Eamonn Casey, Irish Catholicprelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.
Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.
In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.
Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.
Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.
In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.
Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.
In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.
Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”
Logue grows up outside the village of Claudy in County Londonderry, the eldest of nine children born to Denis Logue, a bricklayer, and Kathleen (née Devine). He gains a scholarship to St. Columb’s College which he attends from 1961 to 1967. In 1967, he commences at St. Joseph’s Teacher Training college (Queen’s University) in Belfast from which he qualifies as a teacher of Mathematics in 1970. He first comes to prominence as a member of the executive of the Northern Ireland Civil Rights Association (NICRA), the only SDLP member of the executive. He stands as a candidate in elections to the new Northern Ireland Assembly in 1973 and is elected for Londonderry, at the age of 24, the youngest candidate elected that year. With John Hume and Ivan Cooper, he is arrested by the British Army during a peaceful demonstration in Londonderry in August 1971. Their conviction is ultimately overturned by the Law LordsR. (Hume) v Londonderry Justices (972, N.I.91) requiring the then British Government to introduce retrospective legislation to render legal previous British Army actions in Northern Ireland.
The Northern Ireland State Papers of 1980 show that together with John Hume and Austin Currie, Logue plays a key role in presenting the SDLP’S ‘Three Strands’ approach to the Thatcher Government’s Secretary of State for Northern IrelandHumphrey Atkins in April 1980. The “Three Strands” approach eventually becomes the basis for the Good Friday Agreement. The Irish State papers from 1980 reveal that he is a confidante of the Irish Government of that time, briefing it regularly on the SDLP’s outlook.
Logue is also known for his controversial comments at Trinity College Dublin at the time of the power sharingSunningdale Agreement, which many blame for helping to contribute to the Agreement’s defeat, to wit, that: [Sunningdale was] “the vehicle that would trundle Unionists into a united Ireland.” The next line of the controversial speech says, “the speed the vehicle moved at was dependent on the Unionist community.” In an article in The Irish Times in 1997 he claims that this implies that unity is always based on consent and acknowledged by Unionist Spokesman John Laird in the NI Assembly in 1973.
Logue unsuccessfully contests the Londonderry seat in the February 1974 and 1979 Westminster Elections. He is elected to the 1975 Northern Ireland Constitutional Convention and the 1982 Northern Ireland Assembly. He is a member of the New Ireland Forum in 1983. In the 1980s he is a member of the Irish Commission for Justice and Peace and plays a prominent part in its efforts to resolve the 1981 Irish hunger strike. His role is credited in Ten Men Dead: The Story of the 1981 Irish Hunger Strike by David Beresford, Biting the Grave by P. O’Malley and, more recently, in Blanketmen: An Untold Story of the H-block Hunger Strike (New Island Books, 2016) and Afterlives: The Hunger Strike and the Secret Offer that Changed Irish History (Lilliput Press, 2011) by former Provisional Irish Republican ArmyvolunteerRichard O’Rawe. Following the New Ireland Forum in 1984 and John Hume’s decision to represent the redrawn Londonderry constituency as Foyle and a safe seat, Logue leaves the Dublin-based, National Board for Science and Technology and joins the European Commission in 1984 in Brussels.
Following the 1994 Irish Republican Army (IRA) ceasefire, Logue, along with two EU colleagues, is asked by EU President Jacques Delors to consult widely throughout Northern Ireland and the Border regions and prepare recommendations for a Peace and Reconciliation Fund to underpin the peace process. Their community-based approach becomes the blueprint for the Peace Programme. In 1997, then EU President Jacques Santer asks the team, led by Logue, to return to review the programme and advise for a renewed Peace II programme. Papers published by National University Galway in 2016 from Logue’s archives indicate that he is the originator of the Peace Fund concept within the European Commission.
