seamus dubhghaill

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Category Archives: Free State & Republic (1922-Present)


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Birth of Brendan Gleeson, Actor & Film Director

Brendan Gleeson, Irish actor and film director, is born in Dublin on March 29, 1955. He is the recipient of three Irish Film & Television Academy (IFTA) Awards, two British Independent Film Awards (BIFA), and a Primetime Emmy Award and has been nominated twice for a BAFTA Award, five times for a Golden Globe Award and once for an Academy Award. In 2020, he is listed at number 18 on The Irish Times list of Ireland’s greatest film actors. He is the father of actors Domhnall Gleeson and Brian Gleeson.

Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct Catholic Belcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”

As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.

Gleeson starts his film career at the age of 34. He first comes to prominence in Ireland for his role as Michael Collins in The Treaty, a television film broadcast on RTÉ One, and for which he wins a Jacob’s Award in 1992. He acts in such films as Braveheart, I Went Down, Michael Collins, Gangs of New York, Cold Mountain, 28 Days Later, Troy, Kingdom of Heaven, Lake Placid, A.I. Artificial Intelligence, Mission: Impossible 2, and The Village. He wins critical acclaim for his performance as Irish gangster Martin Cahill in John Boorman‘s 1998 film The General.

In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventh Harry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.

Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the Jameson Dublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”

In July 2012, Gleeson starts filming The Grand Seduction, with Taylor Kitsch, a remake of Jean-François Pouliot‘s French-Canadian La Grande Séduction (2003) directed by Don McKellar. The film is released in 2013. In 2016, he appears in the video game adaptation Assassin’s Creed and Ben Affleck‘s crime drama Live by Night. In 2017, he finishes Psychic, a short in which he directs and stars. From 2017 to 2019 he stars in the crime series Mr. Mercedes. He receives a Golden Globe Award nomination for his performance as Donald Trump in the Showtime series The Comey Rule (2020). In 2022, he reunites with Martin McDonagh in the tragic comedy The Banshees of Inisherin starring opposite Colin Farrell. For his performance as Colm Doherty, he receives numerous awards nominations, including the Academy Award, Golden Globe, and Critics’ Choice Movie Award for Best Supporting Actor. He receives an Emmy Award nomination for Stephen Frears‘s Sundance TV series State of the Union (2022).

Gleeson is a fiddle and mandolin player, with an interest in Irish folklore. He plays the fiddle during his roles in Cold Mountain, Michael Collins, The Grand Seduction, and The Banshees of Inisherin, and also features on Altan‘s 2009 live album. In the Coen brothers‘ The Ballad of Buster Scruggs (2018), he sings “The Unfortunate Rake.” He also makes a contribution in 2019 to the album by Irish folk group Dervish with a version of “Rocky Road to Dublin.”

Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.


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Death of Kathleen Napoli McKenna, Nationalist Activist & Journalist

Kathleen Napoli McKenna, Irish nationalist activist and journalist closely associated with Arthur Griffith, dies in Rome, Italy, on March 22, 1988.

McKenna is born Kathleen Maria Kenna on September 9, 1897, in Oldcastle, County Meath. Her parents are William, a draper and hardware merchant, and Mary Kenna (née Hanley). She is the eldest child of seven, with three sisters and three brothers. She and her siblings add “Mc” to their surname as teenagers. Her maternal grandfather, a Fenian, miller and land agitator, is a strong influence on her. Agnes O’Farrelly is her paternal great aunt. She attends the Oldcastle Endowed School and goes on to pass the National University of Ireland (NUI) matriculation examination. She attends University College Dublin (UCD) briefly, but the family’s circumstances prevent her from completing her course.

McKenna’s father had been an active member of the Irish National Land League and the Meath Labour Union. He is one of the organisers of a short-lived local newspaper, Sinn Féin – Oldcastle Monthly Review, in 1902. Both her parents are members of Conradh na Gaielge. Arthur Griffith and Brian O’Higgins frequently visit the family home. Denounced by the local parish priest, Fr. Robert Barry, her father’s business goes into decline. The family leaves Oldcastle and moves to Dundalk in August 1915, and to Rugby, Warwickshire, England, in March 1916. In Rugby, her father teaches typing and shorthand, and her mother works in an ammunition factory. She works as a secretary for an engineering firm. Members of the family return to Ireland from 1919 to 1922, and by the time of her father’s death in 1939, he is living back in Oldcastle.

