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Birth of Jack “Legs” Diamond, Irish American Gangster

Jack “Legs” Diamond, an Irish American gangster in Philadelphia and New York City during the Prohibition era also known as John Nolan and Gentleman Jack, is born in Philadelphia on July 10, 1897, to Sara and John Moran, who emigrated from Ireland to Philadelphia in 1891. A bootlegger and close associate of gambler Arnold Rothstein, he survives a number of attempts on his life between 1916 and 1931, causing him to be known as the “clay pigeon of the underworld.” In 1930, his nemesis Dutch Schultz remarks to his own gang, “Ain’t there nobody that can shoot this guy so he don’t bounce back?”

In 1899, Diamond’s younger brother Eddie is born. He and Eddie both struggle through grade school, and their mother suffers from severe arthritis and other health problems. She passes away on December 24, 1913, following complications brought on by a bacterial infection and a high fever. John Moran then moves his family to Brooklyn, New York.

Diamond soon joins a Manhattan street gang called the Hudson Dusters. His first arrest for burglary occurs when he breaks into a jewelry store on February 4, 1914. He serves in the United States Army in World War I but is convicted and jailed for desertion in 1918 or 1919. He serves two years of a three- to five-year sentence at Leavenworth Military Prison. After being released in 1921, he becomes a hired thug and later personal bodyguard for crime boss Arnold Rothstein.

Diamond is known for leading a rather flamboyant lifestyle. He is an energetic individual, his nickname “Legs” derived either from his being a good dancer or from how fast he could escape his enemies. His wife Alice is never supportive of his life of crime but does not do much to dissuade him from it. He is a womanizer, with his best-known mistress being a showgirl and dancer, Marion “Kiki” Roberts.

In the late 1920s, Prohibition is in force, and the sale of beer and other alcoholic beverages is illegal in the United States. Diamond travels to Europe to acquire beer and narcotics but fails. However, he does obtain liquor, which is dumped overboard in partially full barrels that float to Long Island as ships enter New York Harbor. He pays children a nickel for every barrel they bring to his trucks.

Following the death of Jacob “Little Augie” Orgen, Diamond oversees illegal alcohol sales in downtown Manhattan via the Hotsy Totsy Club, an establishment partly owned by Diamond on Broadway. This work brings him into conflict with Dutch Schultz, who wants to move beyond his base in Harlem. He also runs into trouble with other gangs in the city. On July 14, 1929, he and fellow gang member Charles Entratta shoot three drunken brawlers in the Hotsy Totsy Club. Two of the brawlers, William Cassidy and Simon Walker, are killed, while the survivor, Peter Cassidy, is severely wounded. The club’s bartender, three waiters, and the hat check girl vanish, with one of them being found shot dead in New Jersey. He is not charged but is forced to close the club.

In 1930, Diamond and two henchmen kidnap truck driver Grover Parks in Cairo, New York, demanding to know where he had obtained his load of hard cider. When Parks denies carrying anything, Diamond and his men beat and tortured Parks, eventually letting him go. A few months later, he is charged with the kidnapping of James Duncan. He is sent to Catskill, New York, for his first trial, but is acquitted. However, he is convicted in a federal case on related charges and sentenced to four years in jail. He is tried in December 1931 in Troy, New York, also for kidnapping, and is once again acquitted.

On August 23, 1930, Diamond, under the false name John Nolan, boards the ocean liner SS Belgenland, bound for Europe. The New York City Police Department (NYPD) suspect that he might have left the U.S. aboard RMS Olympic or RMS Baltic, but he is not found on either ship when they reach Europe. The NYPD then sends a wireless telegraph message to the crew of SS Belgenland, who reply that a man similar to Diamond’s description is among the passengers. Diamond spends much of the voyage in the ship’s smoking-room playing poker, with one report claiming that he won thousands of dollars in this game. The SS Belgenland‘s officers, however, refute this, saying his winnings were small.

