Sullivan, the second of six sons of Daniel Sullivan, house painter, and his wife, Catherine (née Baylor), a teacher, is born on May 15, 1829, in Bantry, County Cork. A popular date for Sullivan’s birth appears in many histories as 1830, but his gravestone reads 1829. He is educated in the local national school. One of his brothers is Timothy Daniel Sullivan, the Lord Mayor of Dublin from 1886 to 1888.
During the Great Famine of 1845 to 1847, Sullivan is employed as a clerk in connection with the relief works started by the government. Deeply influenced by the distress he witnesses, he afterward joins the Confederate Club formed in Bantry in support of the revolutionary movement of the Young Irelanders and is the organiser of the enthusiastic reception given by the town to William Smith O’Brien in July 1848 during the insurgent leader’s tour of the southern counties. Early in 1853, he goes to Dublin to seek employment as an artist. An exhibition of the arts and industries of Ireland is held in Dublin that year, and he is engaged to supply pencil sketches to the Dublin Expositor, a journal issued in connection with the exhibition. Subsequently, he obtains a post as a draughtsman in the Irish valuation office, and afterward as a reporter on the Liverpool Daily Post.
In 1855, Sullivan becomes assistant editor of The Nation, and subsequently editor and proprietor. From 1861 to 1884, in conjunction with his elder brother, T. D. Sullivan, he makes The Nation one of the most potent factors in the Irish Nationalist cause and also issues the Weekly News and Zozimus. Called to the Irish bar in 1876, he is a “special call” of the Inner Temple in 1877 and is made QC in 1881. He mainly practices at the English bar, though he acts in some political cases in Ireland.
As a member of the Dublin Corporation, Sullivan secures a magnificent site for the Grattan Monument, toward which he donates £400, the amount of a subscription by his admirers while he is undergoing imprisonment for a political offence in 1868. The monument is formally unveiled in January 1876. Between 1878 and 1882 he is engaged in many notable trials. His last great case is on November 30, 1883, when he is a colleague of Lord Russell in the defence of Patrick O’Donnell for the murder of James Carey, an informer.
Sullivan suffers another heart attack while on holiday in Bantry in September 1884 and spends his last days with William Martin Murphy at Dartry, County Dublin. Murphy regards him as a father figure, attributing his success to Sullivan’s early advice and journalistic training. Sullivan dies on October 17, 1884, at Dartry Lodge, Rathmines, Dublin. He is buried at Glasnevin Cemetery. With his wife, Frances Genevieve Donovan, whom he marries on April 27, 1861, and who outlives him by nearly forty years, he has a family of three sons and five daughters. His second son and namesake, Alexander Martin Sullivan, is the last to hold the rank of Serjeant-at-law (Ireland).
In addition to his labours, Sullivan is a great temperance reformer. He also writes two notable books, The Story of Ireland and New Ireland and contributes many sketches (including some verse) to Irish Penny Readings (1879–85). Some of his correspondence is located in the Isaac Butt papers in the National Library of Ireland.
Duffy is born in Nice, France, on July 17, 1884, the daughter of the Irish nationalist Sir Charles Gavan Duffy, one of the founders of The Nation and his third wife, Louise (née Hall) from Cheshire, England. Her mother dies when she is four. She is then raised in Nice by her Australian half-sisters from her father’s second marriage. It is a well-to-do and culturally vibrant home where she is exposed to political figures and ideas.
Duffy’s first visit to Ireland is in 1903, at the age of 18, when her father dies and is buried in Glasnevin Cemetery. This is when she first hears Irish spoken. She finds a grammar book in a bookshop and becomes curious. Her father was not an Irish speaker, though her grandmother in the early 1800s was likely fluent.
Duffy spends the years between 1903 and 1907 between France and England. She takes courses through Cusack’s College in London so that she can matriculate.
Duffy decides to continue her studies in Dublin but cannot afford to move until she receives a small inheritance from her grandmother on the Hall side of the family. Once in Ireland in 1907, at the age of 23, she begins her university studies, taking arts. She lives in the Women’s College, Dominican Convent, as women are not allowed to attend lectures in the Royal University of Ireland. She goes occasionally to the Gaeltacht to learn Irish. Graduating in 1911 with a Bachelor of Arts from University College Dublin (UCD), she is one of the first women to do so.
