seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Blair & Ahern Meet in Aftermath of the Omagh Bombing

British Prime Minister Tony Blair meets with Taoiseach Bertie Ahern in Ashford Castle, County Mayo on August 26, 1998. They join forces to fight terrorism and discuss laws which will be introduced in the aftermath of the Omagh bombing, which took place eleven day earlier on August 15 in Omagh, County Tyrone, 110 kilometres west of Belfast, and resulted in 28 deaths.

Leading the way in a return to the past is Ahern’s Dublin government, which has introduced the toughest anti-terrorist legislation in the history of the Irish Republic. He concedes that the measures are draconian but says that his government is determined to do everything in its power, “working closely with the British government to defeat and suppress this murderous conspiracy against the people of Ireland.”

Prime Minister Blair promises that he too plans to introduce extreme measures. “We will bring in similar measures to those proposed by the Irish government, so we will then have the toughest anti-terrorist measures for the whole of Ireland, the Republic and Northern Ireland, that we have ever seen.”

With no plans to recall the British parliament, it is thought that existing legislation will be applied, since it already includes measures similar to those announced by the Irish government.

Oppressive British legislation has sustained British rule in Ireland for decades. This includes internment without trial, non-jury courts, entry and search of homes without a warrant, seven-day detention with unrecorded and unsupervised interrogation, denial of access to lawyers, exclusion orders and more. Most of these are still in use in 1998.

The Ahern package includes withdrawal of a suspect’s right to silence — refusal to answer questions can be used as evidence that a suspect is a member of an illegal organisation, the seizure of property that has been used for storing weapons or making bombs, and the creation of a new offence of directing an unlawful organisation. This is expected to carry the penalty of life imprisonment.

Omagh is 75% nationalist, with good cross-community relations, and has largely escaped the worst of the conflict. Although Republican dissidents have carried out a spate of similar bombings in the previous year, the towns targeted are mainly Unionist and further east.

In the wake of the Good Friday Agreement, Republican splinter groups remain on a military footing. These groups — the Irish National Liberation Army (INLA), the Continuity IRA and the Real IRA — have announced their determination to fight on.

The group that claims responsibility for the Omagh bombing is the Real IRA, which was formed in protest at the IRA’s 1997 cease-fire. Irish police have insisted that the Real IRA is the military wing of the recently formed 32 County Sovereignty Movement (32CSM), although this is denied by that organisation.

Although both the INLA and the Real IRA have declared a unilateral cease-fire since the Omagh bombing, media focus has settled on Bernadette Sands McKevitt, sister of the 1980s IRA hunger striker Bobby Sands, who is a leading figure in the 32 County Sovereignty Movement. Sands-McKevitt has condemned the Omagh bombing, but her home in Blackrock, County Louth, has since been targeted by local townspeople who have staged protests against her and her family. She has also been denied a visa to enter the United States on a speaking tour.

The Omagh bombing could not have come at a better time for Britain. With the war formally over and Sinn Féin penned, the bombing delivers an opportunity to smash the Republican left once and for all and wrench it from any semblance of ongoing support in Ireland.

All nationalist opponents of the Good Friday Agreement must now cope with being stained by the blood of Omagh. With the massive referendum vote in favour of peace to back them up, the British and Irish governments can be satisfied that the Good Friday Agreement now looks more in place than at any other time. As one nationalist describes the situation, “If the Good Friday Agreement was a defeat for the cause of Irish nationalism, the Omagh bombing has turned it into a rout.”

(From: “Blair, Ahern make the most of Omagh bomb” by Dave Riley, Green Left (www.greenleft.org), August 26, 1998)


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Death of Jazz Guitarist Louis Stewart

Louis Stewart, Irish jazz guitarist, dies in Harold’s Cross, Dublin on August 20, 2016.

Born on January 5, 1944 in Waterford, County Waterford, Stewart grows up in Dublin. He begins playing guitar when he is thirteen, influenced by guitarists Les Paul and Barney Kessel. He begins his professional career performing in Dublin showbands. In 1968, he wins an award as the most outstanding soloist at the Montreux Jazz Festival. Soon after, he spends three years with Benny Goodman.

Stewart records his debut album, Louis the First, in Dublin, and then records in London with Billy Higgins, Peter Ind, Sam Jones, Red Mitchell, and Spike Robinson. From the mid to late 1970s, he works with George Shearing, touring the United States, Brazil, and playing European festivals, and recording eight albums, including several for the MPS Records label in a virtuosic trio with Shearing and the Danish bassist Niels-Henning Ørsted Pedersen. He also appears on albums by Joe Williams and J. J. Johnson, and works with many other jazz musicians.

