Con Houlihan, Irish sportswriter, is born on December 6, 1925, in Castleisland, County Kerry. Despite only progressing to national journalism at the age of 46, he becomes “the greatest and the best-loved Irish sports journalist of all.”
Over a lengthy career, Houlihan covers many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympic Games and numberless race meetings inside and outside Ireland.
Houlihan is a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group’s demise in 1995. He writes the “Tributaries” column and Evening Press back sports page “Con Houlihan” column.
Houlihan dies on the morning of August 4, 2012, in St. James’s Hospital in Dublin. Often considered one of Ireland’s finest writers, he leaves behind a legacy of immense sports journalism that spans over 60 years. A minute’s silence is observed in his memory ahead of Kerry GAA‘s All-Ireland Senior Football Championship quarter-final defeat to Donegal GAA at Croke Park the following day. His last column, in which he wishes Irish Olympic boxer Katie Taylor well, is published the day after his death. His funeral takes place on August 8, 2012.
Ireland’s president, Michael D. Higgins, leads the tributes to Houlihan, describing him as a “most original writer, with a unique style based on his extensive knowledge of literature, politics, life and sport.” He adds, “He had that special quality and ability to identify with the passion, pain and celebration of Irish community life.”
A bronze bust of Houlihan is unveiled in his hometown of Castleisland in 2004. In 2011, another sculpture is erected outside The Palace bar in Dublin.
Lyons is born in to Margaret (née Sullivan) and Timothy Lyons senior, who is listed on his birth certificate as a cottier. He is the oldest of six siblings. Prior to the Irish Civil War, he works as a labourer. He fights with the IRA’s Kilflynn Company during the Irish War of Independence. He is described as being slight, “adventurous” as a column leader and a marksman who shoots at small birds. He shoots a British officer in an ambush led by captain George O’Shea at Shannow Bridge where the Kilflynn road joins the R557, forcing a retreat. He gains the nickname “Aeroplane” or “Aero” because of the way he suddenly appears and his last-minute escapes. Because of regular searches by Black and Tans, his father fears the family home will be burnt out and asks him to leave.
After the ratification of the Anglo-Irish Treaty, Lyons fights against Free State forces . At the time of his death he is commandant. He is involved in fighting in Listowel and Limerick, is captured near Athea, jailed in Limerick and released in late 1922 with an undertaking not to rejoin the fight. Notwithstanding this, the column continues to operate, generally around Causeway and Ballyduff.
On April 15, 1923, Lyons’ column attacks a Free State raiding party in Meenoghane, County Kerry. The raiding party receives reinforcements. He and his men are eventually surrounded at nearby Clashmealcon on April 16 by Michael Hogan’s 1st Western Division. They descend the rugged, Atlantic cliffs to the caves and hide in Dumfort’s Cave. He shoots out searchlights with his Lee-Enfield rifle and two Free State soldiers are shot dead from the cave. The situation is under Army Emergency Powers. With no escape for the men hiding, troops try to blast them out by dropping mines and smoke them out with petrol-soaked turf.
On April 16, James McGrath, the brother of Thomas McGrath, one of Lyons’s men, is arrested and taken to the cliffs in order to enter the cave and persuade the men to surrender. On the night of April 17-18, Thomas McGrath and Patrick O’Shea, his first cousin, fall trying to scale the cliffs to escape and drown. After offering to surrender himself on the morning of the April 18, Lyons falls several metres onto rocks from a rope that is provided by National Army troops. He is then shot multiple times by troops from the cliff top and is not recovered.
Three of Lyons’ men who surrender, Edmond Greaney, James McEnery and British deserter-turned-republican Reginald Stephen Hathaway, are executed in Ballymullen Barracks by gunshot on April 25, for breaking their undertaking not to take up arms against the Free State, attacking troops at Clashmealcon, burning the Civic Guard station at Ballyheigue, stripping the same Civic Guards and robbing the post office at Ballyduff.
Lyons’ decomposing body, minus a leg, is washed up on May 5, identifiable by a boot. He is buried alongside George O’Shea and Timothy Tuomey (both killed at Ballyseedy) in the Republican plot at Kilflynn Church (now St. Columba’s Heritage Centre).
