seamus dubhghaill

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Tag Archives: Anglo-Irish People


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Birth of P. S. O’Hegarty, Writer, Editor & Historian

Patrick Sarsfield O’Hegarty (Irish: Pádraig Sáirséal Ó hÉigeartaigh), Irish writer, editor and historian and a member of the Supreme Council of the Irish Republican Brotherhood, is born on December 29, 1879, at Carrignavar, County Cork.

O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).

O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.

O’Hegarty joins the postal service in Cork in 1897. Along with J. J. Walsh, he plays on the Head Post Office hurling team. He joins the IRB and represents Munster on the IRB Supreme Council. He starts writing for Arthur Griffith‘s United Irishman and The Shan Van Vocht, a periodical established by Alice Milligan and Ethna Carbery.

O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.

O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.

In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.

O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.

O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.

O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.

O’Hegarty dies on December 17, 1955.

O’Hegarty’s papers are acquired by the Kenneth Spencer Research Library at the University of Kansas. This includes an outstanding collection of books, pamphlets and periodicals of W. B. Yeats.

(Pictured: “P. S. O’Hegarty, 1929,” pastel on paper by Harry Kernoff, RHA, property from the Yeats family)


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Birth of Jeremy Henderson, Anglo-Irish Artist & Painter

Jeremy Henderson, an Anglo-Irish artist and painter, is born at Lisbellaw, County Fermanagh, Northern Ireland, on December 25, 1952. He was Artist-in-Residence at Kingston University, with art exhibited at the Royal Academy of Arts and National Art Collections.

Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.

From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Arts first class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.

In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.

During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.

In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.

Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.

Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. President Bill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.

Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.

John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.

Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”

Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.

Henderson’s work is held in the private collection of the entrepreneur Vincent Ferguson, owner of Fitzwilton and Independent News & Media PLC. His work is also held in the Smurfit Art Collection of Smurfit Kappa Group.


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Birth of Charles Agar, 1st Earl of Normanton

Charles Agar, 1st Earl of Normanton, an Anglo-Irish clergyman of the Church of Ireland, is born in Gowran Castle in Gowran, County Kilkenny, on December 22, 1736. He serves as Dean of Kilmore, as Bishop of Cloyne, as Archbishop of Cashel, and finally as Archbishop of Dublin from 1801 until his death.

Agar is the third son of Henry Agar of Gowran and his wife Anne Ellis, daughter of the Most Reverend Welbore Ellis, Bishop of Meath. His brothers include James Agar, 1st Viscount Clifden, and Welbore Ellis Agar, a notable art collector. Welbore Ellis, 1st Baron Mendip, is his maternal uncle.

Agar is educated at Westminster School in Westminster, London, and Christ Church, Oxford, where he matriculates on May 31, 1755, aged 18. He graduates BA in 1759, promoted by seniority to MA in 1762. On December 31, 1765, he is created a Doctor of Civil Law.

Agar is known to have held particularly marked Calvinistic positions. He serves as Dean of Kilmore from 1765 to 1768, and then as Bishop of Cloyne until 1779.

In 1776, Agar marries Jane Benson, a daughter of William Benson, of Downpatrick, County Down. In 1779 he is appointed as Archbishop of Cashel and also joins the Privy Council of Ireland. In 1784, while he is in office, the new St. John’s Cathedral, Cashel, is completed, and two years later its important Samuel Green organ is built.

In 1794, Agar is raised to the Peerage of Ireland as Baron Somerton. In 1801, he is translated to become Archbishop of Dublin and is created Viscount Somerton. In 1806, he is further honoured when he is made Earl of Normanton. These titles are all in the Peerage of Ireland. He remains as Archbishop of Dublin until his death in 1809, and from the beginning of 1801 onward, sits in the House of Lords as one of the twenty-eight original Irish representative peer, following the Acts of Union 1800 which unites Ireland and Great Britain.

Agar dies on July 14, 1809, aged 72, and is succeeded in his secular titles by his son Welbore Ellis Agar. He is buried in the north transept of Westminster Abbey. His widow Jane, Countess of Normanton, is buried alongside him following her death in 1826. His tomb dates from 1815 and is created by John Bacon.