McKenna spends some holidays in Ireland and, during a visit to Dublin in the summer of 1919, she presents herself to the Sinn Féin offices in Harcourt Street. She has a letter of introduction from her father to Griffith, which emphasises her willingness to work for Irish independence. For her holidays, she works in the Sinn Féin press bureau and is employed as one of the first “Dáil girls” of the clandestine government. She is informed that if a planned news bulletin comes through, she will be summoned back to Dublin. In October 1919, she receives that summons and, after a typing test on November 11, she joins the Irish Bulletin under Minister for Publicity, Desmond FitzGerald, and director of publicity, Robert Brennan. She also becomes a member of the Conradh na Gaielge Parnell branch.

The Irish Bulletin is published five times a week, circulating the misdeeds of the British government in Ireland. McKenna edits and mimeographs a summary of “acts of aggression” from British forces in Ireland weekly, compiled by Anna Kelly. Frank Gallagher does most of the writing, edited by FitzGerald, and later Erskine Childers. Though she is sometimes described as the Bulletin‘s editor, she is more akin to an editorial assistant. R. M. Smyllie later recalls that she was in regular contact with the media. She types out each issue on a wax stencil in a typewriter which is used to create mimeograph copies, and then circulated to England. In the beginning, about 30 recipients, mostly London journalists, receive the Bulletin but by October 1920 it has grown to 600, and by July 1921 over 1,200. She also keeps the accounts, takes dictation of statements, and at times works up articles from notes given to her by Griffith or others. She also acts as a confidential messenger, couriering between Dáil departments and Irish Republican Army (IRA) leaders such as Michael Collins. Through this, she meets Moya Llewelyn Davies.

The Bulletin becomes a symbol of the underground government and a target for British forces. This necessitates the frequent moving of the operation from one Dublin hideout to another. She fears that if she were captured, she would break under interrogation. When FitzGerald is arrested, he is asked about “the girl wearing a green tam” in reference to McKenna’s tam-o’-shanter hat which prompts her to change her choice of hat. Despite the capture of a number of the Bulletin staff, as well as the capture of the office files and equipment on March 26, 1921, it never misses an issue.

McKenna’s sister Winifred also works as a secretary to the clandestine government. Her brother, Tadhg (Timothy), is a member of Sinn Féin and in Greenore, County Louth, is involved in trade union affairs. He is detained, beaten, and interned in March 1921. He is later an activist with the Irish Labour Party. Her brother William is a messenger for the Irish government during this period and during the Irish Civil War serves in the Free State Army.

After the truce in 1921, McKenna is assigned to the Dáil cabinet secretarial staff at the Mansion House, where she continues to work in the publicity department. She travels as Griffith’s private secretary to London as part of the Irish delegation to the treaty negotiations in October 1921. She is an admirer of both Griffith and Collins and is a firm supporter of the Anglo-Irish Treaty. She works as Griffith’s secretary until just before his death and also does some secretarial work for Collins during the negotiations. One of her sisters is anti-Treaty, and she later recalls that she lost friends due to her support of the treaty.

When the Irish Free State government is established, McKenna becomes a private secretary to a number of Ministers for External Affairs, including FitzGerald, Kevin O’Higgins and W. T. Cosgrave. In 1924, she is a private secretary to the Boundary Commission, as well as one of a pair of secretaries who travels with the Irish delegation to the London Imperial Conference in 1924. From 1927 to 1931 she is James Dolan‘s secretary and parliamentary secretary to the Minister for Industry and Commerce. Before its closure in 1924, she writes a number of articles for the Freeman’s Journal.

McKenna marries Vittorio Napoli in 1931. He is a captain, and later a general, in the Italian royal grenadier guards. They meet when she is on holiday in Italy in 1927. For the first five years of their marriage, they live in the port of Derna in Cyrenaica, Libya, while her husband is stationed there. A son and daughter are born there. From September 1939 to June 1940, the family lives in Albania, but after Italy enters World War II, she and the children move to Viterbo. Her husband is taken prisoner in Greece in September 1943, and is detained in Germany and Poland. He returns to Italy in September 1945. Viterbo had been heavily bombed, and after Allied troops arrive, McKenna works as a translator and gives English language lessons to support her family. Her husband remains in the army, and they remain in Viterbo until 1956, later moving to Rome.

After the war, McKenna writes articles for the Irish Independent and other publications from Ireland, the United States and New Zealand, including The Irish Press, Irish Travel, Standard, Word, and Writer’s Digest. Sometimes she writes under her own name, as well as her pen name Kayn or Kayen MacKay. As the wives of Italian officers do not traditionally work, the money she earns from this is kept for travel and other leisure activities. This money allows her to visit her family in Ireland in 1947 for the first time since 1932. After their retirement, she and her husband visit Ireland regularly, and travel around Italy.