(Pictured: Kilflynn IRA Flying Column, 1922. Back (L to R): Denis O’Connell (Lixnaw), Stephen Fuller (Kilflynn), William Hartnett (Mountcoal), Tim Twomey (Kilflynn). Front (L to R): Terry Brosnan (Lixnaw), John McElligott (Leam, Kilflynn), Danny O’Shea (Kilflynn), Timothy (Aero) Lyons (Garrynagore), Tim Sheehy (Lyre), Pete Sullivan (Ballyduff), Paddy Mahony (Ballyegan, Battalion O.C.).)
Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
Maurice O’Neill, an Irish Republican Army (IRA) Captain captured in 1942 after a shootout with Irish police (Garda Síochána), is executed on November 12, 1942, one of only two people executed in independent Ireland for a non-murder offence.
O’Neill is a farmer from an Irish republican family in the farming community of Cahersiveen, County Kerry. He and his older brother Sean are dedicated Irish republicans. He fights in the Irish Republican Army’s 1942-44 Northern Campaign and is assigned to the IRA’s General Headquarters (GHQ) at the time of his capture. In the early 1930s, his brother Sean serves in the IRAs Dublin Brigade and serves on GHQ Staff IRA in various capacities from 1945 to 1955.
On October 24, 1942, O’Neill is arrested after a raid by Garda Síochána in which Garda Detective Officer Mordant is shot and killed in Donnycarney, Dublin. The mission of the police raid is the capture of Harry White, the IRA Quartermaster General. White escapes capture and O’Neill is arrested but not charged with the murder of the Detective Officer but with “shooting with intent.” It is thought that Detective Officer Mordant’s death may have been a result of crossfire between Special Branch policemen.
The 25-year-old O’Neill’s execution provokes particularly widespread protests, as he is a popular figure in his native County Kerry. He apparently is stoic and calm when his fate becomes clear. In a letter to his elder brother, Sean, from Arbour Hill Prison, he writes: “I suppose you saw in the papers where I met my Waterloo last Saturday night. Well, such are the fortunes of war…there is only one sentence, death or release. So I believe it is the full penalty for me. There is no good in having false hopes, hard facts must be faced.” In his last letter to his father he writes: “I am glad that I am not being reprieved as the thought of the torture I would have to endure in Portlaoise makes me shudder.”
Many Irish republican prisoners are released in 1948 as is the body of O’Neill (on September 17, 1948). O’Neill is buried in the republican plot at Kilavarnogue Cemetery, Cahersiveen, County Kerry. His name is listed on a monument in Fairview Park, Dublin, with the names other IRA members of that period who lose their lives. The Maurice O’Neill Bridge to Valentia Island is built in 1970 and named in memory of the young farmer who had been executed in 1942. In Kilflynn, County Kerry, the Crotta O’Neill’shurling club is named after him. In 2011, an Irish television documentary focuses on how O’Neill’s execution affected his family.
Whelan is awarded many prizes in the Royal Dublin Society (RDS) Taylor art competitions, including one in 1912 for a portrait of his sister Lena, entitled On the Moors, rendered in a strongly academic technique. In 1916, he wins the Taylor scholarship for the Royal Hibernian Academy (RHA) schools for his finest early work, The Doctor’s Visit, an adroitly executed composition of contrasting shadows and light. Typical of many of his genre interiors, the painting depicts a room in the family home, with relatives as models: Whelan’s mother sits by the bed watching over his ill cousin, while his sister, dressed in a Mater hospital nurse’s uniform, is in the background opening the door for the doctor. The subtly evoked atmosphere of restrained emotion foreshadowed a hallmark of his mature style.
