John O’Callaghan, Irish musician and disc jockey who mainly produces trance music, is born in Navan, County Meath, on September 24, 1981. He also produces music under the aliases of Joint Operations Centre, Mannix, Henrik Zuberstein, and Stenna.
O’Callaghan has collaborated with fellow Discover Recordings artists such as Bryan Kearney, Neal Scarborough (as Inertia), Thomas Bronzwaer (as Lost World), and Greg Downey as well as, more recently, trance hero Leon Bolier. His best-known tracks are “Exactly” with Bryan Kearney, “Big Sky”, in collaboration with vocalist Audrey Gallagher of the alternative metal band Scheer, and “Find Yourself” (featuring Sarah Howells). He has received remixes by trance artists such as The Thrillseekers, Sean Tyas, Gareth Emery, Cosmic Gate, Markus Schulz and Indecent Noise. He has also worked with Heatbeat and Aly & Fila.
O’Callaghan formerly has the majority of his work released on Discover Recordings, the British record label set up by John Askew. Later, his work is released by Armada Music and its sublabels — primarily on Armind and Soundpiercing. The remix of his vocal trance production “Big Sky” by Agnelli & Nelson is voted “Tune of The Year” by listeners of Armin van Buuren‘s A State of Trance radio show in 2007.
In 2008, O’Callaghan enters the DJ Magazine 100 at number 60 and picks up two awards at the Irish Dance Music Awards, winning Best Producer and Best DJ. He also becomes the first Irishman to play Trance Energy. In 2009, he rises 36 places to 24th in the DJ Magazine 100.
In addition to numerous single releases, O’Callaghan has released a live album (Discover “Live As” Volume 2) and two artist albums, Something To Live For and Never Fade Away.
Never Fade Away is released in 2009 on the Armada Music label shortly following the single release of “Find Yourself.” “Find Yourself” is tipped a future favorite on A State of Trance. The track receives recognition from many DJs, including Armin van Buuren, Tiësto, Judge Jules, Matt Hardwick and Gareth Emery. The track also receives a remix from Cosmic Gate, which makes a lot of headway in many DJs’ set lists following its release. He also releases another single from the album, “Surreal,” which includes vocals from an artist known as Jaren. In 2010, O’Callaghan starts his very own sublabel on Black Hole Recordings called Subculture.
Katherine Conolly is born Katherine Conyngham around 1662. Her parents are Sir Albert Conyngham and Margaret (née Leslie). She is the eldest of their ten children, with one of her brother’s being Henry Conyngham. Her maternal grandfather is Henry Leslie. She marries William Conolly in 1694, Speaker of the Irish House of Commons (1715-29) and purported to be the wealthiest man in Ireland. The marriage is likely to have been a love match. The couple uses her dowry of £2,300 to purchase their first estates in County Meath. Through her connections, her husband is able to ally himself with the influential Protestant families such as the Gores, Montgomerys and Leslies. She becomes known as a political hostess, gaining a mention in a ballad detailing the 1723 Westmeath by-election.
Upon the death of her husband in 1729, Connolly inherits estates in Wales, as well as in counties Meath, Roscommon, Westmeath and Kildare. She continues to be influential in Irish public affairs, being asked for her opinions and counsel. Living on Capel Street, Dublin, and at Castletown House, County Kildare, she entertains a large circle of friends. She carries on her husband’s plan to build the residential Collegiate School, Celbridge, built from 1733 to 1737, then supports the school with £50 each year. She commissions a monument in her husband’s memory by Thomas Carter, in Kildrought Church, Celbridge. She also commissions Conolly’s Folly in 1740 and The Wonderful Barn in 1743 to generate employment in the area.
Connolly dies in Castletown House on September 23, 1752. A portrait of her by Charles Jervas still hangs there. Upon hearing of her death, Mary Delany notes that her death “is a general loss. Her table was open to all her friends of all ranks and her purse to the poor … she was clever at business, and wrote all her own letters … she was a plain and vulgar woman in her manner but had very valuable qualities.”
