The Great Chicago Fire, a conflagration that destroys roughly 3.3 square miles of Chicago, Illinois, including over 17,000 structures, kills approximately 300 people and leaves more than 100,000 residents homeless, starts at about 8:30 p.m. on October 8, 1871, in or around a small barn belonging to the Irish immigrant O’Leary family that borders the alley behind 137 W. DeKoven Street.
The shed next to the barn is the first building to be consumed by the fire. City officials never determine the cause of the blaze, but the rapid spread of the fire due to a long drought in that year’s summer, strong winds from the southwest, and the rapid destruction of the water pumping system, explain the extensive damage of the mainly wooden city structures. There has been much speculation over the years on a single start to the fire. The most popular tale blames Catherine O’Leary‘s cow, who allegedly knocked over a lantern; others state that a group of men were gambling inside the barn and knocked over a lantern. Still other speculation suggests that the blaze was related to other fires in the Midwest that day.
The fire’s spread is aided by the city’s use of wood as the predominant building material in a style called balloon framing. More than two-thirds of the structures in Chicago at the time of the fire are made entirely of wood, with most of the houses and buildings being topped with highly combustible tar or shingle roofs. All of the city’s sidewalks and many roads are also made of wood. Compounding this problem, Chicago receives only 1 inch of rain from July 4 to October 9, causing severe drought conditions before the fire, while strong southwest winds help to carry flying embers toward the heart of the city.
In 1871, the Chicago Fire Department has 185 firefighters with just 17 horse-drawn steam pumpers to protect the entire city. The initial response by the fire department is timely, but due to an error by the watchman, Matthias Schaffer, the firefighters are initially sent to the wrong place, allowing the fire to grow unchecked. An alarm sent from the area near the fire also fails to register at the courthouse where the fire watchmen are, while the firefighters are tired from having fought numerous small fires and one large fire in the week before. These factors combined to turn a small barn fire into a conflagration.
When firefighters finally arrive at DeKoven Street, the fire has grown and spread to neighboring buildings and is progressing toward the central business district. Firefighters hope that the South Branch of the Chicago River and an area that had previously thoroughly burned would act as a natural firebreak. All along the river, however, are lumber yards, warehouses, and coal yards, and barges and numerous bridges across the river. As the fire grows, the southwest wind intensifies and becomes superheated, causing structures to catch fire from the heat and from burning debris blown by the wind. Around midnight, flaming debris blows across the river and lands on roofs and the South Side Gas Works.
With the fire across the river and moving rapidly toward the heart of the city, panic sets in. About this time, Mayor Roswell B. Mason sends messages to nearby towns asking for help. When the courthouse catches fire, he orders the building to be evacuated, and the prisoners jailed in the basement to be released. At 2:30 a.m. on October 9, the cupola of the courthouse collapses, sending the great bell crashing down. Some witnesses report hearing the sound from a mile away.
As more buildings succumbed to the flames, a major contributing factor to the fire’s spread is a meteorological phenomenon known as a fire whirl. As overheated air rises, it comes into contact with cooler air and begins to spin, creating a tornado-like effect. These fire whirls are likely what drives flaming debris so high and so far. Such debris is blown across the main branch of the Chicago River to a railroad car carrying kerosene. The fire has jumped the river a second time and is now raging across the city’s north side.
Despite the fire spreading and growing rapidly, the city’s firefighters continue to battle the blaze. A short time after the fire jumps the river, a burning piece of timber lodges on the roof of the city’s waterworks. Within minutes, the interior of the building is engulfed in flames and the building is destroyed. With it, the city’s water mains go dry and the city is helpless. The fire burns unchecked from building to building, block to block.
Finally, late into the evening of October 9, it starts to rain, but the fire has already started to burn itself out. The fire had spread to the sparsely populated areas of the north side, having thoroughly consumed the densely populated areas.
Once the fire has ended, the smoldering remains are still too hot for a survey of the damage to be completed for many days. Eventually, the city determines that the fire destroyed an area about 4 miles long and averaging 3⁄4 mile wide, encompassing an area of more than 2,000 acres. Destroyed are more than 73 miles of roads, 120 miles of sidewalk, 2,000 lampposts, 17,500 buildings, and $222 million in property, which is about a third of the city’s valuation in 1871.
On October 11, 1871, General Philip H. Sheridan comes quickly to the aid of the city and is placed in charge by a proclamation, given by mayor Roswell B. Mason.
To protect the city from looting and violence, the city is put under martial law for two weeks under Gen. Sheridan’s command structure with a mix of regular troops, militia units, police, and a specially organized civilian group “First Regiment of Chicago Volunteers.”
For two weeks Sheridan’s men patrol the streets, guard the relief warehouses, and enforce other regulations. On October 24, the troops are relieved of their duties and the volunteers are mustered out of service.