At the European Commission from 1984 to 1998, Logue creates Science and Technology for Regional Innovation and Development in Europe (STRIDE). In 1992, he is joint author with Giovanni de Gaetano, of RTD potential in the Mezzogiorno of Italy: the role of science parks in a European perspective and, with A. Zabaniotou and University of Thessaloniki, Structural Support For RTD.
Further publications by Logue follow: Research and Rural Regions (1996) and RTD potential in the Objective 1 regions (1997). With the fall of the Berlin Wall, his attention turns to Eastern Europe and in March 1998 publishes a set of studies Impact of the enlargement of the European Union towards central central and Eastern European countries on RTD- Innovation and Structural policies.
Logue convenes the first EU seminar on “Women in Science” in 1993 and jointly publishes with LM Telapessy Women in Scientific and Technological Research in the European Community, highlighting the barriers to women’s advancement in the Research world.
As the former vice-chairman of the North Derry Civil Rights Association, Logue gives evidence at the Saville Inquiry into Bloody Sunday. He is special adviser to the Office of First and Deputy First Minister from 1998 to 2002 and as an official of the European Commission. In 2002–03, he is a fellow of the Institute for British – Irish Studies at University College Dublin (UCD). In July 2006, he is appointed as a board member of the Irish Peace Institute, based at the University of Limerick and in 2009 is appointed Vice Chairman. He is a Life Member of the Institute of International and European Affairs.
On December 17, 2007, Logue is appointed as a director to InterTradeIreland (ITI), the North-South Body established under the Good Friday Agreement to promote economic development in Ireland. There he chairs the ITI’s Fusion programme, bringing north–south industrial development in Innovation and Research. Integrating Ireland economically is a theme of his writing throughout his career, most recently in The Irish Times and in earlier publications as economic spokesman for the SDLP. He is economist at the Dublin-based National Board for Science and Technology from 1981 to 1984.
Logue, after leaving the European Commission in 2005, becomes involved in Renewable Energy and is chairman of Priority Resources as well as a director of two companies, one in solar energy, the other in wind energy. In November 2011, he is elected to the main board of European Association of Energy (EAE).
In November 2023, Logue is awarded an honorary doctorate by the University of Galway in recognition of “a lifetime dedicated to civil rights, human rights, equality and peace in Northern Ireland, Ireland and Europe.” He donates an archive of material, more than 20 boxes of manuscripts, documents, photographs and political ephemera, on the development of the SDLP from the early 1970s to the University of Galway.
In 1970, McKeown becomes a reporter for The Irish Times, then later works for The Irish Press, as their Belfast correspondent. Given his experience of reporting on the emergence of The Troubles, he supports the 1976 creation of “Women for Peace,” a Northern Ireland-based movement, by Betty Williams and Mairead Corrigan. When his involvement becomes more widely known, the movement changes its name to “Community of Peace People,” or simply “Peace People.” After the events of 1976-77, he finds it difficult to return to full-time journalism.
Although McKeown becomes known as a thoughtful and calm presence in the leadership of the organisation, his criticisms of the reluctance of church authorities to speak out on sectarian issues causes some tensions. Corrigan and Williams win the 1976 Nobel Peace Prize, but he is not made a party to it. However, the Ford Foundation makes a grant to the group, which includes a salary for him, enabling him to become full-time editor of Peace by Peace, the group’s newspaper, also completing a year as editor of Fortnight in 1977.
McKeown, Corrigan and Williams all step down from the leadership posts in 1978, although he continues to edit Peace by Peace. His articles bring him into conflict with the group’s new leadership, while financial disagreements massively reduce the group’s membership. Ultimately, his belief that the group should call for special status for paramilitary prisoners leads to a split, with Williams and her leading supporter, Peter McLachlan, resigning in February 1980. He can no longer survive on the group’s salary, nor can he find work as a journalist, so he retrains as a typesetter.
In 1984, McKeown publishes his autobiography, The Passion of Peace. This is almost immediately withdrawn following a claim that it libels a journalist, although it is later reissued with an additional note.