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Birth of Sir Anthony Babington, Barrister, Judge & Politician

Sir Anthony Brutus Babington PC (NI), Anglo-Irish barrister, judge and politician, is born on November 24, 1877, at Creevagh House, County Londonderry, to Hume Babington JP, son of Rev. Hume Babington and a landowner of 1,540 acres, and Hester (née Watt), sister of Andrew Alexander Watt.

Babington is born into the Anglo-Irish Babington family that arrives in Ireland in 1610 when Brutus Babington is appointed Bishop of Derry. Notable relations include Robert Babington, William Babington, Benjamin Guy Babington and James Melville Babington and author Anthony Babington.

Babington is educated at Glenalmond School, Perthshire, and Trinity College, Dublin, where he wins the Gold Medal for Oratory of the College Historical Society in 1899.

Babington is called to the Irish Bar in 1900. He briefly lectures in Equity at King’s Inns, and it is during this time, in 1910, that he re-arranges and re-writes R.E. Osborne’s Jurisdiction and Practice of County Courts in Ireland in Equity and Probate Matters. He takes silk in 1917.

Babington moves to the newly established Northern Ireland in 1921 and practises as a barrister until his election to the House of Commons of Northern Ireland as the Ulster Unionist Party member for Belfast South in the 1925 Northern Ireland general election and subsequent appointment as Attorney General for Northern Ireland the same year in the cabinet of James Craig, 1st Viscount Craigavon. His appointment to the Privy Council of Northern Ireland in 1926 entitles him to the style “The Right Honourable.” From 1929 he is the MP for Belfast Cromac, the Belfast South constituency having been abolished. He is made an honorary bencher of the Middle Temple in 1930.

Babington resigns from politics in 1937 upon his appointment as a Lord Justice of Appeal and is knighted in the 1937 Coronation Honours.

In 1947, Babington chairs the Babington Agricultural Enquiry Committee, named in his honour, which is established in 1943 to examine agriculture in Northern Ireland. The committee’s first recommendation under Babington’s leadership is that Northern Ireland should direct all its energies to the production of livestock and livestock products and to their efficient processing and marketing.

Babington retires from the judiciary in 1949, taking up the chairmanship of the Northern Ireland Transport Tribunal, which exists until 1967, established under the Ulster Transport Act – promoting a car-centred transport policy – and which is largely responsible for the closure of the Belfast and County Down Railway. He endorses the closure on financial grounds and is at cross purposes with his co-chair, Dr. James Beddy, who advises against the closure, citing the disruption of life in the border region between the north and the south as his primary reason in addition to financial grounds.

Babington also chairs a government inquiry into the licensing of clubs, the proceeds of which results in new regulatory legislation at Stormont. While Attorney General, he is a proponent of renaming Northern Ireland as “Ulster.”

Babington is critical of the newly proposed Irish constitution, in which the name of the Irish state is changed to “Ireland,” laying claim to jurisdiction over Northern Ireland.

Michael McDunphy, Secretary to the President of Ireland, then Douglas Hyde, recalls Ernest Alton‘s correspondence with Babington on the question of Irish unity, in which Alton and Babington are revealed to be at cross purposes. The discussion is used as an example by Brian Murphy, in Forgotten Patriot: Douglas Hyde and the Foundation of the Irish Presidency, as an example of the office of the Irish President becoming embroiled in an initiative involving Trinity College Dublin and a senior Northern Ireland legal figure, namely Babington. 

Babington writes to Alton, then Provost of Trinity College, Dublin, expressing his view that, as Murphy summarises, “… Severance between the two parts of Ireland could not continue, that it was the duty of all Irishmen to work for early unification and that in his opinion Trinity College was a very appropriate place in which the first move should be made.” When Alton arrives to meet with Hyde, it emerges, after conversing with Hyde’s secretary McDunphy, that he and Babington are at cross purposes. “It soon became clear that the united Ireland contemplated by Mr. [sic] Justice Babington of the Northern Ireland Judiciary was one within the framework of the British Commonwealth of Nations, involving recognition of the King of England as the Supreme Head, or as Dr. Alton put it, the symbol of unity of the whole system,” writes McDunphy.

On September 5, 1907, Babington marries Ethel Vaughan Hart, daughter of George Vaughan Hart of Howth, County Dublin (the son of Sir Andrew Searle Hart) and his wife Mary Elizabeth Hone, a scion of the Hone family. They have three children.