The NYPD telegraphs police in England, France and Belgium with the warning that Diamond is an undesirable character. When SS Belgenland reaches Plymouth on August 31, Scotland Yard officers tell Diamond he will not be allowed to land in England. He tells reporters that he wants to travel to the French spa town of Vichy for “the cure.” He disembarks in Antwerp on September 1, where Belgian police take him to their headquarters. Eventually, he agrees to voluntarily leave Belgium and is put on a train to Germany. When his train reaches Aachen, German police arrest him. On September 6, the German government decides to deport Diamond. He is driven to Hamburg and put on the cargo ship Hannover for passage to Philadelphia.

On September 23, Hannover arrives in Philadelphia, and Diamond is immediately arrested by the Philadelphia police. At a court hearing that day, the judge says he will release him if he leaves Philadelphia within the hour. Diamond agrees.

On October 24, 1924, Diamond is shot and wounded by shotgun pellets, reportedly after trying to hijack liquor trucks belonging to a rival crime syndicate.

On October 16, 1927, Diamond tries to stop the murder of “Little Augie” Orgen. His brother Eddie is Orgen’s bodyguard, but Diamond substitutes for Eddie that day. As Orgen and he are walking down a street on Manhattan’s Lower East Side, three young men approach them and start shooting. Orgen is fatally wounded, and Diamond is shot twice below the heart. He is taken to Bellevue Hospital, where he eventually recovers. Police interview him in the hospital, but he refuses to identify any suspects or help the investigation in any way. Police initially suspect that he is an accomplice and charge him with homicide, but the charge is dropped. The assailants are supposedly hired by Lepke Buchalter and Jacob “Gurrah” Shapiro, who are seeking to encroach on Orgen’s garment-district labor rackets.

On October 12, 1930, Diamond is shot and wounded at the Hotel Monticello on Manhattan’s West Side. Two men force their way into his room and shoot him five times. Still in his pajamas, he staggers into the hallway and collapses. When asked later by the police commissioner how he managed to walk out of the room, he says he drank two shots of whiskey first. He is rushed to the Polyclinic Hospital, where he eventually recovers. He is discharged from Polyclinic on December 30, 1930.

On April 21, 1931, Diamond is arrested in Catskill on assault charges for the Parks beating in 1930. Two days later, he is released from the county jail on $25,000 bond. Five days later, he is again shot and wounded at the Aratoga Inn, a roadhouse near Cairo. After eating in the dining room with three companions, he is shot three times and collapses by the front door. A local resident drives him to a hospital in Albany, where he eventually recovers. On May 1, while he is still in the hospital, the New York State Police seize over $5,000 worth of illegal beer and alcohol from his hiding places in Cairo and at the Aratoga Inn.

In August 1931, Diamond and Paul Quattrocchi go on trial for bootlegging. The same month, he is convicted and sentenced to four years in state prison. In September 1931, he appeals his conviction.

On December 18, 1931, Diamond’s enemies finally catch up with him. He is staying in a rooming house on Dove Street in Albany while on trial for kidnapping in Troy. On the night of his acquittal, December 17, he and his family and friends visit a restaurant in Albany. At 1:00 a.m., he and mistress, Marion “Kiki” Roberts, entertain themselves at the Rain-Bo Room of the Kenmore Hotel on North Pearl Street.

At 4:30 a.m., Diamond drunkenly goes back to the rooming house and passes out on his bed. Two gunmen enter his room about an hour later. One man holds Diamond down and the other shoots him three times in the back of the head.

There is much speculation as to who is responsible for the murder. Likely candidates include Schultz, the Oley Brothers, the Albany Police Department, and relatives of Red Cassidy, another Irish American gangster at the time. According to author William Kennedy in his book O Albany, Dan O’Connell, who runs the local Democratic political machine, orders Diamond’s execution, which is carried out by the Albany police.

Given the power that the O’Connell machine holds in Albany and its determination to prevent organized crime, other than their own, from threatening their monopoly of vice in the city, some accept this account of the story. For those believing this theory, William Fitzpatrick’s promotion to chief of police is said to be a reward for executing Diamond. In 1945, Chief Fitzpatrick is shot and killed in his own office by John McElveney, an Albany police detective. McElveney is sentenced to 20 years to life in prison. He is released in 1957 when his sentence is commuted by Governor W. Averell Harriman.