In addition to his activism and his work in journalism, McKeown is deeply involved in the Belfast theater scene. He serves in a number of offices, including executive secretary and chairman, at the city’s renowned Lyric Theatre.
McKeown dies peacefully at his home in Belfast on September 1, 2019, following a battle with cancer.
Ewart Milne, Irish poet, dies in Bedford, Bedfordshire, England, of a heart attack on January 14, 1987. He describes himself on various book jackets as “a sailor before the mast, ambulance driver and courier during the Spanish Civil War, a land worker and estate manager in England during and after World War II” and also “an enthusiast for lost causes – national, political, social and merely human.”
Milne is born in Dublin on May 25, 1903, to English and Welsh Irish parents and is educated at Christchurch Cathedral Grammar School. In 1920 he signs on as a seaman and works on boats, off and on, until 1935. During the 1930s he begins writing and has his first poems published in 1935.
The background to the Spanish Civil War contributes to Milne’s political awakening and he comes to England to work as a voluntary administrator for the Spanish Medical Aid Committee in London, for whom he often acts as a medical courier. He also was once unwillingly involved in an arms deal while visiting Spain on their behalf.
After Spanish Medical Aid Committee is wound up, Milne returns to Ireland but remains politically active in support of the campaign for the release of Frank Ryan, the leader of the Connolly Column of Irish volunteers on the Republican side, who had been captured and imprisoned in Spain. At one point he takes part in a delegation to Westminster seeking Labour Party support for this. In August 1938 he is reported in The Worker’s Republic as being one of the twelve-member committee of the James Connolly Irish club in London.
During his time in England and Spain, Milne gets to know the left-leaning poets who support the Republican cause, including W. H. Auden, Stephen Spender and Cecil Day-Lewis. In 1938 his first collection of poems, Forty North Fifty West, is published in Dublin, followed by two others in 1940 and 1941. Having taken a pro-British line in neutral Ireland, he is informed by Karl Petersen, the German press attaché in Dublin, that he is on the Nazi death list. This convinces him to help in the British war effort and he returns to England with the help of John Betjeman, then working at the British embassy in Ireland.
Between 1942–1962 Milne is resident in England and an active presence on the English literary scene. In particular he becomes associated with the poets grouped around the magazine Nine, edited by Peter Russell and Ian Fletcher. He and his wife Thelma also back the young Irish poet Patrick Galvin when he launches his own magazine, Chanticleer. This generous encouragement of younger writers is later extended to several others, including John F. Deane, Gerald Dawe and Maurice Scully.
Milne regards his return to Dublin in 1962 as a disaster, as his four-year stay is overshadowed by quarrels with the establishment, the discovery of betrayal by a friend and the death of his wife from lung cancer. The misery of those events is recorded in Time Stopped (1967). The artistic frustration of the time also results in the poems included in Cantata Under Orion (1976). Returning to England in 1966, he settles in Bedford. Politically he remains involved and speaks alongside Auberon Waugh at the rally on behalf of Biafra in 1968, but his views move further to the right in later years. He writes to The Irish Times on April 13, 1976, saying that he has been “taken in by Stalin and that Leninism is Satanism.” He also sides with the Loyalist position in the Ulster conflict. He dies in Bedford of a heart attack on January 14, 1987.
Milne is twice married, first to Kathleen Ida Bradner in 1927, by whom he has two sons; then in 1948 to Thelma Dobson, by whom he has two more sons.
(Pictured: A portrait of Ewart Milne by Cecil F. Salkkeld, as it appears in Milne’s book Forty North Fifty West)
Cronin is known as an arts activist as well as a writer. He is Cultural Adviser to TaoiseachCharles Haughey and briefly to Garret FitzGerald. He involves himself in initiatives such as Aosdána, the Irish Museum of Modern Art and the Heritage Council. He is a founding member of Aosdána, and is a member of its governing body, the Toscaireacht, for many years. He is elected Saoi, a distinction for exceptional artistic achievement, in 2003. He is also a member of the governing bodies of the Irish Museum of Modern Art and the National Gallery of Ireland, of which he is for a time Acting Chairman.