Babington is a member of the Apprentice Boys of Derry. From 1926 to 1952, he is a member of the board of governors of the Belfast Royal Academy. He serves as warden (chairman) of the board from 1941 to 1943. Through his efforts the school acquires the Castle Grounds from Anthony Ashley-Cooper, 9th Earl of Shaftesbury in 1934.

Babington is a keen golfer. He is an international golfer from 1903 to 1913, during which he is runner-up in the Irish Amateur Golf Championships in 1909 and one of the Irish representatives at an international match in 1913. The Babington Room in the Royal Portrush Golf Club is named after him, as is the 18th hole on the course as a result of the key role he plays in shaping its history.

Babington dies at the age of 94 on April 10, 1972 at his home, Creevagh, Portrush, County Antrim.


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Death of William Trevor, Writer & Playwright

William Trevor Cox KBE, Irish novelist, playwright, and short story writer, dies in Crediton, Devon, England, on November 20, 2016. One of the elder statesmen of the Irish literary world, he is widely regarded as one of the greatest contemporary writers of short stories in the English language. He wins the Whitbread Prize three times and is nominated five times for the Booker Prize, the last for his novel Love and Summer (2009), which is also shortlisted for the International Dublin Literary Award in 2011. His name is also mentioned in relation to the Nobel Prize in Literature.

Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.

Trevor is born as William Trevor Cox on May 24, 1928, in Mitchelstown, County Cork, to a middle class, Anglo-Irish Protestant (Church of Ireland) family. He moves several times to other provincial locations, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official.

Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching. 

Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960. 

Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.

In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.

In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.

Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.


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Birth of Jasmine Guinness, Designer & Fashion Model

Jasmine Leonora Guinness, Irish designer and a fashion model active since 1994, is born on September 28, 1976. She is a member of Anglo-Irish brewing Guinness family.

Guinness is the daughter of Patrick Guinness and Liz Casey. She is educated at St. Columba’s College, Rathfarnham, in Dublin. She also spends a year at Winchester School of Art, the art school of the University of Southampton, situated 10 miles (14 km) north of Southampton in the city of Winchester near the south coast of England.

Guinness and Gawain O’Dare Rainey are engaged on January 31, 2005, and married on July 1, 2006, in Leixlip, County Kildare. The wedding is extensively covered in the July 18, 2006 issue of Hello! magazine and is attended by 500 guests, including the designer of her draped silk dress, Jasper Conran, Mario Testino, Paddy Moloney, Anjelica Huston, Jacquetta Wheeler, Jade Parfitt, Erin O’Connor, Garech Browne and Philip Treacy.

Her husband is the son of Michael Rainey and the Hon. Jane Ormsby-Gore, a daughter of David Ormsby-Gore, 5th Baron Harlech. They have two sons and a daughter together.

Guinness opens the toy shop Honeyjam on London‘s Portobello Road in 2006.

A portrait of Guinness is held at the National Portrait Gallery in London. She has modeled for various perfume and make-up campaigns, including Armani and Shu Uemura. She is the face of the Goffs Million horse races at the Curragh Racecourse in September 2007, an event that pays the highest winnings of any race meeting in Europe.

In 2009, Guinness is the face of the Arthur’s Day event celebrating her ancestor Arthur Guinness. In March and December 2011 she is again the subject of articles in Hello! magazine.

The year 2014 marks a revival of Guinness’s modeling career as she leads Jaeger‘s AW14 campaign alongside her mother Liz and fellow models Kirsty Hume and Jodie Kidd. Her range largely includes knitwear, including cardigans, skirts and sweater dresses.

Guinness is the great-granddaughter of Diana Mitford (later Lady Mosley), who is one of the Mitford sisters, and her first husband Bryan Guinness, later the 2nd Lord Moyne. Her paternal grandfather, Desmond Guinness, is a conservationist specialising in Georgian and classical architecture, while her paternal grandmother, Mariga Guinness, is born Marie-Gabrielle, Princess of Urach. Desmond and Mariga Guinness are co-founders of the Irish Georgian Society. Guinness’s maternal family is researched in the RTÉ programme Where Was Your Family During the Famine?