(Pictured: Reclining statue of Katherine Conolly by Thomas Carter, at Castletown House, Celbridge, County Kildare)
Plunkett’s only grown sibling, a younger brother, from whom he is estranged from about 1916, for reasons not fully clear but connected to his mother’s will, is the noted British naval officer Sir Reginald Drax. Another younger brother dies in infancy.
The title passes to Plunkett at his father’s death in 1899 at a fairly young age. The young Lord Dunsany returns to Dunsany Castle in 1901 after war duty. In that year he is also confirmed as an elector for the Representative Peers for Ireland in the House of Lords.
In 1903, Plunkett meets Lady Beatrice Child Villiers (1880–1970), youngest daughter of Victor Child Villiers, 7th Earl of Jersey, who is then living at Osterley Park. They marry in 1904. Their one child, Randal, is born in 1906. Lady Beatrice is supportive of her husband’s interests and helps him by typing his manuscripts, selecting work for his collections, including the 1954 retrospective short story collection, and overseeing his literary heritage after his death.
The Plunketts are socially active in Dublin and London and travel between homes in Meath, London and Kent, other than during the First and Second World Wars and the Irish War of Independence. He circulates with many literary figures of the time. To many of these in Ireland he is first introduced by his uncle, the co-operative pioneer Sir Horace Plunkett, who also helps to manage his estate and investments for a time. He is friendly, for example, with George William Russell, Oliver St. John Gogarty, and for a time, W. B. Yeats. He also socialises at times with George Bernard Shaw and H. G. Wells and is a friend of Rudyard Kipling.
In 1910 Plunkett commissions a two-story extension to Dunsany Castle, with a billiard room, bedrooms and other facilities. The billiard room includes the crests of all the Lords Dunsany up to the 18th.
Plunkett serves as a second lieutenant in the Coldstream Guards in the Second Boer War. Volunteering in World War I and appointed Captain in the Royal Inniskilling Fusiliers, he is stationed for a time at Ebrington Barracks in Derry, Northern Ireland. Hearing while on leave of disturbances in Dublin during the Easter Rising of 1916, he drives in to offer help and is wounded by a bullet lodged in his skull. After recovery at Jervis Street Hospital and what is then the King George V Hospital (now St. Bricin’s Military Hospital), he returns to duty. His military belt is lost in the episode and later used at the burial of Michael Collins. Having been refused forward positioning in 1916 and listed as valuable as a trainer, he serves in the later war stages in the trenches and in the final period writing propaganda material for the War Office with MI7b. There is a book at Dunsany Castle with wartime photographs, on which lost members of his command are marked.
During the Irish War of Independence, Plunkett is charged with violating the Restoration of Order in Ireland Act 1920, tried by court-martial on February 4, 1921, convicted, and sentenced to pay a fine of 25 pounds or serve three months in prison without labour. The Crown Forces had searched Dunsany Castle and had found two double-barrelled shotguns, two rook rifles, four Very pistols, an automatic pistol and a large quantity of pistol ammunition, along with shotgun and rifle ammunition.
During World War II, Plunkett signs up for the Irish Army Reserve and the British Home Guard, the two countries’ local defence forces, and is especially active in Shoreham, Kent, the English village bombed most during the Battle of Britain.
Plunkett’s fame arises chiefly from his prolific writings. He is involved in the Irish Literary Revival. Supporting the Revival, he is a major donor to the Abbey Theatre, and he moves in Irish literary circles. He is well acquainted with W. B. Yeats, Lady Gregory, Percy French, George “AE” Russell, Oliver St. John Gogarty, Padraic Colum and others. He befriends and supports Francis Ledwidge, to whom he gives the use of his library, and Mary Lavin.
Plunkett makes his first literary tour to the United States in 1919 and further such visits up to the 1950s, in the early years mostly to the eastern seaboard and later, notably, to California. His own work and contribution to the Irish literary heritage are recognised with an honorary degree from Trinity College Dublin.
