Joyce is brought up between Mary Street, in the city centre, and the GalwayGaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.
Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).
After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.
Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.
A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.
Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.
Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.
Hartnett is born in Croom Hospital in Croom, County Limerick, on September 18, 1941. He is one of the most significant voices in late 20th-century Irish writing and has been called “Munster‘s de facto poet laureate.”
Although Hartnett’s parents’ name is Harnett, he is registered in error as Hartnett on his birth certificate. In later life he declines to change this as his legal name is closer to the Irish Ó hAirtnéide. He grows up in the Maiden Street area of Newcastle West, County Limerick, spending much of his time with his grandmother, Bridget Halpin, who resides in the townland of Camas, in the countryside nearby. He claims that his grandmother is one of the last native speakers to live in County Limerick, though she is originally from northern County Kerry. Although she speaks to him mainly in English, he listens to her conversing with her friends in Irish, and as such, he is quite unaware of the imbalances between English and Irish. When he begins school, he is made aware of the tensions between both languages and is surprised to discover that Irish is considered an endangered language, taught as a contrived, rule-laden code, with little of the literary attraction which it holds for him. He is educated in the local national and secondary schools in Newcastle West. He emigrates to England the day after he finishes his secondary education and goes to work as a tea boy on a building site in London.
Hartnett has started writing by this time and his work comes to be known of the poet John Jordan, who is professor of English at University College Dublin (UCD). Jordan invites him to attend the university for a year. While back in Dublin, he co-edits the literary magazine Arena with James Liddy. He also works as curator of James Joyce‘s tower at Sandycove for a time. He returns briefly to London, where he meets Rosemary Grantley on May 16, 1965, and they are married on April 4, 1966. His first book, Anatomy of a Cliché, is published by Poetry Ireland in 1968 to critical acclaim and he returns to live permanently in Dublin that same year.
Hartnett works as a night telephonist at the telephone exchange on Exchequer Street. He now enters a productive relationship with New Writers Press, run by Michael Smith and Trevor Joyce. They publish his next three books. The first of these is a translation from the Irish, The Old Hag of Beare (1969), followed by Selected Poems (1970) and Tao (1972). This last book is a version of the Chinese Tao Te Ching. His Gypsy Ballads (1973), a translation of the Romancero Gitano of Federico García Lorca, is published by the Goldsmith Press.
In 1974 Hartnett decides to leave Dublin and return to his rural roots, as well as deepen his relationship with the Irish language. He goes to live in Templeglantine, five miles from Newcastle West, and works for a time as a lecturer in creative writing at Thomond College of Education, Limerick.
In his 1975 book, A Farewell to English, Hartnett declares his intention to write only in Irish in the future, describing English as “the perfect language to sell pigs in.” A number of volumes in Irish follow including Adharca Broic (1978), An Phurgóid (1983) and Do Nuala: Foighne Chrainn (1984). A biography on this period of his life entitled A Rebel Act Michael Hartnett’s Farewell To English by Pat Walsh is published in 2012 by Mercier Press.
In 1984 Hartnett returns to Dublin to live in the suburb of Inchicore. The following year marks his return to English with the publication of Inchicore Haiku, a book that deals with the turbulent events in his personal life over the previous few years. This is followed by a number of books in English including A Necklace of Wrens (1987), Poems to Younger Women (1989) and The Killing of Dreams (1992).
Hartnett also continues working in Irish, and produces a sequence of important volumes of translation of classic works into English. These include Ó Bruadair, Selected Poems of Dáibhí Ó Bruadair (1985) and Ó Rathaille The Poems of Aodhaghán Ó Rathaille (1999). His Collected Poems appear in two volumes in 1984 and 1987 and New and Selected Poems in 1995.
Hartnett dies in St. Vincent’s Hospital, Dublin, from Alcoholic Liver Syndrome on October 13, 1999. A new Collected Poems appears in 2001.
