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Death of Stephen Lucius Gywnn, Writer & Politician

Stephen Lucius Gwynn, Irish journalist, biographer, author, poet and Protestant Nationalist politician, dies on June 11, 1950, at Terenure, Dublin. As a member of the Irish Parliamentary Party (IPP) he represents Galway Borough as its Member of Parliament from 1906 to 1918. He serves as a British Army officer in France during World War I and is a prominent proponent of Irish involvement in the Allied war effort. He founds the Irish Centre Party in 1919, but his moderate nationalism is eclipsed by the growing popularity of Sinn Féin.

Gwynn is born in St. Columba’s College in Rathfarnham, County Dublin, where his father John Gwynn (1827–1917), a biblical scholar and Church of Ireland clergyman, is warden. His mother, Lucy Josephine (1840–1907), is the daughter of the Irish nationalist William Smith O’Brien. He is the eldest of ten children (eight brothers and two sisters). Shortly after his birth the family moves to Ramelton in County Donegal to the parish where his father has been appointed parson. He later becomes Regius Professor of Divinity at Trinity College Dublin (TCD).

Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.

After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.

This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.

Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.

On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.

Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.

Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.

Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.

Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.

During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).

Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.

Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.

Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).

Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.


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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Helen Maybury Roe, Librarian & Antiquarian

Helen Maybury Roe, Irish librarian and antiquarian and a champion of medieval Irish art and iconography, dies on May 28, 1988, at Grove Nursing Home in Killiney, County Dublin.

Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.

In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.

Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.

Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.

The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.


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The “German Plot”

On Friday, May 17, 1918, the British government orders the arrest and imprisonment of all leading members of Sinn Féin, claiming they were involved in a plan to import arms from Germany. The British cover for these arrests is a bogus “German Plot,” which has since been thoroughly discredited.

The “German Plot” is a spurious conspiracy that the Dublin Castle administration in Ireland claims to exist between the Sinn Féin movement and the German Empire in May 1918. Allegedly, the two factions conspire to start an armed insurrection in Ireland during World War I, which would divert the British war effort. The administration uses these claims to justify the internment of Sinn Féin leaders, who are actively opposing attempts to introduce conscription in Ireland and more Irishmen being used as cannon fodder in service to their oppressors.

The “plot” originates on April 12 when the British arrest Joseph Dowling after he is put ashore in County Clare by a German U-boat. Dowling is a member of the Irish Brigade, one of several schemes by Roger Casement to get German assistance for the 1916 Easter Rising. Dowling now claims that the Germans are planning a military expedition to Ireland. William Reginald Hall and Basil Thomson believe him and convince the authorities to intern all Sinn Féin leaders. One hundred fifty are arrested on the night of May 17–18 and taken to prisons in England, including Éamon de Valera, Arthur Griffith, Constance Markievicz and W. T. Cosgrave. The introduction of internment and conscription reflects a decision of the British cabinet to take a harder line on the Irish Question following the failure of the Irish Convention.

Historian Paul McMahon characterises the “Plot” as “a striking illustration of the apparent manipulation of intelligence in order to prod the Irish authorities into more forceful action.” Republicans are tipped off about the impending arrests, allowing some to escape capture while others choose to be taken in order to secure a propaganda victory. The internment is counterproductive for the British, imprisoning the more accommodating Sinn Féin leadership while failing to capture members of the Irish Republican Brotherhood who are more committed to physical force republicanism.

The British live to regret one man who slips through their fingers that spring. Michael Collins uses the months he might have spent in an English prison assembling and consolidating his control of an intelligence organisation and putting it on a more focused military footing that soon makes the Empire squeal.

Even at the time, the proposition that the Sinn Féin leadership are directly planning with the German authorities to open another military front in Ireland is largely seen as spurious. Irish nationalists generally view the “German Plot” not as an intelligence failure but as a black propaganda project to discredit the Sinn Féin movement, particularly to an uninformed public in the United States. McMahon comments that this belief is mistaken, and that the authorities acted honestly but on the basis of faulty intelligence. It is still a matter of study and conjecture what impact it had on U.S. foreign policy regarding the 1919 bid for international recognition of the Irish Republic.

(Pictured: Dublin Castle, Dame Street, Dublin)


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Death of Iris Cummins, First Female Engineering Graduate at UCC

Iris Ashley Cummins, the first female engineer to graduate from University College Cork (UCC), dies in Dublin on April 30, 1968. She is also an international field hockey player.

Cummins is born on June 6, 1894, in Woodville, Glanmire, County Cork, to William Edward Ashley Cummins (1858–1923), professor of medicine at UCC, and Jane Constable Cummins (née Hall). Of her four sisters and six brothers, Geraldine is a renowned psychic and author, Jane serves as a squadron officer in the Women’s Royal Air Force (WRAF) during World War II and becomes a medical doctor, Mary is a gynaecologist and fellow of the Royal College of Physicians of Ireland (RCPI), and her brother Marshall is involved in setting up the first blood transfusion service in Cork.