In 1940, Plunkett is appointed Byron Professor of English in the University of Athens in Greece. Having reached Athens by a circuitous route, he is so successful that he is offered a post as Professor of English in Istanbul. However, he has to be evacuated due to the German invasion of Greece in April 1941, returning home by an even more complex route, his travels forming a basis for a long poem published in book form (A Journey, in 5 cantos: The Battle of Britain, The Battle of Greece, The Battle of the Mediterranean, Battles Long Ago, The Battle of the Atlantic, special edition January 1944). Olivia Manning‘s character Lord Pinkrose in her novel sequence the Fortunes of War is a mocking portrait of Dunsany in that period.
In 1947, Plunkett transfers his Meath estate in trust to his son and heir and settles in Kent at his Shoreham house, Dunstall Priory, not far from the home of Rudyard Kipling. He visits Ireland only occasionally thereafter and engages actively in life in Shoreham and London. He also begins a new series of visits to the United States, notably California, as recounted in Hazel Littlefield-Smith’s biographical Dunsany, King of Dreams.
In 1957, Plunkett becomes ill while dining with the Earl and Countess of Fingall at Dunsany, in what proves to be an attack of appendicitis. He dies in hospital in Dublin, at the age of 79, on October 25, 1957. He is buried in the churchyard of the ancient church of St. Peter and St. Paul, Shoreham, Kent. His funeral is attended by many family members, representatives of his old regiment and various bodies in which he had taken an interest, and figures from Shoreham. A memorial service is held at Kilmessan in County Meath, with a reading of “Crossing the Bar,” which coincides with the passing of a flock of geese.
Beatrice survives Plunkett, living mainly at Shoreham and overseeing his literary legacy until her death in 1970. Their son Randal succeeds to the barony and is in turn succeeded by his grandson, the artist Edward Plunkett. Plunkett’s literary rights pass from Beatrice to Edward.
Duffy is born in 1809 probably in County Cavan, at either Shercock or Kingscourt, and is educated locally at a hedge school. He has at least two brothers and two sisters. He first makes a living as a pedlar in County Cavan and County Meath, dealing with Bryan Geraghty, a bookseller in Anglesea Street, Dublin, with whom he exchanges Irish manuscripts for Catholicprayer books. He also buys up Bibles distributed in Ireland by Protestant missionaries for resale in Great Britain. When aged about thirty he sets up in business in Anglesea Street as a publisher, printer and bookseller, specialising in low-priced Catholic books, such as A pocket missal for the use of the laity (1838) and a new edition of the Catechism (1848) by Andrew Donlevy, made possible by the invention of the stereotype. He moves his business to Wellington Quay in 1846. He also prints and distributes public statements by Catholic prelates, and is able to call himself “bookseller to the cardinal archbishop of Dublin.”
At the request of the editor of The Nation, Charles Gavan Duffy (to whom he is not related), he republishes an anthology of nationalistic ballads, The spirit of the nation (1843; 59th ed., 1934), a successful venture that links him to the Young Ireland movement and expands into the publication of numerous popular historical writings, beginning with Gavan Duffy’s Library of Ireland series. He publishes several periodicals for Catholic readers, which combine pietism and patriotism with hagiography: Duffy’s Irish Catholic Magazine (1847–8), Duffy’s Fireside Magazine (1850–54), and Duffy’s Hibernian Magazine (1860–64).
Judged by the distinction of his authors (who include William Carleton, Thomas Davis, John Mitchel, James Clarence Mangan and Richard Robert Madden, the number and popularity of his productions, and their formative influence on Catholic popular opinion, he can be considered the most important Irish publisher in the middle decades of the nineteenth century. He is particularly significant in providing the Young Ireland movement with a cheap and reliable publisher for the dissemination of their writings. Charles Gavan Duffy describes him as “a man of shrewd sense and sly humour but without cultivation or judgment in literature.” He never takes a holiday and, though a kindly employer, never allows his staff to take holidays. The Irish American newspaper Irish American Weekly credits him with providing employment for 500 people and with having bought enough land to give him an income of £5,000 a year. It also notes that his ruthlessness had made him unpopular within his trade.
In 1840 Duffy marries Frances Lynch in Kingscourt, County Cavan. They have five sons and five daughters. The family susceptibility to pulmonary illnesses takes a dreadful toll: none of the sons live beyond the age of twenty-three, three dying from tuberculosis, while one of his daughters dies of pneumonia at the age of fourteen and another two daughters succumb as relatively young adults to tuberculosis.