Whelan exhibits annually at the RHA for forty-five years (1911–56), averaging six works per year. He is elected an RHA associate in 1920, becoming a full member in 1924. He participates in the Exposition d’art irlandais at the Galerie Barbazanges in Paris in 1922. A visiting teacher at the RHA schools in 1924, he also teaches in the DMSA for a time. He has studios at 64 Dawson Street (1914–27) and 7 Lower Baggot Street (1931–56). Beginning in the 1910s, he receives regular commissions for portraits, constituting his primary source of income. Having become the family’s main breadwinner following his parents’ deaths in the 1920s, he concentrates most of his production on this lucrative activity, portraying numerous leading figures in the spheres of politics, academia, religion, society, medicine, and law.
Situated securely in the academic tradition, in most of his portraits Whelan favours a sombre, restricted palette, with the sitter placed, in grave demeanour, against a monotone background with few accessories. In a 1943 interview he asserts that twentieth-century portraiture suffers from the drabness of modern costume, for which the artist must compensate by careful rendition of the subject’s hands. He tends to depart from his prevailing portrait style when painting women, whom he characteristically depicts in meticulously observed interiors, a notable example being his portrait of Society hostess Gladys Maccabe (c.1946; NGI).
Whelan’s commercial concentration on portraiture notwithstanding, he expresses his true talent in genre compositions, especially kitchen interiors, in which he emulates the technique of the Dutch painter Johannes Vermeer. Two of the most accomplished of these depict his sister Frances in the basement kitchen of the family home: The Kitchen Window (1927; Crawford Art Gallery, Cork) demonstrates a particularly skillful use of light, while Interior of a Kitchen (1935) is notable for the dexterous handling of objects of varied shapes and textures. His genre works include both urban and rural scenes, with a distinctive interest in portraying occupations and other activities. Gypsy (1923), an Orpenesque composition of a shawled woman in a west-of-Ireland landscape with a caravan in the background, receives wide contemporary critical acclaim. Jer (c.1925), depicting a man seated by the fire in a cottage interior, is reproduced in J. Crampton Walker’s Irish Art and Landscape (1927). The Fiddler (c.1932), a naturalistic, sensitively characterised study, is first shown at an Ulster Academy exhibition at Stranmillis, Belfast. A Kerry Cobbler is reproduced in Twelve Irish Artists (1940), introduced by Thomas Bodkin, as among the works denoting the development of a distinctively Irish school of painting.
In 1929, Whelan designs the first Irish Free State commemorative stamp, a portrait of Daniel O’Connell for the centenary of Catholic emancipation. Commissioned by the Thomas Haverty trust to paint an incident from the life of Saint Patrick for the 1932 Eucharistic Congress, he executes The Baptism by St. Patrick of Ethna the Fair and Fedelmia the Ruddy, Daughters of the Ard Rí Laoghaire, a work highly conservative in style. He rapidly completes an oil study of the papal legate, Lorenzo Lauri, also for the Eucharistic Congress. He is represented in the art competitions at the 1932 Summer Olympics in Los Angeles. His depiction of Saint Brigid, shown at the Academy of Christian Art exhibition (1940), becomes a familiar image owing to the wide circulation of reproductions.
Whelan’s political portraits are influential in creating a strong, assured image of the newly formed Irish state, and thus retain an historical significance. His posthumous portrait, The Late General Michael Collins, exhibited at the RHA in 1943 and now held in Leinster House, is an iconic, heroic image of the fallen leader. His portraits of Arthur Griffith and Kevin O’Higgins – commissioned posthumously, as is the Collins, by Fine Gael – also hang in Leinster House, while that of John A. Costello, exhibited at the RHA in 1949, is now held in the King’s Inns, Dublin. He paints two presidents, Douglas Hyde and Seán T. O’Kelly, both works currently in Áras an Uachtaráin. A portrait of Éamon de Valera, painted in 1955 when the sitter is Leader of the Opposition, is in Leinster House. In 1954, he designs a second commemorative stamp, picturing a reproduction of a portrait bust of John Henry Newman, to mark the centenary of the Catholic University of Ireland.
Whelan is elected an honorary academician of both the Ulster Academy of Arts (1931), and the Royal Ulster Academy (1950). He becomes a member of the United Arts Club in 1934. As a representative of the RHA, he sits on the board of governors of the National Gallery of Ireland for many years, and is on the advisory committee of the Municipal Gallery of Modern Art. Unmarried, he resides until his death at the Eccles Street address, with two sisters who continue to manage the family hotel. He dies on November 6, 1956, from leukemia at the Mater private nursing home in Dublin. He is buried in Glasnevin Cemetery.
