seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: United States


by Leave a comment

The Murder of Robert McCartney

The murder of Robert McCartney occurs in Belfast, Northern Ireland, on the night of January 30, 2005, and is carried out by members of the Provisional Irish Republican Army.

McCartney, born in 1971, is a Roman Catholic and lives in the predominantly nationalist Short Strand area of east Belfast, and is said by his family to be a supporter of Sinn Féin. He is the father of two children and is engaged to be married in June 2005 to his longtime girlfriend, Bridgeen Hagans.

McCartney is involved in an altercation in Magennis’ Bar on May Street in Belfast’s city centre on the night of January 30, 2005. He is found unconscious with stab wounds on Cromac Street by a police patrol car and dies at the hospital the following morning. He is 33 years old.

The fight arises when McCartney is accused of making an insulting gesture or comment to the wife of an IRA member in the social club. When his friend, Brendan Devine, refuses to accept this or apologise, a brawl begins. McCartney, who is attempting to defend Devine, is attacked with a broken bottle and then dragged into Verner Street, beaten with metal bars and stabbed. Devine also suffers a knife attack, but survives. The throats of both men are cut and McCartney’s wounds include the loss of an eye and a large blade wound running from his chest to his stomach. Devine is hospitalised under armed protection.

When Police Service of Northern Ireland (PSNI) officers arrive at the scene, their efforts to investigate the pub and surrounding area are met with an impromptu riot. Rioting by youths, specifically attacking the police, force them to pull back from the area, which delays initial investigation. Police with riot gear arrive later in the evening and are also attacked. Alex Maskey of Sinn Féin claims, “It appears the PSNI is using last night’s tragic stabbing incident as an excuse to disrupt life within this community, and the scale and approach of their operation is completely unacceptable and unjustifiable.” There are suggestions that the rioting is organised by those involved in the murder, so that a cleanup operation can take place in and around where the murder took place. Clothes worn by McCartney’s attackers are burned, CCTV tapes are removed from the bar and destroyed and bar staff are threatened. No ambulance is called. McCartney and Devine are noticed by a police car on routine patrol, who call an ambulance to the scene.

When the police launch the murder investigation they are met with a “wall of silence” None of the estimated seventy or so witnesses to the altercation come forward with information. In conversations with family members, seventy-one potential witnesses claim to have been in the pub’s toilets at the time of the attacks. As the toilet measures just four feet by three feet, this leads to the toilets being dubbed the TARDIS, after the time machine in the television series Doctor Who, which is much bigger on the inside than on the outside.

Sinn Féin suspends twelve members of the party and the IRA expels three members some weeks later.

Gerry Adams, then president of Sinn Féin, urges witnesses to come forward to “the family, a solicitor, or any other authoritative or reputable person or body”. He continues, “I want to make it absolutely clear that no one involved acted as a republican or on behalf of republicans.” He suspends twelve members of Sinn Féin. He stops short of asking witnesses to contact the police directly. The usefulness of making witness statements to the victim’s family or to a solicitor is derided by the McCartneys and by a prominent lawyer and Social Democratic and Labour Party (SDLP) politician, Alban Maginness, soon afterward.

On February 16, 2005, the IRA issues a statement denying involvement in the murder and calls on the perpetrators to “take responsibility.”

On March 8, 2005, the IRA issues an unprecedented statement saying that four people are directly involved in the murder, that the IRA knows their identity, that two are IRA volunteers, and that the IRA has made an offer to McCartney’s family to shoot the people directly involved in the murder.

In May 2005, Sinn Féin loses its council seat in the Pottinger area, which covers the Short Strand, with the McCartney family attributing the loss to events surrounding the murder.

Since this time, the sisters of McCartney have maintained an increasingly public campaign for justice, which sees Sinn Féin chief negotiator Martin McGuinness make a public statement that the sisters should be careful that they are not being manipulated for political ends.

The McCartney family travels to the United States during the 2005 Saint Patrick’s Day celebrations where they are met by U.S. Senators (including Hillary Clinton and John McCain) and U.S. President George W. Bush who express support in their campaign for justice.

Support for Sinn Féin by some American politicians is diminished. Adams is not invited to the White House in 2005 and Senator Edward Kennedy backs out of a meeting that had been previously scheduled. The McCartney family, previously Sinn Féin supporters, pledge to never support the party again, and a cousin of the sisters who raised funds for Sinn Féin in the United States insist that she will not be doing so in the future.

On May 5, 2005, Terence Davison and James McCormick are remanded in custody, charged with murdering McCartney and attempting to murder Devine respectively. McCormick is originally from England. They are held in the republican wing of HM Prison Maghaberry. Roughly four months later the accused are released on bail, and in June 2006, the attempted murder charge against McCormick is dropped, leaving a charge of causing an affray. On June 27, 2008, Terence Davison is found not guilty of committing the murder. Two other men charged with affray are also cleared.

