Eleanor Charlotte Butler, recluse of Llangollen, is born in Cambrai, France, on May 11, 1739.
Butler is the youngest daughter of Walter Butler of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.
By the time Butler returns to Ireland, her brother John had claimed the family titles and was recognised as 16th Earl of Ormond. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then, in 1768, the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and corresponded secretly, having discovered their mutual interest in the arts and Rousseau‘s ideal of pastoral retirement.
Ponsonby, upon finishing school, is sent to live with relatives at nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law, Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at Woodstock Estate. Her persistence wins out when both families finally capitulate and accepted their plans to live together.
Butler and Ponsonby set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryll, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.
Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Stéphanie Caroline Anne Syms, later that year to become the wife of Lord Edward FitzGerald, and her mother, Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Stéphanie and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that she is staying in the local inn, Butler and Ponsonby invite her to call in. However, when she wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”
Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The Corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Though generally considered a hospitable couple, Seward, who is a good friend, admits that the “incessant homage” they received could make Butler “haughty and imperious,” while Lady Lonsdale thinks her “very clever, very odd.” Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled “Extraordinary female affection,” suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension (granted through the influence of Lady Frances Douglas), but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.
Though it is claimed that neither woman spends a night away from Plas Newydd, in January 1786 they stay with their friends, the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris.
In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London). Butler dies on June 2, 1829, and is buried alongside Carryll at Llangollen church. Sarah Ponsonby is subsequently buried with them.
(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)
Frederick Edward McWilliamCBERA, Northern Irish surrealistsculptor, is born in Banbridge, County Down, on April 30, 1909. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.
McWilliam is the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.
McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.
During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.
After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.
During the Northern IrelandTroubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.
In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.
Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.
Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.
Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.
Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.
Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.
In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.
From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.
Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.
From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.
(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)
References to Stephens’s early life, according to one of his biographers, Desmond Ryan, are obscure and limited to Stephens’s own vague autobiographical recollections. He is born at Lilac Cottage, Blackmill Street, Kilkenny, County Kilkenny, on January 26, 1825, and spends his childhood there. No birth records have ever been located, but a baptismal record from St. Mary’s Parish is dated July 29, 1825. There is reason to believe that he is born out of wedlock in late July 1825. However, according to Stephens, his exact date of birth is January 26. He is educated at St. Kieran’s College, Kilkenny, for at least one quarter in 1838. He is later apprenticed to a civil engineer, and from 1844 onwards works for the Waterford–Limerick Railway Company.
When the Young Irelanders split from Daniel O’Connell‘s Repeal Association and found the Irish Confederation in January 1847, Stephens becomes involved in the activities of the Kilkenny Confederate clubs. After the government suspends habeas corpus and issues warrants of arrest against the Confederate leaders, William Smith O’Brien appears in Kilkenny on July 23, 1848, seeking support for a popular insurrection, and two days later Stephens joins him. For four days he follows O’Brien’s wanderings and takes part in all his encounters with government forces, including the affray at the home of Widow McCormack on July 29 when O’Brien’s followers besiege a party of policemen in a house near Ballingarry, County Tipperary. They are finally dispersed by gunfire and the arrival of reinforcements, thus ending O’Brien’s revolutionary efforts. Stephens reportedly receives two bullet wounds but manages to hide and evade arrest.
Three days later, Stephens proceeds to Ballyneale, near Carrick-on-Suir, County Tipperary, in search of John O’Mahony. He accompanies O’Mahony to meet Michael Doheny, and for six weeks Stephens and Doheny avoid arrest by roaming around the south of Ireland, an adventure that Doheny records in The Felon’s Track (1849). On September 12, Stephens is smuggled out of Ireland by the family of the Skibbereen attorney McCarthy Downing, and four days later manages to reach Paris. O’Mahony and Doheny join him shortly afterwards, although Doheny soon emigrates to the United States.