Duffy dies at the age of 62 on July 4, 1871, at his home at Clontarf, Dublin. He is buried at Glasnevin Cemetery. His will, which disposes of an estate worth almost £25,000, is contested unsuccessfully in court by the younger of his two surviving sons. His son-in-law, Edmund Burke, becomes managing director of James Duffy and Company Limited, but after his death in 1901 the company passes out of the control of its founder’s family.
(From: “Duffy, James” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.
Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.
Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.
In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.
In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.
Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.
In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.
Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.
At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.
Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.
Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.
Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.
Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.
O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.
Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.
In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.
From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.
O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.
Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.
Pigott is born in Ratoath, County Meath, in 1835, the son of George Pigott of Ratoath, and his wife, a woman from Roscommon. As a young man he supports Irish nationalism and works on the publications The Nation and The Tablet before acting as manager of The Irishman, a newspaper founded by Denis Holland. James O’Connor later claims Pigott embezzled funds from The Irishman and covered his tracks by not keeping written records. He also works for the Irish National Land League, departing in 1883 after accusing its treasurer, Mr. Fagan, of being unable to account for £100,000 (equivalent to £10,700,000 in 2021) of its funds and for keeping inadequate records. Nothing is done about his accusation, and he turns against the League, which is allied to the Irish Parliamentary Party (IPP) led by the League’s president, Charles Stewart Parnell.
In 1879 Pigott is proprietor of three newspapers, which he soon sells to the League. Hitherto a zealous nationalist, from 1884 onwards he vilifies his former associates and sells information to their political opponents. In an effort to destroy Parnell’s career, he forges several letters which purport that Parnell had supported the perpetrators of the Phoenix Park murders of 1882.
The Times purchases Pigott’s forgeries for £1,780 (equivalent to £211,000 in 2021) and publishes the most damning letter on April 18, 1887. Parnell immediately denounces it as “a villainous and barefaced forgery.” In February 1889, the Parnell Commission vindicates him by proving that the letters are fake. They included misspellings (specifically ‘hesitency [sic]’) which Pigott had written elsewhere. A libel action instituted by Parnell also vindicates him, and his parliamentary career survives the Pigott accusations.
The Commission eventually produces thirty-seven volumes of evidence, covering not just the forgeries but also the surrounding violence that follows from the Plan of Campaign.
After admitting his forgeries to Henry Labouchère, Pigott flees to Spain and apparently shoots himself on March 1, 1889, in a hotel room in Madrid, a city in which O’Shea has a network of connections, and Pigott himself apparently has none. Parnell then sues The Times for libel, and the newspaper pays him £5,000 (equivalent to £588,000 in 2021) in an out-of-court settlement, as well as considerably more in legal fees. When Parnell next enters the House of Commons, he receives a hero’s reception from his fellow Members of Parliament.
(Pictured: Pigott as caricatured by Spy (Leslie Ward) in Vanity Fair, March 1889)
Mulcahy is born in Manor Street, Waterford, County Waterford, on May 10, 1886, the son of post office clerk Patrick Mulcahy and Elizabeth Slattery. He is educated at Mount Sion Christian Brothers School and later in Thurles, County Tipperary, where his father is the postmaster.
Mulcahy is second-in-command to Thomas Ashe in an encounter with the armed Royal Irish Constabulary (RIC) at Ashbourne, County Meath, during the 1916 Easter Rising, one of the few stand-out victories won by republicans in that week and generally credited to Mulcahy’s grasp of tactics. In his book on the Rising, Charles Townshend principally credits Mulcahy with the defeat of the RIC at Ashbourne, for conceiving and leading a flanking movement on the RIC column that had engaged with the Irish Volunteers. Arrested after the Rising, he is interned at Knutsford and at the Frongoch internment camp in Wales until his release on December 24, 1916.
Mulcahy and Michael Collins are largely responsible for directing the military campaign against the British during the Irish War of Independence. During this period of upheaval in 1919, he marries Mary Josephine (Min) Ryan, sister of Kate and Phyllis Ryan, the successive wives of Seán T. O’Kelly. Her brother is James Ryan. O’Kelly and Ryan both later serve in Fianna Fáil governments.