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Death of Arthur Hill, 3rd Marquess of Downshire

Arthur Blundell Sandys Trumbull Hill, 3rd Marquess of Downshire KP, an Anglo-Irish peer, styled Viscount Fairford from 1789 until 1793 and Earl of Hillsborough from 1793 to 1801, dies on September 12, 1845, in Blessington, County Wicklow.

Hill is born in Hanover Square, on October 8, 1788, the eldest son of Arthur Hill, 2nd Marquess of Downshire, and his wife, Mary Sandys. He becomes Marquess of Downshire on the early death of his father in 1801. He is educated at Eton College and Christ Church, Oxford, gaining his MA in 1809 and a DCL in 1810.

During his early political career, Hill is identified with the Whigs and supports the reform of Parliament. After the Grey Ministry comes to power, he receives a succession of appointments, becoming Colonel of the South Down Militia on March 25, 1831, and carrying the second sword at the coronation of William IV on September 8. He is appointed a deputy lieutenant of Berkshire on September 20, Lord Lieutenant of Down on October 17 (a new office replacing the Governor of Down), and finally a Knight of the Order of St Patrick on November 24, 1831. He receives an honorary LL.D. from the University of Cambridge on July 6, 1835.

Hill is a very strong supporter of the Irish language, and is president of the Ulster Gaelic Society (est. 1830). In this capacity he plays an important role in helping preserve records of the language, poetry, folk and song collections and much else.

Hill is disliked by Elizabeth Smith, diarist at Baltyboys House, County Wicklow, who feels snubbed by him when she and her husband first move into the area. Writing of him after his death she recalls “The late Lord never called upon me when I first came here although the Colonel waited upon him. The Colonel never went near him again.”

High-minded, if also at times high-handed in manner and self-important, Hill works hard himself and expects all his employees and tenants to be equally conscientious. Naturally, he is often disappointed. He is particularly concerned about his failure, despite all efforts and exhortations, to make his southern estates as efficient and well behaved as those in the north. Though an absentee owner in the south, he visits both Blessington and Edenderry regularly. It is during one of these periodic tours of inspection that he drops dead at Blessington on September 12, 1845. He is buried in St. Malachy Parish Churchyard at Royal Hillsborough, County Down. The funeral attracts an enormous crowd of mourners and is reported at some length in The Illustrated London News. His memory is perpetuated in an impressive pillar monument, with his statue on top, erected at Hillsborough in 1848.


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The Royal Irish Constabulary is Disbanded

The Royal Irish Constabulary (RIC), the police force in Ireland from 1822 until 1922, when all of the island was part of the United Kingdom, is disbanded on August 17, 1922, and replaced by the Garda Síochána.

A separate civic police force, the unarmed Dublin Metropolitan Police (DMP), patrols the capital and parts of County Wicklow, while the cities of Derry and Belfast, originally with their own police forces, later have special divisions within the RIC. For most of its history, the ethnic and religious makeup of the RIC broadly matches that of the Irish population, although Anglo-Irish Protestants are overrepresented among its senior officers.

The first organised police forces in Ireland come about through Dublin Police Act 1786, which is a slightly modified version of the failed London and Westminster Police Bill 1785 drafted by John Reeves at the request of Home Secretary Thomas Townshend, 1st Viscount Sydney, following the Gordon Riots of 1780. The force is viewed as oppressive by local elites and becomes a strain on the city budget. The arguably excessive budget is used as a pretext by Irish nationalist MP Henry Grattan and short-lived Lord Lieutenant of Ireland William Fitzwilliam, 4th Earl Fitzwilliam, to essentially abolish the Dublin Police in 1795 and even temporarily move it under Dublin Corporation.

The Peace Preservation Act 1814, for which Sir Robert Peel is largely responsible, and the Irish Constabulary Act 1822 forms the provincial constabularies. The 1822 act establishes a force in each province with chief constables and inspectors general under the United Kingdom civil administration for Ireland controlled by the Dublin Castle administration.

The RIC’s existence is increasingly troubled by the rise of the Home Rule campaign in the early twentieth century period prior to World War I.

