seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Socialism


by Leave a comment

George Bernard Shaw Refuses Nobel Prize Money

On November 18, 1926, George Bernard Shaw refuses to accept the Nobel Prize in Literature prize money of £7,000 awarded to him a year earlier. He says, “I can forgive Alfred Nobel for his invention of the explosive but only the devil can think of the Nobel Prize.”

Shaw is born in Dublin on July 26, 1856, the third child of George Carr Shaw, a civil servant who later turns to a failed grain business to become an alcoholic, and Lucinda Elizabeth Shaw, a professional singer and sister of the famous opera singer Lucinda Frances. He is initially poor but is gifted with music and soon understands and loves the work of famous musicians and learns more about painting in Dublin. At the age of 15, he works as an apprentice and cashier for a real estate firm.

In 1876, Shaw follows his mother and two sisters to London. There he writes music reviews for newspapers to earn money, self-studies and actively participates in social activities. In 1884, he joins the founding of Fabian Society, an organization of British intellectuals advocating transition from capitalism to socialism by way of peace. From 1879 to 1883, he writes his first novel, Immaturity, and five other works that are not printed. An Unsocial Socialist is the first novel to be printed in 1887. Considered the father of “conceptual drama,” he begins writing plays in 1885, but achieves initial fame with Widowers’ Houses (1892). By 1903, his drama takes over the American and German stage, and in 1904 dominates the domestic stage. He becomes even more famous when Edward VII, the King of England, attends the performance of John Bull’s Other Island (1904), after which his drama spreads to European countries.

In addition, Shaw is also considered the best playwright in Britain at the time. He wants to use art to awaken people first to require changing the bourgeoisie order with all its institutions and customs. He emphasizes the educational function of the theater, but seeing the function of education is not an imposition from the playwright but arousing the aesthetic needs of the audience. The harsh problems of contemporary society such as the island’s predominant power, exploitative patterns, and the poverty of the people lead to social evils clearly reflected in his drama. His drama style tends to be satirical, sarcastic, finding its way to truth through paradoxes.

Shaw’s youngest dream is to earn a sum of money, then marry a wealthy wife. However, before becoming so wealthy that he can spend $ 35,000 on charity and enough money to travel around the world, he goes through many years of hardship. In the first nine years of his career, he receives only $30 USD in royalties. He is so poor that he does not even have the toll to get his manuscript to publishers. His clothes are tattered, his shoes open. All of his spending comes from his mother’s allowance. When he gets his name and remembers the miserable days, he often frowns, “I should have supported my family, the results are the opposite. I have never done anything for my family, and my mother has to work, raising me even though I was an adult.” Shaw, however, decides not to give up writing.

Realizing that, Shaw looks at the real royalties by publishing novels and the journey to the desired destination seems far away. He then turns to writing plays. He calculates that if the script is made public, the author will have revenue through the number of tickets issued and the number of shows. At the same time, the name of the author is also quickly known to the public. On the other hand, he says, only theater can “awaken people before the change of modern social order with all its institutions and customs.” He also judges that in addition to entertainment functions, the drama also contains the function of education, through arousing the aesthetic needs of the audience. He does not hesitate to bring to the stage all the most pressing issues of contemporary society such as the money’s inertia, the poverty of the people, and the social evils.

Saint Joan (1923) is judged to be the culmination of Shaw’s writing career. It is performed throughout European stages and is very popular. Two years after the release of Saint Joan, he is awarded the Nobel Prize for “the ideological and highly humanistic compositions, especially the spectacular satirical plays, combined with looks. Strange beauty of poetry.” When notified of his winning of the Nobel Prize, he humorously says, “The Nobel Prize for literature is like a float thrown to a swimmer.” Although he thinks he is the “swimmer to the shore,” he never leaves the pen. Thirteen years after receiving the Nobel Prize, Pygmalion, a script he wrote in 1912, is made into a film and receives the Academy Award for Best Adapted Screenplay.