From their exile Stephens and O’Mahony watch the failure of the ’49 conspiracy of James Fintan Lalor and Philip Gray and witness the barricades against Louis Napoleon’s coup d’état in 1851. Stephens later claims to have joined the French republican insurgents, but according to O’Mahony this is merely a frustrated intention. Equally without foundation is the rumour that Stephens and O’Mahony at this time join a republican secret society as a training ground for their future Irish enterprise.
Stephens remains in Paris from 1848 to 1855, supporting himself by teaching English. He attends Sorbonne University and has plans to obtain a professorship that never materialises. Towards the close of his exile, he is employed by the Le Moniteur Universel, for which he allegedly translates Charles Dickens‘s Martin Chuzzlewit. Late in 1855 he returns to Ireland and undertakes a series of tours throughout the island. He later magnifies the venture as “the 3,000 miles’ walk” and reformulates it as an attempt to measure the country’s nationalist temperature. However, his primary intention at the time is to collect information for a book he is planning to write. The following autumn he returns to Dublin, becomes tutor of French to the children of several well-to-do families including that of the Young Irelander John Blake Dillon, and joins the nationalist circle of Thomas Clarke Luby, Philip Gray, and other veterans of the ’49 conspiracy.
When Gray dies in January 1857, Stephens asks O’Mahony, then living in New York, to collect funds for a funeral monument. This evidence of nationalist activity, coupled with the prospect of “England’s difficulty” awakened by the recent Crimean War and the insurrection in India, give life to O’Mahony’s and Doheny’s Emmet Monument Association (EMA). That autumn the EMA sends an envoy to Ireland with a proposal for Stephens to prepare the country for the arrival of a military expedition. Stephens offers to organise 10,000 men in three months, provided he is given at least £80 a month and absolute authority over the enterprise. On March 17, 1858, Saint Patrick’s Day, he receives the first installment and his appointment as “chief executive” of the Irish movement. The same day he and his associates take an oath to make Ireland “an independent democratic republic.” The nameless secret society thereby inaugurated eventually becomes known as the Irish Republican Brotherhood (IRB). It is organised in cells, each led by a “centre” with Stephens being known as the “head centre.”
The EMA’s failure to send a second installment prompts Stephens to travel to New York in October 1858. While in America he attempts, and fails, to engage the support of the Young Irelanders John Mitchel and Thomas Francis Meagher, but succeeds in establishing a solid partnership with Irish nationalists based in New York. Late in 1858 the surviving members of the EMA reorganise themselves into a modified replica of the IRB, and under John O’Mahony’s inspiration adopt the name of the Fenian Brotherhood (FB). Eventually the label “Fenian” comes to be applied to the members of both organisations. As part of the new arrangements, Stephens obtains a new appointment as head of the movement “at home and abroad.”
Despite Stephens’s success, his labours in America and the secrecy of his own activities in Ireland are almost spoiled in December by the arrest of Jeremiah O’Donovan Rossa and other members of the Phoenix National and Literary Society of Skibbereen, which had been incorporated into the IRB the previous May. On his return from America in March 1859 Stephens takes refuge in Paris and delegates management of the organisation to Luby. He only returns to Dublin in April 1861 when O’Mahony, then on a tour of inspection, suggests establishing an executive council to share Stephens’s power. Stephens succeeds in frustrating this plan, but from the time of O’Mahony’s visit the tension between the two leaders never subsides.
In the autumn of 1861 Stephens takes lodgings on Charlemont Street at the house of John and Rossanna Hopper, owners of a small tailoring establishment, and soon falls in love with their daughter Jane, almost twenty years his junior. The two are married on January 24, 1864, at the church of SS Michael and John, Exchange Street. The marriage produces no children.
The first success for Stephens’s IRB comes on November 10, 1861, when the IRB-dominated National Brotherhood of Saint Patrick stages the funeral for the Young Irelander Terence MacManus after an intense tug-of-war with both the Catholic church and constitutional nationalism. Stephens plays a central role in promoting IRB control of the funeral arrangements and although the event lacks the mythical nationalist significance claimed by Fenian apologists, it serves to boost Fenian self-assertion and hasten the divorce between middle-class nationalist elites and a new militant republican working class which has different interests at stake in an independent Ireland.