McKenna applies for an Irish military pension in 1950/51 and 1970, receiving references in support of her claim from Gallagher. As she had not served in a military organisation, her claims are rejected. As an Irish War of Independence veteran, she is awarded free travel in 1972, which is later extended to her husband. In her later years, she becomes concerned about the inaccuracies in the history around the Irish War of Independence and the Irish Civil War. She gives two talks to Radio Éireann in 1951, speaking about her time with the Irish Bulletin. Copies of these recordings are now held by the Bureau of Military History. During her lifetime, extracts of her memoir are published in the Capuchin Annual and The Irish Times. She drafted and redrafted these memoirs from the late 1940s to the early 1980s. A version edited by her daughter and niece is published in 2014 as A Dáil girl’s revolutionary recollections.

McKenna dies on March 22, 1988, in Rome. She is buried with an Irish flag which she had kept with her. A large collection of her papers is held in the National Library of Ireland (NLI). In 2010, 2011 and 2016, some of her memorabilia is sold in Dublin.


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The Second Warrington Bombing Attack

The second of two bombing attacks in early 1993 in Warrington, Cheshire, England, takes place on March 20, 1993. The first attack takes place on February 26, when a bomb explodes at a gas storage facility. This explosion causes extensive damage, but no injuries. In the March 20 attack, two smaller bombs explode in litter bins outside shops and businesses on Bridge Street. Two children are killed and 56 people are injured.

The attacks are carried out by the Provisional Irish Republican Army (IRA). From the early 1970s, the IRA had been carrying out attacks in both Northern Ireland and England with the stated goal of putting pressure on the UK Government to withdraw from Northern Ireland. The IRA is designated a terrorist organisation in the United Kingdom.

Shortly before midday on Saturday, March 20, 1993, the Samaritans in Liverpool receive a bomb warning by telephone. According to police, the caller says only that a bomb has been planted outside a Boots shop. Merseyside Police send officers to branches of Boots in Liverpool and warn the Cheshire Constabulary, who patrols nearby Warrington. About 30 minutes later, at about 12:25 p.m., two bombs explode on Bridge Street in Warrington, about 100 yards apart. The blasts happen within a minute of each other. One explodes outside Boots and McDonald’s, and the other outside the Argos catalogue store. The area is crowded with shoppers. Witnesses say that shoppers flee from the first explosion into the path of the second. It is later found that the bombs had been placed inside cast iron litter bins, causing large amounts of shrapnel. Buses are organised to ferry people away from the scene and twenty paramedics and crews from seventeen ambulances are sent to deal with the aftermath.

Three-year-old Johnathan Ball dies at the scene. He had been in town with his babysitter, shopping for a Mother’s Day card. The second victim, 12-year-old Tim Parry, is gravely wounded. He dies on March 25, 1993, when his life support machine is switched off, after tests find only minimal brain activity. Another 54 people are injured, four of them seriously. One of the survivors, 32-year-old Bronwen Vickers, the mother of two young daughters, has to have a leg amputated, and dies just over a year later from cancer.

The Provisional IRA issues a statement the day after the bombing, acknowledging its involvement but saying:

“Responsibility for the tragic and deeply regrettable death and injuries caused in Warrington yesterday lies squarely at the door of those in the British authorities who deliberately failed to act on precise and adequate warnings.”

A day later, an IRA spokesman says that “two precise warnings” had been given “in adequate time,” one to the Samaritans and one to Merseyside Police. He adds, “You don’t provide warnings if it is your intention to kill.” Cheshire’s assistant chief constable denies there had been a second warning and says, “Yes, a warning was given half-an-hour before, but no mention was made of Warrington. If the IRA think they can pass on their responsibility for this terrible act by issuing such a nonsensical statement, they have sadly underestimated the understanding of the British public.”

The deaths of two young children ensures that the March 20 bombings receive major coverage in the media and cause widespread public anger. Shortly after the bombings, a group called “Peace ’93” is set up in Dublin. The main organiser is Susan McHugh, a Dublin housewife and mother. On March 25, 1993, thousands hold a peace rally in Dublin. They sign a condolence book outside the General Post Office and lay bouquets and wreaths, with messages of sorrow and apology, to be taken to Warrington for the boys’ funerals. Some criticise Peace ’93 for focusing only on IRA violence and for not responding to the deaths of children in Northern Ireland.

On April 1, 1993, the Irish Government announces measures designed to make extradition easier from the Republic of Ireland to the United Kingdom.