In terms of scenario remuneration, Shaw receives an average of $100,000 a year, enough to spend on life, “reproduce” writing and traveling. It is only possible to marry a wealthy wife until the age of 40 years old. He always thinks that he “has no marriage status because he always worries others.” In terms of form, he is not very attractive because of his skinny body, but watching as the sisters do not allow him to carry out his intention to preserve his “absolute freedom.” Many beautiful female actors actively proclaim marriage proposal to Shaw, but he always uses humorous sentences to refuse.

Describing the George Bernard Shaw, Albert Einstein‘s physical genius after having met him has to say, “There are rare people who are so independent that they can see the weaknesses and absurdities of contemporaries. and at the same time do not let me get into it, but even so, when I encounter the hardships of life, these lonely people often lose their courage in helping humanity, with subtle humor and gentleness, can enthrall contemporaries and deserve to be torchbearers on the way of art’s unfavorable ways, today, with a passionate affection, I salute celebrate the biggest teacher on that path – the one who taught us and made us all feel happy.” It is a rare meeting of two great people in London in the fall of 1930.

(From: “November 18, 1926 – George Bernard Shaw refuses to receive a Nobel prize,” ScienceInfo.net, updated December 17, 2018)


by Leave a comment

Death of Cathal O’Shannon, Journalist & Television Presenter

Cathal O’Shannon, Irish journalist and television presenter, dies in Dublin on October 22, 2011. He is a former journalist with The Irish Times and television reporter/presenter and documentary film maker with RTÉ. He is probably best known for presenting documentaries on Irish history, produced mainly for Irish television viewers and broadcast by RTÉ.

O’Shannon is awarded lifetime membership of the Irish Film & Television Academy in 2010, to which he says it is “particularly gratifying that it occurs before I pop my clogs”.

The Irish radio and television broadcaster Terry Wogan describes O’Shannon as possibly the greatest Irish television journalist of the 20th century.

O’Shannon is born in Marino, Dublin, on August 23, 1928, the son of Cathal O’Shannon (Sr.), a socialist and Irish Republican. He receives his formal education at Coláiste Mhuire in Parnell Square, Dublin. In 1945, despite his father’s politics, as a 16-year-old, he volunteers for war time service with the Royal Air Force in Belfast during World War II, utilizing a forged birth certificate to disguise being underage for enlistment with the British Armed Forces. After air crew training he is posted to the Far East, as a tail gunner in an Avro Lancaster bomber to take part in the Burma campaign, but the war ends with the downfall of the Japanese Empire before he is required to fly combat sorties.

O’Shannon first becomes a journalist with The Irish Times on leaving the Royal Air Force in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).

In July 1972, O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.

O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details with the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).

In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminum production. He admits that he is attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one reason for the move is that he had become unhappy with working at RTÉ, stating in an interview that: “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he misses the varied life and travel of journalism. He retires early from Aughinish in 1992, and returns to making television documentaries with RTÉ.

In January 2007, O’Shannon’s last documentary, Hidden History: Ireland’s Nazis, is broadcast by RTÉ as a two-part series. It explores how a number of former Nazis and Nazi collaborators from German-occupied Europe went to live in Republic of Ireland after World War II, the best known of whom is Otto Skorzeny, who lives for a period in County Kildare. Others include such Breton nationalists as Alan Heusaff, Yann Fouéré and Yann Goulet, as well as two Belgians, Albert Folens and Albert Luykx.

O’Shannon’s wife, Patsy, whom he met while they were working at The Irish Times office in London, dies in 2006. They had been married for more than 50 years.

On January 12, 2007, O’Shannon announces his retirement at the age of 80. In a 2008 television documentary, he admits that throughout his marriage he had been a serial womaniser and had repeatedly engaged in extra-marital affairs unbeknownst to his wife.

After weakening health for two years, and spending his last days in a hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011, in his 84th year. His body is reposed at Fanagans Funeral Home in Dublin on October 25, followed by a funeral the following day at Glasnevin Cemetery Chapel, where his remains are cremated afterward.