Despite the McManus funeral success, the IRB continues to endure financial difficulties throughout 1862. In 1863, Stephens resolves to address these difficulties and consolidate the movement’s position by founding a newspaper. The Irish People is first issued on November 28, 1863. He contributes leading articles to its first three numbers but finally abandons his literary efforts in favour of Luby, John O’Leary, and Charles J. Kickham, thereafter the paper’s leading writers and guiding spirits.
In the meantime, the relationship between Stephens and O’Mahony continues to deteriorate. In November 1863 O’Mahony has turned the tables and persuaded the FB to acknowledge Stephens merely as “its representative in Europe.” In March 1864 Stephens again travels to the United States in order to stimulate the flow of funds towards the IRB and regain some hold on the FB. As part of his new policies, he makes the sensational announcement that 1865, at latest, is to be the movement’s “year of action.” After the end of the American Civil War in April 1865, Fenian activity increases spectacularly, and demobilised soldiers travel to Ireland. However, on September 15, 1865, the government takes action, suppresses The Irish People, and arrests most of Stephens’s closest collaborators, including Luby, O’Leary and O’Donovan Rossa. Stephens himself is arrested on November 11 but, in a daring operation that proves a propaganda coup for the Fenians, is rescued from Richmond Bridewell penitentiary thirteen days later and eventually makes his way to America via Britain and France. By the time he arrives in the United States, the FB has split into two “wings,” the partisans of John O’Mahony and those of William R. Roberts, the president of the Fenian “senate,” who advocate shifting military efforts towards invading Canada. The split ends Stephens’s already slender chances of launching a successful rising before the end of December, and he calls a postponement.
On February 17, 1866, the government suspends habeas corpus in Ireland and arrests multiply. Stephens braves the members’ impatience, calls a new postponement, and in May travels to New York in order to try and solve the American crisis in the IRB’s favour. He accepts O’Mahony’s resignation, takes control of his wing, and starts an intensive campaign of propaganda and fund-raising. Again, he proclaims 1866 as the “year of action,” but by December the movement is weaker than ever, and he tries to call a new postponement. This time his lieutenants, led by Col. Thomas J. Kelly, lose patience, depose him from leadership and prepare to launch the insurrection themselves. The result is the ill-fated Fenian Rising of March 5-6, 1867.
After his deposition, Stephens spends most of his remaining years in France, in dire financial distress, but still hoping against hope to regain his position at the head of the movement. However, the IRB is now under the control of the anti-Stephens supreme council, and the FB is quickly losing its influence to the newly emerged Clan na Gael. His reputation, always tainted by his controversial personality and autocratic management, had been ruined forever by the 1866 events and his repeated failure to order the rising. With the exception of a small core of diehard partisans, the majority of his former associates and followers have grown resentful of his leadership and are vehemently opposed to his return.
Apart from occasional English tutoring and a ruinous venture as a wine merchant that takes him to the United States from 1871 to 1874, Stephens’s post-Fenian years are mainly spent in poverty while awaiting the next opportunity to resume leadership of the IRB. In 1880, after a last unsuccessful trip to the United States and a crushing defeat by John Devoy and Clan na Gael, he gives up hope, returns to Paris, and settles down to earn a living as an occasional newspaper contributor. In 1885 he is expelled from France under the unfounded suspicion of involvement in dynamiting activities with his cousins Joseph and Patrick Casey and the journalist Eugene Davis. He then takes up residence in Brussels but is able to return to Paris two years later. Finally, through Charles Stewart Parnell‘s intervention in 1891, he is allowed to return to Ireland. He moves into a cottage in Sutton, near Howth, and settles into retirement. After his wife’s death in 1895 he moves to the house of his in-laws in Blackrock, County Dublin, where he dies on March 29, 1901. Two days later he is given a solemn nationalist funeral and is interred in Glasnevin Cemetery.
