Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.
Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching.
Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.
In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.
Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.
Josephine McNeill, Irish diplomat, dies in Dublin on November 19, 1969. She is the first Irish female diplomat appointed to represent Ireland abroad in a ministerial capacity.
McNeill is born Josephine Ahearne on March 31, 1895, in Fermoy, County Cork, the daughter of shopkeeper and hotelier, James Ahearne, and his wife Ellen Ahearne (née O’Brien). She attends the Loretto Convent, Fermoy, and goes on to graduate from University College Dublin (UCD) with a BA, H.Dip.Ed. in French and German. With this she begins a teaching career, at St. Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde. Scoil Íde, the female counterpart to St. Enda’s School, had been established by her friend, Louise Gavan Duffy. She is fluent in the Irish language and takes an active part in the cultural elements of the Irish independence movement, such as literature and music. She is a member of Cumann na mBan, serving as a member of the executive committee in 1921.
After the death of her husband in 1938, McNeill becomes the honorary secretary of the council of the Friends of the National Collections, as well as serving as chair of the executive committee of the Irish Countrywomen’s Association until 1950. As a member of the Department of External Affairs advisory committee on cultural relations, she writes on economic, social and cultural issues. She represents Ireland at the UNESCO general assembly in Paris in 1949.
McNeill is an active member of Clann na Poblachta from its foundation in 1946. She is appointed the minister to the Netherlands in 1950 by Seán MacBride, making her the first Irish female diplomat to represent the Republic of Ireland abroad in a ministerial capacity. This appointment is not well received by diplomats in the Department of External Affairs. Her reports from The Hague focus on the issues the Netherlands faces with decolonisation. In 1955, she becomes the minister to Sweden, going on to hold the joint appointment to Austria and Switzerland from 1956 to 1960, after which she retires. While serving in Switzerland she puts aside the resentment she feels towards Éamon de Valera based on how he had treated her husband, to sit with him during a convalescence while de Valera recovers from an eye operation.
McNeill is an amateur pianist and collects paintings and porcelains. In 1933, she publishes the Irish language book, Finnsgéalta ó India.
On November 18, 1926, George Bernard Shaw refuses to accept the Nobel Prize in Literature prize money of £7,000 awarded to him a year earlier. He says, “I can forgive Alfred Nobel for his invention of the explosive but only the devil can think of the Nobel Prize.”
Shaw is born in Dublin on July 26, 1856, the third child of George Carr Shaw, a civil servant who later turns to a failed grain business to become an alcoholic, and Lucinda Elizabeth Shaw, a professional singer and sister of the famous opera singer Lucinda Frances. He is initially poor but is gifted with music and soon understands and loves the work of famous musicians and learns more about painting in Dublin. At the age of 15, he works as an apprentice and cashier for a real estate firm.
In 1876, Shaw follows his mother and two sisters to London. There he writes music reviews for newspapers to earn money, self-studies and actively participates in social activities. In 1884, he joins the founding of Fabian Society, an organization of British intellectuals advocating transition from capitalism to socialism by way of peace. From 1879 to 1883, he writes his first novel, Immaturity, and five other works that are not printed. An Unsocial Socialist is the first novel to be printed in 1887. Considered the father of “conceptual drama,” he begins writing plays in 1885, but achieves initial fame with Widowers’ Houses (1892). By 1903, his drama takes over the American and German stage, and in 1904 dominates the domestic stage. He becomes even more famous when Edward VII, the King of England, attends the performance of John Bull’s Other Island (1904), after which his drama spreads to European countries.
In addition, Shaw is also considered the best playwright in Britain at the time. He wants to use art to awaken people first to require changing the bourgeoisie order with all its institutions and customs. He emphasizes the educational function of the theater, but seeing the function of education is not an imposition from the playwright but arousing the aesthetic needs of the audience. The harsh problems of contemporary society such as the island’s predominant power, exploitative patterns, and the poverty of the people lead to social evils clearly reflected in his drama. His drama style tends to be satirical, sarcastic, finding its way to truth through paradoxes.