Given the lack of teachers, even without a full qualification, Duffy then teaches in Patrick Pearse‘s St. Ita’s school for girls in Ranelagh. She studies with the Dominicans again in Eccles Street, gaining a Teaching Diploma from Cambridge University.
A supporter of women’s suffrage, Duffy speaks at a mass meeting in Dublin in 1912 in favour of having the Home Rule bill include a section to grant women the vote. She also joins the Irish republican women’s paramilitary organisation Cumann na mBan, as a founding member in April 1914, serving on the provisional committee with Mary Colum, as a co-secretary.
Duffy is aware that being a suffragist and a nationalist are not necessarily the same thing, realising her involvement in Cumann na mBan is in support of nationalism. When St. Ita’s closes due to funding problems in 1912, she takes the opportunity to complete her qualifications. After receiving her Cambridge teacher’s diploma in 1913, she returns to UCD to study for a Master of Arts degree.
Duffy is in fact working on her master’s thesis during the Easter break in 1916 when the rumour comes to her that the Rising has begun in Dublin city centre. She walks to the Rebel headquarters in the GPO where she tells Pearse, one of the leaders, that she does not agree with the violent uprising.
Duffy spends all of Easter week working in the GPO kitchens with other volunteers like Desmond FitzGerald and a couple of captured British soldiers, ensuring the volunteers are cared for. The women in the GPO are given the opportunity to leave under the protection of the Red Cross on the Thursday as the shelling of the building has caused fires, but almost all of them refuse. In the end, she is among the second group of the people to leave the GPO on the Friday, tunnelling through the walls of the buildings to avoid coming under fire.
Duffy’s group makes it to Jervis Street Hospital where they spend the night. The next day, Saturday, Pearse formally surrenders. She heads for Jacob’s Biscuit Factory, another volunteer position, on the morning after the surrender, to see what is happening. There she finds a holdout of volunteers who are unaware of the surrender or that the fighting is over.
After 1916 Duffy is elected to the Cumann na mBan’s executive and in 1918 is one of the signatories to a petition for self-determination for Ireland which is presented to President Woodrow Wilson by Hanna Sheehy-Skeffington. During her time in the GPO, she had collected names of the volunteers and promised to take messages to their families. This possibly influences her in being involved in the National Aid Association and Volunteers Dependants Fund. In the aftermath of the rebellion there are 64 known dead among the volunteers, while 3,430 men and 79 women are arrested. Families need support. These organisations are able to arrange funding from the United States.
In 1917, Duffy co-founds and runs Scoil Bhríde, as a secondary school for girls in Dublin through the medium of Gaelic. It is still in operation as a primary school. Her co-founder is Annie McHugh, who later marries Ernest Blythe. The end of the Rising leads to the Irish War of Independence (1919-21). During this time, she is mostly focused on the school. However, it is raided by the military and Duffy later admits it is in fact used for rebel meetings and to safeguard documents. In October 1920, the Irish leader Michael Collins meets Archbishop Patrick Clune there in secret. In an effort to support the nationwide boycott of the police, the Royal Irish Constabulary (RIC), in 1920, she has a leaflet sent to all branches of Cumann na mBan which states in part that the RIC are the “eyes and ears of the enemy. Let those eyes and ears know no friendship.”
The war ends with the Anglo-Irish Treaty in 1921. The result is the Irish Civil War which lasts until 1923. Duffy is a supporter of the Treaty, which her brother had signed, and as such she leaves Cumann na mBan and joins Cumann na Saoirse, in which she is instrumental in founding as an Irish republican women’s organisation which supports the Pro-Treaty side.
Once the civil war is over, Duffy leaves the political arena and returns to education. She especially needs to focus on funding in the early years of the school. She works with UCD’s Department of Education from 1926, once Scoil Bhríde is recognised as a teacher training school. She publishes educational documents like School Studies in The Appreciation of Art with Elizabeth Aughney and published by UCD in 1932.
Until her retirement, Duffy also lectures on the teaching of French. She retires as principal in 1944.