Every April a literary and arts festival is held in Newcastle West in honour of Hartnett. Events are organised throughout the town and a memorial lecture is given by a distinguished guest. Former speakers include Nuala O’Faolain, Paul Durcan, David Whyte and Fintan O’Toole. The annual Michael Hartnett Poetry Award of € 4,000 also forms part of the festival. Funded by the Limerick City and County Council Arts Office and the Arts Council of Ireland, it is intended to support and encourage poets in the furtherance of their writing endeavours. Previous winners include Sinéad Morrissey and Peter Sirr.
During the 2011 Éigse, Paul Durcan unveils a bronze life-sized statue of Hartnett sculpted by Rory Breslin, in the Square, Newcastle West. Hartnett’s son Niall speaks at the unveiling ceremony.
George Bernard Francis Clarke, Irish barrister who is Chief Justice of Ireland from July 2017 to October 2021, is born on October 10, 1951, in Walkinstown, Dublin. He has a successful career as a barrister for many years, with a broad practice in commercial law and public law. He is the chair of the Bar Council of Ireland between 1993 and 1995. He is appointed to the High Court in 2004 and becomes a judge of the Supreme Court of Ireland in February 2012. Following his retirement from the bench, he returns to work as a barrister. Across his career as a barrister and a judge, he is involved in many seminal cases in Irish legal history.
Clarke is the son of a customs officer who dies when he is aged eleven. His mother is a secretary. He is educated at Drimnagh Castle Secondary School, a Christian Brotherssecondary school in Dublin. He wins the Dublin Junior High Jump Championship in 1969. He studies Economics and Maths at undergraduate level at University College Dublin (UCD), while concurrently studying to become a barrister at King’s Inns. He is the first of his family to attend third level education and is able to attend university by receiving grants. While attending UCD, he loses an election to Adrian Hardiman to become auditor of the Literary and Historical Society (L&H).
Clarke is called to the Bar in 1973 and to the Inner Bar in 1985. He has a practice in commercial, constitutional and family law. Two years after commencing practice he appears as junior counsel for the applicant in State (Healy) v Donoghue before the Supreme Court, which establishes a constitutional right to legal aid in criminal cases.
Clarke represents Michael McGimpsey and his brother Christopher in a challenge against the constitutionality of the Anglo-Irish Agreement, which is ultimately unsuccessful in the Supreme Court in 1988.
Clarke appears for the plaintiff with Michael McDowell and Gerard Hogan in Cox v Ireland in 1990, where the Supreme Court first introduces proportionality into Irish constitutional law and discovers the right to earn a livelihood. He represents Seán Ardagh and the Oireachtas Subcommittee formed after the death of John Carthy in a constitutional case which limits the powers of investigation of the Oireachtas, which leads to the unsuccessful Thirtieth Amendment of the Constitution. In an action taken by tobacco companies to challenge the legality of bans on tobacco advertising, he appears for the State.
Clarke is Chairman of the Bar Council of Ireland from 1993 to 1995. Between 1999 and 2004, he acts as chair of Council of King’s Inns. He is a professor at the Kings’s Inns between 1978 and 1985 and is appointed an adjunct professor at University College Cork (UCC) in 2014. He also serves as an adjunct professor at Trinity College Dublin (TCD).
Clarke acts as a chair of the Employment Appeals Tribunal while still in practice. He is also a steward of the Turf Club and the chairman of Leopardstown Racecourse. He was due to take over as senior steward of the Turf Club but does not do so due to his appointment to the High Court.
Clarke is appointed as a High Court judge in 2004. He is chairman of the Referendum Commission for the second Lisbon Treaty referendum in 2009. As a High Court judge he gives a ruling on the Leas Cross nursing home case against RTÉ, that the public interest justifies the broadcasting of material that otherwise would have been protected by the right to privacy. He frequently presides over the Commercial Court during his time at the High Court. He is involved in the establishment of two High Court lists in Cork, Chancery and a Non-Jury List.
Clarke is appointed to the Supreme Court on February 9, 2012, and serves as Chief Justice from October 2017 until his retirement on October 10, 2021, required by law on his 70th birthday. In March 2021, the Cabinet begins the process of identifying his successor. Donal O’Donnell is selected to replace him. His final day in court is October 8, 2021, where judges, lawyers and civil servants make a large number of tributes to him. Mary Carolan of The Irish Times says that under his leadership the Supreme Court is “perhaps the most collegial it had been in some time.”
