Talbot is born likely in 1630, probably in Dublin. He is one of sixteen children, the youngest of eight sons of William Talbot and his wife Alison Netterville. His father is a lawyer and the 1st Baronet Talbot of Carton, County Kildare. His mother is a daughter of John Netterville of Castletown, Kildare. The Talbots are descended from a Norman family that had settled in Leinster in the 12th century. They adhere to the Catholic faith, despite the founding of the Reformed Church of Ireland under Henry VIII. Little is recorded of Talbot’s upbringing. As an adult he grows to be unusually tall and strong by standards of the time.
Talbot marries Katherine Baynton in 1669, and they have two daughters, Katherine and Charlotte. Katherine dies in 1679. In 1681, he marries Frances Jennings, sister of Sarah Jennings, the future Sarah Churchill, Duchess of Marlborough.
Talbot’s early career is spent as a cavalryman in the Irish Confederate Wars. Following a period on the European continent, he joins the court of James, Duke of York, then in exile following the English Civil War, becoming a close and trusted associate. After the 1660 restoration of James’s older brother, Charles, to the thrones of England, Ireland and Scotland, he begins acting as agent or representative for Irish Catholics attempting to recover estates confiscated after the Cromwellian conquest, a role that defines the remainder of his career. James converts to Catholicism in the late 1660s, strengthening his association with Talbot.
When James takes the throne in 1685, Talbot’s influence increases. He oversees a major purge of Protestants from the Irish Army, which had previously barred most Catholics. James creates him Earl of Tyrconnell and later makes him Viceroy, or Lord Deputy of Ireland. He immediately begins building a Catholic establishment by admitting Catholics to many administrative, political and judicial posts.
Talbot’s efforts are interrupted by James’s 1688 deposition by his Protestant son-in-law William of Orange. He continues as a Jacobite supporter of James during the subsequent Williamite War in Ireland, but also considers a peace settlement with William that would preserve Catholic rights. Increasingly incapacitated by illness, he dies of a stroke on August 14, 1691, shortly before the Jacobite defeat. He is thought to have been buried in St. Mary’s Cathedral, Limerick. By depriving the Jacobites of their most experienced negotiator, his death possibly has a substantial impact on the terms of the Treaty of Limerick that ends the war.
Talbot’s widow, Frances, and his daughter, Charlotte, remain in France, where Charlotte marries her kinsman, Richard Talbot, son of William Talbot of Haggardstown. Their son is Richard Francis Talbot. Talbot’s other daughter, Katherine, becomes a nun. An illegitimate son, Mark Talbot, serves as an officer in France before his death in the Battle of Luzzara in 1702. Talbot’s estate in nearby Carton, renamed Talbotstown, is uncompleted at the time of his death. Tyrconnell Tower on the site is originally intended by him as a family mausoleum to replace the existing vault at Old Carton graveyard but is also left unfinished.
Talbot is controversial in his own lifetime. His own Chief Secretary, Thomas Sheridan, later describes him as a “cunning dissembling courtier […] turning with every wind to bring about his ambitious ends and purposes.” Many 19th and early 20th century historians repeat this view. Recent assessments have suggested a more complex individual whose career was defined by personal loyalty to his patron James and above all by an effort to improve the status of the Irish Catholic gentry, particularly the “Old English” community to which he belonged.
(Pictured: Watercolour portrait of Richard Talbot by John Bulfinch (d.1728) after painting by Sir Godfrey Kneller)
Ervine leaves Orangefield High School at age 14 and joins the Orange Order at age 18, however his membership does not last long. The following year he joins the Ulster Volunteer Force (UVF), believing this to be the only way to ensure the defence of the Protestant community after the events of Bloody Friday.
Ervine is arrested in November 1974, while an active member of the UVF. He is driving a stolen car containing five pounds of commercial explosives, a detonator and fuse wire. After seven months on remand in Crumlin Road Gaol he is found guilty of possession of explosives with intent to endanger life. He is sentenced to 11 years and imprisoned at The Maze.
While in prison, Ervine comes under the influence of Gusty Spence who makes him question what his struggle is about and unquestionably changes Ervine’s direction. After much study and self-analysis, he emerges with the view that change through politics is the only option. He also becomes friends with Billy Hutchinson while in prison.