In January 1922, the British and Irish delegations agree to disband the RIC. Phased disbandments begin within a few weeks with RIC personnel both regular and auxiliary being withdrawn to six centres in southern Ireland. On April 2, 1922, the force formally ceases to exist, although the actual process is not completed until August 17. The RIC is replaced by the Civic Guard (renamed as the Garda Síochána the following year) in the Irish Free State and by the Royal Ulster Constabulary (RUC) in Northern Ireland.

According to a parliamentary answer in October 1922, 1,330 ex-RIC men join the new RUC in Northern Ireland. This results in an RUC force that is 21% Roman Catholic at its inception in 1922. As the former RIC members retire over the subsequent years, this proportion steadily falls.

Just thirteen men transfer to the Garda Síochána. These include men who had earlier assisted Irish Republican Army (IRA) operations in various ways. Some retire, and the Irish Free State pays their pensions as provided for in the terms of the Anglo-Irish Treaty agreement. Others, still faced with threats of violent reprisals, emigrate with their families to Great Britain or other parts of the British Empire, most often to join police forces in Canada, Australia, New Zealand, South Africa and Southern Rhodesia. A number of these men join the Palestine Police Force, which is recruiting in the UK at the time.


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Death of John Bowes, 1st Baron Bowes

John Bowes, 1st Baron Bowes, PC (I), Anglo-Irish peer, politician and judge, dies in Dublin on July 22, 1767. He is noted for his great legal ability, but also for his implacable hostility to Roman Catholics.

Bowes is born in London, the second son of Thomas Bowes, a merchant and member of the Worshipful Company of Turners, and his wife, a Miss North, and is called to the Bar in 1712. He comes to Ireland as a member of the staff of Richard West, the Lord Chancellor of Ireland, in 1723. He builds up a large practice at the Irish Bar and is appointed Solicitor-General for Ireland in 1730, and Attorney-General for Ireland in 1739. He is raised to the Bench as Lord Chief Baron of the Irish Exchequer in 1741, having previously failed to become third Baron (which is a surprisingly lucrative office, as the Baron receives several extra fees). He is appointed Lord Chancellor of Ireland by King George II in 1757, despite the chronic ill-health which afflicts him. In his last years, his legs are so swollen that he can scarcely walk.

Bowes epitomizes the severity of the 18th century Penal Laws against Irish Catholics when he rules, in about 1759, that: “The law does not suppose any such person to exist as an Irish Roman Catholic, nor could such a person draw breath without the Crown’s permission”. Such views, given that Roman Catholics make up more than 90% of the Irish population at the time, inevitably make him bitterly unpopular, and in 1760 he is assaulted during a riot outside the House of Commons.

In spite of his religious bigotry, Bowes is considered one of the outstanding judges of his time. In particular, he is a reforming Lord Chancellor, who is praised for making the Court of Chancery “a terror for fraud, and a comfort and protection for honest men”. As Attorney-General he shows considerable courage in going on assize during the Irish Famine (1740–1741) despite the infectious fever which is raging at the time, and which claims the lives of three other judges who decide to brave the dangers.

Between 1731 and 1742, Bowes represents Taghmon in the Irish House of Commons.

Bowes is considered one of the finest speakers of his time. His speech for the prosecution at the trial of Henry Barry, 4th Baron Barry of Santry, who is charged with murder in 1739, is described by those who hear it as a masterpiece of eloquence and logic, and leads to the Irish House of Lords bringing in a unanimous verdict of guilty against Santry.

Bowes is raised to the peerage of Ireland in 1758 as Baron Bowes, of Clonlyon in the County of Meath.

Bowes dies in Dublin on July 22, 1767, his mental faculties fully intact despite his bodily infirmities. He is buried in Christ Church Cathedral, Dublin, where his brother raises a memorial to him. He never marries, and his title becomes extinct on his death. He lives at Belvedere House, Drumcondra. His estates passes to his brother Rumsey Bowes of Binfield, Berkshire.


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The Union with Ireland Act 1800 Receives Royal Assent

The Union with Ireland Act 1800, which is one of the two complimentary Acts of Union 1800, receives royal assent on July 2, 1800, uniting the Kingdom of Great Britain and the Kingdom of Ireland to create the United Kingdom of Great Britain and Ireland. The act means Ireland loses its own independent Parliament and is now to be ruled from England. It will be 1922 before Ireland regains legislative independence.