On December 23, 1931, Diamond is buried at Mount Olivet Cemetery in Maspeth, Queens. There is no church service or graveside ceremony. Family and spectators numbering 200 attend the interment. No criminal figures are spotted.

On July 1, 1933, Alice Kenny Diamond, Diamond’s 33-year-old widow, is found shot to death in her Brooklyn apartment. It is speculated that she is shot by Diamond’s enemies to keep her quiet.


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Kidnapping of Brig. Gen. Cuthbert Henry Tindall Lucas by the IRA

Major General Cuthbert Henry Tindall Lucas, CB, CMG, DSO, DL, British Army officer, is captured by the Irish Republican Army (IRA) on June 26, 1920, during the Irish War of Independence. He also commands the 4th Infantry Division during the final months of World War I and serves in the Second Boer War.

Lucas is born in Hitchin, Hertfordshire, England, on March 1, 1879. He later attends Marlborough College and the Royal Military College, Sandhurst.

Lucas is commissioned as a second lieutenant into 2nd Battalion, the Royal Berkshire Regiment, on May 7, 1898. He serves with the battalion in South Africa during the Second Boer War from 1899 to 1902, taking part in operations in the Orange Free State from February to July 1900, in Transvaal from July to November 1900, and later in Cape Colony south of the Orange River. He is promoted to lieutenant on August 1, 1900, while in South Africa. After the end of the war in June 1902, he and the rest of the 2nd battalion is sent to Egypt, where they arrive on the SS Dominion in November 1902. He later serves in the Egyptian Army and Sudan Civil Service.

Lucas serves in World War I with the British Expeditionary Force (BEF) and fights at Gallipoli in 1915 where he is promoted to command the 87th Brigade of the 29th Division. He leads the brigade during the Battle of the Somme and into 1917 before becoming Commandant of the Machine Gun Corps training centre in 1918. He is appointed General Officer Commanding (GOC) 4th Infantry Division in October 1918 during the closing stages of the war.

On June 30, 1919, Lucas is appointed a deputy lieutenant of Hertfordshire. He is made Commander of 17th Infantry Brigade in Ireland, and of Fermoy Barracks, on October 30, 1919. On June 26, 1920, during the Irish War of Independence, he is captured by the IRA while he is fishing on the Munster Blackwater near Fermoy along with Colonels Tyrell and Danford. After Danford is wounded during an unsuccessful attempt to escape from a moving car the same day, the volunteers free Tyrell to attend to Danford’s wounds. Both Colonels are subsequently taken to a military hospital at Fermoy.

Lucas is subsequently held in West Limerick and East Clare.

A letter from his wife, announcing the birth of their child, and addressed simply “to the IRA”, is delivered to him and his captors allow a subsequent exchange of letters between the couple. His letters home remain in the possession of his descendants and are shown on an episode of the BBC Television programme Antiques Roadshow.

The IRA moves Lucas to East Limerick from where he escapes four weeks later. It is believed his captors purposely relax the guard to allow him to escape rather than be faced with the possibility of executing him. While being transferred from Pallas Royal Irish Constabulary (RIC) barracks to Tipperary military barracks in a routine army patrol they are ambushed, and Lucas receives a slight injury.

Lucas becomes Assistant Adjutant General at Aldershot Command in 1924 and serves with the staff at General Headquarters, British Army of the Rhine from 1927 before he retires to Stevenage in 1932. He dies on April 7, 1956, and is buried in Graveley, Hertfordshire. His wife, Joan Holdsworth, whom he marries in October 1917, dies on September 6, 1979, and is also buried in Graveley, Hertfordshire.

In 2014, Barbara Scully, a granddaughter of George Power, one of the IRA volunteers involved, publishes his recollections to his family of the kidnap in The Irish Times. This brings a friendly reply from Lucas’ granddaughter, Ruth Wheeler, in which she states that Lucas risked a court-martial for stating that during his kidnap and time in captivity he was treated as “a gentleman by gentlemen” and was held by “delightful people.”

Ireland’s Defence Forces have published online Bureau of Military History witness statements by the IRA volunteers involved in the kidnap, as well as those who guarded General Lucas while he was held as a prisoner of war.