In 1981, ahead of Stewart’s debut in the United States as a leader, The New York Times states, “Mr. Stewart seems to have his musical roots in bebop. He leans toward material associated with Charlie Parker and he spins out single-note lines that flow with an unhurried grace, colored by sudden bright, lively chorded phrases. His up-tempo virtuosity is balanced by a laid-back approach to ballads, which catches the mood of the piece without sacrificing the rhythmic emphasis that keeps it moving.”

Stewart is prominently featured in Norman Mongan’s book, The History Of The Guitar In Jazz, in a chapter devoted to guitarists who are considered to be contemporary masters (along with players such as Jim Hall, Pat Martino, and George Benson). In a review of his live album Overdrive (Hep, 1993), AllMusic states, “Louis Stewart is one of the all-time greats, and it is obvious from the first notes he plays on any occasion.”

Stewart receives an honorary doctorate from Trinity College, Dublin, in 1998. In 2009, he becomes only the second jazz musician to be elected to Aosdána, an Irish affiliation of people engaged in literature, music, and visual arts that was established by the Irish Arts Council in 1981 to honour those whose work has made an outstanding contribution to the creative arts in Ireland.

In 2015, Stewart is diagnosed with cancer and dies on August 20, 2016 in Harold’s Cross, Dublin, at the age of 72.


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Birth of Professional Golfer Darren Clarke

Darren Christopher Clarke, professional golfer who currently plays on the PGA Tour Champions and has previously played on the European Tour and PGA Tour, is born in Dungannon, County Tyrone, Northern Ireland on August 14, 1968.

In 1987 Clarke plays collegiate golf at Wake Forest University in the United States. He is a junior member of Dungannon Golf Club, whose junior section also includes three others who are current PGA Golf Professionals: Alistair Cardwell, Barry Hamill and Gary Chambers. He represents his school, Royal School Dungannon, together with Cardwell and Chambers.

A stalwart of the European Tour since 1991, Clarke is no stranger to firsts. In the 1999 Smurfit European Open he becomes the first player on the European Tour to shoot 60 for a second time, having achieved it first in the 1992 European Monte Carlo Open. In 2002 he becomes the first player to win the English Open three times and in 2003 becomes the first player outside Tiger Woods to capture more than one World Golf Championships title.

Three weeks after the untimely death of his wife, Heather, to cancer in August 2006, Clarke is picked as one of the wild cards for the Ryder Cup at K Club. In an emotionally charged week he produces one of his most memorable performances, winning all three of his matches.

Clarke assures his place in history by earning a place in the renowned ‘Who’s Who‘ guide for 2008, and in 2005 he even appears on an Irish postage stamp. A difficult 2007, where he juggles looking after his two sons with his golf regime, sees him slip down the rankings, but he begins to find his form again in South Africa before the winter break.

In 2008 Clarke wins the BMW Asian Open in China and the KLM Open in the Netherlands where his sons Tyrone and Conor are there to witness his victory.

In 2010 Clarke beats a world-class field in the J. P. McManus Invitational Pro-Am at Adare Manor in Ireland where he has a one-shot victory over Luke Donald. He secures his spot in the 139th Open Championship at the Old Course at St. Andrews by finishing second in the Barclays Scottish Open. He finishes 30th in the European Tour Race. He rounds off 2010 in great style with the announcement of his engagement to Alison Campbell.

Clarke begins 2011 with a victory in the Iberdrola Open in Mallorca but he enjoys his finest hour in July when he claims his maiden major championship, winning the 140th Open Championship at Royal St. George’s Golf Club in Kent by three shots over Phil Mickelson and Dustin Johnson.

In April 2012 Clarke and Alison Campbell are married at Abaco in The Bahamas which marks a very happy new chapter for the Clarke family. He is appointed Officer of the Order of the British Empire (OBE) in the 2012 New Year Honours for services to golf.

In February 2015, Clarke is named as Europe’s Ryder Cup captain and dedicates the next 18 months to the role. Ultimately, Europe is beaten 17-11 by the United States at Hazeltine National Golf Club.

A dedicated worker for charity, Clarke sets up his own Darren Clarke Foundation, which not only helps further the development of junior golf in Ireland, but also now raises money for Breast Cancer Awareness.