Stephens’s controversial historical reputation never accords him a comfortable place in the post-independence nationalist pantheon. His egotism and defects as a leader overshadow the credit he is given as a founder and organiser. Yet his notorious personality is arguably the key to his success and ultimate historical significance. His obsessive self-confidence and single-mindedness turn the EMA’s half-matured proposal into a solid partnership that inaugurates an enduring pattern of American involvement in Irish nationalism. At the same time, by impressing the IRB with his own assertiveness he enables it to break the tacit monopoly of the middle classes on Irish political life. By the time of his downfall, Irish republicanism has acquired a definite shape and a marginal but stable position in the Irish political scene.
Stephens’s name has been incorporated into Kilkenny local heritage in institutions as diverse as a swimming pool, a military barracks, and a hurling team. In 1967 a plaque is unveiled at the site of his childhood home on Blackmill Street. The main collections of his documents are the James Stephens papers, MSS 10491–2, in the National Library of Ireland, and the Michael Davitt papers addenda, MS 9659d, in Trinity College Dublin.
(From: “Stephens, James” by Marta Ramón, Dictionary of Irish Biography, http://www.dib.ie, last revised March 2021)
Lynch’s father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a cultivated, literary, very female household with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. From her early childhood she is familiar with many leading political agitators and writers in Dublin. Having been educated at a convent school in France, she considers training as a doctor and later as a concert pianist. However, economic circumstances lead to her to work as a sub-editor for a provincial paper and as a governess in Europe.
A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”
Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”
Lynch publishes across Ireland, the United Kingdom and from Paris. Her political work eventually leads to a breakdown in her health, after which she spends a period recuperating on the Isle of Wight. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.
Lynch dies at 60 Rue de Breteuil in Paris on January 9, 1904, where she spends much of her working life.
Keeping command of a small band, Byrne seizes Goresbridge on June 23 but has to deplore the murder of several prisoners and other atrocities committed by his men in revenge for the torture and executions that had been visited upon the peasantry by the yeomanry and government militia. After further skirmishes he joins Joseph Holt and Michael Dwyer in taking to the Wicklow Mountains to continue a guerrilla resistance.
After Holt accepts transportation to Australia in November, Byrne, assisted by his sister, escapes to Dublin. He recalls of his sister, “If I had not remarked a long scar on her neck, she would not have mentioned anything herself. A yeoman … threatened to cut her throat with his sabre if she did not tell instantly the place in which I was hiding. The cowardly villain, no doubt, would have put his threat in execution had not some of his comrades interfered to prevent him.”
In the winter of 1802-03, Byrne enters into the plans of Robert Emmet and Anne Devlin for a renewed uprising. In his Memoirs he describes a meeting he arranged between Robert Emmet and the Wexford rebel leader Thomas Cloney at Harold’s Cross Green, Dublin, just prior to Emmet’s Rebellion, “I can never forget the impression this meeting made on me at the time – to see two heroic patriots, equally devoted to poor Ireland, discussing the best means of obtaining her freedom.”
In July 1803, the plans unravel when Anne Devlin’s cousin, Michael Dwyer, still holding out in Wicklow, recognises that there are neither the promised arms nor convincing proof of an intended French landing. In the north Thomas Russell and James Hope find no enthusiasm for a renewal of the struggle in what in 1798 are the strongest United Irish and Catholic Defender districts.
In Dublin, with their preparations revealed by an accidental explosion of a rebel arms depot, Emmet proceeds with a plan to seize the centres of government. The rising, for which for Byrne turns out with Emmet and Malachy Delaney in gold-trimmed green uniforms, is broken up after a brief confrontation in Thomas Street.
Two days after the fight in Thomas Street, Byrne meets with the fugitive Emmet and agrees to go to Paris to procure French assistance. But in Paris he finds Napoleon‘s attentions focused elsewhere. The First Consul uses a cessation of hostilities with Britain to pursue a very different venture, the re-enslavement of Haiti.
Byrne is commissioned as a captain in Napoleon’s Irish Legion. But at a time when he is convinced that “all Catholic Ireland” is “ready to rise the moment a rallying point was offered,” the Irish exiles cannot deflect the First Consul from other priorities. Rather than in Ireland, with his diminishing Irish contingent, he is to see action in the Low Countries, Germany and Spain.