Ervine is released from prison in 1980 and takes up full-time politics several years later. He stands in local council elections as a Progressive Unionist Party (PUP) candidate in 1985 Northern Ireland local elections. In 1996, he is elected to the Northern Ireland Forum from the regional list, having been an unsuccessful candidate in the Belfast East constituency. In 1998, he is elected to the Northern Ireland Assembly to represent Belfast East and is re-elected in 2003. He is also a member of Belfast City Council from 1997.
Ervine plays a pivotal role in bringing about the loyalist ceasefire of October 1994. He is part of a delegation to Downing Street in June 1996 that meets then British Prime MinisterJohn Major to discuss the loyalist ceasefire.
O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.
O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.
O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).
In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.
In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.
During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.
After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.
O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.
O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.
O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.
There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”
O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”
(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Roberts is the son of Randall Roberts, a baker, and Mary Roberts (née Bishop). He is educated locally and in July 1849 leaves with his family for the United States. For several years he works as a clerk for a dry goods company in New York City. In 1857, he sets up his own dry goods business, the Crystal Palace, which becomes successful. He retires in 1869 as a very wealthy man.
Having joined the American Fenian Brotherhood in 1863, Roberts gives it strong financial support for the remainder of the decade. He also supports several Irish American charitable organisations, including the Knights of St. Patrick, of which he is president. In October 1865, he is responsible for a change in the constitution of the Fenian Brotherhood, which results in a split in the movement. The majority of the Brotherhood supports his proposal to elect a “senate” to govern the organisation, with himself as president, in place of the autocratic leader, John O’Mahony. After the suppression of the Irish People and the arrest of the Irish Republican Brotherhood (IRB) leaders in Dublin in September 1865, he believes that it to be foolish to send American Fenian troops to Ireland.
Seeking to capitalise on the bad relations that develop between the United States and Britain during the American Civil War, Roberts hopes that a Fenian Brotherhood invasion Canada might provoke a war between Britain and the United States and thereby make a successful insurrection in Ireland more possible. Once the invasion takes place (May 31 – June 3, 1866), however, the American government seizes the Fenians’ supplies and reinforcements, thereby prompting him to abandon the attack. He is arrested in New York on June 7 and detained in prison but escapes prosecution and is released on June 15. Three days later, with the support of Irish American politicians, he is allowed to deliver an address to the United States Senate appealing for support for the cause of the amnesty of IRB prisoners in Ireland. Thereafter he goes on a lecture tour and argues that American politicians cannot hope to receive Irish American electoral support if they do not support the Fenian cause. In response to demands from Irish American politicians, in September 1866, PresidentAndrew Johnson orders that the arms seized by the United States army be returned to the Fenian Brotherhood.
After the failure of the March 1867 rising in Ireland, Roberts sends men to Ireland to assume command of the IRB on his behalf. A significant number of IRB men follow his lead, and in June 1867 a convention is held in Paris over which he presides. At this he proposes the establishment of a Supreme Council to govern the IRB, a proposal that is soon accepted. He seeks to be appointed president of the new Supreme Council, but the IRB refuses owing to his being such a divisive figure within American Fenianism. In dismay he resigns as president of the Senate wing of the Fenian Brotherhood on December 31, 1867, and becomes less active in the revolutionary movement. In 1870, he opposes the attempt of Fenians to invade Canada once more, and in January 1871 organises a welcoming committee in New York for five recently released IRB leaders who had been banished from Ireland.
By that time, however, Roberts is more concerned with American politics. During 1870, he is elected to Congress as a Democratic Party candidate for New York, a seat he holds until 1874 when, due to financial difficulties, he decides not to run for reelection. As a congressman, he criticises the Republican government for its policy towards the former Confederate states, opposes the increasing power of railroad companies, demands greater protection for American citizens living in foreign countries (including the Fenians imprisoned in Canada), and supports civil rights for black people. He also attracts much praise for his strong criticism of British foreign policy.
After leaving Congress, Roberts becomes a member of the Tammany Society and attains prominence in New York municipal politics, being elected president of the New York City Board of Aldermen in 1878. The following year, he runs for the position of sheriff of New York but is defeated. Thereafter, he leaves the Tammany Society and establishes a rival organisation, the New York County Democracy. In 1882, he supports Grover Cleveland for the governorship of New York and in 1884 as the Democratic candidate for the United States presidency. He is rewarded on April 2, 1885, when President Cleveland appoints him Envoy Extraordinary and Minister Plenipotentiary to Chile.