Following his retirement from the judiciary, Clarke resumes his practice as a barrister and rejoins the Bar of Ireland. Under the rules of the Bar of Ireland, he cannot appear before a court of equal or lesser jurisdiction to that on which he sat as a judge. Given that he was the most senior judge in Ireland, he cannot appear in any court in Ireland. He can appear in the European Union (EU) courts. However, he indicates his intention to focus on mediation and arbitration work.
Clarke has been married to Dr. Jacqueline Hayden since 1977. They have a son and a daughter. He is interested in rugby and horse racing, at one point owning several horses.
Matthew Gerard Sweeney, Irish poet, is born at Lifford, County Donegal, on October 6, 1952. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.
Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.
Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).
As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.
According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.
Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital in Wilton, Cork, on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”
Among those attending a special ceremony on August 8, 2018, at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.
Ó Brádaigh is born into a middle-class republican family. His father, Matt Brady, is an IRA volunteer who is severely wounded in an encounter with the Royal Irish Constabulary (RIC) in 1919. His mother, May Caffrey, is a Cumann na mBan volunteer and a 1922 graduate of University College Dublin (UCD). His father dies when he is ten and is given a paramilitary funeral led by his former IRA colleagues. His mother, prominent as the Secretary for the County Longford Board of Health, lives until 1974. He is educated at Melview National School at primary level and attends secondary school at St. Mel’s College, leaving in 1950, and graduates from University College Dublin in 1954. That year he takes a job teaching Irish language at Roscommon Vocational School in Roscommon. He is a deeply religious Catholic who refrains from smoking or drinking.
Ó Brádaigh joins Sinn Féin in 1950. While at university, in 1951, he joins the Irish Republican Army. In September 1951, he marches with the IRA at the unveiling of the Seán Russell monument in Fairview Park, Dublin. A teacher by profession, he is also a Training Officer for the IRA. In 1954, he is appointed to the Military Council of the IRA, a subcommittee set up by the IRA Army Council in 1950 to plan a military campaign against Royal Ulster Constabulary (RUC) barracks in Northern Ireland.
On August 13, 1955, Ó Brádaigh leads a ten-member IRA group in an arms raid on Hazebrouck Barracks, near Arborfield, Berkshire, England, a depot for the No. 5 Radar Training Battalion of the Royal Electrical and Mechanical Engineers. It is the biggest IRA arms raid in Britain. Most, if not all, of the weapons are recovered in a relatively short period of time. A van, traveling too fast, is stopped by the police and IRA personnel are arrested. Careful police work leads to weapons that had been transported in a second van and stored in London.
The IRA Border Campaign commences on December 12, 1956. As an IRA General Headquarters Staff (GHQ) officer, Ó Brádaigh is responsible for training the Teeling Column in the west of Ireland. During the Campaign, he serves as second-in-command of the Teeling Column. On December 30, 1956, he partakes in the Teeling Column attack on RUC barracks in Derrylin, County Fermanagh. RUC Constable John Scally is killed in the attack and is the first fatality of the new IRA campaign. Ó Brádaigh and others are arrested by the Garda Síochána across the border in County Cavan the day after the attack. They are tried and jailed for six months in Mountjoy Prison. A leading abstentionist, upon his arrest he refuses to recognize the authority of the Irish government and refuses to renounce violence in exchange for his release.
Upon completing his prison sentence, Ó Brádaigh is immediately interned at the Curragh Camp along with other republicans. On September 27, 1958, he escapes from the camp along with Dáithí Ó Conaill. While a football match is in progress, the pair cuts through a wire fence and escapes from the camp under a camouflage grass blanket. This is an official escape, authorised by the officer commanding (OC) of the IRA internees, Tomás Óg Mac Curtain. He is the first Sinn Féin TD on the run since the 1920s.
