seamus dubhghaill

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Tag Archives: County Meath


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Birth of Dolours Price, Provisional Irish Republican Army Volunteer

Dolours Price, a Provisional Irish Republican Army (IRA) volunteer, is born in Belfast on December 16, 1950.

Price and her sister, Marian, also an IRA member, are the daughters of Albert Price, a prominent Irish republican and former IRA member from Belfast. Their aunt, Bridie Dolan, is blinded and loses both hands in an accident while handling IRA explosives. 

Price becomes involved in Irish republicanism in the late 1960s and she and Marian participate in the Belfast to Derry civil rights march in January 1969 and are attacked in the Burntollet Bridge incident.

In 1971 Price and her sister join the Provisional Irish Republican Army (IRA). In 1972 she joins an elite group within the IRA called “The Unknowns” commanded by Pat McClure.  The Unknowns are tasked with various secretive activities and transport several accused traitors across the border into the Republic of Ireland where they are “disappeared.” She personally states that she had driven Joe Lynskey across the border to face trial. In addition, she states that she, Pat McClure and a third Unknown were tasked with killing Jean McConville, with the third Unknown actually shooting her.

Price leads the car bombing attacks in London on March 8, 1973, which injure over 200 people and is believed to have contributed to the death of one person who suffers a fatal heart attack. The two sisters are arrested, along with Gerry Kelly, Hugh Feeney and six others, on the day of the bombing as they are boarding a flight to Ireland. They are tried and convicted at the Great Hall in Winchester Castle on November 14, 1973. Although originally sentenced to life imprisonment, which is to run concurrently for each criminal charge, their sentence is eventually reduced to 20 years. She serves seven years for her part in the bombing. She immediately goes on a hunger strike demanding to be moved to a prison in Northern Ireland. The hunger strike lasts for 208 days because the hunger strikers are force-fed by prison authorities to keep them alive.

On the back of the hunger-striking campaign, Price’s father contests Belfast West at the February 1974 United Kingdom general election, receiving 5,662 votes (11.9%). The Price sisters, Hugh Feeney, and Gerry Kelly are moved to Northern Ireland prisons in 1975 as a result of an IRA truce. In 1980 she receives the royal prerogative of mercy and is freed on humanitarian grounds in 1981, purportedly suffering from anorexia nervosa due to the invasive trauma of daily force feedings.

After her release in 1980, Price marries Irish actor Stephen Rea, with whom she has two sons, Danny and Oscar. They divorce in 2003.

The Price sisters remain active politically. In the late 1990s, Price and her sister claim that they have been threatened by their former colleagues in the IRA and Sinn Féin for publicly opposing the Good Friday Agreement (i.e. the cessation of the IRA’s military campaign). she is a contributor to The Blanket, an online journal, edited by former Provisional IRA member Anthony McIntyre, until it ceases publication in 2008.

In 2001, Price is arrested in Dublin and charged with possession of stolen prescription pads and forged prescriptions. She pleads guilty and is fined £200 and ordered to attend Alcoholics Anonymous meetings.

In February 2010, it is reported by The Irish News that Price had offered help to the Independent Commission for the Location of Victims’ Remains in locating graves of three men, Joe Lynskey, Seamus Wright, and Kevin McKee. The bodies of Wright and McKee are recovered from a singular grave in County Meath in August 2015. It is unclear if Price played a role in their recovery. The remains of Joe Lynskey have not been recovered as of April 2021.

Price is the subject of the 2018 feature-length documentary I, Dolours in which she gives an extensive filmed interview.

In 2010, Price claims Gerry Adams had been her officer commanding (OC) when she was active in the IRA. Adams, who has always denied being a member of the IRA, denies her allegation. She admits taking part in the murder of Jean McConville, as part of an IRA action in 1972. She claims the murder of McConville, a mother of ten, was ordered by Adams when he was an IRA leader in West Belfast. Adams subsequently publicly further denies Price’s allegations, stating that the reason for them is that she is opposed to the Provisional Irish Republican Army’s abandonment of paramilitary warfare in favour of politics in 1994, in the facilitation of which Adams has been a key figure.