Mulcahy supports the Anglo-Irish Treaty of December 1921. Archive film shows that Mulcahy, as Minister of Defence, is the Irish officer who raises the Irish tricolour at the first hand-over of a British barracks to the National Army in January 1922. He is defence minister in the Provisional Government on its creation and succeeds Collins, after the latter’s assassination, as Commander-in-Chief of the Provisional Government’s forces during the subsequent Irish Civil War.
Mulcahy earns notoriety through his order that anti-Treaty activists captured carrying arms are liable for execution. A total of 77 anti-Treaty prisoners are executed by the Provisional Government. He serves as Minister for Defence in the new Free State government from January 1924 until March 1924, but resigns in protest because of the sacking of the Army Council after criticism by the Executive Council over the handling of the “Army Mutiny,” when some National Army War of Independence officers almost revolt after he demobilises many of them at the end of the Irish Civil War. He re-enters the cabinet as Minister for Local Government and Public Health in 1927.
After the resignation of W. T. Cosgrave as Leader of Fine Gael in 1944, Mulcahy becomes party leader while still a member of the Seanad. Thomas F. O’Higgins is parliamentary leader of the party in the Dáil at the time and Leader of the Opposition. Facing his first general election as party leader, Mulcahy draws up a list of 13 young candidates to contest seats for Fine Gael. Of the eight who run, four are elected. He is returned again to the 12th Dáil as a TD for Tipperary at the 1944 Irish general election. While Fine Gael’s decline had been slowed, its future is still in doubt.
Following the 1948 Irish general election Mulcahy is elected for Tipperary South, but the dominant Fianna Fáil party finishes six seats short of a majority. However, it is 37 seats ahead of Fine Gael, and conventional wisdom suggests that Fianna Fáil is the only party that can possibly form a government. Just as negotiations get underway, however, Mulcahy realises that if Fine Gael, the Labour Party, the National Labour Party, Clann na Poblachta and Clann na Talmhan band together, they would have only one seat fewer than Fianna Fáil and, if they can get support from seven independents, they will be able to form a government. He plays a leading role in persuading the other parties to put aside their differences and join forces to consign the then Taoiseach and Fianna Fáil leader Éamon de Valera, to the opposition benches.
Mulcahy initially seems set to become Taoiseach in a coalition government. However, he is not acceptable to Clann na Poblachta’s leader, Seán MacBride. Many Irish republicans had never forgiven him for his role in the Irish Civil War executions carried out under the Cosgrave government in the 1920s. Consequently, MacBride lets it be known that he and his party will not serve under Mulcahy. Without Clann na Poblachta, the other parties would have 57 seats between them — 17 seats short of a majority in the 147-seat Dáil. According to Mulcahy, the suggestion that another person serve as Taoiseach comes from Labour leader William Norton. He steps aside and encourages his party colleague John A. Costello, a former Attorney General of Ireland, to become the parliamentary leader of Fine Gael and the coalition’s candidate for Taoiseach. For the next decade, Costello serves as the party’s parliamentary leader while Mulcahy remained the nominal leader of the party.
Mulcahy goes on to serve as Minister for Education under Costello from 1948 until 1951. Another coalition government comes to power at the 1954 Irish general election, with Mulcahy once again stepping aside to become Minister for Education in the Second Inter-Party Government. The government falls in 1957, but he remains as Fine Gael leader until October 1959. In October the following year, he tells his Tipperary constituents that he does not intend to contest the next election.
Mulcahy dies from natural causes at the age of 85 in Dublin on December 16, 1971. He is buried in Littleton, County Tipperary.
Criostóir Mac Aonghusa, teacher, author, critic, and campaigner for the Irish language, is born on December 13, 1905, in Gort an Ghabhainn, Banagher, King’s County (now County Offaly), son of Francis McGuiness (surname thus on his birth certificate), farmer, and his wife, Rosanna (née Egan). He is educated at La Sainte Foi, Banagher, Reachra national school, Shannonbridge, and Naas CBS. He qualifies as a primary school teacher from De La Salle Training College, Waterford, in 1926 and has the distinction of being the first person to sit all exams through the medium of Irish. He graduates BA at University College Galway (UCG) in 1933 and his further education includes a diploma in Spanish literature from University of Barcelona and an MA on the Irish scholar Tomás Ó Máille.