(From: “Whelan, (Michael) Leo,” by Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Callaghan is born into a family with a Fenianparamilitary history. His paternal grandfather had taken the Anti-Treaty side during the Irish Civil War, and his father had been interned by the Irish Government at the Curragh Camp in County Kildare for IRA activity during World War II.
By the late 1960s, O’Callaghan ceases to practise his Catholic faith, adopts atheism and has become interested in the theories of Marxist revolutionary politics, which finds an outlet of practical expression in the sectarian social unrest in Northern Ireland at the time, centered on the activities of the Northern Ireland Civil Rights Association. In 1969, communal violence breaks out in Northern Ireland and believing that British imperialism is responsible, he joins the newly founded Provisional IRA at the age of 17.
Soon afterward, O’Callaghan is arrested by local Gardaí after he accidentally detonates a small amount of explosives, which cause damage to the homes of his parents and their neighbours. After demanding, and receiving, treatment as a political prisoner, he quietly serves his sentence.
After becoming a full-time paramilitary with the IRA, in the early to mid-1970s O’Callaghan takes part in over seventy operations associated with Irish Republican political violence including bomb materials manufacture, attacks on IRA targets in Northern Ireland, and robberies to provide funding for the organisation.
In 1976, O’Callaghan ends his involvement with the IRA after becoming disillusioned with its activities. He later recalls that his disenchantment with the IRA began when one of his compatriots openly hoped that a female police officer who had been blown up by an IRA bomb had been pregnant so they could get “two for the price of one.” He is also concerned with what he perceives as an undercurrent of ethnic hatred in its rank and file toward the Ulster Scots population. He leaves Ireland and moves to London. In May 1978, he marries a Scottish woman of Protestantunionist descent. During the late 1970s, he runs a successful mobile cleaning business. However, he is unable to fully settle into his new life, later recalling, “In truth there seemed to be no escaping from Ireland. At the strangest of times I would find myself reliving the events of my years in the IRA. As the years went on, I came to believe that the Provisional IRA was the greatest enemy of democracy and decency in Ireland.”
In 1979, O’Callaghan is approached by the IRA seeking to recruit him again for its paramilitary campaign. In response, he decides to turncoat against the organisation and becomes an agent within its ranks for the Irish Government. He decides to become a double agent even though he knows that even those who hate the IRA as much as he now does have a low opinion of informers. However, he feels it is the only way to stop the IRA from luring teenagers into their ranks and training them to kill.
Soon after being approached by the IRA to re-join, O’Callaghan returns to Tralee from London, where he arranges a clandestine meeting with an officer of the Garda Special Detective Unit in a local cemetery, at which he expresses his willingness to work with it to subvert the IRA from within. At this point, he is still opposed to working with the British Government. A few weeks later, he makes contact with Kerry IRA leader Martin Ferris and attends his first IRA meeting since 1975. Immediately afterward, he telephones his Garda contact and says, “We’re in”.
During the 1981 hunger strike in the Maze Prison, O’Callaghan attempts to start his own hunger strike in support of the Maze prisoners but is told to desist by the IRA for fear it will detract focus from the prisoners. He successfully sabotages the efforts of republicans in Kerry from staging hunger strikes of their own.
In 1984, O’Callaghan notifies the Garda of an attempt to smuggle seven tons of AK-47assault rifles from the United States to Ireland aboard a fishing trawler named Valhalla. The guns are intended for the arsenal of the Provisional IRA’s units. As a result of his warning, a combined force of the Irish Navy and Gardaí intercept the boat that received the weaponry, and the guns are seized. The seizure marks the complete end of any major attempt by the IRA to smuggle guns out of the United States.