In 2020 Lucas’s granddaughter, Ruth Wheeler, and other members of the Lucas family publish online the letters he wrote and received while in captivity. Limerick Councillor Emmett O’Brien and other local people in March 2019 announce an intent to re-enact the capture, imprisonment, and release of Lucas on the anniversary in 2020.

(Pictured: Cuthbert Henry Tindall Lucas, bromide print by Walter Stoneman, 1919, National Portrait Gallery)


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Birth of Horatio Herbert Kitchener, 1st Earl Kitchener

Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum and Broome in Kent, British Army officer and colonial administrator, is born on June 24, 1850, at Gunsborough Villa, north of Listowel, County Kerry.

Kitchener is the second son of Lieutenant Colonel Henry Horatio Kitchener and his first wife, Frances Anne (née Chevallier), daughter of clergyman John Chevallier. Col. Kitchener resigns his commission in 1849 and purchases Ballygoghlan House estate near Tarbert, County Kerry, in early 1850 under the provisions of the Encumbered Estates Act of 1849. Ballygoghlan House is in a state of disrepair, however, and the family lives in Gunsborough Villa until the end of 1850. In 1857, Col. Kitchener purchases Crotta House, near Kilflynn, County Kerry, and the Kitcheners divide their time between the two residences. While innovative and successful in his agricultural methods, Col. Kitchener is harsh towards his tenants and, after carrying out many evictions, becomes extremely unpopular in the area. He is a rigid disciplinarian and occasionally punishes his son severely.

Although Kitchener attends Ballylongford village school, his education is largely neglected. When examined by his cousin Francis Elliot Kitchener, fellow of Trinity College Dublin (TCD), he is found to have only the most rudimentary knowledge of grammar and arithmetic. Education by private tutors follows. In 1864, his father sells his Irish estates and moves to Switzerland for the sake of his wife’s health. After further private tuition, he passes into the Royal Military Academy, Woolwich, in 1868, and is commissioned into the Royal Engineers in December 1870.

Kitchener begins his career on survey missions and carries out such work in Palestine (1874–78) and Cyprus (1878–82). He then enters the Egyptian Army and takes part in the Sudan campaign of 1883–85, organised to relieve Genral Charles George Gordon. Subsequent appointments include governor of Suakin (1886–88), adjutant-general of the Egyptian Army (1888–92), and Sirdar (Commander-in-Chief) of the Egyptian Army (1892–96). After the Dongola Expedition in 1896, he is promoted to major-general. He commands the Khartoum Expedition of 1898, defeating Mahdist forces at Atbara and Omdurman, and is raised to the peerage.

At the outbreak of the Second Boer War in 1899, he is appointed chief of staff to Frederick Roberts, 1st Earl Roberts, and assumes total command, with the rank of lieutenant-general, in 1900. While acting as commander-in-chief in South Africa he reorganises the British forces and, using new tactics, manages finally to defeat the Boers. He is severely criticised in the world press for the conditions in the concentration camps where Boer families are confined, but is made a viscount, promoted to general, and awarded £50,000 by parliament at the end of the war.

Kitchener serves as commander-in-chief in India beginning in 1902, is promoted to Field Marshal in 1909, and is a member of the Committee of Imperial Defence (1910) and consul-general in Egypt (1911–14). At the outbreak of World War I he is made Secretary of State for War and begins to reorganise the British Army, an immense achievement, raising 1,700,000 men in service battalions by May 1915, creating an army of volunteers to reinforce the depleted regular army in Belgium and France. An archconservative, he totally opposes Home Rule for Ireland, and initially blocks plans by John Redmond for the formation of a southern Irish division from members of the National Volunteers. Convinced that an all-Irish brigade or division would be a security risk, he rejects Redmond’s suggestions in a meeting of August 1915 and originally proposes dispersing Irish recruits through the numerous regiments in the army. Impressed by Redmond’s persistence, and impelled by the recruiting crisis of late 1915, he finally reverses his decision and sanctions the establishment of the 16th (Irish) Division.