Director General of RTÉ Noel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday


by Leave a comment

Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


by Leave a comment

Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


by Leave a comment

Birth of Sidney Czira, Journalist, Broadcaster, Writer & Revolutionary

Sidney Sarah Madge Czira (née Gifford), journalist, broadcaster, writer and revolutionary, known by her pen name John Brennan, is born in Rathmines, Dublin, on August 3, 1889. She is an active member of the revolutionary group Inghinidhe na hÉireann (Daughters of Ireland) and writes articles for its newspaper, Bean na h-Éireann, and for Arthur Griffith‘s newspaper Sinn Féin.

Gifford is the youngest of twelve children of Frederick and Isabella Gifford. Isabella Gifford (née Burton), is a niece of the artist Frederic William Burton, and is raised with her siblings in his household after the death of her father, Robert Nathaniel Burton, a rector, during the Great Famine.

Gifford’s parents—her father is Catholic and her mother Anglican—are married in St. George’s Church, a Church of Ireland church on the north side of Dublin, on April 27, 1872. She grows up in Rathmines and is raised as a Protestant, as are her siblings.

Like her sisters, the socialist Nellie Gifford, Grace Gifford, who marries Joseph Plunkett, and Muriel Gifford, who marries Thomas MacDonagh, she becomes interested and involved in the suffrage movement and the burgeoning Irish revolution.

Gifford is educated in Alexandra College in Earlsfort Terrace. After leaving school she studies music at the Leinster House School of Music. It is her music teacher, in her teens, who first gives her her first Irish national newspaper, The Leader. She begins reading this secretly and then starts reading Arthur Griffith’s newspaper, Sinn Féin.

Gifford is a member of Inghinidhe na hÉireann, a women’s political organisation active from the 1900s. It is founded by Maud Gonne and a group of working-class and middle-class women to promote Irish culture and help to alleviate the shocking poverty of Dublin and other cities at a time when Dublin’s slums are unfavourably compared with Calcutta‘s. Gifford, who is already writing under the name “John Brennan” for Sinn Féin, is asked to write for its newspaper Bean na h-Éireann. Her articles vary from those highlighting poor treatment of women in the workplace to fashion and gardening columns, some written under the pseudonym Sorcha Ní hAnlúan.

She also works, along with her sisters, in Maud Gonne’s and Constance Markievicz‘s dinner system in St. Audoen’s Church, providing good solid dinners for children in three Dublin schools – poor Dublin schoolchildren often arrive at school without breakfast, go without a meal for the day, and if their father has been given his dinner when they arrive home, might not eat or might only have a crust of bread that night.

In 1911, Gifford is elected (as John Brennan) to the executive of the political group Sinn Féin.

Gifford is a member of Cumann na mBan (The Irish Women’s Council) from its foundation in Dublin on April 2, 1914. Its members learn first aid, drilling and signalling and rifle shooting, and serve as an unofficial messenger and backup service for the Irish Volunteers. During the fight for Irish Independence the women carry messages, store and deliver guns and run safe houses where men on the run can eat, sleep and pick up supplies.

In 1914, Gifford moves to the United States to work as a journalist. Through her connection with Padraic Colum and Mary Colum, whom she had met through her brother-in-law Thomas MacDonagh, she meets influential Irish Americans such as Thomas Addis Emmet and Irish exiles like John Devoy, and marries a Hungarian lawyer, Arpad Czira, a former prisoner of war who is said to have escaped and fled to America. Their son, Finian, is born in 1922.

Czira writes both for traditional American newspapers and for Devoy’s newspaper, The Gaelic American. She and her sister Nellie found the American branch of Cumann na mBan, and she acts as its secretary. Both sisters tour and speak about the Easter Rising and those involved. She is an active campaigner for Irish independence and against the United States joining the war against Germany, seen as a war for profit and expansion of the British Empire, and so to the disadvantage of the work for Irish independence. She helps Nora Connolly O’Brien to contact German diplomats in the United States.

In 1922, Czira returns to Ireland with her son. As a member of the Women’s Prisoners’ Defence League, she is an activist against the ill-treatment of Republican prisoners during the Irish Civil War. She continues to work as a journalist, though she is stymied in her work, as are the women of her family and many of those who had taken the anti-Free State side. In the 1950s her memoirs are published in The Irish Times, and she moves into work as a broadcaster and produces a series of historical programmes.