In 1983, O’Callaghan claims to be tasked by the IRA with placing 25 lbs. of Frangex in the Dominion Theatre in London, in an attempt to kill Prince Charles and Princess Diana who are due to attend a charity pop music concert there. A warning is phoned into the Garda, and the Royal couple are hurriedly ushered from the theatre by their police bodyguard during the concert. The theatre had been searched before the concert and a second search following the warning reveals no device.
In 1985, O’Callaghan is elected as a Sinn Féin councillor for Tralee Urban District Council, and unsuccessfully contests a seat on Kerry County Council.
After becoming disillusioned with his work with the Irish Government following the murder of another of its agents within the IRA, which it had failed to prevent despite O’Callaghan’s warnings of the threat to him, and sensing a growing threat to himself from the organisation which had become suspicious of his own behaviour, he withdraws from the IRA and leaves Ireland to live in England, taking his wife and children with him. His marriage ends in a divorce in 1987, and on November 29, 1988, he walks into a police station in Tunbridge Wells, Kent, England, where he presents himself to the officer on duty at the desk, confesses to the murder of Ulster Defence Regiment (UDR) Greenfinch (female member) Eva Martin and the murder of D.I. Peter Flanagan during the mid-1970s, and voluntarily surrenders to British prosecution.
Although the Royal Ulster Constabulary (RUC) offers him witness protection as part of the informer policy, O’Callaghan refuses it and is prosecuted under charges of two murders and 40 other crimes, to all of which he pleads guilty, committed in British jurisdiction with the IRA. Having been found guilty, he is sentenced to a total of 539 years in prison. He serves his sentence in prisons in Northern Ireland and England. While in jail, he publishes his story in The Sunday Times. He is released after being granted the royal prerogative of mercy by Queen Elizabeth II in 1996.
In 1998, O’Callaghan publishes an autobiographical account of his experiences in Irish Republican paramilitarism, entitled The Informer: The True Life Story of One Man’s War on Terrorism (1998).
In 2002, O’Callaghan is admitted to Nightingale Hospital, Marylebone, an addiction and rehab center where he undergoes a rehabilitation program for alcohol dependency. His identity and past activities are not revealed to the other patients. He lives relatively openly in London for the rest of his life, refusing to adopt a new identity. He is befriended in the city by the Irish writer Ruth Dudley Edwards, and works as a security consultant, and also occasional advisor to the Ulster Unionist Party (UUP) on how to handle Irish republicanism in general, and Sinn Féin in particular.
In 2006, O’Callaghan appears in a London court with regard to an aggravated robbery that occurs in which he is the victim.
In 2015, O’Callaghan publishes James Connolly: My Search for the Man, the Myth & his Legacy (2015), a book containing a critique of the early 20th century Irish revolutionary James Connolly, and what he considers to be his destructive legacy in Ireland’s contemporary politics.
O’Callaghan dies by drowning after suffering a heart attack at the age of 63 while in a swimming pool in Kingston, Jamaica, on August 23, 2017, while visiting his daughter. A memorial service is held in his memory on March 21, 2018, at St. Martin’s-in-the-Fields, a Church of England parish church at the northeast corner of Trafalgar Square in the City of Westminster, London. The service is attended by representatives from Ulster Unionist parties and the Irish Government.
Against his father’s wishes, Neligan joins the Dublin Metropolitan Police (DMP) – also in 1917. Picking up travel documentation from the local Royal Irish Constabulary barracks, he declines a suggestion that he enlist in this armed rural force. After service as a uniformed constable with the DMP, he is promoted to Detective and transferred into the Department’s widely hated counterintelligence and anti-political-subversion unit, the G Division, in 1919. In May 1920, his elder brother Maurice (1895–1920), an Irish Republican Army (IRA) member and friend of Michael Collins, persuades him to resign from the DMP.
After his resignation, Neligan returns to his native County Limerick with the intention of joining the Limerick IRA. Shortly afterward, Maurice is killed in a motorcycle accident, near their home in Templeglantine. In the meantime, Neligan also receives word from a family friend that Michael Collins wishes to meet with him in Dublin. Collins is outraged that Neligan has been allowed to resign and persuades him to rejoin the DMP as a mole for the intelligence wing of the IRA. Along with Detectives Eamon Broy and James McNamara, Neligan acts as a highly valuable agent for Collins and passes on reams of vital information. He leaks documents about the relative importance of police and military personnel and also warns insurgents of upcoming raids and ambushes. There are unconfirmed rumors that Neligan might be a double agent working for British interests.