His first collection of poems, called simply Poems (Cresset Press, London), is published in 1958. Several collections follow and his Collected Poems (New Island Books, Dublin) is published in 2004. The End of the Modern World (New Island Books, 2016), written over several decades, is his final publication.
Cronin’s novel, The Life of Riley, is a satire on Bohemian life in Ireland in the mid-20th century, while his memoir Dead as Doornails addresses the same subject.
Cronin knows Samuel Beckett from when they do some work for the BBC during the 1950s and 1960s. He gives a prefatory talk to Patrick Magee‘s reading of The Unnamable on the BBC Third Programme. Beckett is not impressed, saying, “Cronin delivered his discourse… It was all right, not very exciting.” Cronin later publishes a biography of him, Samuel Beckett: The Last Modernist (1996), followed on from No Laughing Matter: The Life and Times of Flann O’Brien (1989).
In his later years, Cronin suffers from failing health, which prevents him from traveling abroad, thus limiting his dealings to local matters. He dies in Dublin on December 27, 2016, one day short of his 93rd birthday.
Cronin firstly marries Thérèse Campbell, from whom he separates in the mid-1980s. She dies in 1999. They have two daughters, Iseult and Sarah. Iseult is killed in a road accident in Spain. He secondly marries the writer Anne Haverty who, along with daughter Sarah, survives him.
The attack seems to be part of a general “hit-up” by the Republicans in the city. Other military barracks around the city are also attacked in the same week.
The Barracks’ orderly clerk is attending the morning parade, where National Army soldiers, mostly unarmed, are listening to the orders of the day, read by the regimental sergeant major. When he hears machine gun fire, the clerk first believes it to be practice firing. Then he sees puffs of dust spring up from the ground as bullets land around him. He throws himself to the ground.
Another soldier tells The Irish Times, “The first outburst crashed in on us just like a flash of lightning and did most of the damage. All of us that could crawled around for cover, it was simply death to walk in the square at that time.”
The IRA has occupied the upper stories and roofs of the houses across the Grand Canal, at the rear of the barracks. From there, they rake the parade square with gunfire. The sound is deafening to the stricken soldiers. One says, “It seemed as if marbles were being rained down from an immense height.”
A total of eighteen soldiers are hit. One is killed instantly and fourteen wounded, seven of whom require surgery. As the firing starts, a butcher’s van owned by one R. McGurk of Harold’s Cross is making a delivery to the barracks. The storm of bullets peppers the unfortunate deliverymen, killing their horse and mortally wounding the driver. According to the soldier, “the whole thing lasted about 15 minutes, the rest of the soldiers came out then and started some Lewis guns going.”
One hundred soldiers had been lined up on the square shoulder to shoulder. The National Army believes the IRA used a Lewis machine gun and tells the press there were up to forty attackers armed with rifles and machine guns. But in fact, IRA reports show that their squad, a party from the Dublin Brigade active service unit (ASU), led by William Roe, has only eleven men, broken up into four parties, with only two of the parties firing ninety rounds with a Thompson submachine gun and fifteen with a “Peter the Painter” Mauser automatic.
The IRA volunteers make their escape across country, through the villages of Kimmage and Crumlin, pursued by Irish Free State troops. They are seen carrying two badly wounded men of their own. The Army later claims the two were killed in the firefight, but there is no indication that this is true.
(From: “Wellington Barracks, Dublin, 1922 – A Microcosm of the Irish Civil War” by John Dorney, The Irish Story, http://www.theirishstory.com, June 2010)
Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.
Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.
At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.
For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.
The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.
Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).
Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).
Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.
Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).
On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.