Oral historians at Boston College interview both Price and her fellow IRA paramilitary Brendan Hughes between 2001 and 2006. The two give detailed interviews for the historical record of the activities in the IRA, which are recorded on condition that the content of the interviews is not to be released during their lifetimes. Prior to her death in May 2011, the Police Service of Northern Ireland (PSNI) subpoena the material, possibly as part of an investigation into the disappearance of a number of people in Northern Ireland during the 1970s. In June 2011, the college files a motion to quash the subpoena. A spokesman for the college states that “our position is that the premature release of the tapes could threaten the safety of the participants, the enterprise of oral history, and the ongoing peace and reconciliation process in Northern Ireland.” In June 2011, U.S. federal prosecutors ask a judge to require the college to release the tapes to comply with treaty obligations with the United Kingdom. On July 6, 2012, the United States Court of Appeals for the First Circuit agrees with the government’s position that the subpoena should stand. On October 17, 2012, the Supreme Court of the United States temporarily blocks the college from handing over the interview tapes. In April 2013, after Price’s death, the Supreme Court turns away an appeal that seeks to keep the interviews from being supplied to the PSNI. The order leaves in place a lower court ruling that orders Boston College to give the Justice Department portions of recorded interviews with Price. Federal officials want to forward the recordings to police investigating the murder of Jean McConville.

Price dies in her Malahide, County Dublin, home on January 23, 2013, from a toxic effect of mixing prescribed sedative and anti-depressant medication. Her body is found the following day. The inquest returns a verdict of death by misadventure. She is buried at Milltown Cemetery in West Belfast.


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Death of Elizabeth Burke-Plunkett, Countess of Fingall

The Rt. Hon. Elizabeth Mary Margaret Burke-Plunkett, Countess of Fingall, dies in Dublin on October 28, 1944.

Burke is born in Moycullen, County Galway, a daughter of George Edmond Burke of Danesfield and his wife Theresa Quin. She becomes an activist in Irish industrial, charitable and cultural groups, serving as second president of the Camogie Association and first president of the Irish Countrywomen’s Association. She is also a noted literary hostess, whose salon at Earlsfort House is a centre of Dublin intellectual life for many years.

In 1883, Burke marries Arthur James Francis Plunkett, 11th Earl of Fingall, 4th Baron Fingall (1859–1929), state steward to the administration in Dublin Castle and one of the few Catholics to hold an Irish peerage, thus becoming Countess of Fingall.

Burke-Plunkett befriends unionists such as Field Marshal Douglas Haig, 1st Earl Haig, and Chief Secretary for Ireland George Wyndham and also nationalist leaders such as Charles Stewart Parnell, Michael Collins and Éamon de Valera, as well as activists like the cooperative pioneer Sir Horace Plunkett. Her colourful memoir of those circles is published in 1937. She establishes a famous literary salon and for many years she is “at home” every Thursday at Earlsfort House to the leading figures in Dublin intellectual circles. Her main rival as a literary hostess is the artist Sarah Purser, who is “at home” every Tuesday.

A friendship with Máire Ní Chinnéide, forged through theatrical circles, leads to Burke-Plunkett accepting the patronage of Camogie Association of Ireland from 1910 to 1923. She also presents a cup and medals for the winners of the Dublin League. She serves largely in an honorary role, attending a few meetings of what is then known as Cualacht Luithchleas na mBan Gaedheal.

A liberal unionist, Burke-Plunkett becomes active in the promotion of Irish agriculture, industry and culture. She is a founder member of Horace Plunkett’s Irish co-operative movement, is the first president of the Society of United Irishwomen from 1912 to 1921, and of its successor, the Irish Countrywomen’s Association until 1942. She presides at suffragette meetings in Dublin, is a founder of the Irish Distressed Ladies Committee, and serves on the board of the Irish Industries Association. She is also the chairperson of the Irish Central Committee for the Employment of Women.

Burke-Plunkett dies on October 28, 1944, at Earlsfort House, her Dublin home, where she had held her famous Thursdays “at home” for many years. She is buried on the grounds of Killeen Castle, County Meath, following a Requiem Mass at University Church in Dublin.