Czira dies in Dublin on September 15, 1974, and is buried in Dean’s Grange Cemetery.


by Leave a comment

Birth of Ernesto “Che” Guevara, Revolutionary, Physician, Writer & Diplomat

Ernesto “Che” Guevara, an Argentine Marxist revolutionary, physician, writer, guerrilla leader, diplomat, and military theorist of Spanish-Irish descent, is born on June 14, 1928, in Rosario, Santa Fe, Argentina. After his execution by the Bolivian army, he is regarded as a martyred hero by generations of leftists worldwide, and his image becomes an icon of leftist radicalism and anti-imperialism.

Guevara is the eldest of five children in a middle-class family of Spanish-Irish descent and leftist leanings. Although suffering from asthma, he excels as an athlete and a scholar, completing his medical studies in 1953. He spends many of his holidays traveling in Latin America, and his observations of the great poverty of the masses contributes to his eventual conclusion that the only solution lay in violent revolution. He comes to look upon Latin America not as a collection of separate nations but as a cultural and economic entity, the liberation of which would require an intercontinental strategy.

In particular, Guevara’s worldview is changed by a nine-month journey he begins in December 1951, while on hiatus from medical school, with his friend Alberto Granado. That trip, which begins on a motorcycle they call “the Powerful” (which breaks down and is abandoned early in the journey), takes them from Argentina through Chile, Peru, Colombia, and on to Venezuela, from which Guevara travels alone on to Miami, returning to Argentina by plane. During the trip he keeps a journal that is posthumously published under his family’s guidance as The Motorcycle Diaries: Notes on a Latin American Journey (2003) and adapted to film as The Motorcycle Diaries (2004).

In 1953 Guevara goes to Guatemala, where Jacobo Árbenz heads a progressive regime that is attempting to bring about a social revolution. It is about this time he acquires his nickname, from a verbal mannerism of Argentines who punctuate their speech with the interjection “che.” The overthrow of the Árbenz regime in 1954 in a coup supported by the United States Central Intelligence Agency (CIA) persuades him that the United States will always oppose progressive leftist governments. This becomes the cornerstone of his plans to bring about socialism by means of a worldwide revolution. It is in Guatemala that he becomes a dedicated Marxist.

Guevara leaves Guatemala for Mexico, where he meets the Cuban brothers Fidel and Raúl Castro, political exiles who are preparing an attempt to overthrow the dictatorship of Fulgencio Batista in Cuba. He joins Fidel Castro’s 26th of July Movement, which lands a force of 81 men (including Guevara) in the Cuban Oriente Province on December 2, 1956. Immediately detected by Batista’s army, they are almost wiped out. The few survivors, including the wounded Guevara, reach the Sierra Maestra, where they become the nucleus of a guerrilla army. The rebels slowly gain in strength, seizing weapons from Batista’s forces and winning support and new recruits. Guevara had initially come along as the force’s doctor, but he has also trained in weapons use, and he becomes one of Castro’s most-trusted aides. Indeed, the complex Guevara, though trained as a healer, also, on occasion, acts as the executioner (or orders the execution) of suspected traitors and deserters.

After Castro’s victorious troops enter Havana on January 8, 1959, Guevara serves for several months at La Cabaña prison, where he oversees the executions of individuals deemed to be enemies of the revolution. He becomes a Cuban citizen, as prominent in the newly established Marxist government as he had been in the revolutionary army, representing Cuba on many commercial missions. He also becomes well known in the West for his opposition to all forms of imperialism and neocolonialism and for his attacks on U.S. foreign policy. He serves as chief of the Industrial Department of the National Institute of Agrarian Reform, president of the National Bank of Cuba (famously demonstrating his disdain for capitalism by signing currency simply “Che”), and Minister of Industries.