Recognising the importance of her first-hand experience and with a good political understanding, Duffy records her memories of the events in which she has taken part. In 1949, she gives an account of her life in relation to nationalist activities to the Bureau of Military History. She is involved in a Radio Éireann broadcast in 1956 about the women in the Rising. In 1962, she takes part in the RTÉ TV program Self Portrait broadcast on March 20, 1962. In March 1966 she gives a lecture in UCD to mark the 50th anniversary of the Rising which is published in The Easter rising, 1916, and University College Dublin (1966).
Duffy dies, unmarried, on October 12, 1969, aged 85, and is interred in the family plot in Glasnevin Cemetery.
In 2014, An Post issues a stamp to commemorate the centenary of the founding of Cumann na mBan. In 2016, for the centenary, a documentary is produced, discussing seven of the women, including Duffy, who were involved in the Easter Rising.
Whelan is the sixth of thirteen children born to farmer John Whelan and Bridget Price. He attends national school at Beleek and Clifden, before leaving school at the age of 15 to work on his father’s farm. He moves to Dublin at the age of 18, where he finds work as a railway man, and joins the Irish Volunteers as a member of ‘A’ Company, 3rd Battalion, Dublin Brigade. He lives at Barrow Street, Ringsend, Dublin, and works at a train depot.
Whelan is arrested on November 23, 1920, and, on February 1, 1921, is charged with the shooting death of Captain G.T. Baggallay, an army prosecutor who had been a member of courts that sentenced Volunteers to death under the Restoration of Order in Ireland Act on Bloody Sunday (1920).
Whelan is defended at his court-martial by Michael Noyk, through whom he protests his innocence of the charges. As in the case of Patrick Moran, there is eyewitness evidence that Whelan had been at Mass at the time the shooting had taken place.
The prosecution casts doubt on the reliability of the eyewitnesses, arguing that as Catholics they are not neutral. The defence complains that it is unfair to suggest the witnesses “were prepared to come up and perjure themselves on behalf of the prisoner” because “they belonged to a certain class and might hold certain political opinions.”
The military court does, however, trust the evidence of an army officer who lives in the same house as Baggallay and who has identified Whelan as the man covering him with a revolver during the raid. There is also testimony by a soldier who had passed by the house when he heard shots fired. This witness says he saw Whelan outside, attempting to start his motorcycle. Whelan is found guilty of murder and sentenced to death.
In Mountjoy Prison, Whelan is imprisoned with the writer and activist Ernie O’Malley, who describes him as “… smooth-faced, quiet and brown eyed with wavy hair; he smiled quietly and steadily. His voice was soft and when he laughed with the others one knew that the fibre was not as hard and that there was a shade of wistfulness about him.”
Whelan is quoted just before being hanged, “Give the boys my love. Tell them to follow on and never surrender. Tell them I am proud to die for Ireland.”
Whelan is hanged at 6:00 a.m. along with Patrick Moran, the first of six men to be executed in pairs that day. A crowd estimated at 40,000 gathers outside the prison to pray as the executions take place. His mother, Bridget, sees him before his execution and waits outside with the praying crowd holding candles. She tells a reporter that she had left her son “so happy and cheerful you would almost imagine he was going to see a football match.” He is 22 years old at the time of his death.
Following the Two for One policy that decrees the assassination of two members of the Royal Irish Constabulary (RIC) in retaliation for every executed Irish Volunteer, the Irish Republican Army (IRA) in Whelan’s native Clifden ambushes and fatally shoots RIC Constables Charles Reynolds and Thomas Sweeney at Eddie King’s Corner on March 16, 1921. In response to the RIC’s request for assistance over the wireless, a trainload of Black and Tans arrive in Clifden from Galway in the early hours of Saint Patrick’s Day, March 17, 1921, and proceed to “burn, plunder and murder.” During what is now called “The Burning of Clifden,” the Black and Tans kill one local civilian (John McDonnell), seriously injure another, burn down fourteen houses, and damaged several others.
Whelan is one of a group of men hanged in Mountjoy Prison in the period 1920-1921 who are commonly referred to as the Forgotten Ten. In 2001, he and the other nine, including Kevin Barry, are exhumed from their graves in Mountjoy Prison and given a full state funeral. He is now buried in Glasnevin Cemetery, Dublin. An annual commemoration is still held in Clifden in his honor.
