“No. 1539 Colour Serjeant Frederick William Hall, 8th Canadian Battalion. On 24th April, 1915, in the neighbourhood of Ypres, when a wounded man who was lying some 15 yards from the trench called for help, Company Serjeant Major Hall endeavoured to reach him in the face of a very heavy enfilade fire which was being poured in by the enemy. The first attempt failed, and a Non-commissioned Officer and private soldier who were attempting to give assistance were both wounded. Company Serjeant Major Hall then made a second most gallant attempt, and was in the act of lifting up the wounded man to bring him in when he fell mortally wounded in the head.”
During the Second Battle of Ypres in Belgium, Hall discovers a number of men are missing. On the ridge above he can hear moans from the wounded men. Under cover of darkness, he goes to the top of the ridge on two separate occasions and returns each time with a wounded man.
By nine o’clock on the morning of April 24 there are still men missing. In full daylight and under sustained and intense enemy fire, Hall, Corporal Payne and Private Rogerson crawl out toward the wounded. Payne and Rogerson are both wounded, but return to the shelter of the front line. When a wounded man who is lying some 15 yards from the trench calls for help, Hall endeavours to reach him in the face of heavy fire by the enemy but is shot in the head. The soldier he was attempting to help, Private Arthur Edwin Clarkson, is also killed.
Hall lives on Pine Street in Winnipeg. In 1925, Pine Street is renamed Valour Road because three Victoria Cross recipients resided on the same 700 block of that street: Hall, Leo Clarke and Robert Shankland. It is believed to be the only street in the Commonwealth of Nations to have three Victoria Cross recipients live on it. A bronze plaque is mounted on a street lamp at the corner of Portage Avenue and Valour Road to tell the tale of the three men.
Hill’s medals are in the Canadian War Museum. The museum has acquired all three Valour Road Victoria Cross medals and they are on permanent display in Ottawa.
In 1924, James Clark Snr. changes the family name to Chichester-Clark by deed poll, thus preventing the old Protestant Ascendancy name Chichester, his wife’s maiden name, from dying out. On his mother’s side the family are descended from the Donegall Chichesters and are the heirs of the Dawsons of Castledawson, who had originally held Moyola Park.
Chichester-Clark marries widow Moyra Haughton (née Morris) in 1959. Lady Moyola’s first husband, Capt. Thomas Haughton from Cullybackey, had been killed in the RAF Nutts Corner air crash in January 1953. She, while pregnant, is seriously injured in the crash and suffers a broken neck. He and his wife have two daughters (Tara and Fiona), in addition to Moyra’s son Michael from her previous marriage. Lady Moyola is a cousin of Colonel Sir Michael McCorkell, Lord Lieutenant of County Londonderry (1975–2000). Chichester-Clark serves as his Vice Lord-Lieutenant.
Chichester-Clark is an officer in the 1st Battalion, Irish Guards, part of 24th Infantry Brigade attached to British 1st Infantry Division, and participates briefly in the Anzio landings. He is injured on February 23, 1944, by an 88m shell as he and his Platoon Sergeant take their first look at the ground in the “gullies” to the west of the Anzio–Albano Laziale road. His company is all but wiped out, and he spends most of the war in hospital recovering from injuries, the effects of which stay with him throughout his life.
Following the war, Chichester-Clark’s military career takes him from the dull duties of the post-war occupation of Germany, to Canada as aide-de-camp to Harold Alexander, 1st Earl Alexander of Tunis, then Governor General of Canada. The popularity and competence of his senior officer makes this uneventful two-year period of his life the most remarkable element of his pre-parliamentary career. On returning from Canada, he continues in the Army for several years, refusing promotion to seniority before retiring a major in 1960.
In an uncontested by-election in 1960, Chichester-Clark takes over the South Londonderry seat in the Northern Ireland Parliament that had been held by his grandmother, Dame Dehra Parker, since 1933. As Dehra Chichester, she is an MP for the county of Londonderry until 1929 when she stands down for a first time. Chichester-Clark’s father replaces her in 1929 when the county is split, but he suddenly dies in 1933. Dehra, by then remarried, willingly returns to Northern Ireland from England, and wins the ensuing by-election.