During the early 1960s, Guevara defines Cuba’s policies and his own views in many speeches and writings, notably “El socialismo y el hombre en Cuba” (1965; “Man and Socialism in Cuba,” 1967), an examination of Cuba’s new brand of communism, and a highly influential manual, La guerra de guerrillas (1960; Guerrilla Warfare, 1961). The last book includes his delineation of his foco theory (foquismo), a doctrine of revolution in Latin America drawn from the experience of the Cuban Revolution and predicated on three main tenets: 1) guerrilla forces are capable of defeating the army; 2) all the conditions for making a revolution do not have to be in place to begin a revolution, because the rebellion itself can bring them about; and 3) the countryside of underdeveloped Latin America is suited for armed combat.

Guevara expounds a vision of a new socialist citizen who would work for the good of society rather than for personal profit, a notion he embodies through his own hard work. Often he sleeps in his office, and, in support of the volunteer labour program he had organized, he spends his day off working in a sugarcane field. He grows increasingly disheartened, however, as Cuba becomes a client state of the Soviet Union, and he feels betrayed by the Soviets when they remove their missiles from the island without consulting the Cuban leadership during the Cuban Missile Crisis of 1962. He begins looking to the People’s Republic of China and its leader Mao Zedong for support and as an example.

In December 1964 Guevara travels to New York City, where he condemns U.S. intervention in Cuban affairs and incursions into Cuban airspace in an address to the United Nations General Assembly. Back in Cuba, increasingly disillusioned with the direction of the Cuban social experiment and its reliance on the Soviets, he begins focusing his attention on fostering revolution elsewhere. After April 1965 he drops out of public life. His movements and whereabouts for the next two years remain secret. It is later learned that he had traveled to what is now the Democratic Republic of the Congo with other Cuban guerrilla fighters in what proved to be a futile attempt to help the Patrice Lumumba battalion, which was fighting a civil war there. During that period he resigns his ministerial position in the Cuban government and renounces his Cuban citizenship. After the failure of his efforts in the Congo, he flees first to Tanzania and then to a safe house in a village near Prague.

In the autumn of 1966 Guevara goes to Bolivia, incognito (beardless and bald), to create and lead a guerrilla group in the region of Santa Cruz. After some initial combat successes, he and his guerrilla band find themselves constantly on the run from the Bolivian army. On October 9, 1967, the group is almost annihilated by a special detachment of the Bolivian army aided by CIA advisers. Guevara, who is wounded in the attack, is captured and shot. Before his body disappears to be secretly buried, his hands are cut off. They are preserved in formaldehyde so that his fingerprints can be used to confirm his identity.

In 1995 one of Guevara’s biographers, Jon Lee Anderson, announces that he had learned that Guevara and several of his comrades had been buried in a mass grave near the town of Vallegrande in central Bolivia. In 1997 a skeleton that is believed be that of the revolutionary and the remains of his six comrades are disinterred and transported to Cuba to be interred in a massive memorial and monument in Santa Clara on the 30th anniversary of Guevara’s death. In 2007, a French and a Spanish journalist make a case that the body brought to Cuba is not actually Guevara’s. The Cuban government refutes the claim, citing scientific evidence from 1997 that, it says, proves that the remains are those of Guevara.

Guevara would live on as a powerful symbol, bigger in some ways in death than in life. He is almost always referenced simply as Che — like Elvis Presley, so popular an icon that his first name alone is identifier enough. Many on the political right condemn him as brutal, cruel, murderous, and all too willing to employ violence to reach revolutionary ends. On the other hand, his romanticized image as a revolutionary looms especially large for the generation of young leftist radicals in Western Europe and North America in the turbulent 1960s. Almost from the time of his death, his whiskered face adorns T-shirts and posters. Framed by a red-star-studded beret and long hair, his face frozen in a resolute expression, the iconic image is derived from a photo taken by Cuban photographer Alberto Korda on March 5, 1960, at a ceremony for those killed when a ship that had brought arms to Havana exploded. At first the image of Che is worn as a statement of rebellion, then as the epitome of radical chic, and, with the passage of time, as a kind of abstract logo whose original significance may even have been lost on its wearer, though for some he remains an enduring inspiration for revolutionary action.


by Leave a comment

Death of Madeleine ffrench-Mullen, Revolutionary & Labour Activist

Madeleine ffrench-Mullen, Irish revolutionary and labour activist who takes part in the Easter Rising in Dublin in 1916, dies in Dublin on May 26, 1944.