In 1921, Collins orders Neligan to let himself be recruited into MI5 and he uses the opportunity to memorise their passwords and the identities of their agents. All of this is passed on to Collins. After Broy and McNamara are dismissed in 1921, Neligan becomes Collins’ most important mole inside Dublin Castle.
In 1924, Neligan hands over his post to the youthful Colonel Michael Joe Costello and takes command of the DMP, which still continues as a force separate from the newly established Garda Síochána, with the rank of Chief Superintendent. The next year he transfers to the Garda when the two police forces are amalgamated, and is instrumental in the foundation of the Garda Special Branch. When Éamon de Valera becomes head of government in 1932, his republican followers demand Neligan’s dismissal. Instead, Neligan is transferred to an equivalent post in the Irish Civil Service. In June 1935, he is married to fellow civil servant Sheila Maeve Rogan. They have one son and three daughters, and reside at 15 St. Helen’s Road, Booterstown, Dublin.
Neligan draws pensions from the DMP, the British MI5, the Garda Síochána and the Irish Civil Service. He also receives an “Old IRA” pension through the Department of Defence.
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
In March 1917, Ryan passes his final medical examinations. That June he sets up medical practice in Wexford. In 1921, he moves to Dublin where he opens a doctor’s practice at Harcourt Street, specialising in skin diseases at the Skin and Cancer Hospital on Holles Street. He leaves medicine in 1925, after he purchases Kindlestown, a large farm near Delgany, County Wicklow. He lives there and it remains a working farm until his death.
In July 1919, Ryan marries Máirín Cregan, originally from County Kerry and a close friend of Sinéad de Valera throughout her life. Cregan, like her husband, also fought in the Easter Rising and is subsequently an author of children’s stories in Irish. They have three children together.
While studying at university in 1913, Ryan joins the Gaelic League at Clonmel. The company commander recruits the young Catholicnationalist, who becomes a founder-member of the Irish Volunteers and is sworn into the Irish Republican Brotherhood (IRB) the following year. In 1916, he goes first to Cork to deliver a message from Seán Mac Diarmada to Tomás Mac Curtain that the Easter Rising is due to happen on Easter Sunday, then to Cork again in a 12-hour journey in a car to deliver Eoin MacNeill‘s cancellation order, which attempts to stop the rising. When he arrives back on Tuesday, he serves as the medical officer in the General Post Office (GPO) and treats many wounds, including James Connolly‘s shattered ankle, a wound which gradually turns gangrenous. He is, along with Connolly, one of the last people to leave the GPO when the evacuation takes place. Following the surrender of the garrison, he is deported to HM Prison Stafford in England and subsequently Frongoch internment camp. He is released in August 1916.
Ryan rejoins the Volunteers immediately after his release from prison, and in June 1917, he is elected Commandant of the Wexford Battalion. His political career begins the following year when he is elected as a Sinn Féin candidate for the constituency of South Wexford in the 1918 United Kingdom general election in Ireland. Like his fellow Sinn Féin MPs, he refuses to attend the Westminster Parliament. Instead he attends the proceedings of the First Dáil on January 21, 1919. As the Irish War of Independence goes on, he becomes Brigade Commandant of South Wexford and is also elected to Wexford County Council, serving as chairman on one occasion. In September 1919, he is arrested by the British and interned on Spike Island and later Bere Island. In February 1921, he is imprisoned at Kilworth Internment Camp, County Cork. He is later moved on Ballykinlar Barracks in County Down and released in August 1921.
In 1926, Ryan is among the Sinn Féin TDs who follow leader Éamon de Valera out of the party to found Fianna Fáil. They enter the Dáil in 1927 and spend five years on the opposition benches.