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Birth of Irish Writer Gabriel Rosenstock

Gabriel Rosenstock, Irish writer who works chiefly in the Irish language, is born in Kilfinane, County Limerick, on September 29, 1949. A member of Aosdána, he is poet, playwright, haikuist, tankaist, essayist, and author/translator of over 180 books, mostly in Irish.

Rosenstock’s father, George, is a doctor and writer from Schleswig-Holstein, Germany, who serves as a medical officer with the Wehrmacht in World War II. His mother is a nurse from County Galway. He is the third of six children and the first born in Ireland. He is educated locally in Kilfinane, then in Mount Sackville, County Dublin.

Rosenstock exhibits an early interest in anarchism and is expelled from Gormanston College in County Meath and exiled to Rockwell College near Cashel, County Tipperary. Later, he attends University College Cork (UCC).

Rosenstock works for some time on the television series Anois is Arís on RTÉ, then on the weekly newspaper Anois. Until his retirement he works with An Gúm, the publications branch of Foras na Gaeilge, the North-South body which promotes the Irish language.

Although he has worked in prose, drama and translation, Rosenstock is primarily known as a poet. He has written or translated over 180 books.

Rosenstock has edited and contributed to books of haiku in Irish, English, Scots and Japanese. He is a prolific translator into Irish of international poetry (among others Ko Un, Seamus Heaney, K. Satchidanandan, Rabindranath Tagore, Muhammad Iqbal, Hilde Domin, Peter Huchel), plays (Samuel Beckett, Max Frisch, W. B. Yeats) and songs (Bob Dylan, Kate Bush, The Pogues, Leonard Cohen, Bob Marley, Van Morrison, Joni Mitchell). He also has singable Irish translations of Lieder and other art songs. His being named as Lineage Holder of Celtic Buddhism inspires the latest title in a rich output of haiku collections: Antlered Stag of Dawn (Onslaught Press, Oxford, 2015), haiku in Irish and English with translations into Japanese and Scots Lallans.

Rosenstock also writes for children, in prose and verse. Haiku Más É Do Thoil É! (An Gúm) wins the Children’s Books Judges’ Special Prize in 2015.

Rosenstock appears in the anthology Best European Fiction 2012, edited by Aleksandar Hemon, with a preface by Nicole Krauss (Dalkey Archive Press). He gives the keynote address to Haiku Canada in 2015.

Rosenstock has worked with American photographer Ron Rosenstock, Indian Photographer Debiprasad Mukherjee, Greek photographer Kon Markogiannis, Dublin photographer Jason Symes, French photographer Jean-Pierre Favreau and many more to create the new guise of a photo-haiku (or a haiga) – the interplay of visual aesthetic and literature.

Rosenstock currently resides in Dublin. His son, Tristan, is a member of the Irish traditional music quintet Téada, and impressionist/actor Mario Rosenstock is his nephew.


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Birth of John O’Callaghan, Musician & Disc Jockey

John O’Callaghan, Irish musician and disc jockey who mainly produces trance music, is born in Navan, County Meath, on September 24, 1981. He also produces music under the aliases of Joint Operations Centre, Mannix, Henrik Zuberstein, and Stenna.

O’Callaghan has collaborated with fellow Discover Recordings artists such as Bryan Kearney, Neal Scarborough (as Inertia), Thomas Bronzwaer (as Lost World), and Greg Downey as well as, more recently, trance hero Leon Bolier. His best-known tracks are “Exactly” with Bryan Kearney, “Big Sky”, in collaboration with vocalist Audrey Gallagher of the alternative metal band Scheer, and “Find Yourself” (featuring Sarah Howells). He has received remixes by trance artists such as The Thrillseekers, Sean Tyas, Gareth Emery, Cosmic Gate, Markus Schulz and Indecent Noise. He has also worked with Heatbeat and Aly & Fila.

O’Callaghan formerly has the majority of his work released on Discover Recordings, the British record label set up by John Askew. Later, his work is released by Armada Music and its sublabels — primarily on Armind and Soundpiercing. The remix of his vocal trance production “Big Sky” by Agnelli & Nelson is voted “Tune of The Year” by listeners of Armin van Buuren‘s A State of Trance radio show in 2007.

