson, 2nd Baron Ashbourne, to donate the Ashbourne Cup for the camogie intervarsities. She is also president of the Camogie Association of Ireland in 1941–42. A supporter of native Irish industry, she is president of the Irish Industrial Development Association and the Homespun Society, and administrator of the John Connor Magee Trust for the development of Gaeltacht industry. A poet and writer in both Irish and English, often using the pseudonym ‘Uan Uladh’, her principal publications in prose are The reign of humbug (1900), Leabhar an Athar Eoghan (1903), Filidheacht Segháin Uí Neachtáin (1911), and her novel Grádh agus crádh (1901); and in poetry Out of the depths (1921) and Áille an domhain (1927).

O’Farrelly retires from UCD in 1947, and lives at 38 Brighton Road, Rathgar. An oil portrait by Seán Keating, RHA, is presented to her by the NUWGA on her retirement. She dies on November 5, 1951 in Dublin. Taoiseach Éamon de Valera and President Seán T. O’Kelly attend her funeral to Deans Grange Cemetery. She never marries, and leaves an estate valued at £3,109.