Ffrench-Mullen is born on December 30, 1880, in Malta, where her father, St. Lawrence ffrench-Mullen, a Royal Navy surgeon, is stationed. She has two brothers, St. Lawrence Patrick Joseph (1890–1891) and Douglas (1893–1943).

Ffrench-Mullen’s interest in politics starts young. Her father is a committed Parnellite and their Dundrum home is a campaign headquarters. She is a radical feminist and republican during her life. Like many others of the time, she regards it as a woman’s right to vote. She joins the suffrage movement, and meets women with a similar worldview and values. The women’s suffrage movement is included in the Movements of Extremists reports of the Dublin Metropolitan Police. Ffrench-Mullen goes on to join Inghinidhe na hÉireann, a radical nationalist women’s group founded by Maud Gonne in 1900. The organisation develops into Cumann na mBan in 1913. Suffragist values are central to Cumann na mBan’s goal of standing side-by-side with men in the fight for the Irish Republic. Some members see this as women regaining the rights that had belonged to them in pre-invasion Gaelic civilisation. She is on the socialist wing of the moment, holding to the ideals of universal social equality of the syndicalist James Connolly and the Irish Citizen Army (ICA).

During the 1916 Easter Rising, ffrench-Mullen serves as a lieutenant in the Irish Citizen Army. She sees action with the St. Stephen’s Green and Royal College of Surgeons garrison. In St. Stephen’s Green she is in command of the 15 Citizen Army women who set up a medical station and field kitchen. While occupying St. Stephen’s Green, she and her comrades come under sustained heavy fire from the Shelbourne Hotel and buildings on the north side of the Green. After the surrender of the College of Surgeons garrison, ffrench-Mullen is one of the 77 women who had fought in the Rising who are imprisoned, among them her life partner Kathleen Lynn. While in captivity ffrench Mullen is moved three times, spending time in Richmond Barracks, Kilmainham Gaol and Mountjoy Prison. She is released on June 5, 1916.

Ffrench-Mullen meets Kathleen Lynn through Inghinidhe na h-Éireann. In 1915, she moves into Lynn’s home in Belgrave Road, Rathmines, where they live together for thirty years, until ffrench-Mullen’s death in 1944.

Ffrench-Mullen records in her prison diary in 1916 that she can face prison without fear once Lynn (whom she refers to as “the Doctor”) and she are together. Katherine Lynch of the Women’s Studies Centre at University College Dublin (UCD) describes them as partners, calling them part of a network of lesbians living in Dublin—which includes Helena Molony, Louie Bennett and Elizabeth O’Farrell—who meet through the suffrage movement and later become involved with the national and trade union movement. These women are featured, along with Eva Gore-Booth and others, in a 2023 TG4 documentary about “the radical queer women at the very heart of the Irish Revolution”: Croíthe Radacacha (Radical Hearts).

In 1919, Madeleine ffrench-Mullen and Kathleen Lynn establish Saint Ultan’s Children’s Hospital, also known as Teach Ultan, which is a female-run hospital for infants at 37 Charlemont Street, Dublin. The hospital focuses on children’s health and wellbeing, an area that is perceived at the time as women’s concern. In the aftermath of World War I many health problems have arisen including a rise in venereal diseases such as syphilis, carried from soldiers returning home from war. Many of Ireland’s infants of the time suffer from congenital syphilis (inherited disease from mother at birth), and this is a driving factor in the opening of St Ultan’s hospital. Tuberculosis is endemic in Ireland during its time as a British colony. Against steadfast opposition by the State and the Catholic Church, Lynn and ffrench-Mullen establish a vaccination project, vaccinating thousands of impoverished children who would have died of tuberculosis without their vaccines. Their success leads to the foundation of Ireland’s BCG vaccine programme, which has vaccinated all babies since the 1950s.