Shaw’s youngest dream is to earn a sum of money, then marry a wealthy wife. However, before becoming so wealthy that he can spend $ 35,000 on charity and enough money to travel around the world, he goes through many years of hardship. In the first nine years of his career, he receives only $30 USD in royalties. He is so poor that he does not even have the toll to get his manuscript to publishers. His clothes are tattered, his shoes open. All of his spending comes from his mother’s allowance. When he gets his name and remembers the miserable days, he often frowns, “I should have supported my family, the results are the opposite. I have never done anything for my family, and my mother has to work, raising me even though I was an adult.” Shaw, however, decides not to give up writing.
Realizing that, Shaw looks at the real royalties by publishing novels and the journey to the desired destination seems far away. He then turns to writing plays. He calculates that if the script is made public, the author will have revenue through the number of tickets issued and the number of shows. At the same time, the name of the author is also quickly known to the public. On the other hand, he says, only theater can “awaken people before the change of modern social order with all its institutions and customs.” He also judges that in addition to entertainment functions, the drama also contains the function of education, through arousing the aesthetic needs of the audience. He does not hesitate to bring to the stage all the most pressing issues of contemporary society such as the money’s inertia, the poverty of the people, and the social evils.
Saint Joan (1923) is judged to be the culmination of Shaw’s writing career. It is performed throughout European stages and is very popular. Two years after the release of Saint Joan, he is awarded the Nobel Prize for “the ideological and highly humanistic compositions, especially the spectacular satirical plays, combined with looks. Strange beauty of poetry.” When notified of his winning of the Nobel Prize, he humorously says, “The Nobel Prize for literature is like a float thrown to a swimmer.” Although he thinks he is the “swimmer to the shore,” he never leaves the pen. Thirteen years after receiving the Nobel Prize, Pygmalion, a script he wrote in 1912, is made into a film and receives the Academy Award for Best Adapted Screenplay.
In terms of scenario remuneration, Shaw receives an average of $100,000 a year, enough to spend on life, “reproduce” writing and traveling. It is only possible to marry a wealthy wife until the age of 40 years old. He always thinks that he “has no marriage status because he always worries others.” In terms of form, he is not very attractive because of his skinny body, but watching as the sisters do not allow him to carry out his intention to preserve his “absolute freedom.” Many beautiful female actors actively proclaim marriage proposal to Shaw, but he always uses humorous sentences to refuse.
Describing the George Bernard Shaw, Albert Einstein‘s physical genius after having met him has to say, “There are rare people who are so independent that they can see the weaknesses and absurdities of contemporaries. and at the same time do not let me get into it, but even so, when I encounter the hardships of life, these lonely people often lose their courage in helping humanity, with subtle humor and gentleness, can enthrall contemporaries and deserve to be torchbearers on the way of art’s unfavorable ways, today, with a passionate affection, I salute celebrate the biggest teacher on that path – the one who taught us and made us all feel happy.” It is a rare meeting of two great people in London in the fall of 1930.
(From: “November 18, 1926 – George Bernard Shaw refuses to receive a Nobel prize,” ScienceInfo.net, updated December 17, 2018)
Craig, known as Jim, grows up in an Ulster Protestant family on the Shankill Road. In the early 1970s, he, a former boxer, is sent to the HM Prison Maze for a criminal offence unrelated to paramilitary activities. While serving his sentence at the Maze he joins the Ulster Defence Association (UDA), and is asked by the organisation’s commander at the time, Charles Harding Smith, to take control of the UDA prisoners inside, on account of his reputation as a “hard man.”