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Death of Irish Folk Musician Tommy Makem

Thomas “Tommy” Makem, internationally celebrated Irish folk musician, artist, poet and storyteller, dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer.

Makem is born in Keady, County Armagh, on November 4, 1932. He is best known as a member of The Clancy Brothers and Tommy Makem. He plays the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sings in a distinctive baritone. He is sometimes known as “The Bard of Armagh,” taken from a traditional song of the same name, and “The Godfather of Irish Music.”

Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”

Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.

Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.

The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.

Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.

In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.

In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.

Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.


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Birth of Composer Roger Doyle

Roger Doyle, composer best known for his electroacoustic work and for his piano music for theatre, is born in Malahide, County Dublin on July 17, 1949. As a teenager he is influenced by Igor Stravinsky, Claude Debussy, Pierre Henry and The Beatles.

Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.

As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”

Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.

In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).

Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”

Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.

President Michael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.


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Birth of Joseph Campbell, Poet & Lyricist

Joseph Campbell, Irish poet and lyricist, is born in Belfast on July 15, 1879. He writes under the Gaelic form of his name Seosamh Mac Cathmhaoil (also Seosamh MacCathmhaoil), as Campbell is a common anglicisation of the old Irish name MacCathmhaoil. He is now remembered best for words he supplied to traditional airs, such as “My Lagan Love” and “Gartan Mother’s Lullaby.” His verse is also set to music by Arnold Bax and Ivor Gurney.

Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.

Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.

Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.

Campbell becomes a Sinn Féin Councillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County Waterford Flying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.

Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.


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Birth of Mary Ann McCracken, Humanitarian & Social Reformer

Mary Ann McCracken, Irish businesswoman, radical humanitarian, supporter of the Society of United Irishmen and a noted social reformer, is born in Belfast on July 8, 1770.

McCracken’s father is Captain John McCracken, a Presbyterian of Scottish descent and a prominent shipowner. Her mother, Ann Joy, comes from a French Protestant Huguenot family, which made its money in the linen trade and founded the Belfast News Letter. Her liberal and far-sighted parents send her to David Manson‘s progressive co-educational school, where ‘young ladies’ received the same education as the boys. She excels at mathematics.

As an adult, McCracken manages a successful muslin business in Belfast, which pioneers the production of patterned and checked muslin. She runs the business together with her sister and has at least one agent in Dublin.

McCracken is the sister of Henry Joy McCracken, one of the founding members of the Society of United Irishmen. In the aftermath of her brother’s defeat at the Battle of Antrim on June 7, 1798, she helps Henry Joy and some colleagues hide in the hills of south Antrim, bringing them clothes and money. She is arranging for a ship to take him to the United States when he is recognised by three Carrickfergus soldiers and arrested there on July 7, 1798.

McCracken shares her brother’s interest in reviving the oral-music tradition of Ireland and is a founding member of the Belfast Harp Society (1808–1813). She supports Edward Bunting in his collecting of traditional music, introducing him to people who can help, acting as his unofficial secretary and contributes anonymously to the second volume of his work The Ancient Music of Ireland in 1809. Bunting lives with the McCrackens for thirty-five years, before moving to Dublin 1819 and thereafter corresponds regularly with McCracken.

McCracken, like her brother, holds radical beliefs and these extend not just to the politics of the time, but to many social issues, such as poverty and slavery. She is dedicated to the poor of Belfast and from her earliest childhood she works to raise funds and provide clothes for the children of the Belfast Poorhouse, now known as Clifton House, Belfast. Following a visit from Elizabeth Fry she forms the Ladies Committee of the Belfast Charitable Society and is chair from 1832–1855. Thanks to the efforts of the committee a school, and later a nursery, is set up to educate the orphans of Belfast. She takes particular pains to find a suitable teacher, displaying a high level of dedication and compassion for her cause. The committee also inspects the homes where children of the poorhouse are apprenticed out.

McCracken leads the Women’s Abolitionary Ccmmittee in Belfast during the height of the anti-slavery movement and continues to promote the cause long after the spirit of radicalism had died in Belfast. By the 1850s, the liberality of the 1790s had largely evaporated in the aftermath of the failure of the Irish Rebellion of 1798, and the subsequent executions or exile of the leading protagonists.

At the age of 88, McCracken is to be seen at the Belfast docks, handing out anti-slavery leaflets to those boarding ships bound for the United States, where slavery is still practised. Her continued campaign long after the deaths of her counterparts serves to demonstrate the strength of radicalism that exists in certain circles of Belfast society at the close of the eighteenth century.