In November 2005, the McCartney sisters and Bridgeen Hagans, the former partner of McCartney, refuse to accept the Outstanding Achievement award at the Women of the Year Lunch, because it would mean their sharing a platform with Margaret Thatcher, whom they dislike.

In December 2005, the McCartney sisters meet with UK Prime Minister Tony Blair, and tell him they believe the murder had been ordered by a senior IRA member, and that Sinn Féin was still not doing all it could to help them.

On January 31, 2007, two years after the murder, and in line with the party’s new policy of supporting civil policing, Sinn Féin president Gerry Adams says that anyone with information about the murder should go to the police.

On May 5, 2015, an IRA man believed to have been involved in the death of McCartney, Gerard ‘Jock’ Davison, is shot dead. Early in the investigation the police rule out either a sectarian attack or the involvement of dissident republicans.

The McCartney family has lived in the Short Strand area of Belfast for five generations. However, some local people in the Short Strand area, which is a largely nationalist area, does not welcome their dispute with the IRA. A campaign of intimidation by republicans drives members of the family and McCartney’s former fiancée to relocate and also causes one member to close her business in the city centre. The last McCartney sister to leave the area, Paula, departs Short Strand on October 26, 2005.

The family remain in contact with the family of Joseph Rafferty of Dublin, who dies under similar circumstances on April 12, 2005.


by Leave a comment

Death of Gerard Slevin, Heraldist & Dramatist

(John) Gerard Slevin, dramatist and Chief Herald of Ireland from 1954 to 1981, dies on January 18, 1997.

Slevin is born on November 1, 1919, in Cork, County Cork, the son of John Slevin, motor mechanic, of Wellington Road, Cork, and Bridget Slevin (née Kennelly). His father, who hails from County Laois tenant farmers, works with the Irish Omnibus Corporation. He is educated at North Monastery CBS and University College Cork (UCC), taking an MA summa cum laude in philosophy and English in 1941.

After lecturing at St. Patrick’s College, Dublin, from 1941 to 1944, Slevin enters the civil service. Despite no prior interest in heraldry, he is selected via competition to assist the newly installed Chief Herald, Dr. Edward MacLysaght, in the genealogical office, Bedford Tower, Dublin Castle. After serving as Deputy Chief Herald (1944–54), he succeeds MacLysaght as Chief Herald of Ireland, becoming the longest-serving occupant of the office (1954–81).

One of three national heralds named to a vexillogical committee to devise a common emblem for the Council of Europe, Slevin persuades his colleagues to eschew religious iconography, such as the Christian cross, as inappropriate. His own design of a circle of twelve golden stars on an azure field is selected by the committee in 1954, and formally accepted by the council in December 1955. With blue chosen as a colour common to the flags of many European countries, the twelve stars represent not individual states but such associations as the zodiac and a clock face, suggesting ideals of universality, harmony, and evolution through time. Adopted in 1985 for the flag of the European Community (latterly the European Union), his design attracts wide acclaim in heraldic circles, leading to his being awarded membership of the Académie Internationale d’Héraldique.

During Slevin’s tenure as Chief Herald, several hundred patents of arms are issued to Irish public bodies, including civic and municipal authorities, and to individuals of Irish descent worldwide. On behalf of the Irish government, he confirms the Irish connections of such notables as United States presidents Kennedy, Nixon, and Reagan, French president Charles de Gaulle, and Princess Grace of Monaco. His coat of arms for President Kennedy, combining the ancient arms of the Kennedy and Fitzgerald families, wins renown as a masterpiece of heraldic design. While possessing a keen sense of graphic impact, he is not a great draughtsman, and he employs the noted heraldic painter Myra Maguire to execute the designs that he creates. He oversees expansion of genealogical office services, instituting an advisory service and team of research assistants for the growing numbers – especially within emigrant communities abroad – seeking to trace Irish ancestry. He establishes a committee to catalogue churchyard memorial inscriptions as an archival resource, meant to redress the loss of state records in the 1922 Four Courts fire.

Slevin wins first prize in successive years in the 1950s for entries in the Oireachteas drama competition, both plays being subsequently produced at the Abbey Theatre. He writes a detective novel in Irish, and contributes numerous articles to learned journals, chiefly on medieval heraldry and Anglo-Irish families. Erudite and possessed of great presence, courtesy, and wit, he is an engaging speaker.

Resident in south County Dublin, Slevin is active in amateur dramatics, local history societies, and the ecumenical movement. His recreation is long country walks. He marries Millicent Nolan in 1950 and they have three sons. He dies on January 18, 1997.