(Pictured: Patrick Moran (left) and Thomas Whelan (right) before their executions, Mountjoy Prison, Dublin, March 14, 1921, courtesy of Kilmainham Gaol Museum.)
Nimy Bridge is being defended by a single company of the 4th Royal Fusiliers and a machine gun section with Dease in command. The gunfire is intense and the casualties very heavy, but the lieutenant continues to fire in spite of his wounds, until he is hit for the fifth time and is carried away.
Dease wins the first Victoria Cross to be awarded in the Great War and he receives it on the first day of the first significant British encounter in that war.
When Lieutenant Dease has been mortally wounded, Private Sidney Godley offers to defend the Railway Bridge while the rest of the section retreats and is also awarded the Victoria Cross. He is taken prisoner of war.
Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Several of Redmond’s relatives are politicians. He takes over control of the minority IPP faction loyal to Charles Stewart Parnell after Parnell dies in 1891. He is a conciliatory politician who achieves the two main objectives of his political life: party unity and, in September 1914, the passing of the Irish Home Rule Act.
The Irish Home Rule Act grants limited self-government to Ireland, within the United Kingdom. However, implementation of Home Rule is suspended by the outbreak of the World War I. Redmond calls on the National Volunteers to join Irish regiments of the New British Army and support the British and Allied war effort to restore the “freedom of small nations” on the European continent, thereby to also ensure the implementation of Home Rule after a war that is expected to be of short duration. However, after the Easter Rising of 1916, Irish public opinion shifts in favour of militant republicanism and full Irish independence, resulting in his party losing its dominance in Irish politics.
In sharp contrast to Parnell, Redmond lacks charisma. He works well in small committees but has little success in arousing large audiences. Parnell had always chosen the nominees to Parliament. Now they are selected by the local party organisations, giving Redmond numerous weak MPs over whom he has little control. He is an excellent representative of the old Ireland but grows increasingly old-fashioned because he pays little attention to the new forces attracting younger Irishmen, such as Sinn Féin in politics, the Gaelic Athletic Association in sports, and the Gaelic League in cultural affairs.
Redmond never tries to understand the unionist forces emerging in Ulster. He is further weakened in 1914 by the formation of the Irish Volunteers by Sinn Féin members. His enthusiastic support for the British war effort alienates many Irish nationalists. His party has been increasingly hollowed out, and a major crisis, notably the Easter Rising, is enough to destroy it.
Redmond is increasingly eclipsed by ill-health after 1916. An operation in March 1918 to remove an intestinal obstruction appears to progress well initially, but he then suffers heart failure. He dies a few hours later at a Londonnursing home on March 6, 1918.
Condolences and expressions of sympathy are widely expressed. After a funeral service in Westminster Cathedral his remains are interred, as requested in a manner characteristic of the man, in the family vault at the old Knights Templars‘ chapel yard of Saint John’s Cemetery, Wexford, amongst his own people rather than in the traditional burial place for Irish statesmen and heroes in Glasnevin Cemetery. The small, neglected cemetery near the town centre is kept locked to the public. His vault, which has been in a dilapidated state, has been only partially restored by Wexford County Council.
Gray is the third son of John and Elizabeth Gray of Mount Street. He is educated at Trinity College Dublin and obtains the degree of M.D. and Master of Surgery at the University of Glasgow in 1839. Shortly before his marriage in the same year, he settles in Dublin and takes up a post at a hospital in North Cumberland Street. He is admitted as a licentiate of the Royal College of Physicians in due course.
Gray is publicly minded and contributes to periodicals and the newspaper press. In 1841, he becomes joint proprietor of the Freeman’s Journal, a nationalist paper which is then published daily and weekly. He acts as political editor of the Journal for a time, before becoming sole proprietor in 1850. As owner, he increases the newspaper’s size, reduces its price and extends its circulation.