Byrne rises to the rank of brigadier general and is awarded the Legion of Honour in 1813. Following the Bourbon Restoration, with fellow legionnaire John Allen, he narrowly avoids deportation as a foreign Bonapartist. An introduction to the Prince de Broglie, then vice-president of the Chamber of Deputies, and two audiences with the Minister of War, Marshal Henri Clarke, the Duke of Feltre, contribute to the latter’s decision to quash the deportation order. In August 1817 Byrne is naturalised as a French citizen.
For much of the next decade Byrne finds himself effectively retired on half pay. Returned to active military service in 1828, he distinguishes himself in the French expedition to Morea during the Greek War of Independence. He retires in 1835 with the rank of Chef de Bataillion.
In the 1840s, Byrne is Paris correspondent for The Nation in Dublin, the Young Irelander newspaper that does much to rehabilitate the memory of the United Irishmen.
In his last years Byrne writes his Memoirs, which are an account of his participation in the Irish Rebellion and his time in the Irish Legion of Napoleon. These are first published in three volumes in 1863, but there have been many subsequent reprints. Against the portrayal of 1798 as a series of disjointed, unconnected risings, his memoirs present the United Irishmen as a cohesive revolutionary organisation whose aim of a democratic, secular, republic had captured the allegiance of a great mass of the Irish people.
Byrne dies at his house in the rue Montaigne (now rue Jean Mermoz, 8th arrondissement, near Champs-Élysées), Paris on January 24, 1862, and is buried in Montmartre Cemetery. His grave there is marked by a Celtic Cross, however this headstone appears to be a 1950s replacement for an earlier one.
(Pictured: Miles Byrne (1780-1862), United Irishman. Photograph taken by an unknown photographer in Paris in February 1859. The photograph now resides in Áras an Uachtaráin, the residence of the President of Ireland, in Dublin.)
Carey enters the bookselling and printing business in 1775 and, at the age of seventeen, publishes a pamphlet criticizing dueling. He follows this with a work criticizing the severity of the Irish penal code, and another criticizing Parliament. As a result, the British House of Commons threatens him with prosecution. In 1781 he flees to Paris as a political refugee. There he meets Benjamin Franklin, the ambassador representing the American Revolutionary forces, which achieves independence that year. Franklin takes Carey to work in his printing office.
Carey works for Franklin for a year before returning to Ireland, where he edits two Irish nationalist newspapers, the Freeman’s Journal and The Volunteer’s Journal. He gains passage on a ship to emigrate to the newly independent United States in September 1784.
Upon Carey’s arrival in Philadelphia, he finds that Franklin has recommended him to Gilbert du Motier, Marquis de Lafayette, who gives him a $400 check to establish himself. He uses this money to set up a new publishing business and a book shop. He founds The Pennsylvania Herald (1785), Columbian Magazine (1786), and The American Museum (1787). None of these ventures proves very profitable. The American Museum is the first American periodical to treat American culture as rich and original, instead of a poor imitation of Great Britain’s. He prints the first American version of the Douay–Rheims Bible in 48 weekly installments, this Roman Catholic edition popularly known as the Carey Bible. It is the first Roman Catholic version of the Bible printed in the United States. He also prints numerous editions of the King James Version, fundamental to English-speaking peoples.
Carey frequently writes articles on various social topics, including events during the 1793 Philadelphia Yellow Fever Epidemic, which proves a crisis for the city. He reports on debates in the state legislature as well as providing political commentary in his essays. He is a Catholic and a founding member of the American Sunday-School Society, along with Quaker merchant Thomas P. Cope, Dr. Benjamin Rush and Episcopal bishop William White.
In 1822 Carey publishes Essays on Political Economy; or, The Most Certain Means of Promoting the Wealth, Power, Resources, and Happiness of Nations, Applied Particularly to the United States. This is one of the first treatises favoring Alexander Hamilton‘s protectionist economic policy.