In October 1958, Ó Brádaigh becomes the IRA Chief of Staff, a position he holds until May 1959, when Seán Cronin is elected as his replacement. He is arrested in November 1959, refuses to answer questions, and is jailed in Mountjoy Prison under the Offences against the State Act. He is released in May 1960 and, after Cronin is arrested, again becomes Chief of Staff. Although he always emphasises that it is a collective declaration, he is the primary author of the statement ending the IRA Border Campaign in 1962. At the IRA 1962 Convention he indicates that he is not interested in continuing as Chief of Staff.
After Ó Brádaigh’s arrest in December 1956, he takes a leave from teaching at Roscommon Vocational School. He is re-instated and begins teaching again in late 1962, just after he is succeeded by Cathal Goulding in the position of Chief of Staff of the IRA. He remains an active member of Sinn Féin and is also a member of the IRA Army Council throughout the decade.
Ó Brádaigh opposes the decision of the IRA and Sinn Féin to drop abstentionism and to recognise the Westminster parliament in London, the Stormont parliament in Belfast and the Leinster House parliament in 1969/1970. On January 11, 1970, along with Seán Mac Stíofáin, he leads the walkout from the 1970 Sinn Féin Ard Fheis after the majority votes to end the policy of abstentionism, although the vote to change the Sinn Féin constitution fails to receive the required two-thirds majority. The delegates who walk out reconvene at the Kevin Barry Hall in Parnell Square, Dublin, and establish Provisional Sinn Féin.
Ó Brádaigh is voted chairman of the Caretaker Executive of Provisional Sinn Féin. That October, he formally becomes president of the party. He holds this position until 1983. In his presidential address to the 1971 Provisional Sinn Féin Ard Fheis, he says that the first step to achieving a United Ireland is to make Northern Ireland ungovernable. He apparently also serves on the Army Council or the executive of the Provisional Irish Republican Army until he is seriously injured in a car accident on January 1, 1984.
On May 31, 1972, Ó Brádaigh is arrested under the Offences Against the State Act and immediately commences a hunger strike. A fortnight later the charges against him are dropped and he is released. With Dáithí Ó Conaill he develops the Éire Nua policy, which is launched on June 28, 1972. The policy calls for a federal Ireland.
On December 3, 1972, Ó Brádaigh appears on the London Weekend TelevisionWeekend World programme. He is arrested by the Gardaí again on December 29, 1972, and charged in the newly established Special Criminal Court with Provisional IRA membership. In January 1973 he is the first person convicted under the Offences Against the State (Amendment) Act 1972 and is sentenced to six months in the Curragh Camp.
On December 10, 1974, Ó Brádaigh participates in the Feakle talks between the IRA Army Council and Sinn Féin leadership and the leaders of the Protestant churches in Ireland. Although the meeting is raided and broken up by the Gardaí, the Protestant churchmen pass on proposals from the IRA leadership to the British government. These proposals call on the British government to declare a commitment to withdraw, the election of an all-Ireland assembly to draft a new constitution and an amnesty for political prisoners.
The IRA subsequently calls a “total and complete” ceasefire intended to last from December 22, 1974, to January 2, 1975, to allow the British government to respond to proposals. British government officials also hold talks with Ó Brádaigh in his position as president of Sinn Féin from late December to January 17, 1975.
On February 10, 1975, the IRA Army Council, unanimously endorses an open-ended cessation of IRA “hostilities against Crown forces,” which becomes known as the 1975 truce. The IRA Chief of Staff at the time is Seamus Twomey of Belfast. It is reported in some quarters that the IRA leaders mistakenly believe they had persuaded the British Government to withdraw from Ireland and the protracted negotiations between themselves and British officials are the preamble to a public declaration of intent to withdraw. In fact, as British government papers now show, the British entertain talks with the IRA in the hope that this would fragment the movement further and score several intelligence coups during the talks. This bad faith embitters many in the republican movement, and another ceasefire does not happen until 1994.