Roberts’s term of office is cut short, however, when he suffers a paralytic stroke in May 1888. He is sent back to New York and to hospital, where he remains for nine years. He never regains his mental or physical health and dies on August 9, 1897. His funeral takes place on hospital grounds with few people in attendance. He had been separated from his wife, of whom nothing is known, except that they had at least one son, prior to being admitted to hospital. He is buried at Calvary Cemetery, Queens, New York City.
(From: “Roberts, William Randall” by Owen McGee, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Halloran is the third son of Michael O’Halloran, a prosperous farmer, and his wife Mary McDonnell. He is named after Sylvester Lloyd, the titular Catholic bishop of Killaloe (1728–39). His mother’s cousin, Sean Claragh McDonnell, teaches him much at an early age, including some Greek and Latin. He goes on to a Limerick school run by Robert Cashin, a Protestantclergyman, which is unusual at the time as the O’Hallorans are Roman Catholics during the difficult time of the Penal Laws.
O’Halloran and his brothers engage successfully in areas of life that work around the restrictions of the Penal Laws. Joseph becomes a Jesuit and holds chairs in rhetoric, philosophy and divinity at the Jesuit College at Bordeaux in France. George becomes a jeweler and in time a property-owner. O’Halloran goes to London to learn medicine at the age of 17, particularly studying the methods of Richard Mead, as well as the oculists Taylor and Hillmer. After further study at Leiden, and in Paris under the anatomist and academician Antoine Ferrein, he sets up practice as a surgeon in Limerick in early 1749.
O’Halloran writes several learned treatises on medical matters, and his fame is acknowledged by his membership of the RIA in 1787. He is a founder of the County Limerick Infirmary that starts with four beds in 1761 before moving to larger premises at St. Francis’s Abbey in 1765. The foundation stone of the original infirmary is now preserved in the Sylvester O’Halloran Post Graduate Centre at the Mid-Western Regional Hospital, Limerick.
While in France, O’Halloran is very impressed with the Académie Royale de Chirurgie, which had been founded in Paris in 1731 during the reign of Louis XV. He is subsequently instrumental in founding the Royal College of Surgeons in Ireland (RCSI), by writing its blueprint, Proposals for the Advancement of Surgery in Ireland, in 1765. In 1780, he is made an honorary member of the new Dublin Society of Surgeons and, when the RCSI receives its charter in 1784, is again elected an honorary member, equivalent to a Fellowship today.
As well as his scientific knowledge, O’Halloran’s interest in the arts begins with his collection of Gaelic poetry manuscripts and this leads on to an interest in Irish history. Given his background, he argues to validate the pre-Norman history of Ireland which had often been dismissed as a period of barbarism.
In 1789, Charlotte Brooke publishes the first English-language compendium of Irish poetry, the seminal “Reliques of Irish Poetry”, giving full due to O’Halloran for lending her his manuscript collection and for having written the essential history underlying her anthology.
In 1752, O’Halloran marries Mary Casey of Ballycasey, County Limerick, and they have four sons and a daughter. Their homes are in Change Lane and then on Merchants’ Quay. One of their sons is Major-General Sir Joseph O’Halloran, the father of Thomas Shuldham O’Halloran, after whom the Adelaide, South Australia suburb of O’Halloran Hill is named. Mary dies in 1782.
After a stroke, O’Halloran is infirm and confined to his chair for some time before his death on August 11, 1807, at his home on Limerick’s Merchant Quay. His is buried at St. Munchin’s graveyard at Killeely, which is now a suburb of Limerick.
Though politically restricted in his life by the Penal Laws, O’Halloran helps establish the county Infirmary, is elected President of the city’s Free Debating Society in 1772 and is elected to a committee in 1783 that examines the River Shannon navigation. Appropriately, a Limerick bridge over the River Shannon has been named after him.
Cole starts his career in print journalism in 1945, joining the Belfast Telegraph as a reporter and industrial correspondent. He subsequently works as a political reporter for the paper. He gains a scoop when he interviews the then Prime Minister, Clement Attlee, who is holidaying in Ireland.
Cole joins The Guardian, then The Manchester Guardian, in 1956, reporting on industrial issues. He transfers to the London office in 1957 as the paper’s labour correspondent. Appointed news editor in 1963, succeeding Nesta Roberts, he takes on the task of reorganising the paper’s “amateurish” system for gathering news. He heads opposition to a proposed merger with The Times in the mid-1960s, and later serves as deputy editor under Alastair Hetherington. When Hetherington leaves in 1975, Cole is in the running for the editorship, but fails to secure the post, for reasons which may include his commitment to the cause of unionism in Northern Ireland, as well as what is seen by some as inflexibility and a lack of flair. Unwilling to continue at The Guardian, he then joins The Observer as deputy editor under Donald Trelford, remaining there for six years.