(From: “Slevin, (John) Gerard” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009 (last revised February 2025))


by Leave a comment

Birth of Patrick Pollen, Stained Glass Artist

Patrick Pollen, a British stained glass artist who spends most of his life working in Ireland, is born Patrick La Primaudaye Pollen in London on January 12, 1928.

Pollen is the second son and second of six children of Arthur and Daphne Pollen (née Baring). His father is a sculptor of religious works, and grandson of John Hungerford Pollen. His mother is a painter of religious matter and the daughter of Cecil Baring, 3rd Baron Revelstoke, who purchases Lambay Island and employs Edwin Lutyens to restore the castle there. Pollen attends St. Philip’s preparatory school in South Kensington, then Avisford, near Arundel, and finally Ampleforth College, going on to serve national service. He attends the Slade School of Fine Art for two years to study painting, going on to work at Académie Julian, an art school in Paris, France.

In 1952, Pollen’s father takes him to see Evie Hone‘s “Crucifixion and Last Supper” window in Eton College Chapel. Upon seeing it he announces, “That’s what I want to do.” He moves to Dublin to study with the stained glass cooperative Evie Hone is a member of, An Túr Gloine, which is run by Catherine O’Brien and she and Hone become his mentors. When Hone dies in 1955, she leaves him her brushes.

Pollen’s early work from the 1950s is mostly in Britain, including a window in a private chapel in the London Oratory, three windows for a chapel at Whitchurch, and a crypt window for Rosslyn Chapel. He works for two years from 1957 on thirty-two windows for the new Cathedral of Christ The King, Johannesburg. He makes the windows in Dublin, then ships them to be assembled in South Africa. He creates the mosaic of St. Joseph the Worker and windows for Galway Cathedral. In 1963, he creates a memorial window to Catherine O’Brien in Christ Church Cathedral, Dublin. He takes on Helen Moloney as an assistant from 1960 to 1962.

Following the Second Vatican Council, newly designed churches feature less stained glass, and Pollen finds he is receiving less commissions. As a consequence he and his family move to the United States in 1981. They settle in Winston-Salem, North Carolina but there is very little work there and in 1997 they return in Ireland, living in his wife’s native County Wexford.

Pollen marries sculptor Nell Murphy in 1963, with the couple buying a house in Dublin in which Pollen had his studio. Murphy works in plaster, clay and stone, her works often featured in churches with those of her husband. They hav four sons, Peter, Ciaran, Laurence and Christopher, and a daughter, Brid.

Pollen dies on November 30, 2010, in Enniscorthy, County Wexford. His remains are cremated and the location of his ashes is unknown.


by Leave a comment

Birth of Louie Bennett, Suffragette, Trade Unionist, Journalist & Writer

Louisa (Louie) Bennett, suffragette, trade unionist, and peace activist, is born on January 7, 1870, in Garville Avenue, Rathgar, Dublin, the eldest daughter of James Cavendish Bennett, a prosperous auctioneer, and his wife Susan (née Bolger). She is brought up at Temple Hill, Blackrock, and educated at Alexandra College, and at an academy for young ladies in London, where she and her sisters form an Irish League. She goes on to study singing in Bonn, Germany. Already as a teenager she shows an interest in writing, her first literary effort being Memoirs of the Temple Road in the 80s. Afterward she publishes two unsuccessful romantic novels, The Proving of Priscilla (1902) and A Prisoner of His Word (1908), the latter set in County Down in the aftermath of the Irish Rebellion of 1798.

Bennett turns her attention to women’s issues and by 1910 has become involved in the suffrage movement, initially through her reading of the suffrage monthly The Irish Citizen. In 1911, she co-founds, with her life-long friend and colleague Helen Chenevix, the Irish Women’s Suffrage Federation, an umbrella organisation, which by 1913 has connected fifteen Irish suffrage societies and has established links with Europe and the United States. She and Chenevix are the organisation’s first honorary secretaries. She is also associated with the Irish Women’s Franchise League, for which she runs public speaking classes. However, as the divide between militants and opponents of the use of violence become more pronounced, Bennett, as a confirmed pacifist, who endorses what she calls “constructive, rather than destructive action,” distances herself from the league, and through her involvement in the production of The Irish Citizen seeks to sideline the militants.