Of the approximately 324,000 inhabitants of Chicago in 1871, 90,000 residents (about 28% of the population) are left homeless. One hundred twenty bodies are recovered, but the death toll is believed to possibly exceed 300. The county coroner speculates that an accurate count is impossible, as some victims may have drowned or been incinerated, leaving no remains.
In the days and weeks following the fire, monetary donations flow into Chicago from around the country and abroad, along with donations of food, clothing, and other goods. These donations come from individuals, corporations, and cities.
Almost from the moment the fire breaks out, various theories about its cause begin to circulate. The most popular and enduring legend maintains that the fire began in the O’Leary barn as Mrs. O’Leary is milking her cow. The cow kicks over a lantern (or an oil lamp in some versions), setting fire to the barn. The O’Leary family denies this, stating that they were in bed before the fire started, but stories of the cow begin to spread across the city. Catherine O’Leary seems the perfect scapegoat: she is a poor, Irish Catholic immigrant. During the latter half of the 19th century, anti-Irish sentiment is strong in Chicago and throughout the United States. This is intensified as a result of the growing political power of the city’s Irish population.
Furthermore, the United States has been distrustful of Catholics since its beginning, carrying over attitudes in England in the 17th century. As an Irish Catholic, Mrs. O’Leary is a target of both anti-Catholic and anti-Irish sentiment. This story is circulating in Chicago even before the flames die out and is noted in the Chicago Tribune‘s first post-fire issue. In 1893, the reporter Michael Ahern retracts the “cow-and-lantern” story, admitting it is fabricated, but even his confession is unable to put the legend to rest. Catherine O’Leary turns into a recluse after the fire and dies in 1895. Although the O’Learys are never officially charged with starting the fire, the story becomes so engrained in local lore that Chicago’s city council officially exonerates them — and the cow — in 1997.
(Pictured: A Currier & Ives lithograph showing people fleeing across the Randolph Street Bridge)
Smith is born at 174 South Street, New York City, on December 30, 1873, and raised in the Fourth Ward on the Lower East Side of Manhattan. He resides there for his entire life. His mother, Catherine (née Mulvihill), is the daughter of Maria Marsh and Thomas Mulvihill, who are immigrants from County Westmeath, Ireland. His father, baptised Joseph Alfred Smith in 1839, is a Civil War–veteran and the son of Emanuel Smith, an Italian marinaro.
Although Smith remains personally untarnished by corruption, he — like many other New York Democrats — is linked to the notorious Tammany Hallpolitical machine that controls New York City politics during his era. He serves in the New York State Assembly from 1904 to 1915 and holds the position of Speaker of the Assembly in 1913. He also serves as sheriff of New York County from 1916 to 1917. He is first elected governor of New York in 1918, loses his 1920 bid for re-election, and is elected governor again in 1922, 1924, and 1926. He is the foremost urban leader of the efficiency movement in the United States and is noted for achieving a wide range of reforms as the New York governor in the 1920s.
Smith is the first Roman Catholic to be nominated for president of the United States by a major party. His 1928 presidential candidacy mobilizes both Catholic and anti-Catholic voters. Many Protestants, including German AmericanLutherans and Southern Baptists, fear his candidacy, believing that the Pope in Rome would dictate his policies. He is also a committed “wet” (i.e., an opponent of Prohibition in the United States) and as New York governor, he repeals the state’s prohibition law. As a “wet,” he attracts voters who want beer, wine and liquor without having to deal with criminal bootleggers, along with voters who are outraged that new criminal gangs have taken over the streets in most large and medium-sized cities. Incumbent RepublicanSecretary of CommerceHerbert Hoover is aided by national prosperity, the absence of American involvement in war and anti-Catholic bigotry, and he defeats Smith in a landslide in 1928.
Smith then enters business in New York City and becomes involved in the construction and promotion of the Empire State Building. He seeks the 1932 Democratic presidential nomination but is defeated by Franklin D. Roosevelt, his former ally and successor as governor of New York. During the Roosevelt presidency, he becomes an increasingly vocal opponent of Roosevelt’s New Deal.
Smith is an early and vocal critic of the Nazi regime in Germany. He supports the Anti-Nazi boycott of 1933 and addresses a mass-meeting at Madison Square Garden against Nazism in March 1933. His speech is included in the 1934 anthology Nazism: An Assault on Civilization. In 1938, he takes to the airwaves to denounce Nazi brutality in the wake of Kristallnacht. His words are published in The New York Times article “Text of the Catholic Protest Broadcast” of November 17, 1938.
Like most New York City businessmen, Smith enthusiastically supports American military involvement in World War II. Although he is not asked by Roosevelt to play any role in the war effort, he is an active and vocal proponent of FDR’s attempts to amend the Neutrality Act in order to allow “Cash and Carry” sales of war equipment to be made to the British. He speaks on behalf of the policy in October 1939, to which FDR responds directly: “Very many thanks. You were grand.”