In late December 1976, along with Joe Cahill, Ó Brádaigh meets two representatives of the Ulster Loyalist Central Co-ordinating Committee (ULCCC), John McKeague and John McClure, at the request of the latter body. Their purpose is to try to find a way to accommodate the ULCCC proposals for an independent Northern Ireland with the Sinn Féin’s Éire Nua programme. It is agreed that if this can be done, a joint Loyalist-Republican approach can then be made to request the British government to leave Ireland. Desmond BoalQC and Seán MacBrideSC are requested and accepted to represent the loyalist and republican positions. For months they have meetings in various places including Paris. The dialogue eventually collapses when Conor Cruise O’Brien, then Minister for Posts and Telegraphs and vociferous opponent of the Provisional IRA, becomes aware of it and condemns it on RTÉ Radio. As the loyalists had insisted on absolute secrecy, they feel unable to continue with the talks as a result.
In the aftermath of the 1975 truce, the Ó Brádaigh/Ó Conaill leadership comes under severe criticism from a younger generation of activists from Northern Ireland, headed by Gerry Adams, who becomes a vice-president of Sinn Féin in 1978. By the early 1980s, Ó Brádaigh’s position as president of Sinn Féin is openly under challenge and the Éire Nua policy is targeted in an effort to oust him. The policy is rejected at the 1981 Sinn Féin Ard Fheis and finally removed from the Sinn Féin constitution at the 1982 Ard Fheis. At the following year’s Ard Fheis, Ó Brádaigh and Ó Conaill resign from their leadership positions, voicing opposition to the dropping of the Éire Nua policy by the party.
On November 2, 1986, the majority of delegates to the Sinn Féin Ard Fheis vote to drop the policy of abstentionism if elected to Dáil Éireann, but not the British House of Commons or the Northern Ireland parliament at Stormont, thus ending the self-imposed ban on Sinn Féin elected representatives from taking seats at Leinster House. Ó Brádaigh and several supporters walk out and immediately assemble at Dublin’s West County Hotel and set up Republican Sinn Féin (RSF). As an ordinary member, he had earlier spoken out against the motion (resolution 162) in an impassioned speech. The Continuity IRA becomes publicly known in 1996. Republican Sinn Féin’s relationship with the Continuity IRA is similar to the relationship between Sinn Féin and the Provisional IRA when Ó Brádaigh was Sinn Féin’s president.
Ó Brádaigh believes RSF to be the sole legitimate continuation of the pre-1986 Sinn Féin, arguing that RSF has kept the original Sinn Féin constitution. RSF readopts and enhances his Éire Nua policy. His party has electoral success in only a few local elections.
Ó Brádaigh remains a vociferous opponent of the Good Friday Agreement, viewing it as a programme to copperfasten Irish partition and entrench sectarian divisions in the north. He condemns his erstwhile comrades in Provisional Sinn Féin and the Provisional IRA for decommissioning weapons while British troops remain in the country. In his opinion, “the Provo sell-out is the worst yet – unprecedented in Irish history.” He condemns the Provisional IRA’s decision to seal off a number of its arms dumps as “an overt act of treachery,” “treachery punishable by death” under IRA General Army Order Number 11.
In July 2005, Ó Brádaigh hands over a portion of his personal political papers detailing discussions between Irish Republican leaders and representatives of the British Government during 1974–1975 to the James Hardiman Library, National University of Ireland, Galway.
In September 2009, Ó Brádaigh announces his retirement as leader of Republican Sinn Féin. His successor is Des Dalton. He is also a long-standing member of the Celtic League, an organization which fosters cooperation between the Celtic people and promotes the culture, identity and eventual self-determination for the people, in the form of six sovereign states, for the Celtic nations – Wales, Cornwall, Brittany, Scotland, Isle of Man and Ireland.
After suffering a period of ill-health, Ó Brádaigh dies on June 5, 2013, at Roscommon County Hospital. His funeral is attended by 1,800 mourners including Fine Gael TD Frank Feighan and is policed by the Garda Emergency Response Unit and Gardaí in riot gear, for “operational reasons,” a show of force believed to have been to deter the republican tradition of firing a three-volley salute of shots over the final place of rest during the graveyard oration. As a result, there are some minor scuffles between gardai and mourners.