Cummins begins to study at UCC in 1912. At that time, there are 78 women students out of the 420 students enrolled. She graduates with an engineering degree in 1915. During her time in engineering, she is editor of the Journal of the Engineering Society.

While she is in college, Cummins is on the Ireland field hockey team. She earns her first “cap” for hockey in 1914 and leads the college hockey team to victory in the Munster cup. The Irish hockey team tours the United States in 1925 with Cummins as the captain. With the team she goes to the White House at the invitation of Calvin Coolidge.

Cummins works for the Royal Arsenal with the munitions factory at Woolwich, London, and then the Vickers Limited factory at nearby Erith. She works in a shipyard in Scotland during World War I between 1915 and 1916 before returning to Cork. Initially, she finds it difficult to find work there.

In 1924, Cummins founds a private practice in the city and works there until 1927 at which time she is appointed to the Irish Land Commission in Dublin. She moves to Dublin and although she visits, she never returns to live in Cork. She retires from the Land Commission in 1954.

In 1927, Cummins becomes the first woman member of the Institution of Civil Engineers of Ireland.

Cummins is a Council member of the Women’s Engineering Society, having joined at the organisation’s inception. In December 1919, she writes an encouraging article in the very first edition of the society’s journal, The Woman Engineer. Based on her own Irish university experience, it lays out the practicalities of studies as well as social interactions likely to be encountered by a woman thinking of training as a civil engineer. The following year, she has another article published, this time in the Practical Engineer magazine, entitled The Suitability of Women for the Engineering Industries.

Twenty years later, in 1940, Cummins writes a lively piece entitled Women Engineers Overseas – in Eire for The Woman Engineer journal on her experiences as one of the earliest women engineers in Ireland. In this article, she recounts a tale of encountering the “oldest Inhabitant” of a very rural area, a proud owner of two fine horses, who on discovering “you must be an engineer, so would ye mind mending the electric light in the mare’s stable?”

Cummins dies at the age of 73 in Dublin on April 30, 1968.

(Pictured: Detail from photo of the 1913-14 2nd Year Engineering Class at University College Cork (UCC University Archives, OCLA, UCC))


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Birth of Evie Hone, Painter & Stained Glass Artist

Eva Sydney Hone RHA, Irish painter and stained glass artist usually known as Evie, is born at Roebuck Grove, County Dublin, on April 22, 1894. She is considered to be an early pioneer of cubism, although her best known works are stained glass. Her most notable pieces are the East Window in the Chapel at Eton College, which depicts the Crucifixion, and My Four Green Fields, which is now in the Government Buildings in Dublin.

Hone is the youngest daughter of Joseph Hone, of the Hone family, and Eva Eleanor (née Robinson), daughter of Sir Henry Robinson and granddaughter of Arthur Annesley, 10th Viscount Valentia. Her mother dies two days after her birth. She is related to artists Nathaniel Hone and Nathaniel Hone the Younger.

Shortly before her twelfth birthday, Hone suffers from polio (infant paralysis), suffering a fall while helping to decorate the Taney parish church for Easter. Her resulting ill health leads to her seeking treatment in Harley Street, Marylebone, Central London. She is educated by a governess, continuing her education in Switzerland, and goes on tours to Spain and Italy before moving to London in 1913. Her three sisters all marry British Army officers, and all are widowed in World War I.

Hone studies at the Byam Shaw School of Art in London and then under Bernard Meninsky at the Central School of Arts and Crafts. She meets Mainie Jellett when both are studying under Walter Sickert at the Westminster Technical Institute. She works under André Lhote and Albert Gleizes in Paris before returning to become influential in the modern movement in Ireland and becoming one of the founders of the Irish Exhibition of Living Art. She is considered an early pioneer of Cubism but in the 1930s turns to stained glass, which she studies with Wilhelmina Geddes.

Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This possibly influences her decision to begin working in stained glass. Initially, she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.

Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped in 1940 on the school during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.

Despite ill health, Hone continues to produce a huge number of small stained glass panels as well as oils, watercolours, and gouache landscapes. In 1953, she is represented at the Contemporary Irish Art exhibition at Aberystwyth, Wales, and at the Tate gallery in London, receiving as well an honorary LLD from Trinity College Dublin (TCD). In 1954, she is elected an honorary member of the Royal Hibernian Academy (RHA).

Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.