On September 19, 1994, Irish rock band The Cranberries release the song “Zombie,” which is written in protest of the bombings. The song goes on to become their biggest hit.

On November 14, 1996, the Duchess of Kent officially inaugurates a memorial called The River of Life, depicting “a symbol of hope for future generations,” in Bridge Street. It is developed in the aftermath of the bomb attack and commissioned by the Warrington Borough Council. The project, consisting of a symbolic water sculpture that features a commemorative plaque, is designed by the local primary school and Stephen Broadbent.

The parents of Tim Parry set up the Tim Parry Trust Fund to promote greater understanding between Great Britain and Ireland. The Tim Parry Johnathan Ball Foundation for Peace works jointly with the National Society for the Prevention of Cruelty to Children (NSPCC) to develop The Peace Centre, close to Warrington town centre, which opens on the seventh anniversary of the attack in 2000. Its purpose is to promote peace and understanding amongst all communities affected by conflict and violence. The centre hosts an annual peace lecture, as well as being home to the local NSPCC and is the home of Warrington Youth Club until 2022.

The bombings receive further attention in 2019 after the Brexit Party selects former Living Marxism writer Claire Fox as their lead candidate in the North West England constituency for the 2019 European Parliament election. The Revolutionary Communist Party, of which Fox is a leading member in 1993, defends the IRA’s bombing in their party newsletter. Despite the controversy, which sees another Brexit Party candidate resign from the party list in protest at the comments, Fox and the Brexit Party top the poll in several areas of the North West, including in Warrington.

The killing of Ball and Parry is still on Cheshire Police’s list of unsolved murders.

A piece on BBC North West‘s Inside Out programme in September 2013 speculates that the bombing may have been the work of a “rogue” IRA unit, which was supported by the IRA but operated independently and who used operatives who were from England to avoid suspicion. The programme also examines a possible link between the attack and British leftist political group Red Action, though nothing is ever proven.

(Pictured: Army bomb disposal at the Warrington Bomb scene in March 1993, photo credit: Walker Howard)


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Birth of Theatre Producer Pádraig Cusack

Pádraig Cusack, Irish theatre producer who has worked with the National Theatre of Great Britain, the Abbey Theatre in Dublin, the National Centre for the Performing Arts (NCPA) in Mumbai and numerous international festivals, is born on March 16, 1962, in Dalkey, County Dublin.

Cusack, the youngest son of the Irish actor Cyril Cusack and actress Maureen Cusack, is the brother of actresses Niamh Cusack, Sinéad Cusack and Sorcha Cusack, and half-brother of Catherine Cusack. He has one brother, Paul Cusack, who is a television producer. He is married and has two daughters, Megan, an actress, who in 2020 joins the leading cast in the Netflix/BBC popular series Call the Midwife in the recurring role of Nurse Nancy Corrigan, and Kitty, a psychology student. Two of his nephews are also actors, Max Irons and Calam Lynch.

Cusack is educated bi-lingually in Irish and English, initially at Scoil Lorcáin in Monkstown, County Dublin, and subsequently at Coláiste Eoin, Booterstown, County Dublin. He is a Taylor Exhibition music scholar at Trinity College Dublin (TCD), before winning a scholarship to train to be a professional cellist at the Royal Northern College of Music in Manchester, England. In 1995, he returns to education to take a post-graduate degree in Business at University College Cork (UCC).

Having begun his career as a freelance musician, playing with the BBC Philharmonic orchestra and English National Opera North, an accident ends Cusack’s career as a musician, resulting in him pursuing a career in arts administration. Initially he focuses on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.

In 1992, Cusack makes his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly, where he produces a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he is appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre, and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009, he becomes the National Theatre’s Associate Producer. During this period, he produces numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he works as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London’s West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he is appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.

As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwright Matt Wilkinson.

In 2023, Cusack is the recipient of the Olwen Wymark Award from the Writers’ Guild of Great Britain for his championing of new writing which is presented at the 18th Annual Awards Ceremony in London.


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Death of Dave Allen, Comedian, Satirist & Actor

David Edward Tynan O’Mahony, comedian, satirist and actor professionally known as Dave Allen, dies from emphysema in Kensington, London, on March 10, 2005.

Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.

After initially attending Beaumont convent school, Allen goes to Firhouse national school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.

Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.

Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.

While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.

Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”

On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.

Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.

Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).

In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.

In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.

After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.

A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.

(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)


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Death of Micheál Mac Liammóir, Actor & Playwright

Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, dies in Dublin on March 6, 1978. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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Death of Charles Donnelly, Poet & Republican Political Activist

Charles Patrick Donnelly, Irish poet, republican and left-wing political activist, is killed on February 27, 1937, fighting on the republican side during the Spanish Civil War.