In 2008, O’Callaghan enters the DJ Magazine 100 at number 60 and picks up two awards at the Irish Dance Music Awards, winning Best Producer and Best DJ. He also becomes the first Irishman to play Trance Energy. In 2009, he rises 36 places to 24th in the DJ Magazine 100.

In addition to numerous single releases, O’Callaghan has released a live album (Discover “Live As” Volume 2) and two artist albums, Something To Live For and Never Fade Away.

Never Fade Away is released in 2009 on the Armada Music label shortly following the single release of “Find Yourself.” “Find Yourself” is tipped a future favorite on A State of Trance. The track receives recognition from many DJs, including Armin van Buuren, Tiësto, Judge Jules, Matt Hardwick and Gareth Emery. The track also receives a remix from Cosmic Gate, which makes a lot of headway in many DJs’ set lists following its release. He also releases another single from the album, “Surreal,” which includes vocals from an artist known as Jaren. In 2010, O’Callaghan starts his very own sublabel on Black Hole Recordings called Subculture.


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Death of Katherine Conolly, Hostess, Landowner & Philanthropist

Katherine Conolly, Irish political hostess, landowner, and philanthropist, dies at Castletown House, Celbridge, County Kildare, on September 23, 1752.

Katherine Conolly is born Katherine Conyngham around 1662. Her parents are Sir Albert Conyngham and Margaret (née Leslie). She is the eldest of their ten children, with one of her brother’s being Henry Conyngham. Her maternal grandfather is Henry Leslie. She marries William Conolly in 1694, Speaker of the Irish House of Commons (1715-29) and purported to be the wealthiest man in Ireland. The marriage is likely to have been a love match. The couple uses her dowry of £2,300 to purchase their first estates in County Meath. Through her connections, her husband is able to ally himself with the influential Protestant families such as the Gores, Montgomerys and Leslies. She becomes known as a political hostess, gaining a mention in a ballad detailing the 1723 Westmeath by-election.

Upon the death of her husband in 1729, Connolly inherits estates in Wales, as well as in counties Meath, Roscommon, Westmeath and Kildare. She continues to be influential in Irish public affairs, being asked for her opinions and counsel. Living on Capel Street, Dublin, and at Castletown House, County Kildare, she entertains a large circle of friends. She carries on her husband’s plan to build the residential Collegiate School, Celbridge, built from 1733 to 1737, then supports the school with £50 each year. She commissions a monument in her husband’s memory by Thomas Carter, in Kildrought Church, Celbridge. She also commissions Conolly’s Folly in 1740 and The Wonderful Barn in 1743 to generate employment in the area.

Connolly dies in Castletown House on September 23, 1752. A portrait of her by Charles Jervas still hangs there. Upon hearing of her death, Mary Delany notes that her death “is a general loss. Her table was open to all her friends of all ranks and her purse to the poor … she was clever at business, and wrote all her own letters … she was a plain and vulgar woman in her manner but had very valuable qualities.”

(Pictured: Reclining statue of Katherine Conolly by Thomas Carter, at Castletown House, Celbridge, County Kildare)


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Birth of Edward Plunkett, 18th Baron of Dunsany

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany FRSL, Anglo-Irish writer and dramatist, is born in London, England, on July 24, 1878. Over 90 volumes of fiction, essays, poems and plays appear in his lifetime, and a modest amount of material is published posthumously.

Plunkett, known to his family as “Eddie,” is the first son of John William Plunkett, 17th Baron of Dunsany (1853–1899), and his wife, Ernle Elizabeth Louisa Maria Grosvenor Ernle-Erle-Drax (née Burton) (1855–1916). From a historically wealthy and famous family, he is related to many well-known Irish figures. He is a kinsman of the Catholic Saint Oliver Plunkett, the martyred Archbishop of Armagh. He is also related to the prominent Anglo-Irish unionist and later nationalist Home Rule politician Sir Horace Plunkett and George Noble Plunkett, Papal Count and Republican politician, father of Joseph Plunkett, executed for his part in the 1916 Easter Rising.

Plunkett’s only grown sibling, a younger brother, from whom he is estranged from about 1916, for reasons not fully clear but connected to his mother’s will, is the noted British naval officer Sir Reginald Drax. Another younger brother dies in infancy.