The Tooreen ambush (also known as the Toureen ambush or Ballinhassig ambush) is an ambush carried out by the Irish Republican Army (IRA) on October 22, 1920, during the Irish War of Independence. It takes place near Roberts Farm, Tooreen, near Ballinhassig in County Cork. The IRA ambushes two lorries of British soldiers, killing three and wounding four others. The British surrender and their weapons and ammunition are seized by the IRA. Later that night, British soldiers go on a rampage in nearby Bandon.
Up until the Tooreen ambush, the 3rd Cork Brigade had finished its training, but had not previously engaged in battle with British troops stationed in County Cork. The Tooreen ambush is one of the first major ambushes carried out by the West Cork Brigade under Tom Barry.
The Essex Regiment of the British Army is deployed to West Cork and has a reputation for violently raiding houses throughout the countryside and arresting people believed to be IRA volunteers. They are also alleged to torture their prisoners in order to get information on the whereabouts of the flying columns, so this makes them a despised enemy to the West Cork IRA.
The Essex Regiment is known to travel on the road from Bandon to Cork City every morning and return in the evenings. The road goes through the hamlet of Toureen which the Third West Cork Brigade is stationed at nearby and it is decided to ambush this column of the Essex Regiment as it makes its way to Cork city.
Thirty-two ambushers, twenty-one being riflemen of the Third West Cork Brigade, occupy ambush positions outside Toureen and lay in wait for the approaching Essex Regiment. The Regiment normally goes in two or three lorries to Cork City so the IRA places a homemade mine on the road for use against them.
Scouts signal the approach of two lorries which are coming down the road toward the ambush site. As the first lorry passes, the order to fire is given and a homemade three-pound bomb is thrown. The bomb lands inside the lorry but does not explode. The mine that is placed on the road also fails to detonate. As the volunteers open fire, the second lorry stops and the soldiers inside leap out and return fire, but the volunteers are hidden behind a large timber gate which gives them cover. The first lorry continues on to Cork Barracks. As the fight goes on, the officer in command of the British troops, Captain Dixon, is shot in the head and killed as is one of his men.
The remaining British soldiers surrender soon after, and the IRA men cease firing. The British soldiers are relieved of their weapons and ammunition, but otherwise unharmed. Fourteen rifles, bayonets, equipment, several Mills bombs, around 1,400 rounds of ammunition and a couple of revolvers are taken from them.
Two British soldiers, Lt. Dixon MC of the Suffolk Regiment and Pte. Charles William Reid of the Essex Regiment, are killed in the ambush. Five are wounded, including Sergeant Thomas Bennett RASC who dies in Cork on the following day. Six are unhurt except for shock. None of the IRA volunteers are killed or wounded during the ambush and aid is given to the wounded soldiers, while the dead are pulled away from the lorry and it is then set on fire by the volunteers. The two soldiers who are not hurt during the ambush are released along with their wounded and they return to their barracks.
Later that night, members of the Essex Regiment go on a violent rampage through Bandon, destroying property and seeking out anyone they believe to be connected to the ambush. It is believed that at least some of the rampaging soldiers are those released unharmed by the IRA earlier in the day. The reprisal attacks are indiscriminate and include attacks on homes and properties of business owners with “establishment” connections – including the Brennan family of Kilbrogan House.
A Military Court of Inquiry into the soldiers killed, is conducted on October 28, 1920. There are mixed references to these proceedings in The Irish Times and the Irish Independent, both of which contain errors.
Lt. Dixon is buried with full military honours in St. Paul’s Church in Dover, Kent, England. Sergeant Bennett is buried in St. Peter & St. Paul Church in his home village of Shorne, near Gravesend in Kent.
(Pictured: Plaque on a farm wall marking the location of the Tooreen ambush)
George Bernard Francis Clarke, Irish barrister who is Chief Justice of Ireland from July 2017 to October 2021, is born on October 10, 1951, in Walkinstown, Dublin. He has a successful career as a barrister for many years, with a broad practice in commercial law and public law. He is the chair of the Bar Council of Ireland between 1993 and 1995. He is appointed to the High Court in 2004 and becomes a judge of the Supreme Court of Ireland in February 2012. Following his retirement from the bench, he returns to work as a barrister. Across his career as a barrister and a judge, he is involved in many seminal cases in Irish legal history.