Donnelly is born in Killybrackey, near Dungannon, County Tyrone, on July 10, 1914, into a family of cattle breeders. His father, Joseph Donnelly, sells his farm in 1917 and the family moves to Dundalk and opens a greengrocer‘s shop. Joseph Donnelly becomes quite prosperous, running his shop, dealing cattle and buying and selling property in the Dundalk area. In addition to Charles, the Donnellys have five other sons and two daughters. His mother, Rose, dies in 1927, when he is 13 years old.

Donnelly receives his early education in the Christian Brothers school in Dundalk. When he is fourteen in 1928, the family moves again, this time to Dublin, where his father purchases a house on Mountjoy Square in the north inner city. He enrolls in O’Connell School on North Frederick Street but is expelled after only a few weeks. He spends the next few months wandering the streets of Dublin during school time before his father discovers what had happened. Also at this time, he meets and is befriended by radical political activists from the Irish Republican Army (IRA), the Communist Party of Ireland and the left-Republican group Saor Éire.

Donnelly’s father and aunts get him an apprenticeship with a carpenter, but he gives this up after a year to enroll in University College Dublin (UCD) in 1931, where he studies Logic, English, History and the Irish language. In university he begins writing poetry and prose for student publications but fails his first-year examinations. At this time, he also becomes deeply involved in radical left-wing and republican politics. He drops out of university in 1934, having failed his first-year exams three times and joins the radical group, the Republican Congress. There he befriends veteran republicans Frank Ryan and George Gilmore. He also becomes involved in a romantic relationship with another republican activist, Cora Hughes, Éamon de Valera‘s goddaughter and later partner of George Gilmore. In July 1934, he is arrested and imprisoned for two weeks for his role in picketing a Dublin bakery with other Congress members. After this, his father expells him from the family home and he spends a period sleeping in parks around Dublin.

The Republican Congress splits at its first annual meeting in September 1934, but the 20-year-old Donnelly is elected to the National Executive of the truncated organisation. Thereafter, he writes for the Congress newspaper on political and social questions. In January 1935, he is again arrested for assaulting a Garda at a Congress demonstration and is imprisoned for a month. In February 1935, he leaves Ireland for London. In the British capital he forms the first Republican Congress branch in London and becomes its first chairman. He finds employment variously as a dishwasher in pubs and cafes and as a reporter with an international news agency. While in London he remains a regular contributor to the Republican Congress newspaper and various left-wing publications. Together with two other poets, Leslie Daiken and Ewart Milne, he is one of the founders of a duplicated publication called Irish Front, the London journal of the Republican Congress. Daiken admits that many of the Irish Front editions are written almost entirely by Donnelly.

Eoin McNamee recalls Donnelly as “a frail looking Dublin man with a Tyrone background…he was something of an intellectual and clearly the theorist of the Irish Republican Congress in London at that time. He was well versed in Marxism, wrote for the Congress and Communist press, and frequently appeared on left-wing public platforms.”

In July 1936, on the outbreak of the Spanish Civil War, Donnelly urges the Republican Congress to send fighters to the International Brigades. He himself returns to Dublin with the intention of organising such a force. By the end of 1936, he has gone again to London and joins the Brigades. He reaches Spain on January 7, 1937, and at Albacete, meets up with an Irish contingent, led by Frank Ryan, known as the Connolly Column, who had come to Spain to fight on the Republican side. He and his comrades are attached to the American Lincoln Battalion. On February 15, after receiving only rudimentary military training, the Lincoln Battalion is thrown into the Battle of Jarama, near Madrid. Donnelly reaches the front on February 23, where he is promoted to the rank of field commander. On February 27, his unit is sent on a frontal assault on the Nationalist positions on a hill named Pingarrón. The object of the attack is to take the enemy trenches and ultimately to drive them across the Jarama River. He and his unit are pinned down by machine gun fire all day. In the evening, the Nationalists launch a counterattack.

A Canadian veteran recalls, “We ran for cover, Charlie Donnelly, the commander of an Irish company is crouched behind an olive tree. He has picked up a bunch of olives from the ground and is squeezing them. I hear him say something quietly between a lull in machine gun fire: Even the olives are bleeding.” The line later becomes famous.

A few minutes later, as his unit retreats, Donnelly is caught in a burst of gunfire. He is struck three times, in the right arm, the right side and the head. He collapses and dies instantly. His body lay on the battlefield until it is recovered by fellow Irish Brigadier Peter O’Connor on March 10. He is buried at Jarama in an unmarked grave with several of his comrades.