Two acts are passed in 1800 with the same long title: An Act for the Union of Great Britain and Ireland. The short title of the act of the British Parliament is Union with Ireland Act 1800, assigned by the Short Titles Act 1896. The short title of the act of the Irish Parliament is Act of Union (Ireland) 1800, assigned by a 1951 act of the Parliament of Northern Ireland, and hence not effective in the Republic of Ireland, where it was referred to by its long title when repealed in 1962.

Before these acts, Ireland has been in personal union with England since 1542, when the Irish Parliament passes the Crown of Ireland Act 1542, proclaiming King Henry VIII of England to be King of Ireland. Since the 12th century, the King of England has been technical overlord of the Lordship of Ireland, a papal possession. Both the Kingdoms of Ireland and England later come into personal union with that of Scotland upon the Union of the Crowns in 1603.

In 1707, the Kingdom of England and the Kingdom of Scotland are united into a single kingdom: the Kingdom of Great Britain. Upon that union, each House of the Parliament of Ireland passes a congratulatory address to Queen Anne, praying her: “May God put it in your royal heart to add greater strength and lustre to your crown, by a still more comprehensive Union.” The Irish Parliament is both before then subject to certain restrictions that made it subordinate to the Parliament of England and after then, to the Parliament of Great Britain; however, Ireland gains effective legislative independence from Great Britain through the Constitution of 1782.

By this time access to institutional power in Ireland is restricted to a small minority: the Anglo-Irish of the Protestant Ascendancy. Frustration at the lack of reform among the Catholic majority eventually leads, along with other reasons, to a rebellion in 1798, involving a French invasion of Ireland and the seeking of complete independence from Great Britain. This rebellion is crushed with much bloodshed, and the motion for union is motivated at least in part by the belief that the union will alleviate the political rancour that led to the rebellion. The rebellion is felt to have been exacerbated as much by brutally reactionary loyalists as by United Irishmen (anti-unionists).

Furthermore, Catholic emancipation is being discussed in Great Britain, and fears that a newly enfranchised Catholic majority will drastically change the character of the Irish government and parliament also contributes to a desire from London to merge the Parliaments.

According to historian James Stafford, an Enlightenment critique of Empire in Ireland lays the intellectual foundations for the Acts of Union. He writes that Enlightenment thinkers connected “the exclusion of the Irish Kingdom from free participation in imperial and European trade with the exclusion of its Catholic subjects, under the terms of the ‘Penal Laws’, from the benefits of property and political representation.” These critiques are used to justify a parliamentary union between Britain and Ireland.

Complementary acts are enacted by the Parliament of Great Britain and the Parliament of Ireland.

The Parliament of Ireland gains a large measure of legislative independence under the Constitution of 1782. Many members of the Irish Parliament jealously guard that autonomy (notably Henry Grattan), and a motion for union is legally rejected in 1799. Only Anglicans are permitted to become members of the Parliament of Ireland though the great majority of the Irish population are Roman Catholic, with many Presbyterians in Ulster. Under the Roman Catholic Relief Act 1793, Roman Catholics regain the right to vote if they own or rent property worth £2 annually. Wealthy Catholics are strongly in favour of union in the hope for rapid religious emancipation and the right to sit as MPs, which only comes to pass under the Roman Catholic Relief Act 1829.

From the perspective of Great Britain’s elites, the union is desirable because of the uncertainty that follows the French Revolution of 1789 and the Irish Rebellion of 1798. If Ireland adopts Catholic emancipation willingly or not, a Roman Catholic Parliament could break away from Britain and ally with the French, but the same measure within the United Kingdom would exclude that possibility. Also, in creating a regency during King George III‘s “madness”, the Irish and British Parliaments give the Prince Regent different powers. These considerations lead Great Britain to decide to attempt the merger of both kingdoms and Parliaments.

The final passage of the Act in the Irish House of Commons turns on an about 16% relative majority, garnering 58% of the votes, and similar in the Irish House of Lords, in part per contemporary accounts through bribery with the awarding of peerages and honours to critics to get votes. The first attempt is defeated in the Irish House of Commons by 109 votes to 104, but the second vote in 1800 passes by 158 to 115.