In 1947, after spending fifteen years as Minister for Agriculture, Ryan is appointed to the newly created positions of Minister for Health and Minister for Social Welfare. Following Fianna Fáil’s return to power at the 1951 Irish general election, he returns as Minister for Health and Social Welfare. Following the 1954 Irish general election, Fianna Fáil loses power and he moves to the backbenches once again.
Following the 1957 Irish general election, Fianna Fáil are back in office and de Valera’s cabinet has a new look to it. In a clear message that there will be a change to economic policy, Ryan, a close ally of Seán Lemass, is appointed Minister for Finance, replacing the conservative Seán MacEntee. The first sign of a new economic approach comes in 1958, when Ryan brings the First Programme for Economic Development to the cabinet table. This plan, the brainchild of T. K. Whitaker, recognises that Ireland will have to move away from self-sufficiency toward free trade. It also proposes that foreign firms should be given grants and tax breaks to set up in Ireland.
When Lemass succeeds de Valera as Taoiseach in 1959, Ryan is re-appointed as Minister for Finance. Lemass wants to reward him for his loyalty by also naming him Tánaiste. However, the new leader feels obliged to appoint MacEntee, one of the party elders to the position. Ryan continues to implement the First Programme throughout the early 1960s, achieving a record growth rate of 4 percent by 1963. That year an even more ambitious Second Programme is introduced. However, it overreaches and has to be abandoned. In spite of this, the annual growth rate averages five percent, the highest achieved since independence.
Ryan does not stand in the 1965 Irish general election, after which he is nominated by the Taoiseach to Seanad Éireann, where he joins his son, Eoin Ryan Snr. At the 1969 dissolution he retires to his farm at Kindlestown, County Wicklow, where he dies at age 77 on September 25, 1970. He is buried at Redford Cemetery, Greystones, County Wicklow. His grandson, Eoin Ryan Jnr, serves in the Oireachtas from 1989 to 2007 and later in the European Parliament from 2004 to 2009.
He marries firstly Mary Halloran of Cloyne, County Cork, in 1845. She dies in 1901. In the year of his retirement, he remarries Florence Henrietta Gore, widow of Edward Croker. He has no children. James Joyce remarks in Ulysses that his second marriage at the age of 85 infuriates his nephew, who had been waiting patiently for years to inherit his money.
Despite his many years of service on the Bench, Chatterton does not seem to be highly regarded as a judge. On his retirement the Bar pays tribute to his good qualities but adds several qualifications: “there might have been on the Bench lawyers more profound, reasoners more acute…” In his first decade on the Bench, Chatterton has to endure the continual denigration of Jonathan Christian, the Lord Justice of Appeal in Chancery. Christian is notoriously bitter-tongued, and while he despises most of his colleagues, he seems to have a particular dislike of Chatterton. He regularly votes on appeal to overturn his judgments, and frequently adds personal insults. Nor does he confine his attacks to the courtroom: there is controversy in 1870 when remarks of Christian that Chatterton is “lazy, stupid, conceited and so incompetent that he ought to be pensioned off” find their way into The Irish Times. The hint about pensioning off Chatterton is not taken up, no doubt because he enjoys the confidence of the Lord Chancellor of Ireland, Thomas O’Hagan, 1st Baron O’Hagan, who is also on bad terms with Christian. In an appeal from Chatterton in 1873, the two appeal judges clash publicly, with O’Hagan reprimanding Christian for insulting a judge who is not there to defend himself.
Chatterton becomes involved in controversy in 1885, over the first attempt to rename Sackville Street to O’Connell Street. Dublin Corporation votes for the name change, but it arouses considerable objections from local residents, one of whom seeks an injunction. Chatterton grants the injunction on the ground that the corporation has exceeded its statutory powers. Rather unwisely, he also attacks the merits of the decision, accusing the Corporation of “sentimental notions.” The corporation is angered by both the decision and the criticisms: while it may have been a coincidence, the fact that Temple Street is briefly renamed Chatterton Street is interpreted by some as an insult to the judge, since the street is much frequented by prostitutes. The controversy is short-lived as the corporation is granted the necessary statutory powers in 1890, and the new name becomes official in 1924, by which time it has gained popular acceptance.
seamus dubhghaill 