Chichester-Clark retains the seat for the remainder of the Parliament’s existence, and so the South Londonderry area is represented by three generations of the same family for the entire period of the Northern Ireland House of Commons. Between 1929 and the last election in 1969, the family is challenged for the seat on only two occasions, the second being in 1969, when future Westminster MP Bernadette Devlin stands, attracting 39% of the vote.
Chichester-Clark makes his maiden speech on February 8, 1961, during the Queen’s speech debate.
For the remainder of Basil Brooke, 1st Viscount Brookeborough‘s premiership, Chichester-Clark remains on the back benches. It is not until 1963, when Terence O’Neill becomes Prime Minister of Northern Ireland, that he is appointed assistant whip, and a month later when William Craig is promoted to the Ministry of Home Affairs, he takes over as Government Chief Whip. Accounts of the period are that he enjoys the Whip’s office more than any other he is to subsequently hold in politics. This despite including references to anti O’Neill MP and future Democratic Unionist Party (DUP) Westminster MP, John McQuade, and the occasional “good row.” From the outset, O’Neill takes the unusual decision to allow Chichester-Clark to attend and speak at all cabinet meetings while Chief Whip. Proving a competent parliamentary party administrator, O’Neill adds Leader of the House of Commons to Chichester-Clark’s duties in October 1966, a promotion that makes him a full member of the Cabinet. He is also sworn into the Privy Council of Northern Ireland in 1966.
In 1967, O’Neill sacks his Minister of Agriculture, Harry West, for ministerial impropriety, and Chichester-Clark is appointed in his place, a position he retains for two quiet years. On April 23, 1969, he resigns from the Cabinet one day prior to a crucial Parliamentary Party meeting, claiming that he disagrees with the Prime Minister’s decision to grant universal suffrage in local government elections at that time. He states that he disagrees not with the principle of one man one vote but with the timing of the decision, having the previous day expressed doubts over the expediency of the measure in Cabinet. It has since been suggested that his resignation was in order to accelerate O’Neill’s own resignation, and to improve his own position in the jostling to succeed him.
O’Neill “finally walked away” five days later on April 28, 1969. In order to beat his only serious rival, Brian Faulkner, Chichester-Clark needs the backing of O’Neill-ite MPs elected at the 1969 Northern Ireland general election, to which end he attends a tea party in O’Neill’s honour only days after causing his resignation.
Chichester-Clark beats Faulkner in the 1969 Ulster Unionist Party leadership election by one vote on May 1, 1969, with his predecessor using his casting vote in the tied election for his distant cousin because “Faulkner had been stabbing him in the back for a lot longer.” Although Faulkner believes, until his death, that he is the victim of an upper-class conspiracy to deny him the premiership, he becomes a high profile and loyal member of Chichester-Clark’s cabinet.
Chichester-Clark’s premiership is punctuated by civil unrest that erupts after August 1969. He suffers from the effects of the Hunt Report, which recommends the disbandment of the Ulster Special Constabulary, which his Government accepts to the consternation of many Unionists.
In April 1970, Chichester-Clark’s predecessor and another Unionist MP resign their seats in the Northern Ireland House of Commons. The by-election campaigns are punctuated by major liberal speeches by senior government figures like Brian Faulkner, Jack Andrews and the Prime Minister himself. Ian Paisley‘s Protestant Unionist Party (PUP), however, takes both seats in the House of Commons. Later that same month the O’Neill-ite group, the New Ulster Movement, becomes the Alliance Party of Northern Ireland, and his party begins passing votes of no confidence in him.
As the civil unrest grows, the British Government, particularly the Home Secretary, James Callaghan, becomes increasingly involved in Northern Ireland’s affairs, forcing Chichester-Clark’s hand on many issues. These include the disbanding of the “B” Specials of the Ulster Special Constabulary and, importantly, the handing over of operational control of the security forces to the British ArmyGeneral Officer Commanding Northern Ireland.
On March 9, 1971, the Provisional Irish Republican Army lures three off-duty soldiers from a pub in Belfast to a lane way outside the city, where they kill them. Chichester-Clark flies to London on March 18, 1971, to request a new security initiative from the new British prime ministerEdward Heath, who offers an extra 1,300 troops, and resists what he sees as an attempt by Chichester-Clark to gain political control over them. Chichester-Clark resigns on March 20.
On March 23, 1971, Brian Faulkner is elected UUP leader in a vote by Unionist MP’s, defeating William Craig by twenty-six votes to four. He is appointed prime minister the same day.