Written by Donnelly’s brother Joseph, a collection of his work, Charlie Donnelly: the Life and Poems, is published in 1987 by Dedalus Press. On the eve of the 71st anniversary of his death, February 26, 2008, he is commemorated with the unveiling of a plaque at his alma mater, UCD, attended by 150 people. The commemoration, organised jointly by a group of UCD students and the Donnelly family, is hosted by the School of English and also includes a lecture by Gerald Dawe on Donnelly’s life and poetry. In April 2008, the UCD branch of the Labour Party is renamed the Charlie Donnelly Branch in his honour.

Donnelly’s friend Blanaid Salkeld commemorates him in her poem “Casualties,” writing “That Charlie Donnelly small and frail/ And flushed with youth was rendered pale/ But not with fear, in what queer squalor/ Was smashed up his so-ordered valour.” A 1976 documentary about the Civil War by Cathal O’Shannon is entitled Even the Olives are Bleeding.

Donnelly is survived by a brother, Joseph, who manages to get many of his poems published in 1987; only five or six are published during his lifetime. Discussing his work, Colm Tóibín says it “mixed an Audenesque exactitude with a youthful romanticism… his poem “The Tolerance of Crows” belongs in any anthology of modern poetry.” In 1992, Donnelly has work included in Dedalus Irish Poets: An Anthology from Dedalus Press.

In 1992 New Island Books publishes Even the Olives Are Bleeding: The Life and Times of Charles Donnelly by Joseph O’Connor. The book is launched by future Irish President Michael D. Higgins.

Donnelly is commemorated in the Christy Moore song Viva La Quinta Brigada.


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Government Imposes Temporary Ban on Livestock Marts

On Monday, February 26, 2001, the Irish Government imposes a temporary ban on the country’s 120 livestock marts as the devastating foot-and-mouth disease spreads and threatens to become an epidemic in Great Britain. Strict procedures are also implemented in airports around Ireland to keep the disease out of the country. All marts along the border counties have been suspended since the previous Friday, February 23.

Joe Walsh, the Minister for Agriculture and Food, announces the emergency measure on Sunday night. The total suspension comes into force immediately and is intended to dramatically reduce the number of livestock movements. The ban is to remain in place for at least a fortnight.

In a related move, Central Statistics Office staff undertaking survey work are instructed not to enter farm premises until further notice.

The Government orders emergency staff to ports and airports on Sunday as the foot-and-mouth outbreak nears epidemic proportions in Britain and Continental countries begin the wholesale slaughter of thousands of animals imported from the United Kingdom.

In an atmosphere of mounting alarm, the Irish Farmers’ Association demands a ban on movement of all animals including racehorses to Britain and for the thorough disinfection of “every foot and tyre” entering Ireland from the UK. Horses and horseboxes arriving at British racecourses are already being disinfected and Sunday’s meeting at Newcastle is abandoned because of its proximity to one of the affected areas. Additional measures are expected to be announced.

Irish rugby fans are asked not to travel to Cardiff on Saturday, March 3, to minimise the risk of spreading the disease, and it seems likely the Government will urge punters to stay away from the Cheltenham Festival if, indeed, the festival goes ahead as scheduled. The Jockey Club says it will follow the Government’s request, but the decision angers the British government, which may order the meeting to be cancelled.

Five new cases of the disease are confirmed in Britain on Sunday, bringing the total to 12 confirmed cases with two suspected outbreaks. The suspected outbreak of most concern to Ireland is at Welsh Country Foods, an abattoir on Anglesey. It remains cordoned off.

British Ministry of Agriculture officials continue tests on the suspect sheep found at the plant over the weekend. Final results of the tests are not available until Monday morning.

A 10-mile exclusion zone is ordered around the Gaerwen plant, which is located adjacent to the Menai Suspension Bridge. However, both exporters and the Farmers’ Union of Wales believe the foot-and-mouth virus is, in fact, present in the plant, which is located less than 15 miles from Holyhead.

British veterinarians are alarmed at the increase in new cases. An epidemic is to be declared if the number of new cases reaches more than 30 per day.

(From: “All marts closed in threat of epidemic” by Ralph Riegel, Irish Independent, http://www.independent.ie, February 26, 2001)


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Death of Stephen Fuller, IRA Volunteer & Fianna Fáil Politician

Stephen Fuller, Fianna Fáil politician who serves as a Teachta Dála (TD) for the Kerry North constituency from 1937 to 1943, dies on February 23, 1984, in Tralee, County Kerry.