After Tiny Rowland takes over as proprietor of The Observer in 1981, Cole gives evidence against him at the Monopolies Commission. The following day he receives a call from the BBC offering him the job of political editor, succeeding John Simpson. He has little previous television experience but proves a “natural broadcaster.” Reporting through most of the premiership of Margaret Thatcher, he becomes a familiar figure on television and radio.
Cole’s health is put under strain by the workload, and he suffers a heart attack in February 1984. Returning to report on that year’s conference season, he covers the Brighton hotel bombing, getting a “memorable” interview with Thatcher on the pavement in its immediate aftermath, in which she declares that the Tory conference will take place as normal. An astute observer of the political scene, he is one of the earliest to forecast Thatcher’s resignation as Prime Minister in 1990, in what colleague David McKie refers to as “perhaps his greatest exclusive.”
Cole establishes a strong reputation for his “gentle but probing” interviewing style, for his political assessments, and for presenting analysis rather than “bland reporting.” Held in enormous affection by viewers, he is trusted by both politicians and the public. He is known for speaking in the language used by ordinary people rather than so-called Westminster experts. His distinctive Northern Irish accent leads the way for BBC broadcasters with regional accents.
Cole retires as political editor in 1992 at the age of 65, compulsory at the time, but continues to appear on television, including making programmes on golf and travel. He also continues to appear on the BBC programme Westminster Live for several years after he retired as political editor.
In addition to his journalistic writing, Cole authors several books. The earliest are The Poor of the Earth, on developing countries, and The Thatcher Years (1987). After his retirement as BBC political editor, he spends more time writing. His political memoir, As It Seemed to Me, appears in 1995 and becomes a best-seller. He also publishes a novel, A Clouded Peace (2001), set in his birthplace of Belfast in 1977.
In 2007, Cole writes an article for the British Journalism Review, blaming both politicians and the media for the fact that parliamentarians are held in such low esteem, being particularly scathing of Alastair Campbell‘s influence during Tony Blair‘s premiership.
In 1966, the Eisenhower Fellowships selects Cole to represent Great Britain. He receives the Royal Television Society‘s Journalist of the Year award in 1991. After his retirement in 1992, he is awarded an honorary degree from the Open University as Doctor of the University and receives the Richard Dimbleby Award from BAFTA in 1993. He turns down a CBE in 1993, citing the former The Guardian newspaper rule that journalists can only accept gifts which can be consumed within 24 hours.
In his private life Cole is a supporter of the Labour Party and is a believer in the trades union movement. He considers that the combating of unemployment is one of the most important political issues. He is a British Republican and a committed Christian, associating in the latter part of his life with the United Reformed Church at Kingston upon Thames.
Cole suffers health problems in retirement including heart problems and two minor strokes. In 2009, he is diagnosed with cancer. He subsequently develops aphasia. He dies at his home at Claygate in the county of Surrey on November 7, 2013.
Tributes are paid by journalists, broadcasters and politicians across the political spectrum. Prime Minister David Cameron calls Cole a “titan at the BBC” and an “extraordinary broadcaster.” Labour Party leader Ed Miliband says that “my generation grew up watching John Cole. He conveyed the drama and importance of politics.” The Scottish First MinisterAlex Salmond says that Cole is “an extremely able journalist but also extraordinarily helpful and generous to a young politician.” The BBC’s political editor at the time, Nick Robinson, writes that Cole “shaped the way all in my trade do our jobs.”
Hogan is the third child of John Hogan, a carpenter and builder of Cove Street, Cork, County Cork, and Frances Cos, the great-granddaughter of Sir Richard Cox, Lord Chancellor of Ireland from 1703 to 1707. As the family feels that she had married beneath her station, she is disinherited.
At the age of fourteen, Hogan is placed as clerk to an attorney, where he spends much of his time carving figures in wood. After two years, he chooses to be apprenticed to the architect Sir Thomas Deane, where his talents for drawing and carving are developed. He carves balusters, capitals, and ornamental figures for Deane’s buildings. At the completion of his apprenticeship in March 1820, Deane encourages him to consider taking up sculpture as a profession. For the next three years, he attends lectures on anatomy, copies casts of classic statuary in the Gallery of the Cork Society of Arts, and makes anatomical studies in wood of feet, hands, and legs. Among the first of his works to attract notice is a life-size figure of Minerva for an insurance building built by Deane.