Colley is born in the Dublin suburb of Fairview on October 18, 1925, the son of Harry and Christina Colley. His father is a veteran of the 1916 Easter Rising and a former adjutant in the Irish Republican Army (IRA), who is elected to Dáil Éireann in 1944, as a Fianna Fáil candidate. He is educated at St. Joseph’s Secondary C.B.S. in Fairview, where one of his classmates and closest friends is Charles Haughey, who later becomes his political archrival. He studies law at University College Dublin (UCD) and qualifies as a solicitor in the mid-1940s. He remains friends with Haughey after leaving school and, ironically, encourages him to become a member of Fianna Fáil in 1951. Haughey is elected to Dáil Éireann in the 1957 Irish general election, ousting Colley’s father in the process. This puts some strain on the relationship between the two young men.
Colley is elected to the Dáil at the 1961 Irish general election, reclaiming his father’s old seat in the Dublin North-East constituency. Furthermore, he is elected in the same constituency as Haughey, thereby accentuating the rivalry. Thereafter, he progresses rapidly through the ranks of Fianna Fáil. He becomes a member of the Dáil at a time when a change from the older to the younger generation is taking place, a change facilitated by TaoiseachSeán Lemass.
Colley is active in the Oireachtas as chairman of some of the Joint Labour Committees, which are set up under the Labour Court, to fix legally enforceable wages for groups of workers who have not been effectively organised in trade unions. He is also leader of the Irish parliamentary delegation to the Consultative Assembly of the Council of Europe. His work as a backbencher is rewarded by his appointment as Parliamentary Secretary to the Minister for Lands in October 1964.
Following the return of Lemass’s government at the 1965 Irish general election, Colley joins the cabinet as Minister for Education. He introduces a plan to establish comprehensive schools, set up an advisory council on post-primary school accommodation in Dublin, and introduces a school psychological service.
Colley is promoted as Minister for Industry and Commerce in a cabinet reshuffle in July 1966, and he continues the government policy of economic expansion that had prevailed since the late 1950s.
In November 1966, Seán Lemass resigns suddenly as party leader. Colley contests the subsequent leadership election. He is the favoured candidate of party elders such as Seán MacEntee and Frank Aiken, the latter managing Colley’s campaign. Charles Haughey and Neil Blaney also declare their interest in the leadership; however, both withdraw when the Minister for Finance, Jack Lynch, announces his candidacy. Colley does not back down, and the leadership issue goes to a vote for the first time in the history of the Fianna Fáil party. The leadership election takes place on November 9, 1966, and Lynch beats Colley by 59 votes to 19. When the new Taoiseach announces his cabinet, Colley retains the Industry and Commerce portfolio.
In the wake of the Arms Crisis in 1970, a major reshuffle of the cabinet takes place, with four Ministers either removed, or resigned, or simply retired from the government due to the scandal. Colley remains loyal to the party leader and is rewarded by his appointment as Minister for Finance, the second most important position in government.
In 1973, Fianna Fáil are ousted after sixteen years in government when the national coalition of Fine Gael and the Labour Party come to power. Colley is appointed opposition Spokesman on Finance, in the new Fianna Fáil front bench. As the 1977 Irish general election approaches, Colley and Martin O’Donoghue are the main architects of Fianna Fáil’s election manifesto.
Fianna Fáil sweeps to power at the 1977 Irish general election, with a 20-seat Dáil majority, contrary to opinion polls and political commentators. Colley is re-appointed as Minister for Finance and Minister for the Public Service, and is also appointed as Tánaiste, establishing him firmly as the heir apparent to Taoiseach Jack Lynch.
In December 1979, Jack Lynch resigns unexpectedly as Taoiseach and as Fianna Fáil leader. Colley and Charles Haughey seek the leadership position and are evenly matched. A secret ballot is taken on December 7, 1979. The Minister for Foreign Affairs, Michael O’Kennedy, announces his support for Haughey on the eve of the election. This apparently swings the vote, and Haughey beats Colley by 44 votes to 38. Colley remains as Tánaiste but demands and receives a veto on Haughey’s ministerial appointments to the departments of Justice and Defence.