Bennett’s concerns are not limited to the question of women’s franchise. As founder of the Irish Women’s Reform League, she not only addressea the suffrage question, but examines many social issues concerning women. The league focuses on working conditions, monitors court cases involving women, and demands school meals and better education. She is among those who assist in the relief effort at Liberty Hall during the 1913 strike and lockout in Dublin, and she appeals for funds for strikers’ families through The Irish Citizen. In the period that follows she maintains her links with the labour movement. She often opposes the direct, uncompromising approach of both James Connolly and Helena Molony, and argues that labour and women’s issues can only be hampered by any affiliation with nationalist politics. The aftermath of the Easter Rising, and in particular, the murder of Francis Sheehy-Skeffington, causes her to revise some of her views on nationalism. In late 1916 she accepts an invitation to reorganise the Irish Women Workers’ Union (IWWU), on the understanding that she would have complete independence from Liberty Hall. Assisted by Chenevix and Father John Flanagan, she re-creates the union along professional lines, and by 1918 its membership has risen dramatically from a few hundred to 5,300. She consistently defends its separatist stance, arguing that women’s concerns in a male-dominated union will always be of secondary importance.

Throughout World War I Bennett campaigns for peace, and she is selected as the Irish representative to the Women’s International League for Peace and Freedom. She leads the IWWU in its opposition to the attempted introduction of conscription in 1918, and in 1920 she travels to the United States to highlight Black and Tan atrocities (she later meets David Lloyd George and demands the removal of the Black and Tans from Ireland). As a member of the Women’s Peace Committee, she acts as a mediator during the Irish Civil War.

In 1925, Bennett is appointed to an Irish Trades Union Congress (ITUC) committee to promote a scheme of working class education with the assistance of the labour movement. Her interest in adult education later leads to her involvement with The People’s College. A member of the national executive of the ITUC (1927–32, 1944–50), she becomes the first female president of the congress in 1932. She serves a second presidential term in 1947. Her knowledge of labour issues is officially acknowledged by the Irish government in 1932, when she is sent as a representative to Geneva to put forward the case of Irish women workers. In 1938 she delivers a paper entitled Industrialism in an Agrarian Country to the International Relations Institute in the Netherlands.

Despite the depth of Bennett’s involvement with the union movement, she has ambitions outside trade unionism, and in 1938 she lets her name be put forward by the IWWU as a congress candidate for election to the senate, but this comes to nothing. In that year she is appointed to the government commission on vocational organisation (1938–43). In 1943, she is elected as a Labour Party member of the Dún Laoghaire borough council. As a councillor she consistently lobbies for improved housing and is instrumental in the establishment of Dún Laoghaire’s housing council in 1949. She had refused a labour nomination in the 1918 general election, but she stands for Dublin County Council and Dáil Éireann in 1944, in both cases unsuccessfully. She is the only Labour Party member to criticise the party’s support for the Fianna Fáil minority government of 1932, arguing that it is “never right or wise to co-operate with another party with fundamentally different principles.” As an elected member of the Labour Party executive, she represents Ireland at the International Labour Organization in Europe. She is also a representative at the League of Nations.

Throughout her public career Bennett consistently condemns colonialism, fascism, and armaments expenditure. She is possibly best remembered for her leadership in the laundry workers’ strike of 1945, during which IWWU members successfully fight for a fortnight‘s paid holiday. Her management of the IWWU, which lasts until 1955, is marked by determination and diplomacy, though she often uses threatened resignations as a means of controlling her colleagues. She died, unmarried, on November 25, 1956, in Killiney, County Dublin.

(From: “Bennett, Louisa (‘Louie’)” by Frances Clarke, Dictionary of Irish Biography, October 2009)


by Leave a comment

Death of Thomas Campbell, Presbyterian Minister

Thomas Campbell, a Presbyterian minister who becomes prominent during the Second Great Awakening of the United States, dies on January 4, 1854. Born in County Down, he begins a religious reform movement on the American frontier. He is joined in the work by his son, Alexander. Their movement, known as the “Disciples of Christ,” merges in 1832 with the similar movement led by Barton W. Stone to form what is now described as the American Restoration Movement (also known as the Stone-Campbell Restoration Movement).

Campbell is born on February 1, 1763, in County Down, Ireland (now Northern Ireland), and is raised as an Anglican. He is ordained a minister in the Scottish Seceder Presbyterian Church sometime after graduating from the University of Glasgow in 1786. He leaves Ireland for the United States in April 1807. This move is prompted by the advice of his physician. Once in America, disagreement arises between him and other Presbyterians over certain points related to Calvinist doctrine and the administration of the Eucharist.

The Campbell wing of the movement is launched when Campbell publishes the Declaration and Address of the Christian Association of Washington in 1809. The Presbyterian Synod had suspended his ministerial credentials. In the Declaration and Address he sets forth some of his convictions about the church of Jesus Christ, as he organises the Christian Association of Washington, in Washington County, Pennsylvania, not as a church but as an association of persons seeking to grow in faith. On May 4, 1811, the Christian Association reconstitutes itself as a congregationally governed church. With the building it constructs at Brush Run, Pennsylvania, it becomes known as Brush Run Church.