Smith is memorialized by The Alfred E. Smith Foundation, founded by CardinalFrancis Spellman. Today it is a significant fund raiser for charity. Each election year, presidential candidates are expected to attend, make witty remarks, and profound commentary about Smith. In 2008, then candidate Barack Obama speaks eloquently of “a man who fought for many years to give Americans nothing more than fair shake and a chance to succeed. He touched the lives of millions as a result.”
(Pictured: Official Gubernatorial portrait of Alfred E. “Al” Smith by Douglas Volk)
Ahern and her books have won numerous awards, including the Irish Book Award for Popular Fiction for The Year I Met You (2014). She publishes several novels and contributes a number of short stories to various anthologies.
Before starting her writing and producing career, Ahern obtains a degree in journalism and media communications from Griffith College Dublin, but withdraws from a master’s degree course to pursue her writing career.
In 2002, when Ahern is twenty-one, she writes her first novel, PS, I Love You. Published in 2004, it is the number 1 bestseller in Ireland (for 19 weeks), the United Kingdom, United States, Germany and the Netherlands. It is sold in over forty countries. The book is adapted as a motion picture directed by Richard LaGravenese and starring Hilary Swank and Gerard Butler. It is released in the United States on December 21, 2007.
Ahern’s second book, Where Rainbows End (known as Love, Rosie in the United States), also reaches number 1 in Ireland and the United Kingdom and wins the German Corine Literature Prize in 2005. It is adapted as a motion picture titled Love, Rosie which is released in 2014, directed by Christian Ditter and starring Lily Collins and Sam Claflin.
Ahern has contributed to charity books with the royalties from short stories such as Irish Girls are Back in Town and Ladies’ Night.
Ahern’s book The Gift is published just before Christmas 2008 in the United Kingdom. Her following book, The Book of Tomorrow, is published on October 1, 2009. In 2016, she releases Flawed, her first book for young adults, and Lyrebird.
Ahern is nominated for Best Newcomer 2004/5 at the British Book Awards for her debut novel PS, I Love You. She wins the 2005 Irish Post Award for Literature and a 2005 Corine Literature Prize for her second book Where Rainbows End, which is voted for by German readers. In 2006, she is long listed for the International IMPAC Dublin Literary Award for PS, I Love You. Cosmopolitan US honours her with a Fun Fearless Fiction Award 2007 for If You Could See Me Now. Irish Tatler awards her Writer of the Year at the Woman of the Year awards in 2009. Her fifth novel, Thanks for the Memories, is nominated for Most Popular Book in the British Book Awards 2008. She is voted Author of Year in the UK Glamour Awards in 2008.
Ahern marries David Keoghan in 2010. They have three children, two daughters and a son. As of 2015, they reside in Malahide in County Dublin. She had COVID-19 in early 2022, describing it as “kind of mild. I was lucky.”
Spence, the sixth of seven children, is born and raised in the Shankill Road area of West Belfast in Northern Ireland, the son of William Edward Spence, a member of the Ulster Volunteers who fought in World War I, and Isabella “Bella” Hayes. The family home is 66 Joseph Street in an area of the lower Shankill known colloquially as “the Hammer.” He is educated at the Riddel School on Malvern Street and the Hemsworth Square school, finishing his education at the age of fourteen. He is also a member of the Church Lads’ Brigade, a Church of Ireland group, and the Junior Orange Order. His family has a long tradition of Orange Order membership.
Spence takes various manual jobs in the area until joining the British Army in 1957 as a member of the Royal Ulster Rifles. He rises to the rank of Provost Sergeant (battalion police). He is stationed in Cyprus and sees action fighting against the forces of Colonel Georgios Grivas. He serves until 1961 when ill-health forces him to leave. He then finds employment at the Harland & Wolff shipyard in Belfast, where he works as a stager (builder of the scaffolding in which the ships are constructed), a skilled job that commands respect among working class Protestants and ensures for him a higher status within the Shankill.
From an early age Spence is a member of the Prince Albert Temperance Loyal Orange Lodge, where fellow members include John McQuade. He is also a member of the Royal Black Institution and the Apprentice Boys of Derry. Due to his later involvement in a murder, he is expelled from the Orange Order and the Royal Black Institution. The Reverend Martin Smyth is influential in his being thrown out of the Orange Order.
Spence’s older brother Billy is a founding member of Ulster Protestant Action (UPA) in 1956, and he is also a member of the group. He is frequently involved in street fights with republicans and garners a reputation as a “hard man.” He is also associated loosely with prominent loyalists such as Ian Paisley and Desmond Boal and is advised by both men in 1959 when he launches a protest against Gerry Fitt at Belfast City Hall after Fitt had described Spence’s regiment as “murderers” over allegations that they had killed civilians in Cyprus. He, along with other Shankill Road loyalists, break from Paisley in 1965 when they side with James Kilfedder in a row that follows the latter’s campaigns in Belfast West. Paisley intimates that Kilfedder, a rival for the leadership of dissident unionism, is close to Fine Gael after learning that he had attended party meetings while a student at Trinity College Dublin (TCD). The Shankill loyalists support Kilfedder and following his election as MP send a letter to Paisley accusing him of treachery during the entire affair.