Fianna Fáil loses power at the 1981 Irish general election. Haughey delays naming a new opposition front bench, but Colley remains a key member of the Fianna Fáil hierarchy. The party regains office at the February 1982 Irish general election. He demands the same veto as before on Haughey’s Defence and Justice appointments but is refused. When it is revealed that Ray MacSharry is to be appointed Tánaiste in his stead, he declines another ministerial position. This effectively brings his front bench political career to an end, but he remains a vocal critic of the party leadership from the backbenches.
When the Fianna Fáil government collapses and are replaced by another coalition government after the November 1982 Irish general election, a number of TDs and Senators express lack of confidence in Haughey’s leadership once again. Several unsuccessful leadership challenges take place in late 1982 and early 1983, with Colley now supporting Desmond O’Malley and the Gang of 22 who oppose Haughey.
Colley dies suddenly on September 17, 1983, aged 57, while receiving treatment for a heart condition at Guy’s Hospital, Southwark, London. He is survived by his wife, three sons, and four daughters, one of whom, Anne Colley, becomes a TD as a member of the Progressive Democrats party.
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
Patrick Anthony HennessyRHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, is born in Cork, County Cork, on August 28, 1915. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.
Hennessy is the son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.
Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy-dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First-Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First-Class Distinction in 1937.
Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.
On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.
From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.
In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966, he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.
In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.
In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.
Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.
Ryan attributes to Pearse the saying “[G]ive me a hundred men and I will free Ireland!” He becomes part of a group of former students lodging in St. Enda’s while they go to university who join the Irish Republican Brotherhood (IRB). They meet in a safe house at Rathfarnham in 1911. The men take the tram from Rathfarnham to Nelson’s Pillar in central Dublin. Pearse once told his friend, “Let them talk! I am the most dangerous revolutionary of the whole lot of them!” In 1911, the Dungannon Clubs revive the Volunteers Militia movement. These clubs are not initially successful in Dublin but are more so in Belfast amongst nationalists. One of the northern members is the Dubliner Oscar Traynor, in his youth a professional footballer with Belfast Celtic F.C., later a war hero and later again a politician and Minister for Posts and Telegraphs.
Eoin MacNeill is appointed leader of the Irish Volunteers. Ryan writes that Pearse, a risk-taker and idealist, tells him MacNeill is “too tactful.” MacNeill is prepared to entertain the Irish Parliamentary Party with negotiations. Ryan quotes Pearse as saying, “[MacNeill] has the reputation of being tactful, but his tact consists in bowing to the will of the Redmondites every time. He never makes a fight except when they assail his personal honour, when he bridles up at once… very delicate position… he is weak, hopelessly weak.”
Pearse tells Ryan that MacNeill is “a Grattan come to life again.” Henry Grattan is a constitutional orator and MP in the Protestant-only 18th-century Irish House of Commons, but one of those who fiercely opposes the notorious Acts of Union 1800, secured by massive bribery (which is then repaid out of Irish taxes), making Ireland part of the United Kingdom. Moreover, MacNeill is an “inconclusive ditherer.” He wants the Irish Volunteers to be apolitical.
The Easter Rising is preceded by the revelation of the “Castle Document,” a plan by the British government to arrest the leaders of the Irish Volunteers and Irish Citizen Army and other radicals. Ryan claims that this document, presented to MacNeill on the Wednesday before the Rising and said to have been stolen from high-ranking British staff in Dublin Castle, is a forgery. Some claim that it is concocted by Joseph Plunkett with the implicit approval of Catholic Archbishop Cullen of Dublin, a sympathiser with Dublin Castle and Redmond’s war stratagem. “Forgery is a strong word,” Ryan says, “but that in its final form the document was a forgery no doubt can exist whatever.” Modern interpretation from Charles Townshend has judged the document to be genuine, and the opinion attributed to the Archbishop’s Palace as circumstantial. Grace Gifford, Plunkett’s widow, says that she was with Plunkett when he deciphered it at Larkfield House. Prior to his execution, Seán Mac Diarmada is met by a priest, and makes the assumptive response that it is a fraudulent document.