Plunkett grows up at the family properties, notably, Dunstall Priory in Shoreham, Kent, and Dunsany Castle in County Meath, but also in family homes such as in London. His schooling is at Cheam School, Eton College and the Royal Military College, Sandhurst, which he enters in 1896.

The title passes to Plunkett at his father’s death in 1899 at a fairly young age. The young Lord Dunsany returns to Dunsany Castle in 1901 after war duty. In that year he is also confirmed as an elector for the Representative Peers for Ireland in the House of Lords.

In 1903, Plunkett meets Lady Beatrice Child Villiers (1880–1970), youngest daughter of Victor Child Villiers, 7th Earl of Jersey, who is then living at Osterley Park. They marry in 1904. Their one child, Randal, is born in 1906. Lady Beatrice is supportive of her husband’s interests and helps him by typing his manuscripts, selecting work for his collections, including the 1954 retrospective short story collection, and overseeing his literary heritage after his death.

The Plunketts are socially active in Dublin and London and travel between homes in Meath, London and Kent, other than during the First and Second World Wars and the Irish War of Independence. He circulates with many literary figures of the time. To many of these in Ireland he is first introduced by his uncle, the co-operative pioneer Sir Horace Plunkett, who also helps to manage his estate and investments for a time. He is friendly, for example, with George William Russell, Oliver St. John Gogarty, and for a time, W. B. Yeats. He also socialises at times with George Bernard Shaw and H. G. Wells and is a friend of Rudyard Kipling.

In 1910 Plunkett commissions a two-story extension to Dunsany Castle, with a billiard room, bedrooms and other facilities. The billiard room includes the crests of all the Lords Dunsany up to the 18th.

Plunkett serves as a second lieutenant in the Coldstream Guards in the Second Boer War. Volunteering in World War I and appointed Captain in the Royal Inniskilling Fusiliers, he is stationed for a time at Ebrington Barracks in Derry, Northern Ireland. Hearing while on leave of disturbances in Dublin during the Easter Rising of 1916, he drives in to offer help and is wounded by a bullet lodged in his skull. After recovery at Jervis Street Hospital and what is then the King George V Hospital (now St. Bricin’s Military Hospital), he returns to duty. His military belt is lost in the episode and later used at the burial of Michael Collins. Having been refused forward positioning in 1916 and listed as valuable as a trainer, he serves in the later war stages in the trenches and in the final period writing propaganda material for the War Office with MI7b. There is a book at Dunsany Castle with wartime photographs, on which lost members of his command are marked.

During the Irish War of Independence, Plunkett is charged with violating the Restoration of Order in Ireland Act 1920, tried by court-martial on February 4, 1921, convicted, and sentenced to pay a fine of 25 pounds or serve three months in prison without labour. The Crown Forces had searched Dunsany Castle and had found two double-barrelled shotguns, two rook rifles, four Very pistols, an automatic pistol and a large quantity of pistol ammunition, along with shotgun and rifle ammunition.

During World War II, Plunkett signs up for the Irish Army Reserve and the British Home Guard, the two countries’ local defence forces, and is especially active in Shoreham, Kent, the English village bombed most during the Battle of Britain.

Plunkett’s fame arises chiefly from his prolific writings. He is involved in the Irish Literary Revival. Supporting the Revival, he is a major donor to the Abbey Theatre, and he moves in Irish literary circles. He is well acquainted with W. B. Yeats, Lady Gregory, Percy French, George “AE” Russell, Oliver St. John Gogarty, Padraic Colum and others. He befriends and supports Francis Ledwidge, to whom he gives the use of his library, and Mary Lavin.

Plunkett makes his first literary tour to the United States in 1919 and further such visits up to the 1950s, in the early years mostly to the eastern seaboard and later, notably, to California. His own work and contribution to the Irish literary heritage are recognised with an honorary degree from Trinity College Dublin.