After his release in 1976, Craig sets up a large protection racket and becomes the UDA’s chief fundraiser. By 1985, he has managed to blackmail and extort money from a number of construction firms, building sites, as well as pubs, clubs, and shops in Belfast and elsewhere in Northern Ireland, whose intimidated owners pay protection money out of fear of Craig and his associates. It is alleged that the UDA receives hundreds of thousands of pounds, some of which also find their way inside Craig’s pockets as part of his “commission.” He is acquitted on a firearm charge and Ulster Freedom Fighters (a cover name for the UDA) membership on March 18, 1982. In 1985, he is brought to court after a number of businessmen decide to testify against him, with the condition that their identities remained hidden. The case falls apart when Craig’s defence argues that his client’s rights were violated by the concealment of the witnesses’ identities.
Craig allegedly is involved in the double killing of a Catholic man and a Protestant man on the Shankill Road in 1977. The men, both colleagues, had entered a loyalist club and were later stabbed, shot and put into a car which was set on fire. By this time the UDA West Belfast Brigade no longer wants him in their ranks, as they claim they can no longer “afford him.” Craig, who is ordered to leave the Shankill Road, goes on to join forces with John McMichael’sSouth Belfast Brigade. In addition to being the principal fundraiser, he also sits on the UDA’s Inner Council. He usually travels in the company of his bodyguard, Artie Fee, a UDA member from the Shankill Road.
The rival Ulster Volunteer Force (UVF) carries out an investigation after it is rumoured Craig has been involved in the death of UVF major William Marchant, who is gunned down by Provisional Irish Republican Army gunmen from a passing car on the Shankill Road on April 28, 1987. Marchant is the third high-ranking UVF man to be killed by the IRA during the 1980s. Although their inquiries reveal that Craig had quarrelled with Marchant as well as Lenny Murphy and John Bingham prior to their killings, the UVF feel that there is not enough evidence to warrant an attack on such a powerful UDA figure as Craig.
In December 1987, when UDA South Belfast brigadier John McMichael is blown up by an IRA booby-trap car bomb outside his home in Lisburn‘s Hilden estate, it is believed that Craig had organised his death with the IRA. Allegedly Craig fears McMichael is about to expose his racketeering business, thus putting an end to his lucrative operation. McMichael reportedly sets up an inquiry and discovers that Craig is spending money on a lavish scale, going on holidays at least twice a year and indulging in a “champagne lifestyle.” At the same time, it is suggested that Craig has made certain deals with Irish republican paramilitary groups, dividing up the rackets in west Belfast, and he would be doing the IRA a favour by helping them to eliminate a high-profile loyalist such as McMichael. Craig has established links with republicans during his time in prison, and the profitable deals and exchanges of information between them ensures he will most likely not be a target for IRA assassination.
Craig is named as an extortionist in Central Television’s 1987 programme The Cook Report. He plans to sue the programme’s producers for libel. In January 1988, Jack Kielty (father of future television presenter Patrick Kielty), a building contractor from County Down who had promised to testify as a key witness against Craig, is murdered by the UDA. This killing is attributed to Craig, although it is never proven.
Craig is shot dead by two gunmen from the UDA in “The Castle Inn” (later called “The Bunch of Grapes”), a pub in Beersbridge Road, east Belfast on October 15, 1988, where he has been lured in the belief that there is to be a UDA meeting. He is playing pool in the pub at the time of his fatal shooting by the two men, both of whom are wearing boilersuits and ski masks and carrying automatic weapons. Upon spotting Craig they open fire, spraying the room with gunfire. Craig dies instantly. A bystander pensioner is also murdered in the attack, and four other bystanders are wounded by stray bullets. The UDA claims the killing is carried out due to Craig’s “treason” and involvement in John McMichael’s murder as they know he had provided the IRA with information to successfully carry out the assassination. They apologise for the unintentional death of the pensioner. Craig is not given a paramilitary funeral, and none of the UDA’s command attend it.
Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothersnational school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.
Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.
Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.
Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.
On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.
Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.
Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
The gunmen, who are wearing workmen’s overalls, escape in a car afterward, killing Ken Campbell, a caretaker, as they leave. The people with whom Bradford had been meeting, most of them elderly, dive under tables for cover, and dozens of teenagers dancing nearby break into hysterical tears, but there are no injuries.
The killing is part of an escalation of IRA violence, both in London and in Northern Ireland, after the collapse of the prison hunger strike the previous month. The previous night an IRA bomb damages the London home of Britain’s Attorney General for Northern Ireland, Michael Havers. The home is empty and no one is seriously injured.
Bradford, a 40-year-old Methodist minister who is married and has a 6-year-old daughter, is shot several times, according to witnesses, and he dies almost immediately. His brother, Roy, who lives near the scene of the killing, in South Belfast, is at his side within moments. “But he was unconscious when I reached him, and he only lived for about a minute,” Roy Bradford says. News of the killing arouses fears of a Protestant reaction that could lead to serious civil unrest in Northern Ireland.
John “Jack” Hermon, the Chief Constable of the Royal Ulster Constabulary, issues an appeal to both the Protestant majority and the Roman Catholics to show “good sense and restraint.” He says security is being tightened in the province as a precautionary measure. He orders a wide-ranging search for the gunmen, who number at least three and possibly four, a point upon which the witnesses differ.
Bradford, who has been in Parliament since 1974, is an outspoken critic of the Irish nationalist guerrillas. He repeatedly calls for the reimposition of capital punishment in the province and for other strong deterrent measures.
With the Rev. Ian Paisley, another hard-line Member of Parliament, Bradford had planned to visit the United States In early 1982 to counteract the publicity of the IRA, which depends heavily on the money it receives from its American sympathizers. “There is a need for Americans to recognize that Ulster is not an occupied country,” Bradford says the previous month, “and that our political history is one of which we can be proud.”
The IRA, in a statement claiming responsibility for the killing, calls Bradford “one of the key people responsible for winding up the loyalistparamilitarysectarian machine in the North.” All twelve of Northern Ireland’s Members of Parliament – ten Protestants and two Catholics – are considered likely targets in the sectarian struggle that has claimed 2,100 lives in the province since 1969.
Alongside his older brother, Connor Maguire, Maguire is a prime mover in the conspiracy which leads to the outbreak of rebellion in Ireland on October 23, 1641. He is tasked with securing County Fermanagh for the rebels, but is only partially successful, with several key fortresses in the county, including Enniskillen Castle, remaining under Protestant settler control. His attempt to murder Sir William Cole immediately prior to the rising fails, but the landowner Arthur Champion is killed in one of the first actions of the rebellion. In November 1641, he joins Felim O’Neill of Kinard at Newry to issue a proclamation in which the rebels claim they are acting in defence of King Charles and Catholicism. In December 1641, the Fermanagh army under Maguire slaughters many of the garrison and refugees in Tully Castle, apparently in retaliation for the killing of the garrison of a Maguire castle which had been taken by assault some days previously. He also destroys Castle Archdale and its neighbouring settler village, and kills eight Protestant settlers at Monea Castle. In early 1642, he is expelled from the Irish Parliament and in the summer of the same year he is made a colonel in Owen Roe O’Neill‘s army in Ulster.
Maguire is appointed Governor of Fermanagh by the authorities of the newly established Confederate Ireland. He commands the rebel reserve in the Battle of Benburb in June 1646. He leads raids into Protestant-held areas in east Ulster, before joining O’Neill in his campaigns in Leinster in the autumn of 1646. Later that year, he raids lands in Connacht controlled by the Royalist commander, Ulick Burke, 1st Marquess of Clanricarde. In August 1647, O’Neill and Maguire move the army to Leinster, where Maguire quarrels so vigorously with O’Neill over the payment of troops that the general orders his arrest and court-martials him. After the court-martial, Maguire and his supporters, about five or six regiments, draw up their forces and threaten to desert. The mutiny soon dissipates and Maguire remains allied to O’Neill.