Clarke is the son of a customs officer who dies when he is aged eleven. His mother is a secretary. He is educated at Drimnagh Castle Secondary School, a Christian Brotherssecondary school in Dublin. He wins the Dublin Junior High Jump Championship in 1969. He studies Economics and Maths at undergraduate level at University College Dublin (UCD), while concurrently studying to become a barrister at King’s Inns. He is the first of his family to attend third level education and is able to attend university by receiving grants. While attending UCD, he loses an election to Adrian Hardiman to become auditor of the Literary and Historical Society (L&H).
Clarke is called to the Bar in 1973 and to the Inner Bar in 1985. He has a practice in commercial, constitutional and family law. Two years after commencing practice he appears as junior counsel for the applicant in State (Healy) v Donoghue before the Supreme Court, which establishes a constitutional right to legal aid in criminal cases.
Clarke represents Michael McGimpsey and his brother Christopher in a challenge against the constitutionality of the Anglo-Irish Agreement, which is ultimately unsuccessful in the Supreme Court in 1988.
Clarke appears for the plaintiff with Michael McDowell and Gerard Hogan in Cox v Ireland in 1990, where the Supreme Court first introduces proportionality into Irish constitutional law and discovers the right to earn a livelihood. He represents Seán Ardagh and the Oireachtas Subcommittee formed after the death of John Carthy in a constitutional case which limits the powers of investigation of the Oireachtas, which leads to the unsuccessful Thirtieth Amendment of the Constitution. In an action taken by tobacco companies to challenge the legality of bans on tobacco advertising, he appears for the State.
Clarke is Chairman of the Bar Council of Ireland from 1993 to 1995. Between 1999 and 2004, he acts as chair of Council of King’s Inns. He is a professor at the Kings’s Inns between 1978 and 1985 and is appointed an adjunct professor at University College Cork (UCC) in 2014. He also serves as an adjunct professor at Trinity College Dublin (TCD).
Clarke acts as a chair of the Employment Appeals Tribunal while still in practice. He is also a steward of the Turf Club and the chairman of Leopardstown Racecourse. He was due to take over as senior steward of the Turf Club but does not do so due to his appointment to the High Court.
Clarke is appointed as a High Court judge in 2004. He is chairman of the Referendum Commission for the second Lisbon Treaty referendum in 2009. As a High Court judge he gives a ruling on the Leas Cross nursing home case against RTÉ, that the public interest justifies the broadcasting of material that otherwise would have been protected by the right to privacy. He frequently presides over the Commercial Court during his time at the High Court. He is involved in the establishment of two High Court lists in Cork, Chancery and a Non-Jury List.
Clarke is appointed to the Supreme Court on February 9, 2012, and serves as Chief Justice from October 2017 until his retirement on October 10, 2021, required by law on his 70th birthday. In March 2021, the Cabinet begins the process of identifying his successor. Donal O’Donnell is selected to replace him. His final day in court is October 8, 2021, where judges, lawyers and civil servants make a large number of tributes to him. Mary Carolan of The Irish Times says that under his leadership the Supreme Court is “perhaps the most collegial it had been in some time.”
Following his retirement from the judiciary, Clarke resumes his practice as a barrister and rejoins the Bar of Ireland. Under the rules of the Bar of Ireland, he cannot appear before a court of equal or lesser jurisdiction to that on which he sat as a judge. Given that he was the most senior judge in Ireland, he cannot appear in any court in Ireland. He can appear in the European Union (EU) courts. However, he indicates his intention to focus on mediation and arbitration work.
Clarke has been married to Dr. Jacqueline Hayden since 1977. They have a son and a daughter. He is interested in rugby and horse racing, at one point owning several horses.
When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.
Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish TimesBest New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.
Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.
Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).
A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.
seamus dubhghaill 