(Pictured: Portrait of Evie Hone by Hilda van Stockum)


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Roger Casement’s Efforts to Gain German Military Aid Ends

During World War I, Roger Casement makes efforts to gain German military aid for the 1916 Easter Rising. His journey on the German submarine SM U-19 comes to an end on April 21, 1916.

In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.

Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.

Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.

About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.

Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.

About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.

The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.

Casement’s trial at bar opens at the Royal Courts of Justice on June 26, 1916, before the Lord Chief Justice (Viscount Reading), Justice Horace Avory, and Justice Thomas Horridge. Refusing to agree to a “guilty but insane” plea, he is subsequently found guilty and sentenced to be hanged. He unsuccessfully appeals against his conviction and death sentence.

On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.

Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Death of Ella MacMahon, Romance Novelist

Ella MacMahon, prolific Irish romance novelist, dies in the United Kingdom on April 19, 1956.

MacMahon is born Eleanor Harriet on July 23, 1864, in Dublin, the elder of two children of the Rev. John Henry MacMahon (1829–1900), curate of St. Werburgh’s Church, Dublin (1860-71), and later chaplain of Mountjoy Prison (1887–1900), and Frances MacMahon (née Snagge). Her father is also secretary to the board of religious education of the Church of Ireland, editor of The Irish Ecclesiastical Gazette, and author of four books, including a translation of Aristotle‘s Metaphysics (1857) and Church and State in England, Its Origin and Use (1872).

MacMahon, who is educated at home, is also literary. From the 1890s she begins contributing to periodicals such as the New Ireland Review, for which she writes on local history. Her first novel, A New Note, appears in 1894 and over the next thirty-five years she is prolific, publishing over twenty novels as well as making numerous contributions to magazines, and several to BBC radio programmes. She is unmarried and writing is her main source of income, but during World War I she works as a civil servant in various government departments including War, Trade, and the newly created Intelligence department. Afterward she lives in Brockenhurst, Hampshire, England, and converts at some stage to Catholicism.

MacMahon’s novels are romances. Typical of them is An Honorable Estate (1898), which features an English heiress marrying an impoverished Irish clergyman in a fit of pique, only to fall in love with him. They are undemanding but entertaining and occasionally ironic, with clever social commentary. Irish Book Lover, a quarterly review of Irish literature and bibliography, commends The Job (1914) for its insightful and sympathetic characterisation. It is an account of a baronet‘s struggle to improve his Irish estate despite the fecklessness of the inhabitants. Ireland is a frequent setting for her stories. Her view of it verges on the sentimental, and she often features eccentric but ultimately good-hearted country people.

However, MacMahon’s last book, Wind of Dawn (1927), is a more profound, interesting study. Set during the Irish War of Independence and the truce, it looks at the complexities within Irish society and the differences in attitude between the Anglo- and native Irish. Rich in characters, it features a naive English girl in love with Ireland, a papist-hating domestic servant, and an ascendancy grande dame who finds England monotonous but is adamant that her children will be educated there and will not acquire a brogue. Unlike MacMahon’s other books, it is not a romance and ends in tragedy and then acceptance for the coming change of regime. It reads like a lesser novel by Elizabeth Bowen and resembles in theme and argument, though not in quality, The Last September (1929), which it predates. Unfortunately, she is not inspired to go further in this line. She writes no more and retires on a government civil pension.

By the time of her death on April 19, 1956, MacMahon has fallen into complete obscurity, and surprisingly, given the quantity and relative merit of her work, she has no entry to date in any of the numerous anthologies of Irish or women writers.


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Birth of George Roupell, British Army Officer & Victoria Cross Recipient

Brigadier George Rowland Patrick Roupell, VC, CB, DL, a senior officer in the British Army and a recipient of the Victoria Cross, the highest award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces, is born on April 7, 1892, in Tipperary, County Tipperary.

Roupell is born into a military family. His father, Francis Frederick Fyler Roupell, having served with the British Army in the 70th (Surrey) Regiment of Foot and commanded the 1st Battalion, East Surrey Regiment from 1895 to 1899, is promoted to colonel in 1901. He had married Edith Maria Bryden at Kingston in 1887.

Roupell is educated at Rossall School and the Royal Military College, Sandhurst. He is commissioned into the East Surrey Regiment, his father’s regiment, on March 2, 1912, and is appointed a lieutenant on April 29, 1914, shortly before the outbreak of World War I.

At the outbreak of war in the summer of 1914, the 1st Battalion the East Surreys are deployed as part of the British Expeditionary Force (BEF) into northern Belgium. Roupell commands a platoon in the BEF’s first major action, the Battle of Mons, in August 1914. He keeps a diary throughout the war, which has since been a, sometimes humorous, source of insight and observation on the events that he witnessed and participated in. In the trenches at Mons, he recounts how he had to hit his men on the backside with his sword in order to gain their attention and remind them to fire low as they had been taught.