Fuller is born on January 1, 1900, in Kilflynn, County Kerry. He is the son of Daniel Fuller and Ellie Quinlan. His family is from Fahavane, in the parish of Kilflynn.

Fuller serves in the Kilflynn Irish Republican Army (IRA) flying column during the Irish War of Independence. He is First Lieutenant in the Kerry No.1 Brigade, 2nd Battalion. He opposes the Anglo-Irish Treaty and continues to fight with the anti-Treaty IRA during the Irish Civil War. Military records from the 1930s show, in his own hand, that he is in communication with Dublin regarding confirmation of membership in July 1922 and therefore eligible for war pensions. He becomes the most senior Kilflynn member upon the death of Captain George O’Shea.

In 1923, Fuller is captured by Free State troops and imprisoned in Ballymullen Barracks in Tralee by the Dublin Guard who had landed in County Kerry shortly before. On March 6, 1923, five Free State soldiers are blown up by a booby-trapped bomb at Baranarigh Wood, Knocknagoshel, north Kerry, including long-standing colleagues of Major General Paddy Daly, GOC Kerry Command. Prisoners receive beatings after the killings and Daly orders that republican prisoners be used to remove mines.

On March 7, nine prisoners from Ballymullen Barracks, six from the jail and three from the workhouse, are chosen with a broad geographical provenance and no well-known connections. They are taken lying down in a lorry to Ballyseedy Cross. There they are secured by the hands and legs and to each other in a circle around a land mine. Fuller is among them. His Kilflynn parish comrade Tim Tuomey is initially stopped from praying until all prisoners are tied up. As he and other prisoners then say their prayers and goodbyes, Fuller continues to watch the retreating Dublin Guard soldiers, an act which he later says saved him. The mine is detonated, and he lands in a ditch, suffering burns and scars. He crosses the River Lee and hides in Ballyseedy woods. He is missed amongst the carnage as disabled survivors are bombed and shot dead with automatic fire. Most collected body parts are distributed between nine coffins that had been prepared. The explosions and gunfire are witnessed by Rita O’Donnell who lives nearby and who sees human remains spread about the next day. Similar reprisal killings by the Dublin Guard follow soon after Ballyseedy.

Fuller crawls away to the friendly home of the Currans nearby. They take him to the home of Charlie Daly the following day. His injuries are treated by a local doctor, Edmond Shanahan, who finds him in a dugout. He moves often in the coming months, including to the Burke and Boyle families, and stays in a dugout that had been prepared at the Herlihys for seven months.

A cover-up begins almost immediately. Paddy Daly’s communication to Dublin about returning the bodies to relatives differs significantly from Cumann na mBan statements, which Daly complains about as simple propaganda, and later that of Bill Bailey, a local who had joined the Dublin Guard, who tells Ernie O’Malley that the bodies were handed over in condemned coffins as a band played jolly music. Fuller is named amongst the dead in newspaper reports before it is realised that he had escaped. Daly then sends a communication to GHQ that Fuller is reported as having become “insane.” The Dublin Guard scours the countryside for Fuller. The official investigation into the killings is presided over by Daly himself, with Major General Eamon Price of GHQ and Colonel J. McGuinness of Kerry Command. It blames Irregulars for planting the explosives and exonerates the Irish Army soldiers, and this is read out in the Dáil by the Minister for Defence, Richard Mulcahy.

Contrary statements to the Irish Army’s submissions are effectively ignored. Lieutenant Niall Harrington of the Dublin Guard, describes the evidence to the court and the findings as “totally untrue,” explaining that the actions were devised and executed by officers of the Dublin Guard. He contacts Kevin O’Higgins, Minister for Justice and Vice-President, a family friend, to deplore the findings. O’Higgins speaks to Richard Mulcahy, who does nothing. In a separate incident, Free State Lieutenant W.McCarthy, who had been in charge of about twenty prisoners, says that five of them had been removed in the night. They were reportedly shot in the legs then blown up by, in his words, “…a Free State mine, laid by themselves.” He resigns in protest. A Garda Síochána report into the events is also dismissed and is not made public for over 80 years.

Fuller leaves the IRA after the Civil War and follows a career as a farmer in Kerry. He joins Fianna Fáil, the political party founded by Republican leader Éamon de Valera in 1926 after a split from Sinn Féin. He is elected to the 9th Dáil on his first attempt, representing Fianna Fáil at the 1937 Irish general election, as the last of three Fianna Fáil TDs to be elected to the four seat Kerry North constituency. He is re-elected to the 10th Dáil at the 1938 Irish general election, when Fianna Fáil again wins three out of four seats, but loses his seat at the 1943 Irish general election to the independent candidate Patrick Finucane. He returns to farming thereafter.