Gray enters politics at a relatively young age and attaches himself to Daniel O’Connell‘s Repeal Association. As a Protestant Nationalist, he supports the movement for the repeal of the Acts of Union with Britain. In October 1843, he is indicted with O’Connell and others in the Court of the Queen’s Bench in Dublin on a charge of sedition and “conspiracy against the queen.” The following February, he, together with O’Connell, is condemned to nine months imprisonment, but in early September 1844 the sentence is remitted on appeal. The trial has a strong element of farce, as the hot-tempered Attorney-General for Ireland, Sir Thomas Cusack-Smith, challenges Gray’s counsel, Gerald Fitzgibbon, to a duel, for which he is sternly reprimanded by the judges. From then on Gray is careful to distance himself from the advocacy of violence in the national cause, though he is sympathetic to the Young Ireland movement without being involved in its 1848 rebellion. Through the growing influence of the Freeman’s Journal, he becomes a significant figure in Dublin municipal politics. He is also active in national politics during an otherwise quiet period of Irish politics up until 1860. With the resurgence of nationalism after the famine, he helps to organise the Tenant’s League founding conference in 1850, standing unsuccessfully as the League’s candidate for Monaghan in the 1852 United Kingdom general election.
Later Gray originates and organises the “courts of arbitration” which O’Connell endeavours to substitute for the existing legal tribunals of the country. Following O’Connell’s death, in 1862 he inaugurates an appeal for subscriptions to build a monument to O’Connell on Sackville Street (now O’Connell Street). Independent from O’Connell, he continues to take a prominent part in Irish politics and in local affairs.
In municipal politics, Gray is elected councillor in 1852 and alderman of Dublin Corporation and takes an interest in the improvement of the city. As chairman of the committee for a new water supply to Dublin, he actively promotes what becomes the “Vartry scheme.” The Vartry Reservoir scheme involves the partial redirection and damming of the River Vartry in County Wicklow, and the building of a series of water piping and filtering systems (and related public works) to carry fresh water to the city. This work is particularly important in the improvement of conditions in the city, and to public health, as it improves sanitation and helps reduce outbreaks of cholera, typhus and other diseases associated with contaminated water. On the opening of the works on June 30, 1863, he is knighted by the Earl of Carlisle, then Lord Lieutenant of Ireland. Partially in recognition of these efforts, he is later be nominated for the position of Lord Mayor of Dublin for the years 1868–69, but he declines to serve.
In national politics, the Liberal government at the time is keen to conciliate an influential representative of the moderate nationalists to support British Liberalism and who will resume O’Connell’s constitutional agitation. In an unusual alliance with the CatholicArchbishop of Dublin, Paul Cullen, a man devoted to O’Connell’s memory, Gray’s newspaper exploits this shift in government policy. It supports the archbishop’s creation, the National Association of Ireland, established in 1864 with the intention of providing a moderate alternative to the revolutionary nationalism of the Fenians. The Freeman’s Journal adopts the aims of the Association as its own: it advocates the disestablishment of the AnglicanChurch of Ireland, reform of the land laws, educational aspirations of Irish Catholicism and free denominal education.
In the 1865 United Kingdom general election Gray is elected MP for Kilkenny City as a Liberal candidate. In this capacity he campaigns successfully at Westminster and in Ireland for the reforms also advocated in his paper. His newspaper’s inquiry into the anomalous wealth of the established church amidst a predominately Catholic population contributes considerably to William Ewert Gladstone‘s Irish Church Act 1869. He helps to furnish the proof that Irish demands are not to be satisfied by anything other than by radical legislation. He fights for the provision in the new Landlord & Tenant (Ireland) Act 1870 for fixity of tenure, which Gladstone eventually concedes. The Act’s other weaknesses, however, result in its failure to resolve the “land question,” the accompanying coercion, the disappointment with Gladstone’s handling of the university question and national education, causing Gray to deflect from the Liberals and become mistrusted in Britain. In the 1874 United Kingdom general election he is re-elected as a Home Rule League MP for Kilkenny, joining its Home Rule majority in the House of Commons, and holds his seat until his death the following year.
Gray dies at Bath, Somerset, England, on April 9, 1875. His remains are returned to Ireland, and he is honoured with a public funeral at Glasnevin Cemetery. Almost immediately afterwards public subscriptions are sought for the erection in O’Connell Street, of a monument to Gray. The monument is completed in 1879 and is dedicated to the “appreciation of his many services to his country, and of the splendid supply of pure water which he secured for Dublin.” His legacy also includes his contributions to the passage of the Irish Church and Land Bills, his advocacy for tenant’s rights and his support of the Home Rule movement.