When their study of the New Testament leads the reformers to begin to practice baptism by immersion, the nearby Redstone Baptist Association invites Brush Run Church to join with them for the purpose of fellowship. The reformers agree, provided that they will be “allowed to preach and to teach whatever they learned from the Scriptures.”

Thomas and his son, Alexander, work within the Redstone Baptist Association during the period 1815 through 1824. While both the Campbells and the Baptists share practices of baptism by immersion and congregational polity, it is soon clear that the Campbells and their associates are not traditional Baptists. Within the Redstone Baptist Association, some of the Baptist leaders consider the differences intolerable when Alexander Campbell begins publishing a journal, Christian Baptist, which promotes reform. The Campbells anticipated the conflict and move their membership to a congregation of the Mahoning Baptist Association in 1824.

Campbell is a student of the Enlightenment philosopher John Locke. While he does not explicitly use the term “essentials,” in the Declaration and Address, Campbell proposes the same solution to religious division as had been advanced earlier by Herbert and Locke: “[R]educe religion to a set of essentials upon which all reasonable persons might agree.” The essentials he identifies are those practices for which the Bible provides “a ‘Thus saith the Lord,’ either in express terms or by approved precedent.” Unlike Locke, who sees the earlier efforts by Puritans as inherently divisive, he argues for “a complete restoration of apostolic Christianity.” He believes that creeds serve to divide Christians. He also believes that the Bible is clear enough that anyone can understand it and, thus, creeds are unnecessary.

Campbell combines the Enlightenment approach to unity with the Reformed and Puritan traditions of restoration. The Enlightenment affects the Campbell movement in two ways. First, it provides the idea that Christian unity can be achieved by finding a set of essentials that all reasonable people can agree on. The second is the concept of a rational faith that is formulated and defended on the basis of a set of facts derived from the Bible.

Thomas dies on January 4, 1854, in Bethany, West Virginia, and is buried next to his wife in the Campbell family cemetery.


by Leave a comment

Birth of Gearóid Ó Cuinneagáin, Political Activist & Publisher

Gearóid Seán Caoimhín Ó Cuinneagáin, political activist and publisher, is born John Gerald Cunningham in Belfast on January 2, 1910.

Ó Cuinneagáin Is the third child of Sean Cunningham and his wife Caitlín. He is educated in Belfast, at St. Brigid’s school, Malone Road, and the St. Patrick’s Christian Brothers school on Donegall Street. His political views are permanently influenced by memories of the sectarian violence of 1920–22. In 1927, he enters the Irish civil service as a tax clerk, stationed first at Athlone and then at Castlebar. He is promoted to junior executive officer in the Department of Defence, but resigns in July 1932 after his superiors refuse to allow him six months unpaid leave to study the Irish language in the Donegal Gaeltacht. He turns down a promotion to the Department of Finance, a decision partly motivated by disillusion with Fianna Fáil. He subsequently works as an accountant and lives in the south Dublin suburbs. In 1934, he establishes his own publishing company, Nuachtáin Teoranta, which he boasts is the first company to be registered in the Irish language, and he also contributes to an Irish language socialist paper, An t-Éireannach, under the pen name “Bruinneal gan Smal.”

In 1940–41, Ó Cuinneagáin is active in the Friends of Germany, a pro-Nazi organisation which disintegrates after some of its leading members are interned. On September 26, 1940, he founds Craobh na h-Aiséirighe, a branch of the Gaelic League aimed at attracting dynamic young enthusiasts frustrated by the older activists who dominate established branches. It makes a point of using modern publicity methods to get its message across, a trait which is carried over into Ailtirí na hAiséirghe (Architects of Resurrection), a political movement made up of branch members, which Ó Cuinneagáin founds in 1942. This move leads to the expulsion of Craobh na h-Aiséirighe from the Gaelic League and the establishment of Glún na Buaidhe by branch members who disapprove of his political ambitions and wish to concentrate on the promotion of the Irish language.

Members of Ailtirí wear an informal uniform of a green shirt, tweed suit, and báinín jacket. In private Ó Cuinneagáin reveals that the organisation is modeled on the Hitler Youth. His own title of “ceannaire” (leader) equates with “Führer” and “duce.” Features of the movement copied from Nazism include an emphasis on propaganda based on a few simple concepts and phrases. The claim that party politics allow statesmen to evade individual responsibility, whereas a single leader is necessarily more responsive to public opinion; and the belief that all difficulties can be overcome through willpower.