In 1821, Hogan carves twenty-seven statues in wood for the North Chapel in Cork for the reredos behind the high altar. After subsequent cathedral renovations, these are now positioned in decorative plasterwork over the nave. He also does a bas-relief of the “Last Supper” for the altar. This work keeps him employed for about a year.
In 1823, the engraver William Paulet Carey visits Cork, and impressed with Hogan’s talent, begins to publicise his work in order to raise subscriptions for him to study in Italy. Hogan arrives in Rome, by way of Dublin and Liverpool, in 1824. He works in the galleries of the Vatican but cannot afford a studio. Additional subscriptions allow him to improve his situation, rent a studio, purchase marble, and hire models. Danish sculptor Bertel Thorvaldsen says to him, “My son, you are the best sculptor I leave after me in Rome.”
In 1829, Hogan visits Ireland, bringing several works with him. The Royal Arts Society provides a venue for an exhibition. The Royal Dublin Society awards him a gold medal.
Hogan’s best-known work and masterpiece are the three versions of the statue of The Dead Christ or The Redeemer in Death. Created in flawless Carrara marble, the first version (1829) is located in St. Therese’s Church, Dublin, the second (1833) in St. Finbarr’s (South) Church, Cork, and the third and final version (1854) is located in the Basilica of St. John the Baptist, Newfoundland. His other works include the Sleeping Shepherd and The Drunken Faun. He assures his international reputation in 1829 with The Dead Christ. Thereafter, his creations are snapped up by Irish bishops visiting his Rome studio.
In 1840, a monumental group in memory of Bishop James Warren Doyle, founder of the Cathedral of the Assumption in Carlow, is brought to Dublin and exhibited at the Royal Exchange. The statue of Bishop Doyle is in the Cathedral of the Assumption, as is a second Hogan work depicting the Holy Family.
Hogan marries Cornelia Bevignani in Rome in 1838. The figure of Hibernia, in Hogan’s work Hibernia with the Bust of Lord Cloncurry (1844), is reportedly modelled on his wife. A representation of this work is later used as the watermark on all Series A banknotes printed in Ireland from the 1920s to the 1970s. The couple has four sons and eight daughters.
With the revolutionary movement growing in Italy during the 1840s, and after spending twenty-four years in Rome, Hogan returns with his family to Ireland in 1848. At first, he finds little work in the aftermath of the Great Famine, but gradually commissions increase. He can be impatient with ignorance, intolerant of professional inferiority, and independent. He holds aloof from other artists and refuses to join the Royal Hibernian Academy.
Hogan has a stroke in 1855 and, though he recovers somewhat, his health begins to fail. By the year prior to his death, he can no longer work and his sons, John Valentine Hogan and James Cahill, assist at his studio and complete some of the work.
Hogan dies at his home at 14 Wentworth Place (later renamed Hogan Place), Dublin, on March 27, 1858. He is buried at Glasnevin Cemetery in Dublin.
(Pictured: Scan of a drawing depicting the Irish sculptor John Hogan with his sculpture The Drunken Faun in background, published in the Dublin University Magazine, January 1850)
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Cooney is the second of three children of John Cooney and Mary Ann Cooney (née Gleeson), middling farmers. While his grandfather, Patrick Cooney, from nearby Garrykennedy, is reputed to have been a member of the Irish Republican Brotherhood (IRB) and an Irish National Land League activist, his father does not have any inclination towards radical politics. He is educated at Lissenhall national school and St. Joseph’s CBS, Nenagh. In October 1916, he commences studies in medicine at University College Dublin (UCD) just as the Irish War of Independence is getting underway. He plays briefly with the College’s hurling club.
In 1917, Cooney joins the Third Battalion of the Dublin Brigade of the Irish Republican Army (IRA). A year later he is jailed for two months in Mountjoy Prison and Crumlin Road Gaol, Belfast, for illegal drilling. Joining the IRB at the end of 1918, he assists in the December 1918 election by protecting candidates and acts as a guard at sittings of the First Dáil. On June 26, 1920, he plays a major role in the attack on BorrisokaneRoyal Irish Constabulary (RIC) barracks. He takes part in the Bloody Sunday operations of November 21, 1920, at 28 Upper Pembroke Street where a number of British agents are killed and attends Croke Park afterwards. He then goes on the run as a full-time Volunteer and serves with the Dublin Brigade active service unit (ASU).