After her brother’s execution in Belfast, McCracken takes over the care of his illegitimate daughter, Maria, which is not universally accepted in her wider family. She lives with Maria and her family until her death at the age of 96 on July 26, 1866. She is buried in grave number 35 at Clifton Street Cemetery.

A blue plaque has been placed by the Ulster History Circle on the house at 62 Donegall Pass, Belfast, where McCracken lived for much of her later life.


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Birth of Steve Morrow, Professional Footballer & Manager

Stephen Joseph Morrow, Northern Irish former professional footballer and manager, is born on July 2, 1970, in Belfast, Northern Ireland.

Morrow makes his full international debut for Northern Ireland in May 1990 against Uruguay. He goes on to win 39 caps for his country from then until 1999.

Morrow becomes a semi-regular with Arsenal in 1992–93. He plays most of his matches in midfield, replacing the injured Paul Davis as Arsenal reaches the League Cup and FA Cup finals. He starts the League Cup final against Sheffield Wednesday. After falling behind to a John Harkes goal, Arsenal equalises through Paul Merson, and then Merson sets up Morrow to score the winner, which is also his first for the club. In the celebrations after the match, Arsenal skipper Tony Adams attempts to pick up Morrow and parade him on his shoulders, but Adams slips, and Morrow awkwardly hits the ground. He breaks his arm and has to be rushed to hospital.

As a result, Morrow misses the rest of that season, including the 1993 FA Cup Final, where Arsenal completes the Cup Double. Before the final kicks off, he receives his League Cup winners’ medal.

Morrow is fit enough by the start of the next season but plays only 13 matches, compared to 25 the previous season. One of those is the scene of an Arsenal triumph, the club’s 1994 European Cup Winners’ Cup Final win over Parma. In an Arsenal midfield depleted of John Jensen and David Hillier, he makes his first appearance in the competition that season partnering 20-year-old Ian Selley in central midfield as Arsenal beats Parma 1–0 with an Alan Smith goal.

Morrow nearly leaves the club in March 1994, following an approach from the Premier League‘s bottom club Swindon Town, but the transfer falls through and he signs a new contract with Arsenal, where he spends three more years.

Morrow goes on to play over 20 matches the following season, including a second Cup Winners’ Cup final, which Arsenal loses to Real Zaragoza. He scores his second Arsenal goal in the League Cup once again against Sheffield Wednesday, and scores his first Arsenal league goal in a 3–1 defeat at Blackburn Rovers, who win the Premier League that season. However, he never finds favour under new Arsenal boss Bruce Rioch, who only gives the Irishman five matches in 1995–96.

After the arrival of Arsène Wenger in 1996, Morrow is told he is surplus to requirements at Highbury, and he is loaned to Queens Park Rangers (QPR) in March 1997, the deal being made permanent that summer. He plays 85 games for Arsenal in total, scoring three goals.

At QPR, Morrow is initially a regular, but the club struggles, going from contenders for promotion to the Premiership to facing relegation to the Football League Second Division. Injuries to his shoulder ligaments ruled him out for most of the 1999–2000 season, and he loses his place in the side. He later has a loan spell at Peterborough United, but it does not become permanent, and he is released on a free transfer in the summer of 2001.

Struggling to find a club in the United Kingdom, Morrow moves to the United States to play for Major League Soccer (MLS) side Dallas Burn. He spends two seasons at Dallas, who rename themselves FC Dallas in 2004, before retiring because of a persistent neck injury.

On February 3, 2004, Morrow is named as an assistant coach to FC Dallas but resigns in late May due to personal reasons. However, he returns to the club on January 27, 2005, under coach Colin Clarke. When Clarke is fired on November 7, 2006, Morrow is named interim head coach. On December 11, 2006, FC Dallas removes the ‘interim’ from his title. He is fired as coach on May 20, 2008.

On September 12, 2008, Morrow returns to Arsenal as International Partnerships – Performance Supervisor, managing Arsenal’s international partnerships, which includes the Colorado Rapids of Major League Soccer in the United States, BEC Tero of Thailand and Hoàng Anh Gia Lai of Vietnam, and assisting Arsenal’s academies in countries such as Egypt and Ghana. From 2014, he works as Arsenal’s head of youth development. He leaves Arsenal in 2019 following a coaching staff shake up.

On May 7, 2021, Morrow is appointed The FA’s head of player selection and talent strategy working across England men’s teams.


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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.