Fuller never once mentions the Ballyseedy incident from a political platform and states later that he bore no ill-will towards his captors or those who were involved in his attempted extrajudicial killing. He does not want the ill feeling passed on to the next generation. He speaks publicly about the events in 1980, a few years before his death, on Robert Kee‘s groundbreaking BBC series Ireland: A Television History.

Fuller dies in Edenburn Nursing Home, Tralee, on February 23, 1984. He is buried near the Republican plot in Kilflynn where colleagues O’Shea, Tuomey and Timothy ‘Aero’ Lyons are buried.

Fuller’s son Paudie establishes the Stephen Fuller Memorial Cup for dogs of all ages, contested annually on the family farm.

Fuller’s fame largely rests on one night at Ballyseedy. To trace him through the rural society from which he and his fellow Volunteers originated and in which his life was spent, however, gives a fuller understanding of the devastating effects of the conflicts of 1916–23 on a tightly knit rural and small-town society, dominated by extended families of farmers and their service-industry relatives, and of how that society remembered and forgot those traumas.

(Pictured: Stephen Fuller’s grave in Kilflynn, by St. Columba’s Heritage Centre)


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Birth of Irish Actress Sinéad Cusack

Sinéad Moira Cusack, award winning Irish actress, is born Jane Moira Cusack in Dalkey, County Dublin, on February 18, 1948.

Cusack is the daughter of actress Maureen Cusack and actor Cyril Cusack. She is the sister of actresses Sorcha Cusack, Niamh Cusack, and half-sister to Catherine Cusack. Her father is born in South Africa, to an Irish father and an English mother, and had worked with Micheál Mac Liammóir at Dublin‘s Gate Theatre.

Cusack’s first acting roles are at the Abbey Theatre in Dublin. In 1975, she moves to London and joins the Royal Shakespeare Company (RSC) starring in Dion Boucicault‘s London Assurance in the West End. Her work with the RSC continues with an award-winning performance as Celia in As You Like It which includes the Clarence Derwent Award and her first Laurence Olivier Award nomination. She secures a second Olivier Award nomination for her performance in The Maid’s Tragedy by Francis Beaumont and John Fletcher in 1981, followed two years later with a third Olivier Award nomination as Kate in The Taming of the Shrew.

Cusack makes her Broadway debut in 1984 performing in repertory with the Royal Shakespeare Company. Starring opposite Derek Jacobi, she plays Roxane in Anthony Burgess‘s translation of Edmond Rostand‘s Cyrano de Bergerac and Beatrice in William Shakespeare‘s Much Ado About Nothing, directed by Terry Hands. Much Ado is first produced at the Royal Shakespeare Theatre in Stratford-upon-Avon in 1982–83, then moves to London’s Barbican Centre for the 1983–1984 season where it is joined by Cyrano, before both plays transfer to New York‘s Gershwin Theatre from October 1984 to January 1985, for which Cusack received a Tony Awards nomination for her performance as Beatrice, and costar Derek Jacobi wins the award for his Benedick. The production of Cyrano de Bergerac is later filmed in 1985.

During this period, Cusack and her husband, Jeremy Irons, appear in a Shakespeare Winter’s Eve, a major fundraiser for the Riverside Shakespeare Company in New York, along with other members of the Royal Shakespeare Company. Following the Broadway run, the plays tour the United States, making stops in Washington, D.C. and Los Angeles. Her connection with the Royal Shakespeare Company continues with a series of leading roles include Portia in The Merchant of Venice opposite David Suchet, Lady Macbeth opposite Jonathan Pryce in Macbeth and Cleopatra in Antony and Cleopatra in Stratford-upon-Avon and at London’s Theatre Royal Haymarket in the West End.

In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.

One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.

In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.

Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.

Cusack and her husband appear together in the film Waterland (1992), in a television adaptation of Christopher Hampton‘s Tales from Hollywood (also 1992), and again in Bernardo Bertolucci‘s Stealing Beauty (1996). Further film work includes Passion of Mind (2000), V for Vendetta (2005), and Eastern Promises (2007), a thriller directed by David Cronenberg. Her performance in The Tiger’s Tail (2007) wins her a first Irish Film & Television Academy (IFTA) Award nomination for Best Actress in a Supporting Role. She wins the IFTA Award for her performance in The Sea (2013), adapted from the novel by John Banville. She is nominated once more for an IFTA Award for her performance in John Boorman‘s drama film Queen and Country (2014), which premières at the Cannes Film Festival.

Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.

Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.

Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.

Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.

(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)