On June 5, 1916, Kitchener is making his way to Russia on HMS Hampshire to attend negotiations with Tsar Nicholas II when in bad weather the ship strikes a German mine 1.5 miles (2.4 km) west of Orkney, Scotland, and sinks. He is among 737 who perish. He is the highest-ranking British officer to die in action in the entire war.

Although he only spends his early years in Kerry, Kitchener occasionally returns to Ireland. While on leave in June 1910 he goes on a tour of County Kerry, visiting places connected to his childhood. There are numerous portraits and memorials to him in England, including a marble effigy by W. Reid Dick in St. Paul’s Cathedral in London and a statue by John Tweed in Horse Guards Parade, London. There is a commemorative bible in the Church of Ireland church at Kilflynn, County Kerry, where he regularly attended Sunday service as a boy. There are some Kitchener letters in the John Redmond papers in the National Library of Ireland.

(From: “Kitchener, Horatio Herbert” by David Murphy, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Stephen Lucius Gywnn, Writer & Politician

Stephen Lucius Gwynn, Irish journalist, biographer, author, poet and Protestant Nationalist politician, dies on June 11, 1950, at Terenure, Dublin. As a member of the Irish Parliamentary Party (IPP) he represents Galway Borough as its Member of Parliament from 1906 to 1918. He serves as a British Army officer in France during World War I and is a prominent proponent of Irish involvement in the Allied war effort. He founds the Irish Centre Party in 1919, but his moderate nationalism is eclipsed by the growing popularity of Sinn Féin.

Gwynn is born in St. Columba’s College in Rathfarnham, County Dublin, where his father John Gwynn (1827–1917), a biblical scholar and Church of Ireland clergyman, is warden. His mother, Lucy Josephine (1840–1907), is the daughter of the Irish nationalist William Smith O’Brien. He is the eldest of ten children (eight brothers and two sisters). Shortly after his birth the family moves to Ramelton in County Donegal to the parish where his father has been appointed parson. He later becomes Regius Professor of Divinity at Trinity College Dublin (TCD).

Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.

After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.

This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.

Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.

On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.

Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.

Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.

Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.

Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.

During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).

Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.

Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.

Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).

Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.


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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Helen Maybury Roe, Librarian & Antiquarian

Helen Maybury Roe, Irish librarian and antiquarian and a champion of medieval Irish art and iconography, dies on May 28, 1988, at Grove Nursing Home in Killiney, County Dublin.

Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.

In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.

Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.

Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.

The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.


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The “German Plot”

On Friday, May 17, 1918, the British government orders the arrest and imprisonment of all leading members of Sinn Féin, claiming they were involved in a plan to import arms from Germany. The British cover for these arrests is a bogus “German Plot,” which has since been thoroughly discredited.

The “German Plot” is a spurious conspiracy that the Dublin Castle administration in Ireland claims to exist between the Sinn Féin movement and the German Empire in May 1918. Allegedly, the two factions conspire to start an armed insurrection in Ireland during World War I, which would divert the British war effort. The administration uses these claims to justify the internment of Sinn Féin leaders, who are actively opposing attempts to introduce conscription in Ireland and more Irishmen being used as cannon fodder in service to their oppressors.

The “plot” originates on April 12 when the British arrest Joseph Dowling after he is put ashore in County Clare by a German U-boat. Dowling is a member of the Irish Brigade, one of several schemes by Roger Casement to get German assistance for the 1916 Easter Rising. Dowling now claims that the Germans are planning a military expedition to Ireland. William Reginald Hall and Basil Thomson believe him and convince the authorities to intern all Sinn Féin leaders. One hundred fifty are arrested on the night of May 17–18 and taken to prisons in England, including Éamon de Valera, Arthur Griffith, Constance Markievicz and W. T. Cosgrave. The introduction of internment and conscription reflects a decision of the British cabinet to take a harder line on the Irish Question following the failure of the Irish Convention.

Historian Paul McMahon characterises the “Plot” as “a striking illustration of the apparent manipulation of intelligence in order to prod the Irish authorities into more forceful action.” Republicans are tipped off about the impending arrests, allowing some to escape capture while others choose to be taken in order to secure a propaganda victory. The internment is counterproductive for the British, imprisoning the more accommodating Sinn Féin leadership while failing to capture members of the Irish Republican Brotherhood who are more committed to physical force republicanism.