Spence claims that he is approached in 1965 by two men, one of whom was an Ulster Unionist Party MP, who tells him that the Ulster Volunteer Force is to be re-established and that he is to have responsibility for the Shankill. He is sworn in soon afterward in a ceremony held in secret near Pomeroy, County Tyrone. Because of his military experience, he is chosen as the military commander and public face of the UVF when the group is established. However, RUC Special Branch believes that his brother Billy, who keeps a much lower public profile, is the real leader of the group. Whatever the truth of this intelligence, Spence’s Shankill UVF team is made up of only around 12 men on its formation. Their base of operations is the Standard Bar, a pub on the Shankill Road frequented by Spence and his allies.
On May 7, 1966, a group of UVF men led by Spence petrol bomb a Catholic-owned pub on the Shankill Road. Fire also engulfs the house next door, killing the elderly Protestant widow, Matilda Gould (77), who lives there. On May 27, he orders four UVF men to kill an Irish Republican Army (IRA) member, Leo Martin, who lives on the Falls Road. Unable to find their target, the men drive around in search of any Catholic instead. They shoot dead John Scullion (28), a Catholic civilian, as he walks home. Spence later writes “at the time, the attitude was that if you couldn’t get an IRA man you should shoot a Taig, he’s your last resort.” On June 26, the same gang shoots dead Catholic civilian Peter Ward (18) and wounds two others as they leave a pub on Malvern Street in the lower Shankill. Two days later, the government of Northern Ireland uses the Special Powers Act to declare the UVF illegal. Shortly after, Spence and three others are arrested.
In October 1966, Spence is sentenced to life imprisonment for the murder of Ward, although he has always claimed his innocence. He is sent to Crumlin Road Prison. During its July 12, 1967, march, the Orange lodge to which he belongs stops outside the prison in tribute to him. This occurs despite him having been officially expelled from the Orange Order following his conviction. His involvement in the killings gives him legendary status among many young loyalists and he is claimed as an inspiration by the likes of Michael Stone. Tim Pat Coogan describes Spence as a “loyalist folk hero.” The murder of Ward is, however, repudiated by Paisley and condemned in his Protestant Telegraph, sealing the split between the two.
Spence appeals against his conviction and is the subject of a release petition organised by the Ulster Constitution Defence Committee, although nothing comes of either initiative. Despite the fact that control of the UVF lay with his closest ally, Samuel “Bo” McClelland, from prison he is often at odds with the group’s leadership, in particular with regards to the 1971 McGurk’s Bar bombing. Spence now argues that UVF members are soldiers and soldiers should not kill civilians, as had been the case at McGurk’s Bar. He respects some Irish republican paramilitaries, who he feels also live as soldiers, and to this end he writes a sympathetic letter to the widow of Official IRA leader Joe McCann after he is killed in 1972.
Spence is granted two days leave in early July 1972 to attend the wedding of his daughter Elizabeth to Winston Churchill “Winkie” Rea. The latter had formally asked Spence for his daughter’s hand in marriage during a prison visit. Met by two members of the Red Hand Commando upon his release, Spence is informed of the need for a restructuring within the UVF and told not to return to prison. He initially refuses and goes on to attend his daughter’s wedding. Afterward a plot is concocted where Jim Curry, a Red Hand Commando member, will drive Spence back to prison but the car is to be stopped and Spence “kidnapped.” As arranged, the car in which he is a passenger is stopped in Springmartin and he is taken away by UVF members. He remains at large for four months and during that time gives an interview to ITV‘s World in Action in which he calls for the UVF to take an increased role in the Northern Ireland conflict against the Provisional IRA. At the same time, he distances himself from any policy of random murders of Catholics. He also takes on responsibility for the restructuring, returning the UVF to the same command structure and organisational base that Edward Carson had utilised for the original UVF, with brigades, battalions, companies, platoons and sections. He also directs a significant restocking of the group’s arsenal, with guns mostly taken from the security forces. He gives his permission for UVF brigadier Billy Hanna to establish the UVF’s Mid-Ulster Brigade in Lurgan. His fugitive status earns him the short-lived nickname the “Orange Pimpernel.” He is arrested along with around thirty other men at a UVF drinking club in Brennan Street, but after giving a false name, he is released.