Soon after, following the retreat from Mons in September 1914, Roupell leads his platoon in the First Battle of the Aisne. Once again, he comes under heavy fire, this time while crossing the Aisne on a raft. The Surreys’ advance is pushed back with heavy casualties.

On April 20, 1915, during the continued fighting around Ypres, Roupell is commanding a company of his battalion in a front trench on “Hill 60,” which is subjected to a most severe bombardment throughout the day. Although wounded in several places, he remains at his post and leads his company in repelling a strong German assault. During a lull in the bombardment, he has his wounds hurriedly dressed, and then insists on returning to his trench, which is again being subjected to severe bombardment. Toward evening, his company being dangerously weakened, he goes back to his battalion headquarters, represents the situation to his commanding officer, and brings up reinforcements, passing back and forth over ground swept by heavy fire. With these reinforcements he holds his position throughout the night, and until his battalion is relieved next morning. For these actions he is awarded the Victoria Cross.

Roupell is presented with his VC by King George V on July 12, 1915. In addition to his Victoria Cross, he is awarded the Russian Order of St. George (4th Class) and the French Croix de guerre and is mentioned in dispatches. He is retrospectively appointed temporary captain with effect from December 29, 1914, to April 20, 1915, inclusive, and again later the same year.

Roupell is aboard TSS The Queen when it is captured and sunk in the English Channel in October 1916. He is appointed acting brigade major on December 29, 1917. On May 9, 1918, he is seconded to the general staff with the rank of temporary major.

Following the end of hostilities in Europe, Roupell, still an acting major, is promoted to acting lieutenant colonel in charge of a battalion from December 1918 to March 1919. His appointment to the general staff is confirmed on July 1, 1919. During this time, he is attached to the allied force under Edmund Ironside and sent to support Tsarist Russians as part of the Allied intervention in the Russian Civil War. On a visit to a Tsarist unit, they mutiny, and he and others are taken prisoner near Arkhangelsk, sent to Moscow, and finally repatriated in 1920.

Early in 1921, Roupell marries Doris P. Sant in Paddington. Daughter Phoebe and son Peter are born in 1922 and 1925, respectively.

Roupell’s inter-war military career continues with appointments as staff captain (1921), brigade major (1926), and promotion to substantive major (1928). During the inter-war period, he serves in Gibraltar, the Regimental Depot, India and the Sudan and he attends the Staff College, Camberley. As major (GSO2), he spends two years from 1929 at the Royal Military College of Canada, and in 1934 a year with the British troops in China. Following his return, he is promoted to lieutenant colonel in 1935.

At the outbreak of World War II, in September 1939, Roupell is promoted to colonel and made an acting brigadier, placed in command of 36th Infantry Brigade from October 7, 1939. His brigade is deployed as part of the 12th (Eastern) Division in April 1940 and becomes part of the British Expeditionary Force (BEF), taking part in the Battle of France. The German thrust near the river Somme toward Abbeville eventually cuts off the BEF, northern French and Belgian forces from the rest of France. His brigade headquarters near Doullens is attacked by enemy troops and, on being told of the threat, he exclaims, “Never mind the Germans. I’m just going to finish my cup of tea.”

When the brigade headquarters is overrun on May 20, 1940, Roupell gives the order for the survivors to split up into small groups and endeavour to re-contact Allied troops. He, with a captain and French interpreter, avoid capture, hiding by day and walking at night for over a month. They arrive at a farm near Rouen where the two officers remain for almost two years, working as labourers. With the help of the French Resistance, they are moved through unoccupied France into non-belligerent Spain, finally boarding a ship in Gibraltar and returning to the United Kingdom.

Following his return, Roupell is appointed commanding officer of the 114th Brigade, part of the 38th (Welsh) Infantry Division, on March 18, 1943, a command he holds until November 2 of that year. The brigade is not destined to see battle, however, and he is soon appointed as garrison commander at Chatham, where he remains until retirement.

In 1946, Roupell is formally retired from the army on retirement pay and granted the honorary rank of brigadier and, at the age of 58, is excused from the reserve list of officers in 1950. He is appointed a Deputy lieutenant of Surrey in 1953.

In 1954, Roupell is appointed Colonel of the East Surreys, succeeding Lieutenant General Arthur Dowler, and is to be the last Colonel of the East Surrey Regiment, relinquishing office in 1959 when amalgamation with the Queen’s Royal Regiment (West Surrey) takes place to form the Queen’s Royal Surrey Regiment. He is appointed a Companion of the Order of the Bath in 1956.

Roupell dies at the age of 81 in Shalford, Surrey, on March 4, 1974. His body is cremated at Guildford Crematorium, where his ashes are scattered.