In 1940, Plunkett is appointed Byron Professor of English in the University of Athens in Greece. Having reached Athens by a circuitous route, he is so successful that he is offered a post as Professor of English in Istanbul. However, he has to be evacuated due to the German invasion of Greece in April 1941, returning home by an even more complex route, his travels forming a basis for a long poem published in book form (A Journey, in 5 cantos: The Battle of Britain, The Battle of Greece, The Battle of the Mediterranean, Battles Long Ago, The Battle of the Atlantic, special edition January 1944). Olivia Manning‘s character Lord Pinkrose in her novel sequence the Fortunes of War is a mocking portrait of Dunsany in that period.

In 1947, Plunkett transfers his Meath estate in trust to his son and heir and settles in Kent at his Shoreham house, Dunstall Priory, not far from the home of Rudyard Kipling. He visits Ireland only occasionally thereafter and engages actively in life in Shoreham and London. He also begins a new series of visits to the United States, notably California, as recounted in Hazel Littlefield-Smith’s biographical Dunsany, King of Dreams.

In 1957, Plunkett becomes ill while dining with the Earl and Countess of Fingall at Dunsany, in what proves to be an attack of appendicitis. He dies in hospital in Dublin, at the age of 79, on October 25, 1957. He is buried in the churchyard of the ancient church of St. Peter and St. Paul, Shoreham, Kent. His funeral is attended by many family members, representatives of his old regiment and various bodies in which he had taken an interest, and figures from Shoreham. A memorial service is held at Kilmessan in County Meath, with a reading of “Crossing the Bar,” which coincides with the passing of a flock of geese.

Beatrice survives Plunkett, living mainly at Shoreham and overseeing his literary legacy until her death in 1970. Their son Randal succeeds to the barony and is in turn succeeded by his grandson, the artist Edward Plunkett. Plunkett’s literary rights pass from Beatrice to Edward.


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Death of James Duffy, Author & Publisher

James Duffy, prominent Irish author and publisher, dies at his home at Clontarf, Dublin, on July 4, 1871.

Duffy is born in 1809 probably in County Cavan, at either Shercock or Kingscourt, and is educated locally at a hedge school. He has at least two brothers and two sisters. He first makes a living as a pedlar in County Cavan and County Meath, dealing with Bryan Geraghty, a bookseller in Anglesea Street, Dublin, with whom he exchanges Irish manuscripts for Catholic prayer books. He also buys up Bibles distributed in Ireland by Protestant missionaries for resale in Great Britain. When aged about thirty he sets up in business in Anglesea Street as a publisher, printer and bookseller, specialising in low-priced Catholic books, such as A pocket missal for the use of the laity (1838) and a new edition of the Catechism (1848) by Andrew Donlevy, made possible by the invention of the stereotype. He moves his business to Wellington Quay in 1846. He also prints and distributes public statements by Catholic prelates, and is able to call himself “bookseller to the cardinal archbishop of Dublin.”

At the request of the editor of The Nation, Charles Gavan Duffy (to whom he is not related), he republishes an anthology of nationalistic ballads, The spirit of the nation (1843; 59th ed., 1934), a successful venture that links him to the Young Ireland movement and expands into the publication of numerous popular historical writings, beginning with Gavan Duffy’s Library of Ireland series. He publishes several periodicals for Catholic readers, which combine pietism and patriotism with hagiography: Duffy’s Irish Catholic Magazine (1847–8), Duffy’s Fireside Magazine (1850–54), and Duffy’s Hibernian Magazine (1860–64).

Judged by the distinction of his authors (who include William Carleton, Thomas Davis, John Mitchel, James Clarence Mangan and Richard Robert Madden, the number and popularity of his productions, and their formative influence on Catholic popular opinion, he can be considered the most important Irish publisher in the middle decades of the nineteenth century. He is particularly significant in providing the Young Ireland movement with a cheap and reliable publisher for the dissemination of their writings. Charles Gavan Duffy describes him as “a man of shrewd sense and sly humour but without cultivation or judgment in literature.” He never takes a holiday and, though a kindly employer, never allows his staff to take holidays. The Irish American newspaper Irish American Weekly credits him with providing employment for 500 people and with having bought enough land to give him an income of £5,000 a year. It also notes that his ruthlessness had made him unpopular within his trade.