In 1648, Maguire joins O’Neill in opposing the truce between the Confederates and Royalists. He plays a prominent role in the skirmishes and evasive manoeuvrings that occur between the two sides in central Ireland. In the winter of 1648, Maguire withdraws north and on November 13 he is killed while leading an attack on a fortress near Jamestown, County Leitrim.
Maurice O’Neill, an Irish Republican Army (IRA) Captain captured in 1942 after a shootout with Irish police (Garda Síochána), is executed on November 12, 1942, one of only two people executed in independent Ireland for a non-murder offence.
O’Neill is a farmer from an Irish republican family in the farming community of Cahersiveen, County Kerry. He and his older brother Sean are dedicated Irish republicans. He fights in the Irish Republican Army’s 1942-44 Northern Campaign and is assigned to the IRA’s General Headquarters (GHQ) at the time of his capture. In the early 1930s, his brother Sean serves in the IRAs Dublin Brigade and serves on GHQ Staff IRA in various capacities from 1945 to 1955.
On October 24, 1942, O’Neill is arrested after a raid by Garda Síochána in which Garda Detective Officer Mordant is shot and killed in Donnycarney, Dublin. The mission of the police raid is the capture of Harry White, the IRA Quartermaster General. White escapes capture and O’Neill is arrested but not charged with the murder of the Detective Officer but with “shooting with intent.” It is thought that Detective Officer Mordant’s death may have been a result of crossfire between Special Branch policemen.
The 25-year-old O’Neill’s execution provokes particularly widespread protests, as he is a popular figure in his native County Kerry. He apparently is stoic and calm when his fate becomes clear. In a letter to his elder brother, Sean, from Arbour Hill Prison, he writes: “I suppose you saw in the papers where I met my Waterloo last Saturday night. Well, such are the fortunes of war…there is only one sentence, death or release. So I believe it is the full penalty for me. There is no good in having false hopes, hard facts must be faced.” In his last letter to his father he writes: “I am glad that I am not being reprieved as the thought of the torture I would have to endure in Portlaoise makes me shudder.”
Many Irish republican prisoners are released in 1948 as is the body of O’Neill (on September 17, 1948). O’Neill is buried in the republican plot at Kilavarnogue Cemetery, Cahersiveen, County Kerry. His name is listed on a monument in Fairview Park, Dublin, with the names other IRA members of that period who lose their lives. The Maurice O’Neill Bridge to Valentia Island is built in 1970 and named in memory of the young farmer who had been executed in 1942. In Kilflynn, County Kerry, the Crotta O’Neill’shurling club is named after him. In 2011, an Irish television documentary focuses on how O’Neill’s execution affected his family.
Lyons is a lecturer in history at the University of Hull and then at Trinity College Dublin. He becomes the founding Professor of Modern History at the University of Kent in 1964, serving also as Master of Eliot College from 1969 to 1972.
Lyons principal works include Ireland Since the Famine, the standard university textbook for Irish history from the mid-19th to late-20th century, which The Times calls “the definitive work of modern Irish history” and a biography of Charles Stewart Parnell.
Lyons is critical of Cecil Woodham-Smith‘s much-acclaimed history of the Great Irish Famine and has generally been considered among the “revisionist” historians who reconsiders the role of the British state in events like the Famine.
Lyons marries Jennifer Ann Stuart McAlister in 1954, and has two sons, one of whom, Nicholas, is a former Lord Mayor of London.
On September 15, 1983, Lyons is nominated, unopposed, as chancellor of Queen’s University Belfast (QUB). But less than a week later he is dead, succumbing in Dublin on September 21 to acute pancreatitis, which had struck him in mid-August. He had begun to write the first draft of his W. B. Yeats biography (having accumulated a great archive of material) only a few weeks before. His ashes are buried beside Trinity College chapel.
seamus dubhghaill 