Ryan fights through the Easter Rising from April 24, 1916, in the General Post Office (GPO) under murderous artillery fire and describes the battle vividly in his witness statement to the Bureau of Military History. He describes the garrison retreating to Moore Street and quotes Pearse’s sculptor brother Willie Pearse, who is executed a few days later, as saying “Connolly has been asked out to negotiate. They have decided to go to save the men from slaughter, for slaughter it is.”
Ryan fights in the Irish War of Independence and afterwards writes about his experiences. However, the Irish Civil War which follows from June 1922 to April 1923 repels him. He cannot accept that Irishmen would fight Irishmen.
Ryan marries Sarah Hartley in 1933. In 1939 they return to Ireland, where he edits the Torch, a Labour paper. Finding his views at odds with the Labour Party‘s official line, publication ceases in 1944. He and his wife then move to Swords in north County Dublin, where they operate a poultry farm.
Larchet is born on July 13, 1884, at Sandymount, Dublin, the son of John Edward Larchet, manager of a wine business, and his wife Isabella Emily (née Farmar). Educated at the Catholic University School in Leeson Street, Dublin, he subsequently commences study under Michele Esposito at the Royal Irish Academy of Music (RIAM) in Dublin, winning many prizes for composition, theory, harmony, and counterpoint from 1903 to 1912. As a student at Trinity College Dublin (TCD), he obtains his Bachelor of Music in 1915 and Doctor of Music in 1917 and comes to dominate the music profession in Dublin over the next forty years, moulding the composers, teachers, and conductors of the next generation, while developing an Irish school of music based on folk tradition but writing in the modern idiom. A senior professor at the RIAM by 1920, the following year he is appointed professor of music at University College Dublin (UCD), where he remains until 1958, successfully establishing music as a serious discipline within the university. He is director of music examinations for Irish secondary schools (1907–34) and succeeds in raising standards of teaching, particularly with regard to rectifying weakness in the teaching of the theory of music.
Along with Aloys Fleischmann and composer Frederick May, Larchet keeps discourse on music in the public domain during the 1930s and 1940s, frequently addressing the need for a national school of music and a system of music education that would raise standards of musical appreciation and nurture a school of Irish composers.
Appointed music director at the Abbey Theatre in 1907, he is closely associated with Lady Gregory and W. B. Yeats, establishing a tradition of music at the theatre that delights critics. A popular myth at the time is that there are some who leave the theatre during the acts and return to enjoy Larchet’s music during the intervals. Appointed musical adviser to the army in 1923, he introduces a new philharmonic pitch, and serves as president of the Dublin Grand Opera Society for many years.
A fellow of the RIAM, Larchet also conducts the Dublin Amateur Orchestra Society, is choir master of the Jesuit church in Gardiner Street, Dublin, and organises annual orchestral concerts at the Royal Dublin Society (RDS). He is also involved in preparing a report for the commission on vocational organisation on behalf of the Musical Association of Ireland. The products of his own creative endeavour are mostly orchestral and choral works including An Ardglass Boat Song, Pádraic the Fiddler, and Diarmuid’s Lament.
Perhaps the main challenge facing Larchet in the 1920–50 period is the divide between “colonial” and “native” which has characterised the history of music in Ireland. A gentle-mannered, kindly man who is acutely aware of the lack of a national policy for music, he is a persuasive advocate of the European aesthetic and his main aim is said to have been “a reconciliation between the cultural chauvinism of Ireland as an emergent nation state and the central value (artistic as well as educational) of music as a vital dynamic in Irish cultural affairs.”
Although it can be argued that Larchet is not possessed of a uniquely original voice, with his authority coming rather from his enormous workload and his essential contribution as a teacher, it is no exaggeration to claim that the majority of Irish composers who emerge in the decades after the 1940s are influenced by his guidance, including Frank Llewellyn Harrison, Frederick May, Joan Trimble and Brian Boydell.
Larchet dies in Dublin on August 10, 1967. He is survived by his wife, Madeleine Moore, a well-known musician, and their two daughters and son, also musicians. His daughter, Sheila Larchet Cuthbert, is an Irish harpist and author. She publishes The Irish Harp Book: A Tutor and Companion (Dublin, 1975).
(From: “Larchet, John Francis” by Diarmaid Ferriter, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 