Ffrench-Mullen dies at the age of 63 in a Dublin nursing home on May 26, 1944. She is interred with her parents as well as her younger brothers (whom she outlives) in the ffrench-Mullen family plot in Glasnevin Cemetery. Her funeral takes place on the same day as the 1944 Irish general election.


by Leave a comment

Birth of Peadar O’Donnell, Irish Republican Politician & Writer

Peadar O’Donnell, Irish republican, socialist activist, politician, writer and one of the foremost radicals of 20th-century Ireland, is born on February 22, 1893, in Meenmore, near Dungloe, County Donegal.

O’Donnell is the youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.

O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communist Member of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.

In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.

Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn Féin Teachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.

O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.

O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.

Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”

O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.

After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.

(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)


by Leave a comment

Birth of Jake Burns, Frontman of Stiff Little Fingers

John “Jake” Burns, singer and guitarist best known as the frontman of Stiff Little Fingers, is born on February 21, 1958, in Belfast, Northern Ireland. He also records with Jake Burns and the Big Wheel, 3 Men + Black, and as a solo artist.

Burns grows up in Joanmount in Ballysillan. His mother is a seamstress, and his father is a machinist in a textile machinery factory/steel foundry, where he is a shop steward, and his socialist views are an influence on his son. Prior to punk, Burns’s musical influences include Rory Gallagher, Dr. Feelgood, Graham Parker, and Bob Marley.

Burns starts off his career at Belfast Boys’ Model School with a rock covers band, Highway Star, which consists of Burns, Gordon Blair, Henry Cluney, and Brian Faloon. Blair subsequently leaves the group to join Rudi, and Ali McMordie joins at about the time the band discovers punk.

The band is briefly named the Fast, but as there is already a group of that name, they change it to Stiff Little Fingers, taken from the song of the same name that had appeared on Pure Mania, the 1977 album by the Vibrators. Apart from a five-year gap from 1983 to 1987, Stiff Little Fingers has been active since 1977 to the present day and have released ten studio albums.

In 1981, Burns makes his acting debut in an episode of the BBC‘s Play for Today series entitled Iris in the Traffic, Ruby in the Rain, written by Belfast-born poet and playwright Stewart Parker, which also features the rest of Stiff Little Fingers effectively playing themselves as “The Band.”

After the breakup of Stiff Little Fingers in 1983, Burns forms Jake Burns and the Big Wheel. The band consists of Burns on vocals and guitar, Steve Grantley on drums, Sean Martin on bass guitar, and Pete Saunders on keyboards. Big Wheel records a total of three singles, “On Fortune Street,” “She Grew Up” and “Breathless.” A compilation album, also called On Fortune Street, is released in 2002 after the band’s demise.

In 1987, Burns disbands Big Wheel, and Stiff Little Fingers reforms, because they are “skint and wanted to make a bit of cash to get back to Ireland for Christmas.”

From about 2001 to 2005, Burns is involved in a side project with Pauline Black of the Selecter, called 3 Men and Black. This involves Black touring with three male artists from the late 1970s and early 1980s doing acoustic versions of songs they are famous for and talking a little about how they came to write the songs. The lineup for the concerts is fairly fluid, and includes such people as Bruce Foxton, Jean-Jacques Burnel, Eric Faulkner and Nick Welsh.

On March 27, 2006, Burns releases a solo album titled Drinkin’ Again.

In 2009, Burns forms a Chicago punk rock supergroup called the Nefarious Fat Cats to raise money for local charities. Notable members include John Haggerty (Pegboy, Naked Raygun), Joe Haggerty (Pegboy), Joe Principe (Rise Against), Scott Lucas (Local H), Herb Rosen (Beer Nuts, Right of the Accused) and Mark DeRosa (Dummy). Burns also contributes guitar and vocals on a track of the Black Sheep Band charity record for Children’s Memorial Hospital, A Chicago Punk Rock Collaboration for the Kids, Vol 1.

In 2016, Burns joins an acoustic “supergroup” formed by Kirk Brandon of Spear of Destiny, called Dead Men Walking which also includes David Ruffy and John “Segs” Jennings, both of Ruts DC.

Burns lives in London for over ten years from 1978 after Stiff Little Fingers relocates there. His first wife lives in Newcastle upon Tyne, and after their marriage, he moves to Newcastle, where he lives for 16 years, becoming a supporter of Newcastle United F.C. He is also an avid supporter of the Northern Ireland national football team.