On July 20, 1971, Chichester-Clark is created a life peer as Baron Moyola, of Castledawson in the County of Londonderry, his title taken from the name of his family’s estate. He endorses the Good Friday Agreement in the 1998 Northern Ireland Good Friday Agreement referendum. He remains quiet about his political career in his retirement. Lady Moyola, however, says that her husband does enjoy the time – contrary to popular opinion – and that he thinks of life as an MP as akin to that of an army welfare officer.
Chichester Clark dies on May 17, 2002, at the age of 79, following a short illness. His funeral takes place at Christ Church in Castledawson on May 21. He is the last surviving Prime Minister of Northern Ireland.
Williams is born on May 4, 1838, in Coleraine, County Londonderry. He claims to be descended on his father’s side from Worcestershireyeomen living in the parishes of Tenbury and Mamble. On his mother’s side he descends from Scottish settlers who planted Ulster in 1610. He is educated at Belfast Academy in Belfast under Dr. Reuben John Bryce and at a Greenwich private school under Dr. Goodwin. Later on, he goes to the southern United States for his health and takes part in a filibustering expedition to Nicaragua, where he sees some hard fighting and reportedly wins the reputation of a blockade runner. He is separated from his party and is lost in the forest for six days. Fevered, he discovers a small boat and manages to return to the nearest British settlement. He serves in the London Irish Rifles and has the rank of sergeant.
Williams returns to England in 1859, where he becomes a volunteer, and a leader writer for the London Evening Herald. In October 1859, he begins a connection with The Standard which lasts until 1884. From 1860 until 1863, he works as a first editor for the London Evening Standard and from 1882 until 1884, as editor of The Evening News.
Williams is best known for being a war correspondent. He is described as an admirable war correspondent, a daring rider as well as writer. For The Standard, he is at the headquarters of the Armée de la Loire, a French army, during the Franco-Prussian War in 1870. He is also one of the first correspondents in Strasbourg, where the French forces are defeated. In the summer and autumn of 1877, he is a correspondent to Ahmed Muhtar Pasha who commands the Turkish forces in Armenia during the Russo-Turkish War of 1877 and 1878. He remains constantly at the Turkish front, and his letters are the only continuous series that reaches England. In 1878, he publishes this series in a revised and extended form as The Armenian Campaign: A Diary of the Campaign on 1877, in Armenia and Koordistan, which is a large accurate record of the war, even though it is pro-Turkish. From Armenia, he follows Muhtar Pasha to European Turkey and describes his defence of the lines of Constantinople against the Imperial Russian Army. He is with General Mikhail Skobelev at the headquarters of the Imperial Russian Army when the Treaty of San Stefano is signed in March 1878. He reports this at the Berlin Congress.
At the end of 1878, Williams is in Afghanistan reporting the war, and in 1879 publishes the Notes on the Operations in Lower Afghanistan, 1878–9, with Special Reference to Transport.
In 1887, Williams meets with then General of the United States Army, Philip Sheridan, in Washington, D.C. to update the general on European affairs and the prospects of upcoming conflicts.
Williams is said to possess a voice of thunder and expresses with terrific energy. He conducts a lecture tour of the United States where he describes the six campaigns, illustrated by limelight photographs. His audience in Brooklyn, New York, is described by The New York Times as highly delighted by his lecture about the hardships and adventures. His presentation is “a feast for the eyes and ears and was highly appreciated by the large audience assembled.” He later tours England, Scotland, and Ireland speaking about his then seven campaigns.
Williams also writes fiction, including his book John Thaddeus Mackay, a tale about religious tolerance and understanding. With the sanction of Commander in Chief, Field MarshalGarnet Wolseley, he edits a book Songs for Soldiers for the March The Camp and the Barracks to improve morale and relieve boredom. Included in the book are a number of songs that he composed. He also writes about ecclesiastical questions, and contributes articles and stories to different periodicals.
Williams is a strong adherent to Wolseley’s military views and policy, and has considerable military knowledge. He also publishes military subjects in several publications such as the United Service Magazine, the National Review, and other periodicals. In 1892, he publishes Life of Sir H. Evelyn Wood, which is controversial as he defends the actions of Wood after the Battle of Majuba Hill in 1881. In 1902, he publishes a pamphlet, entitled Hush Up, in which he protests against the proposed limited official inquiry into the South African War and calls for an investigation.