Spence’s time on the outside comes to an end on November 4 when he is captured by Colonel Derek Wilford of the Parachute Regiment, who identifies him by tattoos on his hands. He is sent directly to Long Kesh Detention Centre soon afterward, where he shares a cell with William “Plum” Smith, one of the Red Hand Commandos whom he had met upon his initial release and who had since been jailed for attempted murder.
Spence soon becomes the UVF commander within the Long Kesh Detention Centre. He runs his part of Long Kesh along military lines, drilling inmates and training them in weapons use while also expecting a maintenance of discipline. As the loyalist Long Kesh commander, he initially also has jurisdiction over the imprisoned members of the Ulster Defence Association (UDA), although this comes to an end in 1973 when, following a deterioration in relations between the two groups outside the prison walls, James Craig becomes the UDA’s Maze commander. By this time Spence polarises opinion within the UVF, with some members fiercely loyal to a man they see as a folk hero and others resenting his draconian leadership and increasing emphasis on politics, with one anonymous member even labelling him “a cunt in a cravat.”
Spence begins to move toward a position of using political means to advance one’s aims, and he persuades the UVF leadership to declare a temporary ceasefire in 1973. Following Merlyn Rees‘ decision to legalise the UVF in 1974, Spence encourages them to enter politics and support the establishment of the Volunteer Political Party (VPP). However, his ideas are abandoned as the UVF ceasefire falls apart that same year following the Ulster Workers’ Council strike and the Dublin and Monaghan bombings. The carnage of the latter shocks and horrifies Spence. Furthermore, the VPP suffers a heavy defeat in West Belfast in the October 1974 United Kingdom general election, when the DUP candidate, John McQuade, captures six times as many votes as the VPP’s Ken Gibson.
Spence is increasingly disillusioned with the UVF, and he imparts these views to fellow inmates at Long Kesh. According to Billy Mitchell, Spence quizzes him and others sent to Long Kesh about why they are there, seeking an ideological answer to his question. When the prisoner is unable to provide one, Spence then seeks to convince them of the wisdom of his more politicised path, something that he accomplishes with Mitchell. David Ervine and Billy Hutchinson are among the other UVF men imprisoned in the mid-1970s to become disciples of Spence. In 1977, he publicly condemns the use of violence for political gain, on the grounds that it is counterproductive. In 1978, he leaves the UVF altogether. His brother Bobby, also a UVF member, dies in October 1980 inside the Maze, a few months after the death of their brother Billy.
Released from prison in 1984, Spence soon becomes a leading member of the UVF-linked Progressive Unionist Party (PUP) and a central figure in the Northern Ireland peace process. He initially works solely for the PUP but eventually also sets up the Shankill Activity Centre, a government-supported scheme to provide training and leisure opportunities for unemployed youths.
Spence is entrusted by the Combined Loyalist Military Command (CLMC) to read out their October 13, 1994, statement that announces the loyalist ceasefire. Flanked by his PUP colleagues Jim McDonald and William Plum Smith, as well as Ulster Democratic Party (UDP) members Gary McMichael, John White and David Adams, he reads the statement from Fernhill, a former Cunningham family home on their former Glencairn estate in Belfast’s Glencairn area. This building had been an important training centre for members of Edward Carson’s original UVF. A few days after the announcement, he makes a trip to the United States along with the PUP’s David Ervine and Billy Hutchinson and the UDP’s McMichael, Adams and Joe English. Among their engagements is one as guests of honour of the National Committee on American Foreign Policy. He goes on to become a leading advocate for the Good Friday Agreement.
In August 2000, Spence is caught up in moves by Johnny Adair‘s “C” Company of the UDA to take control of the Shankill by forcing out the UVF and other opponents. Due to his involvement in the peace process and the eventual Good Friday Agreement, the authorities insist against his wishes to install additional security measures to the doors and windows. As a result, when Adair’s men try to force their way into Spence’s Shankill home, they only manage to push a long stick through a partially open window of the bungalow and dislodge a few of his military frames off the opposite wall. There is no other damage and other than that small disruption no one is able to gain any physical entry into the property. When Spence’s wife dies three years later, he says that C Company is responsible for her death, as the events had taken on her health.
On May 3, 2007, Spence reads out the statement by the UVF announcing that it will keep its weapons but put them beyond the reach of ordinary members. The statement also includes a warning that activities could “provoke another generation of loyalists toward armed resistance.” He does not specify what activities or what is being resisted.
Spence marries Louie Donaldson, a native of the city’s Grosvenor Road, on June 20, 1953, at Wellwood Street Mission, Sandy Row. The couple has three daughters, Elizabeth (born 1954), Sandra (1956) and Catherine (1960). Louie dies in 2003. Spence, a talented footballer in his youth with Old Lodge F.C., is a lifelong supporter of Linfield F.C.