Burns’s second wife, Shirley, is American and they have lived in Chicago since 2004. Burns eventually becomes a U.S. citizen, partially so he can help vote out Donald Trump.

(Pictured: Jake Burns, performing with Stiff Little Fingers in 2019)


by Leave a comment

Birth of Roddy Connolly, Socialist, Trade Unionist & Politician

Roderick James Connolly, socialist, trade unionist, and politician, is born on February 11, 1901, at 54 Pimlico, Dublin. He is also known as “Roddy Connolly” and “Rory Connolly.”

Connolly is the only son and sixth among seven children of Irish socialist James Connolly and Lillie Connolly. A lieutenant in the Irish Citizen Army (ICA) boys’ corps, he is involved in the 1916 Easter Rising. At the age of 15, he serves in the General Post Office (GPO) under his father. He joins the Socialist Party of Ireland in 1917.

Connolly travels to Russia on several occasions in 1920 and 1921 and forms a close association with Vladimir Lenin and is hugely influenced by the Soviet leader. He is a delegate to the Second Congress of the Communist International (Comintern) as a delegate of the Industrial Workers of the World (IWW) in June 1920. It is here he meets Lenin at just 19 years of age following an introduction from journalist John Reed. According to Connolly, Lenin speaks English with a Rathmines accent which he acquired from his Irish tutor.

Connolly helps form and becomes President of the first Communist Party of Ireland (CPI) in October 1921. He is editor of the CPI newspaper, The Workers’ Republic. He opposes the 1921 Anglo-Irish Treaty between the representatives of the Irish Republic and the British state, and fights in the Irish Civil War on the anti-treaty side. The CPI is the first Irish political party to oppose the Treaty and urges the Irish Republican Army (IRA) to adopt socialist policies to defeat the new Irish Free State government. The CPI is dissolved in 1924 by the Comintern but in 1926, Connolly helps set up a second Marxist party, the Irish Workers’ Party. He is the party leader and editor of its journal, The Hammer and Plough. This party too is dissolved in 1927.

Connolly joins the Irish Labour Party in 1928 and in 1934 participates in the last socialist initiative of Inter-War Ireland, the Irish Republican Congress. He is imprisoned twice in 1935. At the 1943 Irish general election, he is elected to Dáil Éireann as a Labour Party Teachta Dála (TD) for Louth. He loses his seat at the 1944 Irish general election, but is re-elected at the 1948 Irish general election, before losing once more at the 1951 Irish general election. He is also financial secretary of the party from 1941 to 1949.

Connolly enters a semi-retirement between the mid-1950s and mid-1960s, but in the late 1960s, he begins a comeback. He is elected as party chairman in 1971 and holds this position until 1978. During his time as chairman, he oversees the expulsion of the Socialist Labour Alliance in 1971, some of whose members go on to form the Socialist Workers Network (SWN), which in turn eventually establishes People Before Profit (PBP).

Connolly also sits in Seanad Éireann from 1975 to 1977 on the Cultural and Educational Panel. He is a supporter of the Labour Party–Fine Gael coalition government that is in power from 1973 to 1977 and defends the coalition from left-wing critics by reminding them his father, James Connolly, had allied with the likes of Patrick Pearse in 1916.

Connolly dies of pneumonia and stomach cancer in St. Michael’s Hospital, Dún Laoghaire, on December 16, 1980. He is buried in Glasnevin Cemetery, Dublin.

In 1921, Connolly marries Jessica Maidment, a socialist activist in England and chartered accountant, who from 1928 works for Russian Oil Products in Dublin. She dies in 1930 from blood poisoning arising from an operation. He is survived by his second wife, Peggy, whom he marries in 1937, sons, and daughters. His recreations include chess and bridge; highly adept at both, he learns the former from Seán Mac Diarmada as prisoners after the Easter rising and is international bridge correspondent for the Irish Independent.

(Pictured: Roddy Connolly during an interview conducted for the RTÉ Television project “Portraits 1916” on January 9, 1966)