During Carey’s lifetime, the publishing firm evolves to M. Carey & Son (1817–21), M. Carey & Sons (1821–24), and then to Carey & Lea (1824). He retires in 1825, leaving the publishing business to his son, Henry Charles Carey and son-in-law Isaac Lea. Lea and Henry Carey make the business economically successful and, for a time, it is one of the most prominent publishers in the country.
Upon arriving in America, Carey quickly develops political connections in the developing country. One of his most important supporters is John Adams, still a leading figure of the Federalist Party at the time. His passionate support for the establishment of an American Navy contributes significantly to his alliance with the Federalists.
Throughout his political career in America, Carey supports the development and maintenance of American naval strength, even after joining Thomas Jefferson’s Democratic-Republicans in 1796. His political realignment occurs shortly before the American ratification of the Jay Treaty, primarily intended to ensure peace with Britain, while distancing America from France. His publishing in America channels his energy toward productive political objectives. His published works are credited with swaying public opinion toward the establishment of a powerful American navy.
Carey’s book Naval History of the United States, is meant to influence the public. Its conspicuous omission of naval activity during the American Quasi-War with France shows his political intentions. It helps direct political energy against the British, with which the U.S. is at war at the time of the book’s publication on May 6, 1813.
Focus on the British, known around the world for their naval power, makes an influential case for extending the reach of the American navy. Along with his publication of Naval History, Carey writes Olive Branch, published in 1814. He tries to eliminate competition between the two American political parties to create unity during the War of 1812. To many people, these efforts, and his early relationship with Franklin, make him the logical choice as Franklin’s political successor. Scholars believe that he contributed significantly by his books and publications to the establishment of the United States Whig Party.
Carey is elected a member of the American Antiquarian Society (AAS) in 1815. A significant portion of his business papers, as well as a very large number of original copies of works printed and/or published by him reside in the collections of the AAS.
Moore is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).
Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).
In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.
The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.
George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.
Ó hEithir’s parents are national school teachers, Pádraic Ó hEithir and Delia Ní Fhlaithearta. He is a nephew of Aran Islands authors Liam Ó Flaithearta and Tom Maidhc Ó Flaithearta, the brothers of his mother. He attends the Kilronan national school where his parents teach. He receives his secondary school education at Coláiste Éinde (St. Enda’s College), Galway. He attends University College Galway for three years, finishing his university course in 1952 but leaves without sitting his final examinations. He writes in both Irish and English and is highly regarded for the originality and liveliness of his journalism, especially his work in Irish.
Ó hEithir marries Catherine von Hildebrand, a young student recently arrived in Dublin from Colombia, in 1957 and they have five children: Ruairí, Máirín, Brian, Aindriú, and Rónán. Catherine is born in Paris, the daughter of Deirdre Mulcahy from Sligo and Franz von Hildebrand from Munich, son of the noted philosopher and theologian Dietrich von Hildebrand.
After college, Ó hEithir spends a number of years working as an itinerant bookseller for Comhdháil Náisiúnta na Gaeilge. He serves as an editor at Sáirséal agus Dill, the Irish language publishing house, and as Irish language editor for The Irish Press from 1957 to 1963. He also writes a column for The Sunday Press. He is a regular columnist with the journal Comhar and also contributes a weekly column to The Irish Times. He also serves as a staff journalist with Raidió Teilifís Éireann (RTÉ), working on the current affairs programmes Cúrsaí and Féach.
In 1975 the Irish American Cultural Institute awards Ó hEithir a scholarship of £2,000 to allow him to devote more time to writing. The following year his first novel, Lig sinn i gcathú (1976), loosely based on his student days in Galway, becomes a best-seller. He and Catherine move to Paris in 1986, where most of his second novel, Sionnach ar mo Dhuán (1988), is written. Hopes of having produced his definitive novel are soon dashed by a series of devastating reviews.
Ó hEithir visits Colombia with his wife in the summer of 1990. On his return, he is presented with the Butler literary award of $10,000 in further recognition of his writing in Irish. A month later, after a very short illness, he dies of cancer in St. Vincent’s University Hospital in Dublin on October 26, 1990. He is survived by his wife, Catherine, daughter Máirín, and sons Ruairí, Brian, and Aindriú.