Spence dies in a Belfast hospital at the age of 78 on September 25, 2011. He had been suffering from a long-term illness and was admitted to hospital 12 days prior to his death. He is praised by, among others, PUP leader Brian Ervine, who states that “his contribution to the peace is incalculable.” Sinn Féin‘s Gerry Kelly claims that while Spence had been central to the development of loyalist paramilitarism, “he will also be remembered as a major influence in drawing loyalism away from sectarian strife.”
However, a granddaughter of Matilda Gould, a 74-year-old Protestant widow who had died from burns sustained in the UVF’s attempted bombing of a Catholic bar next door to her home, objects to Spence being called a “peacemaker” and describes him as a “bad evil man.” The unnamed woman states, “When you go out and throw a petrol bomb through a widow’s window, you’re no peacemaker.”
Spence’s funeral service is held in St. Michael’s Church of Ireland on the Shankill Road. Notable mourners include Unionist politicians Dawn Purvis, Mike Nesbitt, Michael McGimpsey, Hugh Smyth and Brian Ervine, UVF chief John “Bunter” Graham and UDA South Belfast brigadier Jackie McDonald. In accordance with his wishes, there are no paramilitary trappings at the funeral or reference to his time in the UVF. Instead, his coffin is adorned with the beret and regimental flag of the Royal Ulster Rifles, his former regiment. He is buried in Bangor, County Down.
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
Campbell is the eldest son of Thomas Campbell and Jane Campbell (née Corneigle), who marry in 1787 and later have four daughters and two younger sons. His father, the son of soldier Archibald Campbell and his wife Alice McNally, is born on February 1, 1763, at Sheepbridge, near Newry, County Down. The Presbyterian minister William Campbell may have been a relation.
Archibald Campbell is born Catholic but joins the Church of Ireland, while his son joins the seceding branch of the Presbyterian church and studies at the University of Glasgow, graduating with a Master of Arts degree in 1786, although he does not appear in the published records of the university. He becomes a teacher but is determined to become a minister, and studies in the Anti-Burgher Divinity Hall in Whitburn, West Lothian (or the Seceder Theological Seminary in Whithorn, Wigtownshire, according to another source) for two months each year for five years. He is ordained a minister in the seceding congregation of Ahorey, County Armagh, probably in 1798. Although at first a member of the Anti-Burgher party in his church, Thomas Campbell begins to believe that divisions between and within denominations are prejudicial to true Christianity. He writes a report in 1804 suggesting that Burgher and Anti-Burgher Presbyterians in Ireland should unite. When this is vetoed in 1805 by the General Associate Synod of Scotland, Thomas Campbell, then moderator of the Irish Seceding Synod, initiates an unsuccessful move to seek independence from Scottish control. His experiences with church authorities undoubtedly increase his belief in the need to rediscover the scriptural basis of religion, freed from man-made creeds.
In 1804, Thomas Campbell sets up an academy at Richhill, County Armagh. In 1798, he is one of the founders of the Evangelical Society of Ulster in which clergymen from differing sects cooperate but resigns when this enterprise is frowned on by seceding authorities.
In poor health in 1806, Thomas Campbell resigns from Ahorey, and goes to the United States in 1807, where he preaches in small congregations around Washington, Pennsylvania. He is soon accused of doctrinal unsoundness, of disciplinary laxity and of administering the sacraments to non-Presbyterians. His appeal to the Associate Synod of North America is unsuccessful, and in 1809 he ceases to be a minister of the seceder church. His liberal views on Christian unity and on the paramount importance of the Bible attract supporters, and in 1809 they found the Christian Association of Washington. He publishes a declaration and address in which he sets out the principles of this body. His followers claim it represents a “second reformation” or a “restoration.” It forms the basis of the doctrine of what becomes America’s most important indigenous religious development, and is regarded as significant in the history of the wider ecumenical movement. He publishes a great many other tracts and articles. Thomas Campbell dies in Bethany, West Virginia, on January 4, 1854.
Thomas had married Jane Corneigle in 1787 and their eldest son Alexander is born on September 12, 1788, in Broughshane, County Antrim, where his father is teaching. His parents intend him for the ministry, and he receives a good education, partly from his father, and religious training from both parents. He is greatly influenced by his strongminded and pious mother. In October 1808 his family sets sail for America to join his father. The ship is wrecked on the island of Islay, off Scotland. All on board are saved, partly thanks to Alexander’s strength and leadership. Rather than continuing the voyage by other means, Alexander spends eight months in the University of Glasgow to prepare himself for the ministry.
In the summer of 1809, the family finally arrives in Pennsylvania, among many emigrants from Ulster. On January 1, 1812, Campbell is ordained as a minister by his father’s Brush Run Church, and quickly takes over the leadership of the fledgling church. By 1812, most of their followers, thenceforth often called Campbellites, have undergone baptism by immersion; a union with the Baptist denomination results, but does not survive after 1830, by which date Campbell’s work on a translation of the Greek New Testament has convinced him that baptism is unscriptural. Controversy between the two groups continues for many years.