The British live to regret one man who slips through their fingers that spring. Michael Collins uses the months he might have spent in an English prison assembling and consolidating his control of an intelligence organisation and putting it on a more focused military footing that soon makes the Empire squeal.

Even at the time, the proposition that the Sinn Féin leadership are directly planning with the German authorities to open another military front in Ireland is largely seen as spurious. Irish nationalists generally view the “German Plot” not as an intelligence failure but as a black propaganda project to discredit the Sinn Féin movement, particularly to an uninformed public in the United States. McMahon comments that this belief is mistaken, and that the authorities acted honestly but on the basis of faulty intelligence. It is still a matter of study and conjecture what impact it had on U.S. foreign policy regarding the 1919 bid for international recognition of the Irish Republic.

(Pictured: Dublin Castle, Dame Street, Dublin)


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Death of Iris Cummins, First Female Engineering Graduate at UCC

Iris Ashley Cummins, the first female engineer to graduate from University College Cork (UCC), dies in Dublin on April 30, 1968. She is also an international field hockey player.

Cummins is born on June 6, 1894, in Woodville, Glanmire, County Cork, to William Edward Ashley Cummins (1858–1923), professor of medicine at UCC, and Jane Constable Cummins (née Hall). Of her four sisters and six brothers, Geraldine is a renowned psychic and author, Jane serves as a squadron officer in the Women’s Royal Air Force (WRAF) during World War II and becomes a medical doctor, Mary is a gynaecologist and fellow of the Royal College of Physicians of Ireland (RCPI), and her brother Marshall is involved in setting up the first blood transfusion service in Cork.

Cummins begins to study at UCC in 1912. At that time, there are 78 women students out of the 420 students enrolled. She graduates with an engineering degree in 1915. During her time in engineering, she is editor of the Journal of the Engineering Society.

While she is in college, Cummins is on the Ireland field hockey team. She earns her first “cap” for hockey in 1914 and leads the college hockey team to victory in the Munster cup. The Irish hockey team tours the United States in 1925 with Cummins as the captain. With the team she goes to the White House at the invitation of Calvin Coolidge.

Cummins works for the Royal Arsenal with the munitions factory at Woolwich, London, and then the Vickers Limited factory at nearby Erith. She works in a shipyard in Scotland during World War I between 1915 and 1916 before returning to Cork. Initially, she finds it difficult to find work there.

In 1924, Cummins founds a private practice in the city and works there until 1927 at which time she is appointed to the Irish Land Commission in Dublin. She moves to Dublin and although she visits, she never returns to live in Cork. She retires from the Land Commission in 1954.

In 1927, Cummins becomes the first woman member of the Institution of Civil Engineers of Ireland.

Cummins is a Council member of the Women’s Engineering Society, having joined at the organisation’s inception. In December 1919, she writes an encouraging article in the very first edition of the society’s journal, The Woman Engineer. Based on her own Irish university experience, it lays out the practicalities of studies as well as social interactions likely to be encountered by a woman thinking of training as a civil engineer. The following year, she has another article published, this time in the Practical Engineer magazine, entitled The Suitability of Women for the Engineering Industries.

Twenty years later, in 1940, Cummins writes a lively piece entitled Women Engineers Overseas – in Eire for The Woman Engineer journal on her experiences as one of the earliest women engineers in Ireland. In this article, she recounts a tale of encountering the “oldest Inhabitant” of a very rural area, a proud owner of two fine horses, who on discovering “you must be an engineer, so would ye mind mending the electric light in the mare’s stable?”

Cummins dies at the age of 73 in Dublin on April 30, 1968.

(Pictured: Detail from photo of the 1913-14 2nd Year Engineering Class at University College Cork (UCC University Archives, OCLA, UCC))


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Birth of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, is born at Roebuck Grove, County Dublin, on April 22, 1894. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor (née Robinson), daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. Her mother dies two days after her birth. She is related to artists Nathaniel Hone and Nathaniel Hone the Younger.

Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and becoming one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: Portrait of Evie Hone by Hilda van Stockum)