Early in his career, Williams shares an office with friend and colleague Robert Gascoyne-Cecil, who later becomes Prime Minister of the United Kingdom. They have a standing tradition of always sending out for two beers with payment alternating between each man. Many years later, Williams is in the lobby of the House of Lords and Gascoyne-Cecil approaches him with an outstretched hand and asks, “By the way, Mr. Williams, whose turn is it to stand the beer?”
In 1884, the steamer carrying Williams and colleague Frederic Villiers of The Graphic overturns in the Nile River. Their rescue leads Williams to later commission a unique ivory and gold mitre for the Bishop of London as a thank-offering to God for his safe return from Khartoum.
Williams receives a personal invitation from King Edward VII to attend the funeral of his mother, Queen Victoria.
Both of Williams‘a sons became journalists. Frederick is a noted parliamentary reporter, writer, and historian in Canada. Francis Austin Ward Williams practices journalism in Sydney, Australia.
In the Nile Campaign of 1884-85, application is made to the War Office with the support of the Commander in Chief Lord Wolseley for medals for Willams and correspondent Bennet Burleigh. Williams has been twice requested to take command of some of the men by senior officers on the spot. The Secretary of War is unable to grant the recognition under the rules of the day but writes a letter saying that he regrets that this must be his decision.
Williams is a recipient of the Queen’s Sudan Medal, an award given to British and Egyptian forces which took part in the Sudan campaign between 1896 and 1898.
Field Marshall Garnet Wolseley recognizes the contributions of Williams on the battlefield. He says in a speech that from “Charles Williams, he had at various times received the greatest possible help in the field.”
Williams dies in Brixton, London, on February 9, 1904. He is buried in Nunhead Cemetery in London. His son, journalist Fred Williams, first learns of his father’s death on the wire service he is monitoring at his newspaper in Toronto, Ontario, Canada.
Williams’s funeral is well attended by the press as well as members of the military including Field Marshal Sir Evelyn Wood. Colleague Henry Nevison writes a long reflection on Williams. It includes, “On the field he possessed a kind of instinctive sense of what was going to happen. When I went to big field-days with him he was already an elderly man, and much broken down with the hardships of a war correspondent’s life; but he invariably appeared at the critical place exactly at the right moment, and I once heard the Duke of Connaught, who was commanding, say, ‘When I see Charlie Williams shut up his telescope, I know it’s all over.’ And now he is gone, with his rage, his generosity, his innocent pride, his faithful championship of every friend, and his memories of so many a strange event. His greatest joy was to encourage youth to follow in his steps, and the world is sadder and duller for his going.”
Blanchflower is born on February 10, 1926, in the Bloomfield district of Belfast, the first of five children born to John and Selina Blanchflower. He is educated at Ravenscroft public elementary school and is awarded a scholarship to Belfast College of Technology. He leaves school early to become an apprentice electrician at Gallaher’s cigarette factory in Belfast. He also joins the Air Raid Precautions (ARP) and, in 1943, joins the Royal Air Force after lying about his age. By 1946, after a trainee navigator course at the University of St. Andrews in Scotland and further training in Canada, he is back at Gallaher’s in Belfast and building a reputation as an outstanding footballer.
Blanchflower signs with Glentoran F.C. in 1946 before crossing the Irish Sea and signing with Barnsley F.C. for £6000 in 1949 at the age of 23. He transfers from Barnsley to Aston Villa F.C. for a fee of £15,000 and makes his First Division debut in March 1951. He makes 155 senior appearances for Villa before being bought by Tottenham Hotspur F.C. in 1954 for a fee of £30,000. During his ten years playing at White Hart Lane he makes 337 League appearances and 382 total appearances.
The highlight of Blanchflower’s time with the Spurs comes in the 1960–61 season, while serving as captain, the Spurs win their first 11 games and eventually win the league by 8 points. They beat Leicester City F.C. in the final of the FA Cup, becoming the first team in the 20th century to win the League and Cup double and a feat not achieved since Aston Villa in 1897.
In 1962, Blanchflower again captains the Spurs team to victory in the FA Cup in 1962, narrowly missing out on a second double when they finish a close third in the league behind Ipswich Town F.C. and Burnley F.C. In 1963, he captains the team to victory over Atlético Madrid in the final of the European Cup Winners’ Cup, making Spurs the first English team to win a European trophy.