After the Anglo-Irish truce of July 1921, Cooney is appointed Officer Commanding (O/C) of the 1st Kerry Brigade, IRA, reorganising it and forming a flying column. Opposing the Anglo-Irish Treaty of 1921, he does not immediately break with GHQ, who sends him to organise the 1st Eastern Division. Later in January 1922, the Chief of Staff, Eoin O’Duffy, asks him to become O/C of the 3rd Eastern Division, but later rescinds the appointment. In March 1922 he is appointed O/C of the 1st Eastern Division of the anti-Treaty IRA during the Irish Civil War.
That same year he is captured by Free State forces and interned in Mountjoy Prison, where he becomes O/C of the prisoners in C Wing. He accepts responsibility for an attempted escape bid on October 10, 1922, in which a fellow prisoner, Peadar Breslin, is killed and another man is wounded. After sojourns in Newbridge and Arbour Hill Prison, he is moved with the other leaders to Kilmainham Gaol, where he spends forty-one days on hunger strike. Removed to Harepark Camp, the Curragh, on January 1, 1924, he is among the last to be released on May 29, 1924.
Cooney succeeds Frank Aiken as Chief of Staff of the IRA on November 18, 1925. Central to the reorganisation scheme he puts in place is the need to secure American funds for the IRA and to combat Frank Aiken’s fundraising work in the United States since December 1925 on behalf of the embryo Fianna Fáil organisation. Receiving permission on April 21, 1926, he departs on a fund-raising trip to the United States but returns to Ireland in October. He resigns as chief of staff in favour of Maurice Twomey but retains his position as chairman of the IRA executive until November 21, 1927, when he obtains leave to complete his medical studies.
After internship in the Mater Hospital, Dublin, Cooney finds temporary employment in London, but remains in touch with GHQ. On September 27, 1929, he marries the German-educated Frances (‘Frank’) Brady, daughter of a wealthy Belfast linen family and former Cumann na mBan activist and hunger-striker. The marriage is not a success. Failing to secure employment due to police harassment and the loyalty test then in force, he and his wife are obliged to emigrate to London, where he practises as a GP, still maintaining his IRA links. Their only child, Seán, is born there in 1931. He returns to Ireland in August 1932, after Fianna Fáil’s accession to power.
An intimate friend of Maurice Twomey, who is still Chief of Staff, Cooney remains in the upper echelons of the IRA and attends its conventions. Signifying his standing in republican circles, he is chosen to unveil, inter alia, the Fenian memorial in Glasnevin Cemetery and the Seán Treacy plaque in Talbot Street, Dublin, and is a regular speaker at commemorations. In March 1940, he attempts to intercede with Éamon de Valera on behalf of hunger-striking republicans, and is later arrested, but released.
After the discovery of a German spy ring in the hospitals commission’s subsidiary, the Dublin Hospitals Bureau, Cooney is forced to resign in April 1942 on refusing to take a loyalty pledge to the state. He returns to private practice. He becomes active in the unsuccessful campaign to save Charlie Kerins, Chief of Staff, from being hanged in 1944. In anticipation of emigrating, he finally resigns from the IRA in 1944, though military and police surveillance continue until March 1945.
In August 1945, Cooney joins the United Nations Relief and Rehabilitation Administration, working with displaced persons in the American zone in Germany, and gains rapid promotion. After joining the International Refugee Organisation (UNRRA’s successor) on July 1, 1947, he becomes the chief medical officer of an area including the American sector of Berlin and containing 150,000 displaced persons. He later holds a similar post in Bavaria.
Appointed a part-time member of the hospitals commission by the inter-party government in September 1949 and in severe financial straits, Cooney emigrates alone to the United States on December 2, 1950, and never returns. While employed in a tuberculosissanatorium in New Jersey, he obtains by examination his licence to practise medicine in Maryland on January 14, 1954. Admitted a member of the American College of Chest Physicians, again by examination, on November 23, 1954, he secures, at the age of 57, his first ever permanent post in medicine, in a similar hospital in Pikesville, Maryland. His republican activities continue through Clan na Gael during his U.S. years, and he is a frequent speaker at commemorative events.
(Pictured: Liam Lynch with some of his Divisional Staff and Officers of the Brigades, including the 1st Southern Division, who attend as delegates to the Army Convention at the Mansion House, Dublin, on April 9, 1922. Cooney is first on the right in the 3rd row back.)
seamus dubhghaill 