(Pictured: Statue to Sir John Gray on Dublin’s O’Connell Street, designed by Thomas Farrell and unveiled on June 24, 1879. Photo credit: Graham Hickey)
Muriel Enid Gifford is born at 12 Cowper Road, Rathmines, on December 18, 1884. She is the fourth daughter and eighth child of twelve of Frederick and Isabella Gifford. As a child, she suffers at different times from rheumatic fever and phlebitis. She attends Alexandra College and spends a brief time in England training to as a poultry instructor. Returning to Ireland, she trains at Sir Patrick Dun’s Hospital, Dublin, as a student nurse, but her health suffers from the work.
Along with her sisters, MacDonagh is active in the Irish Women’s Franchise League and Inghinidhe na hÉireann, a nationalist organisation. She is involved in the school meals programme of 1910 to 1911, takes part in a 1914 Women’s Franchise League fundraiser, appearing in a tableau vivant as Maeve, the Warrior Queen. Less ardently feminist than her sisters, she takes delight in inviting home activists and artists for a “proper meal.” In an outgoing family, she is shy and reserved, known for her gentle manner. In 1908, she is introduced to Thomas MacDonagh by suffragette journalist Nannie Dryhurst along with her sisters, Grace and Sidney, on a visit to St. Enda’s School. Dryhurst advises Thomas to “fall in love with one of these girls and marry her,” to which he replies laughingly, “That would be easy; the only difficulty would be to decide which one.” The Gifford sisters remain acquaintances with Thomas until the autumn of 1911, when the couple has a short and intense courtship. They meet secretly in galleries and museums and have copious correspondence. When he is appointed assistant lecturer to University College Dublin (UCD) in December 1911, they marry on January 3, 1912. They have one son, Donagh MacDonagh, and one daughter, Barbara MacDonagh Redmond. The family lives first at 32 Baggot Street, and later at 29 Oakley Road, Rathmines.
MacDonagh suffers with poor health and depression, which leads to periods of convalescence and confinement. When her husband is arrested after the Easter Rising, she is unable to see him before his execution on May 3, 1916, which heightens the intensity of her bereavement. Devastated by his death and estranged from her parents due to their disapproval of his involvement in the Rising, she briefly lives with the Plunketts at Larkfield, Kimmage, and then with relatives of her husband in Thurles, County Tipperary. She later returns to Dublin to rent rooms in a Plunkett family property, 50 Marlborough Road. With two young children to support, she is nearly destitute, but like the other widows and orphans of the executed leaders of the Rising, they are aided by the Irish Volunteers Dependents’ Fund, in her case with £250. She also serves as an officer and committee member on this aid association. Her husband had named her as his literary executor, and she prepares a collected edition of his poetry that is published in October 1916. The success of this volume, and his bestselling Literature in Ireland, published at the time he is executed, ease her financial difficulties somewhat.
MacDonagh dies while swimming in the sea during a holiday with other 1916 widows and orphans in Skerries, County Dublin, on July 9, 1917. She almost does not attend the holiday, as her son is in hospital having been injured in a fall. It is believed that she is attempting to swim to Shenick Island from Skerries, possibly to place a tricolour flag on the island’s Martello tower. Her body is found near Loughshinny Beach and, as there is no water in her lungs, it is concluded that she died of heart failure and not drowning. As there is great interest in the 1916 widows and their families, her funeral at Glasnevin Cemetery attracts a large crowd of mourners estimated at 5,000 in the funeral procession.
Following MacDonagh’s death, there is a legal custody battle between the Giffords and the MacDonaghs over Donagh and Barbara. Their aunt Mary MacDonagh, a nun known as Sister Francesca and with whom MacDonagh had grown close, wins custody. Even though several of her siblings offer to take the children, she places them in a foster home.