Between 1949 and 1963, Blanchflower earns 56 caps for Northern Ireland, often playing alongside his brother Jackie until the younger Blanchflower’s playing career is cut short as a result of injuries sustained in the Munich air disaster of February 1958. In 1958, he captains his country when they reached the quarter-finals of the FIFA World Cup.
On December 4, 1957, Blanchflower captains the Northern Ireland team against Italy in Belfast in a bad tempered game that comes to be known as the “Battle of Belfast.” He attempts to keep the peace as the game turns nasty.
Blanchflower announces his retirement as a player on April 5, 1964, having played nearly 400 games in all competitions for the Spurs and captains them to four major trophies.
Following his retirement as a player, Blanchflower coachs for the Spurs for a number of years. Manager Bill Nicholson intends for Blanchflower to be his successor but, when Nicholson resigns in 1974, Blanchflower is passed over in favour of Terry Neill. He leaves the Spurs and becomes manager of Northern Ireland for a brief spell in 1978 before being appointed boss of Chelsea F.C. The team wins only three of fifteen games under his charge and he leaves the team in September 1979.
On May 1, 1990, Tottenham holds a testimonial match for Blanchflower at White Hart Lane, but at this point he is in the early stages of what is later diagnosed as Alzheimer’s disease and Parkinson’s disease. He is eventually placed in a nursing home in Staines-upon-Thames where he dies as a result of pneumonia on December 9, 1993, at the age of 67.
Blanchflower’s hometown of Belfast has honoured him with an Ulster History Circle plaque, located at his childhood home at 49 Grace Avenue, recognising the late sportsman as one of the greatest players in the history of Tottenham Hotspur FC.
Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
A chartered accountant by profession, Ardagh obtains his qualification in Canada in the 1970s and returns to Ireland to practice. He is first elected to Dáil Éireann at the 1997 Irish general election and retains his seat at the 2002 and 2007 general elections. He replaces Ben Briscoe as the TD and main candidate for Fianna Fáil in Dublin South-Central in 2002. He serves as chairman of a number of Dáil committees during his time as a TD.
Ardagh is first elected to Dublin County Council in 1985 and remains a member until 1999. He is elected to Dublin City Council in 1999 and remains a councillor until 2003.
On December 9, 2010, Ardagh announces he will not be standing at the 2011 Irish general election. He resigns as a TD on January 28, 2011, in advance of the 2011 general election.
Ardagh’s daughter is Fianna Fáil TD Catherine Ardagh. He dies on May 17, 2016, after a long illness.
Norman Derek Mahon, Irish poet, is born in Belfast, Northern Ireland, on November 23, 1941, but lives in a number of cities around the world. At his death it is noted that his “influence in the Irish poetry community, literary world and society at large, and his legacy, is immense.” President of IrelandMichael D. Higgins says of Mahon, “he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness.”
At Inst Mahon encounters fellow students who share his interest in literature and poetry. The school produces a magazine in which he produces some of his early poems. According to the critic Hugh Haughton, his early poems are highly fluent and extraordinary for a person so young. His parents cannot see the point of poetry, but he sets out to prove them wrong after he wins his school’s Forrest Reid Memorial Prize for the poem ”The power that gives the water breath.”
At times expressing anti-establishment values, Mahon describes himself as an “aesthete” with a penchant “for left-wingery […] to which, perhaps naively, I adhere.”
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ends its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.
Mahon dies in Cork, County Cork, on October 1, 2020, after a short illness, aged 78. He is survived by his partner, Sarah Iremonger, and his three children, Rory, Katy, and Maisie. His papers are held at Emory University.
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)
O’Shannon is awarded lifetime membership of the Irish Film & Television Academy in 2010, to which he says it is “particularly gratifying that it occurs before I pop my clogs”.
The Irish radio and television broadcaster Terry Wogan describes O’Shannon as possibly the greatest Irish television journalist of the 20th century.
O’Shannon first becomes a journalist with The Irish Times on leaving the Royal Air Force in 1947. Later he joins the Irish state broadcasting service Raidió Teilifís Éireann (RTÉ).
In July 1972, O’Shannon records a notable television interview with 31-year-old Muhammad Ali, when Ali is in Dublin to compete at Croke Park in a bout with Alvin Lewis.