A very able preacher and debater, whose public discussions attract much attention, Campbell attacks the creeds and governance of established churches. In 1823, he founds the journal the Christian Baptist. Subsequently in 1830, after the break with the Baptists, he starts the Millennial Harbinger. Both periodicals are largely written by Campbell and his father, Thomas, and are widely influential. He is convinced that church unity will usher in a millennial age of peace and harmony. Primitive Christianity is thus to bring about a utopian future. His book Christianity Restored (1835) is widely read, in Britain as well as in the United States. In 1826, a translation of the Greek New Testament is printed by Campbell’s press in Bethany, West Virginia. Largely based on recent translations by others, it nonetheless contains variant readings by Campbell and furthers his aim of providing followers with authoritative texts on which to base their beliefs. In 1841, he founds Bethany College, West Virginia, and is its president until his death in Bethany on March 4, 1866, when he leaves it $10,000 and a large library.
In 1832, several fledgling churches join the Campbellites, and form a new body called the Christian Church, or Disciples of Christ, which today has over 3,000 congregations in the United States. The two guiding principles of the lifelong beliefs of the Campbells are in the end irreconcilable. An emphasis on the literal interpretation of scripture allows believers to form beliefs at variance from those of co-religionists, and neither Alexander Campbell’s great authority in the denomination nor Thomas Campbell’s emphasis on the need for church unity are enough to prevent the fissions inevitable in a church that so strongly opposes man-made creeds. There are now at least six major divisions of the Church of Christ, one of several alternative names.
On March 2, 1811, Campbell marries Margaret Brown, and thenceforth derives his income from the large farm that had belonged to her family. They have eight children, who all die in their father’s lifetime. Margaret Brown Campbell dies on October 22, 1827. On July 31, 1828, in fulfilment of his wife’s dying request, the widower marries the English-born Selina Huntington Bakewell, and has six children with her. Four of those children survive him. Selina Campbell writes a memoir of her husband, published in 1882, and lives until 1897.
(From: “Campbell, Alexander” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, last revised May 2021)
Peters is born on July 6, 1939, in Halewood, Lancashire, England, later living at 5 Mere Avenue in Alkrington, where she goes to primary school. She moves to Ballymena (and later Belfast) at the age of eleven when her father’s job is relocated to Northern Ireland. As a teenager, her father encourages her athletic career by building her home practice facilities as birthday gifts. She qualifies as a teacher and works while training.
After Ballymena, the family moves to Portadown where she attends Portadown College. The headmaster, Donald Woodman, and the PE teacher, Kenneth McClelland, introduce her to athletics, McClelland being her first coach. She is head girl of the school in 1956.
At the 1972 Summer Olympics in Munich, competing for Great Britain and Northern Ireland, Peters wins the gold medal in the women’s pentathlon. She had finished 4th in 1964 and 9th in 1968. To win the gold medal, she narrowly beats the local favourite, West Germany’s Heide Rosendahl, by 10 points, setting a world record score. After her victory, death threats are phoned into the BBC: “Mary Peters is a Protestant and has won a medal for Britain. An attempt will be made on her life, and it will be blamed on the IRA … Her home will be going up in the near future.” But Peters insists she will return home to Belfast. She is greeted by fans and a band at the airport and paraded through the city streets but is not allowed back in her flat for three months. Turning down jobs in the United States and Australia, where her father lives, she insists on remaining in Northern Ireland.
In 1972, Peters wins the BBC Sports Personality of the Year award: “Peters, a 33-year-old secretary from Belfast, won Britain’s only athletics gold at the Munich Olympics. The pentathlon competition was decided on the final event, the 200m, and Peters claimed the title by one-tenth of a second.”
She represents Northern Ireland at every Commonwealth Games between 1958 and 1974. In these games she wins two gold medals for the pentathlon, plus a gold and silver medal for the shot put.
In May 2001, following her athletic career, Peters becomes a Trustee of The Outward Bound Trust and is Vice-President of the Northern Ireland Outward Bound Association. She is also Patron of Springhill Hospice in Rochdale, Greater Manchester.
Peters is appointed a Member of the Order of the British Empire (MBE) for services to athletics in the 1973 New Year Honours. For services to sport, she is promoted in the same Order to Commander (CBE) in the 1990 Birthday Honours and again to Dame Commander (DBE) in the 2000 Birthday Honours. In the 2015 New Year Honours, she is awarded as Member of the Order of the Companions of Honour (CH), also for services to sport and the community in Northern Ireland, and in 2017, she is made a Dame of the Order of Saint John (DStJ). She is appointed a Lady Companion of the Order of the Garter (LG) on February 27, 2019, and therefore granted the title Lady. She represents the Order at the 2023 coronation.
Northern Ireland’s premier athletics track, on the outskirts of Belfast, is named after Peters. A statue of her stands within it.