On the centenary of MacDonagh’s death, a festival takes place in Skerries in her memory.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Talbot is born on May 2, 1856, at 13 Aldborough Court, Dublin, the second eldest of twelve children of Charles and Elizabeth Talbot, a poor family in the North Strand area. He is baptized in St. Mary’s Pro-Cathedral on May 5. His father and all but the oldest of his brothers is heavy drinkers. In 1868, he leaves school at the age of twelve and goes to work in a wine merchant’s store. He very soon begins “sampling their wares,” and is considered a hopeless alcoholic by age thirteen. He then goes to the Port & Docks Board where he works in the whiskey stores. He frequents pubs in the city with his brothers and friends, spending most or all of his wages and running up debts. When his wages are spent, he borrows and scrounges for money. He pawns his clothes and boots to get money for alcohol. On one occasion, he steals a fiddle from a street entertainer and sells it to buy drink.
One evening in 1884, 28-year-old Talbot, who is penniless and out of credit, waits outside a pub in the hope that somebody will invite him in for a drink. After several friends had passed him without offering to treat him, he goes home in disgust and announces to his mother that he is going to “take the pledge” (renounce drink). He goes to Holy Cross College, Clonliffe, where he takes the pledge for three months. At the end of the three months, he takes the pledge for six months, then for life.
Having drunk excessively for 16 years, Talbot maintains sobriety for the following forty years of his life. There is evidence that his first seven years after taking the pledge are especially difficult. He finds strength in prayer, begins to attend daily Mass, and reads religious books and pamphlets. He repays all his debts scrupulously. Having searched for the fiddler whose instrument he had stolen, and having failed to find him, he gives the money to the church to have Mass said for him.
Even when his drinking is at its worst, Talbot is a hard worker. When he joins Pembertons, the building contractors, as a hod-carrier, his work-rate is such that he is put first on the line of hodmen to set the pace. Later, in Martin’s timber yard, he takes on the meanest and hardest jobs. He is respectful to his bosses but not obsequious, and on occasion stands up for a fellow worker. On September 22, 1911, he joins the builder’s labourers branch of the Irish Transport and General Workers Union (ITGWU). When the Dublin Lockout of 1913 leads to sympathy strikes throughout the city, the men of Martin’s, including Talbot, come out. At first, he refuses his strike pay, saying that he had not earned it. Later he accepts it but asks that it be shared out among the other strikers. After his death a rumour is put about that he was a strike-breaker in 1913, but all the evidence contradicts this.
From being an indifferent Catholic in his drinking days, Talbot becomes increasingly devout. He lives a life of prayer, fasting, and service, trying to model himself on the sixth century Irish monks. He is guided for most of his life by Michael Hickey, Professor of Philosophy at Holy Cross College. Under Hickey’s guidance his reading becomes wider. He laboriously reads scripture, the lives of saints, the Confessions of Saint Augustine, and the writings of Francis de Sales and others. When he finds a part difficult to understand, he asks a priest to clarify it.
Hickey also gives Talbot a light chain, much like a clock chain, to wear as a form of penance. He becomes a Third Order Franciscan in 1890 and is a member of several other associations and sodalities. He is a generous man. Although poor himself, he gives unstintingly to neighbours and fellow workers, to charitable institutions and the Church. He eats very little. After his mother’s death in 1915, he lives in a small flat with very little furniture. He sleeps on a plank bed with a piece of timber for a pillow. He rises at 5:00 a.m. every day so as to attend Mass before work. At work, whenever he has spare time, he finds a quiet place to pray. He spends most of every evening on his knees. On Sundays he attends several Masses. He walks quickly, with his head down, so that he appears to be hurrying from one Mass to another.
Talbot is on his way to Mass on Trinity Sunday, June 7, 1925, when he collapses and dies of heart failure on Granby Lane in Dublin. Nobody at the scene is able to identify him. His body is taken to Jervis Street Hospital, where he is undressed, revealing the extent of his austerities. A chain had been wound around his waist, with more chains around an arm and a leg, and cords around the other arm and leg. The chains found on his body at death are not some extreme penitential regimes but a symbol of his devotion to Mary, Mother of God, that he wished to give himself to her totally as a slave. His story quickly filters through the community, and there are many spectators when his funeral takes place at Glasnevin Cemetery on June 11, 1925. In 1972, his remains are removed to a tomb in Our Lady of Lourdes Church in Seán McDermott Street, Dublin, in the area where he spent his life.
There is a small plaque in Granby Lane at the site of Talbot’s death. Prior to the current plaque on the Eastern side of the lane, a small brass cross was inlaid in a stone wall on the Western side of the lane.