Clare Marsh, still life and portrait artist, is born Emily Cecil Clare Marsh on January 13, 1875, at New Court, Bray, County Wicklow, the house of her maternal grandfather, Andrew McCullagh, a wine merchant.
Marsh’s parents are Arthur and Rachel Marsh (née McCullagh). She has four siblings. Her family is descended from the Anglo-Irish aristocracy, specifically from Francis Marsh of Edgeworth, Gloucestershire, with his wife the great-aunt of James II‘s first wife. The family later moves to Raheen, Clondalkin, and later to Cappaghmore, Clondalkin. There is little information about her early life although she is involved in the suffrage movement.
Marsh meets Mary Swanzy at Mary Manning‘s art classes, with Swanzy remembering Marsh as being from “a background of impecuniosity, which did not apparently worry them in spite of a more affluent upbringing.” She is influenced artistically by her aunt and John Butler Yeats, with whom she becomes close friends. In the summer of 1898, Yeats paints Marsh’s portrait at Manning’s studio. She is more drawn to the work of Yeats than of his son, Jack, and models her portraits on that of the older Yeats. He mentors her, encouraging her to see other artists’ work as much as possible and saying, “to produce a picture will force you to think.” He urges her to paint more industriously. She exhibits with the Royal Hibernian Academy (RHA) for the first time in 1900 with East wind effect and Roses. Yeats later claims that Marsh helped him with “line drawing or sketching, by putting him on the track of bulk drawing.”
Alongside Manning’s classes, Marsh takes night classes in sculpture with John Hughes and Oliver Sheppard at the Metropolitan School of Art. Aside from a trip to Paris in 1910 or 1911, she is taught exclusively in Dublin throughout her 20s. She takes a course at Norman Garstin‘s studio in Penzance, and stays in North Wales in 1914, painting two Trearddur Bay scenes. She paints still life and portraits, including one of Lily Yeats. It appears that her portraits of children and dogs are popular based on her submitted works to the RHA, exhibiting without a break from 1900 to 1921. The Hugh Lane Gallery holds her portrait of Lord Ashbourne, which demonstrates her painting style of loose brush strokes with an air of informality. Yeats suggests that she spend some time in the United States, where he is living at the time. She spends two months in New York City, staying with cousins at White Plains and then moves into a room neighbouring that of Yeats in Petitpas. Her uncle strongly disproves of this living arrangement, so she leaves and returns to Ireland in January 1912, which upsets Yeats greatly.
Upon her return from New York, Marsh starts holding classes at her studio at South Anne Street which Swanzy recalls are “well liked and always full,” with Susan Yeats becoming a pupil. She becomes the Professor of Fine Arts at Alexandra College in 1916. In the same year, she paints the fires and destruction of the 1916 Easter Rising. She paints a portrait of Jack Butler Yeats in 1918, which is now held by the Highlanes Gallery. John Butler Yeats later sympathises with her in a letter that she and other women are not elected members of the RHA. Knowing that Yeats is in financial difficulty, she sells some of his drawings and sends the money to him. It appears that over time, she works more with colour, as demonstrated in her portrait of Susan Yeats. Her final paintings are night studies, some of which show a possible influence from Swanzy with whom she shares a studio in the autumn of 1920. She is also believed to be one of the founding members of the Society of Dublin Painters.
Marsh dies on May 5, 1923. A posthumous exhibition of her work is held in October 1923. Due to her early death, she largely falls into obscurity until one of her works is included in the 1987 “Irish Women Artists from the Eighteenth Century to the Present Day” exhibition and publication from the National Gallery of Ireland. The National Gallery of Ireland holds a selection of sketches and paintings by Marsh, and a sketch of her by Swanzy. She is included in an exhibition of art by women artists at the Highlanes Gallery in 2012.
(Pictured: “Self-Portrait” by Clare Marsh, oil on canvas, circa 1900, National Gallery of Ireland)
seamus dubhghaill 