O’Shannon receives a Jacob’s Award for his 1976 TV documentary, Even the Olives are Bleeding, which details with the activities of the “Connolly Column” in the Spanish Civil War. Two years later he is honoured with a second Jacob’s Award for his television biography Emmet Dalton Remembers (1978).
In 1978, O’Shannon leaves RTÉ to join Canadian company Alcan which is setting up an aluminum plant at Aughinish, County Limerick, in 1978. He is head-hunted to become its Director of Public Affairs, an important post at a time when there are environmental concerns about the effects of aluminum production. He admits that he is attracted by the salary, “five times what RTÉ were paying me,” but he also later says that one reason for the move is that he had become unhappy with working at RTÉ, stating in an interview that: “The real reason I got out of RTÉ was that they wouldn’t let me do what I wanted to do journalistically.” He had submitted proposals to the station’s editors for television documentary series on the Irish Civil War, and also one on the wartime Emergency period, but they had been rejected. While he enjoys the social life with lavish expenses which his public relations duties involve, his friends believe that he misses the varied life and travel of journalism. He retires early from Aughinish in 1992, and returns to making television documentaries with RTÉ.
O’Shannon’s wife, Patsy, whom he met while they were working at The Irish Times office in London, dies in 2006. They had been married for more than 50 years.
On January 12, 2007, O’Shannon announces his retirement at the age of 80. In a 2008 television documentary, he admits that throughout his marriage he had been a serial womaniser and had repeatedly engaged in extra-marital affairs unbeknownst to his wife.
After weakening health for two years, and spending his last days in a hospice at Blackrock, O’Shannon dies at the Beacon Hospital in Dublin on October 22, 2011, in his 84th year. His body is reposed at Fanagans Funeral Home in Dublin on October 25, followed by a funeral the following day at Glasnevin Cemetery Chapel, where his remains are cremated afterward.
Director General of RTÉNoel Curran says O’Shannon had brought into being “some of the great moments in the RTÉ documentary and factual schedule over the past five decades.” In tribute, RTÉ One shows the documentary Cathal O’Shannon: Telling Tales on November 10, 2011. It had originally aired in 2008 to mark his 80th birthday
Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
The Royal Irish Constabulary (RIC), the police force in Ireland from 1822 until 1922, when all of the island was part of the United Kingdom, is disbanded on August 17, 1922, and replaced by the Garda Síochána.
A separate civic police force, the unarmed Dublin Metropolitan Police (DMP), patrols the capital and parts of County Wicklow, while the cities of Derry and Belfast, originally with their own police forces, later have special divisions within the RIC. For most of its history, the ethnic and religious makeup of the RIC broadly matches that of the Irish population, although Anglo-IrishProtestants are overrepresented among its senior officers.
The Peace Preservation Act 1814, for which Sir Robert Peel is largely responsible, and the Irish Constabulary Act 1822 forms the provincial constabularies. The 1822 act establishes a force in each province with chief constables and inspectors general under the United Kingdom civil administration for Ireland controlled by the Dublin Castle administration.
The RIC’s existence is increasingly troubled by the rise of the Home Rule campaign in the early twentieth century period prior to World War I.
In January 1922, the British and Irish delegations agree to disband the RIC. Phased disbandments begin within a few weeks with RIC personnel both regular and auxiliary being withdrawn to six centres in southern Ireland. On April 2, 1922, the force formally ceases to exist, although the actual process is not completed until August 17. The RIC is replaced by the Civic Guard (renamed as the Garda Síochána the following year) in the Irish Free State and by the Royal Ulster Constabulary (RUC) in Northern Ireland.
According to a parliamentary answer in October 1922, 1,330 ex-RIC men join the new RUC in Northern Ireland. This results in an RUC force that is 21% Roman Catholic at its inception in 1922. As the former RIC members retire over the subsequent years, this proportion steadily falls.
Just thirteen men transfer to the Garda Síochána. These include men who had earlier assisted Irish Republican Army (IRA) operations in various ways. Some retire, and the Irish Free State pays their pensions as provided for in the terms of the Anglo-Irish Treaty agreement. Others, still faced with threats of violent reprisals, emigrate with their families to Great Britain or other parts of the British Empire, most often to join police forces in Canada, Australia, New Zealand, South Africa and Southern Rhodesia. A number of these men join the Palestine Police Force, which is recruiting in the UK at the time.
seamus dubhghaill 