Ó Cuinneagáin takes to extremes contemporary Catholic advocacy of a corporate state based on vocational principles as the solution to the problems of modernity. While venerating António de Oliveira Salazar‘s Portugal as a role model, he believes that Ireland can surpass it and create a Catholic social model that will redeem the whole world. He takes a quasi-racial view of Irishness and comes close to saying that the only true Irish Catholics are of Gaelic race. When Seán Ó’Faoláin comments acidly in The Bell on the paradox of “Celtophiles” who bear such Celtic names as Blackham and Cunningham, Ó Cuinneagáin protests that he can prove his pure Gaelic descent. The Ailtirí state forces all male citizens to undertake a year’s compulsory military service, which is also used as a means of Gaelicisation, and the resulting citizen army of 250,000 would mount a lightning invasion of Northern Ireland, modeled on the blitzkrieg, with a favourite slogan being “Six Counties, Six Divisions, Sixty Minutes.” In 1943, the Stormont government excludes Ó Cuinneagáin from Northern Ireland.

Ailtirí attracts considerable attention. Its leaders address numerous meetings around the country, attracting large crowds to demonstrations at Dublin and Cork. Ó Cuinneagáin, who is by no means unintelligent, is capable of shrewd observations on the restrictions imposed on most Irish-language bodies by government subsidies, and the impact of the snobbery shown toward the poor by their middle class co-religionists. Several of his lieutenants are academics or engineers. In the 1970s he praises modernist architecture as breaking with the hated Georgian past, and denounces conservationists who oppose plans to build an oil refinery in Dublin Bay. Bilingual pamphlets produced by the group sell thousands of copies. Ó Cuinneagáin is the author of several, including Ireland’s twentieth century destiny (1942), Aiséirí says . . .(1943), Partition: a positive policy (1945), and Aiséirí for the worker (1947). Hus attempts to launch a party paper are stifled until the end of the war. Some of the interest attracted by the group is derived from curiosity or amusement. It also functions to some extent as a front organisation for the banned Irish Republican Army (IRA), with Ó Cuinneagáin declaring that Jews and freemasons should be locked up instead of IRA men. Aiséirí members are involved in the bombing of the Gough memorial in Phoenix Park in July 1957, with the stolen head concealed for a time in the party’s offices.

The party runs four candidates, including Ó Cuinneagáin in Dublin North-West, in the 1943 Irish general election and seven in 1944, but all lose their deposits. Ó Cuinneagáin does not actually vote for himself. Throughout his life he demands Irish language ballot papers. When given English language ones he tears them up, claiming that they disenfranchise him and that this invalidates the election. In 1946, Ailtirí na h-Aiséirí elects eight members to local bodies in counties Louth and Cork. This helps to bring about the decline of the party, as the Cork activists rebell against the rigid Führerprinzip upheld by the electorally unsuccessful ceannaire and his Dublin acolytes. Most of the party’s local support is absorbed by Clann na Poblachta. Ó Cuinneagáin retains a small group of followers centred on his newspaper Aiséirighe.

Ó Cuinneagáin keeps himself in the public gaze by driving around the country in a van painted with slogans, and by regularly appearing in court for refusing to respond to official documents (rates demands, car insurance, court summonses) unless they are supplied in Irish. He enjoys some success in securing the provision of Irish language versions of such documents, and he contrasts the state’s niggardliness on this point with its professed commitment to the revival of Irish. In 1954, he founds an Irish language women’s artistic and social paper, Deirdre, which operates successfully for over a decade without government subsidy.

Ó Cuinneagáin continues to write sympathetically about IRA activities, at one point offering a £1,000 reward for the capture of the Prime Minister of Northern Ireland, Basil Brooke. He maintains surprisingly extensive international neo-fascist contacts. He regularly reprints in Aiséirighe material by the American antisemite and racial segregationist Gerald L. K. Smith. He cites praise for Aiséirighe from Der Stahlhelm, a far-right German veterans’ paper, and notes Oswald Mosley‘s support for Irish reunification. He denounces Hugh Trevor-Roper‘s Last days of Hitler as typical British slander of a fallen enemy. He compares the sacrificial ideology of the Hungarian Nazi collaborator Ferenc Szálasi to that of Patrick Pearse. He praises Juan Perón as a model whom Ireland should imitate and he follows the electoral fortunes of Italian neo-fascism with interest. He also maintains contacts with the radical right-wing fringes of Breton, Scottish, and Welsh nationalism. He declares that Ireland’s grievance is against England alone and bemoans the Dublin government’s failure to encourage the break-up of the United Kingdom.