In April 2009, Peters is named the Lord Lieutenant of the City of Belfast; she retires from the post in 2014, being succeeded by Fionnuala Jay-O’Boyle. She is a Freeman of the Cities of Lisburn and Belfast.
Educated at home in the upper-class style and by herself, Martin becomes fluent in Irish, English, French and a number of other languages. According to Maria Edgeworth, who meets her during her tour of Connemara in 1833, she is courted in 1834 by Count Adolphe de Werdinsky, whom she had met in London earlier in the year. She refuses to marry and de Werdinsky feigns a suicide attempt at Ballynahinch.
Martin publishes her first novel, St. Etienne, a Tale of the Vendean War, in 1845.
In 1847, Martin marries a cousin, Colonel Arthur Gonne Bell. He takes the name of Martin on marriage, by Royal Licence. In the same year, her father dies of famine fever contracted while visiting his tenants in the Clifdenworkhouse.
On the death of her father, Martin inherits a heavily encumbered estate of 200,000 acres. In the following two years, her remaining fortune is destroyed in the famine as she attempts to alleviate its effects on her tenants. Penniless, she emigrates with her husband to Belgium. There she contributes to a number of periodicals, notably Encyclopaedie Des Gens Du Monde.
In 1850, Martin’s autobiographical novel, Julia Howard: A Romance, is published. Martin and her husband sail to the United States in 1850, but she dies at the Union Place Hotel in New York City on November 7, 1950, ten days after arrival due to complications of premature childbirth in which the baby does not survive.
Martin’s husband returns to England. He arranges for the posthumous publication of her novel, Deed, not Words (1857). In 1883, he is killed in a railway accident.
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
Charles Brady, American-born painter who spends most of his life in Ireland, dies in Dublin on August 1, 1997.
Brady is born on July 27, 1926, in New York City, the son of Arthur Brady, an industrial hardware merchant. He is best known for small-scale paintings of still life and landscape. At the end of World War II, while serving with the United States Navy, he suffers an accident which results in his discharge. As a result of this, he has the opportunity of pursuing further study. In 1948, he enrolls at the Art Students League of New York. Founded in 1875 and distinguished by its progressive approach to art education, it is one of the most important art schools in the United States in the early twentieth century.
Initially, Brady studies design and fashion before studying fine art under John Groth and Morris Kantor. In 1949, he becomes Groth’s assistant. In 1950, his work is included in the exhibition “American Painting 1950,” held at the Metropolitan Museum of Art, New York, where he is employed as a guard at the time. Around this time, he meets artists associated with abstract expressionism such as Franz Kline, Willem de Kooning, and Jackson Pollock, and exhibits with them in exhibitions such as the “9th Street Show” (1951). Four years later, his first solo exhibition is held at the Urban Gallery, New York. By this time, his father, mother, and a younger brother have all died. In 1956 he decides to leave New York and spend some time in Ireland.
On his arrival, Brady bases himself in Lismore, County Waterford, where the landscapes he begins to paint are in contrast to the abstract style he had developed in New York. In May 1956, he joins his aunt and uncle on a tour that include London and Paris. He remains in Ireland until early in 1958 and during this time becomes acquainted with such figures as Camille Souter, Frank Morris and Desmond McAvock. Though he spends the next year in the United States, he soon decides to return to Ireland. In 1959 he is living in Dublin, where, along with artists such as Noel Sheridan and Patrick Pye, he is involved in founding the Independent Artists group. His work is included in the group’s first exhibition in 1960.
Also in 1960, Brady marries Eelagh Noonan, and the couple go to live in Spain. On their return to Ireland in 1961, they settle in Dún Laoghaire, where he begins to produce still lifes of objects such as envelopes and boxes painted in muted tones. Though figurative, the painterly quality of these works and the way in which they assert the flat nature of the picture plane suggest something of his experience of postwar American abstract art. Soft, hazy light, another key characteristic of his work, can also be seen in his paintings of Sandymount Strand, which might be compared with the work of Nathaniel Hone the Younger, whose work Brady had seen on his first trip to Ireland. He also works in other media, producing lithographs and, from the mid-1980s, small bronzes of such mundane objects as discarded bus tickets.
From 1976 to 1983 Brady lectures in painting at the National College of Art and Design. In 1981 he becomes a member of Aosdána and in 1994 he is elected an honorary member of the Royal Hibernian Academy (RHA). He exhibits regularly in Ireland at venues such as the RHA. He receives a number of awards including the P. J. Carroll award at the Irish Exhibition of Living Art as well as the Douglas Hyde Gold Medal and the landscape award at the Oireachtas exhibitions of 1973 and 1989 respectively.
(From: “Brady, Charles” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “Charles Brady, 1967,” oil on board by Koert Delmonte)
seamus dubhghaill 