In 1840 Duffy marries Frances Lynch in Kingscourt, County Cavan. They have five sons and five daughters. The family susceptibility to pulmonary illnesses takes a dreadful toll: none of the sons live beyond the age of twenty-three, three dying from tuberculosis, while one of his daughters dies of pneumonia at the age of fourteen and another two daughters succumb as relatively young adults to tuberculosis.

Duffy dies at the age of 62 on July 4, 1871, at his home at Clontarf, Dublin. He is buried at Glasnevin Cemetery. His will, which disposes of an estate worth almost £25,000, is contested unsuccessfully in court by the younger of his two surviving sons. His son-in-law, Edmund Burke, becomes managing director of James Duffy and Company Limited, but after his death in 1901 the company passes out of the control of its founder’s family.

(From: “Duffy, James” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Máire Nic Shiubhlaigh, Actress & Republican Activist

Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.

Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.

Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.

In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.

Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.

In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.

Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.

At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.

Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.

Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.

Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.

Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.

On July 23, 1966, a plaque bearing Nic Shiubhlaigh’s name is unveiled at the Abbey Theatre by the Taoiseach, Seán Lemass. The others named on the plaque are Ellen Bushell, Sean Connolly, Helena Molony, Arthur Shields, Peadar Kearney and Barney Murphy.

(Pictured: 1904 portrait of Máire Nic Shiubhlaigh, as painted by John Butler Yeats)


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Death of Frank O’Connor, Poet & Novelist

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, dies of a heart attack in Dublin on March 10, 1966. The Frank O’Connor International Short Story Award is named in his honour.

O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army (IRA) and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork city. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Death of Richard Pigott, Journalist, Newspaper Owner & Forger

Richard Pigott, Irish journalist, newspaper owner, and forger, best known for his forging of evidence that Charles Stewart Parnell of the Irish National Land League had been sympathetic to the perpetrators of the Phoenix Park Murders, dies of an apparent self-inflicted gunshot wound on March 1, 1889, in Madrid, Spain.

Pigott is born in Ratoath, County Meath, in 1835, the son of George Pigott of Ratoath, and his wife, a woman from Roscommon. As a young man he supports Irish nationalism and works on the publications The Nation and The Tablet before acting as manager of The Irishman, a newspaper founded by Denis Holland. James O’Connor later claims Pigott embezzled funds from The Irishman and covered his tracks by not keeping written records. He also works for the Irish National Land League, departing in 1883 after accusing its treasurer, Mr. Fagan, of being unable to account for £100,000 (equivalent to £10,700,000 in 2021) of its funds and for keeping inadequate records. Nothing is done about his accusation, and he turns against the League, which is allied to the Irish Parliamentary Party (IPP) led by the League’s president, Charles Stewart Parnell.

In 1879 Pigott is proprietor of three newspapers, which he soon sells to the League. Hitherto a zealous nationalist, from 1884 onwards he vilifies his former associates and sells information to their political opponents. In an effort to destroy Parnell’s career, he forges several letters which purport that Parnell had supported the perpetrators of the Phoenix Park murders of 1882.

The Times purchases Pigott’s forgeries for £1,780 (equivalent to £211,000 in 2021) and publishes the most damning letter on April 18, 1887. Parnell immediately denounces it as “a villainous and barefaced forgery.” In February 1889, the Parnell Commission vindicates him by proving that the letters are fake. They included misspellings (specifically ‘hesitency [sic]’) which Pigott had written elsewhere. A libel action instituted by Parnell also vindicates him, and his parliamentary career survives the Pigott accusations.

The Commission eventually produces thirty-seven volumes of evidence, covering not just the forgeries but also the surrounding violence that follows from the Plan of Campaign.

After admitting his forgeries to Henry Labouchère, Pigott flees to Spain and apparently shoots himself on March 1, 1889, in a hotel room in Madrid, a city in which O’Shea has a network of connections, and Pigott himself apparently has none. Parnell then sues The Times for libel, and the newspaper pays him £5,000 (equivalent to £588,000 in 2021) in an out-of-court settlement, as well as considerably more in legal fees. When Parnell next enters the House of Commons, he receives a hero’s reception from his fellow Members of Parliament.

(Pictured: Pigott as caricatured by Spy (Leslie Ward) in Vanity Fair, March 1889)