Ó Cuinneagáin denounces the Soviet Union and United States alike as controlled by Zionists and freemasons. He points to illegitimacy and divorce rates in the United States as proof of the folly of those who regard “progressive” American education as superior to the sound Irish teaching methods embodied by the Christian Brothers, and bemoans the increasing flow of “immoral” American comics and paperback books into Ireland. While noting with pride that he has been described as “Ireland’s foremost Jew-baiter,” He claims that his frequent diatribes against Robert Briscoe and the state of Israel are merely anti-Zionist, and that he has nothing against Jews, whom he defines as ultra-Orthodox anti-Zionists. He hopes that a Europe united on national–Christian principles might fend off the influence of the super powers. He echoes Mosleyite calls for European unity and is an early and determined advocate of Irish membership of the European Community. However, he dissents from the Mosleyite view that such a union should be based on African empire. He is generally anti-imperialist, though somewhat more lenient toward Portuguese than British imperialism, and from 1956 the President of Egypt, Gamal Abdel Nasser, becomes one of his heroes. While supporting European unity as a defensive strategy, he also warns that unless Ireland adopts mass conscription the country might be conquered by a regiment of Russian paratroopers landing on Dollymount Strand. Throughout the 1950s and 1960s he regularly calls for the Irish Army to mount a military coup, hinting that it should install him as leader in the same way that the Portuguese army had installed Salazar.

Ó Cuinneagáin gives up contesting elections but regularly cites those who do not vote in elections as indicating the extent of political support for Ailtirí na hAiséirghe. He regularly laments that the safety valve of emigration had taken the steam out of radical politics. In his later years he notes the growth of anti-clericalism and the beginnings of a permissive society in Dublin. He attributes this to the church’s failure to implement its own social teaching and its encouragement of West British snobbery at the expense of the truly Catholic traditions of the Gael.

On April 4, 1945, Ó Cuinneagáin marries Sile Ní Chochláin. They have four sons and two daughters, some of whom become active in left-wing politics. He dies on June 13, 1991. He tends to be remembered as a figure of fun, but this view demands some qualification. He possesses genuine abilities and dedication. His fantasies are an extreme development of the official ideology of the state, and part of his appeal stems from his ability to point out the hypocrisy involved in paying it lip service while failing to push it to its logical conclusion. The blindness and cruelty involved in imposing his world view at a personal level has their counterparts in the institutions of official Ireland. Ailtirí na hAiséirghe may have been a marginal millennial cult, but in Europe during the 1940s such groups were often raised to power by circumstances. Had the World War II taken a different direction after 1940, he might be remembered not as a parody of Pearse but as an Irish Szálasi.

(From: “Ó Cuinneagáin, Gearóid Seán Caoimhín” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.e, October 2009)


by Leave a comment

Birth of Charles Doran, Irish Actor

Charles Doran, an Irish actor and one of the last of the touring actor-managers in the tradition of Frank Benson, John Martin-Harvey and Ben Greet, is born on January 1, 1877, in Cork, County Cork. Among those who join his company at the start of their careers are Cecil Parker, Ralph Richardson, Francis L. Sullivan and Donald Wolfit.

Doran tours with Benson and other managements, and plays in the West End before setting up his own company in 1920. He leads it for eleven years, before leaving Britain to work in India. On his return he works on stage and makes occasional television appearances.

Doran is the son of Charles Jenkins Doran. He is educated in Cork and privately. In 1899, he makes his stage debut as a member of Frank Benson’s touring company, in Julius Caesar at the Theatre Royal, Belfast. He remains with Benson for two and a half years, during which he makes his London debut, as Captain MacMorris in Henry V at the Lyceum Theatre.

In 1903, Doran tours in a stage version of Leo Tolstoy‘s Resurrection. He is engaged by Fred Terry and Julia Neilson, and appears at the New Theatre in 1905, as the Comte de Tournai in The Scarlet Pimpernel. In 1906, touring with Harry Brodribb Irving, he makes his first appearance in the United States, and the following year tours in South Africa with Cora Urquhart Brown-Potter‘s company. In 1907, he returns to Benson’s company. In 1908, he tours with Mrs. Patrick Campbell in The Thunderbolt, and The Second Mrs. Tanqueray. During 1909–10 he tours England and Australia with Oscar Asche and Lily Brayton, both former members of Benson’s troupe. His parts include the title role in The Merchant of Venice, Lodovico in Othello, Tranio in The Taming of the Shrew and the Soothsayer in Julius Caesar.

In October 1910, returning to England, Doran plays La Tribe in Count Hannibal at the New Theatre, after which he is Pistol in The Merry Wives of Windsor at the Garrick Theatre to the Falstaff of Asche. For the next ten years he plays in new, ephemeral works, interspersed with classics. Among his roles in the latter are Constantine Levin in Anna Karenina (1913), Douglas in Henry IV, Part 1 and the Constable of France in Henry V (1914) in London, and a variety of Shakespeare parts at the Memorial Theatre, Stratford-upon-Avon (1919).

In February 1920, Doran begins touring with his own Shakespearean company, playing Hamlet, Shylock in The Merchant of Venice, Brutus in Julius Caesar, Malvolio in Twelfth Night, Prospero in The Tempest, Petruchio in The Taming of the Shrew, Macbeth, Falstaff, Henry V, and Jaques in As You Like It. He has a keen eye for rising talent, and among his recruits are Noel Streatfeild, Cecil Parker, Ralph Richardson, Edith Sharpe, Norman Shelley, Abraham Sofaer, Francis L. Sullivan and Donald Wolfit.

In 1931, Doran goes to India as director of Shakespeare’s plays at the State Theatre in Jhalawar and then on to Bombay where he performs primarily in Shakespeare on the radio. He returns to England in 1937. His last London appearance is in Song of Norway (1949). His last Shakespearean role in the theatre is Time in The Winter’s Tale (1951). He continues to act on stage in other parts until 1954. He appears on BBC Television as a senator in Othello in 1950 and Adabashev, the tragedian in Curtain Down in 1952.

Doran dies in Folkestone on the south coast of England on April 5, 1964, at the age of 87. An article on him published by Emory University in 2003 sums up his career thus:

On stage in one role or another, Doran’s fifty-seven years in the theatre made him a major force in the profession, particularly in his productions of Shakespeare. Such was his energy and enthusiasm that he kept alive for a few more years the actor-manager system when the major talents, men like Tree, Benson, and Irving, had dissolved their companies. Doran was indeed the last of his theatrical breed.


by Leave a comment

Birth of Neil Cusack, Winner of the 1974 Boston Marathon

Neil Cusack, a retired middle- and long-distance runner and the only Irish athlete to win the Boston Marathon, is born in Limerick, County Limerick, on December 30, 1951.

Cusack attends St. Munchin’s College in Limerick. He later moves to the United States to study at East Tennessee State University (ETSU), where he is recruited for the cross country team, initially as an afterthought. In 1972, he wins the NCAA Men’s Cross Country National Championship, marking him as a rising star in distance running.

Cusack wins the Peach Bowl Marathon in Atlanta, Georgia, on December 10, 1971, with a time of 2:16:18. He represents Ireland in the 1972 Summer Olympics in Munich, West Germany, competing in the 10,000 metres.

Cusack achieves his most famous victory on April 15, 1974, by winning the Boston Marathon, becoming the first and only Irishman to do so. His time of 2:13:39 is the third-fastest in Boston Marathon history at that point. His Boston win is a source of immense pride for the Irish community, especially in Boston. He recalls receiving $10 and $20 bills from Irish Americans in the mail with notes like “Have a beer on us, we’re proud of you!” His victory helps soothe the disappointment of local Irish fans who had seen fellow Irish runner Pat McMahon come close in previous years.

Cusack competes again for Ireland in the 1976 Summer Olympics in Montreal, placing 55th in the marathon. He wins the 1981 Dublin Marathon on October 26, 1981, with a time of 2:13:58.

In 2024, on the 50th anniversary of his Boston win, Cusack returns to serve as the official race starter for the professional men’s division of the Boston Marathon.

Now in his 70s, Cusack remains a celebrated figure in Irish athletics and marathon history.


by Leave a comment

Birth of P. S. O’Hegarty, Writer, Editor & Historian

Patrick Sarsfield O’Hegarty (Irish: Pádraig Sáirséal Ó hÉigeartaigh), Irish writer, editor and historian and a member of the Supreme Council of the Irish Republican Brotherhood, is born on December 29, 1879, at Carrignavar, County Cork.

O’Hegarty is born to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).

O’Hegarty is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.

O’Hegarty joins the postal service in Cork in 1897. Along with J. J. Walsh, he plays on the Head Post Office hurling team. He joins the IRB and represents Munster on the IRB Supreme Council. He starts writing for Arthur Griffith‘s United Irishman and The Shan Van Vocht, a periodical established by Alice Milligan and Ethna Carbery.

O’Hegarty serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.

O’Hegarty has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.

In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.

O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.

O’Hegarty is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.

O’Hegarty’s son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.

O’Hegarty dies on December 17, 1955.

O’Hegarty’s papers are acquired by the Kenneth Spencer Research Library at the University of Kansas. This includes an outstanding collection of books, pamphlets and periodicals of W. B. Yeats.

(Pictured: “P. S. O’Hegarty, 1929,” pastel on paper by Harry Kernoff, RHA, property from the Yeats family)


by Leave a comment

Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)