Mac Aonghusa’s teaching career begins in 1926 when he becomes headmaster on Inis Treabhair, County Galway, spending fourteen months there. Afterwards he transfers to Gort Mór, Rosmuc, County Galway, where he continues teaching until 1962. He remains an active member of Cumann na Múinteoirí Náisiúnta throughout his life. Between 1962 and 1972 he is employed as an ad-hoc examiner at the civil service commission. An active member of Fianna Fáil, he helps to organise the party in County Galway in the 1920s and 1930s and is elected a member of Galway County Council in 1934.
Mac Aonghusa is a prominent advocate of the Irish language and together with his close friend Máirtín Ó Cadhain and another Connemara schoolteacher, Seosamh Mac Mathúna, founds Cumann na Gaeltachta to agitate for the civil rights of the Gaeltacht communities and of Irish speakers in general. He is one of the main campaigners for the establishment of the Rath Carn Gaeltacht in County Meath and forms part of the delegation that meets Éamon de Valera on November 11, 1932, and receives from him a promise to provide land in County Meath for that purpose. The Gaeltacht is established in 1935. Mac Aonghusa continues to support the project throughout his life and is involved in further campaigns relating to the area, including the recognition of Rath Carn’s Gaeltacht status. He is also an active member of Conradh na Gaeilge in the 1940s and is later involved in the campaign for the establishment of an Irish-language television broadcasting service.
Mac Aonghusa is a prolific writer and begins publishing short stories and articles from 1926 onward. His contributions appear in An tÉireannach, An Phoblacht, The Irish Tribune, An Stoc, and Ar Aghaidh. From 1948, he is a regular contributor to Feasta and his essays and reviews on Máirtín Ó Cadhain’s works appear in Comhar. He is a member of several literary organisations, including Cumann na Scríbhneoirí and the Galway Literary Society. His first book, An Cladóir agus scéalta eile, appears in 1952. Between 1963 and 1972 he is a contributor to The Irish Press and works also as a literary journalist. An essay on Pádraic Ó Conaire earns him a prize from Acadamh Liteartha na hÉireann.
Mac Aonghusa speaks a number of European languages including German, Spanish, French, Romanian, and Greek and travels widely throughout Europe. In the early 1970s he lives in Russia, and a collection of essays entitled Ó Rosmuc go Rostov is published in 1972. For health reasons he lives in Málaga, Spain, from the middle of the 1970s until 1987. While there, RTÉ produces a documentary on his life entitled Ó Ros Muc go Malaga.
Mac Aonghusa dies on April 9, 1991, in Portiuncula General Hospital, Ballinasloe, County Galway, and is interred in Clonmacnoise. In 1930 he marries Mairéad Ní Lupain, a nurse from Annaghvane in Connemara, and has four children, Proinsias (1933), Micheál (1937), Róisín (1939), and Máirín (1944). The couple separates in the 1940s. Proinsias follows in his father’s footsteps as a writer and journalist and becomes president of Conradh na Gaeilge and chairman of Bord na Gaeilge.
(From: “Mac Aonghusa, Criostóir” by Lesa Ní Mhunghaile, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
William Conolly, Irish politician, Commissioner of Revenue, lawyer and landowner also known as Speaker Conolly, resigns as Speaker of the Irish House of Commons on October 13, 1729, on grounds of ill health. Sir Ralph Gore is elected unanimously in his place. His name is spelled Conolly rather than the more familiar Connolly, derived ultimately from the Gaelic surname “Ó Conghalaigh.”
Conolly is born on April 9, 1662, in Ballyshannon, County Donegal, the son of an innkeeper, Patrick Conolly. His father is a native of County Monaghan, and a descendant of the Ó Conghalaigh clan of Airgíalla, who settles in County Donegal, embraces the Anglican Church, and has children William, Patrick, Hugh, Phelim and Thady. His father sets aside enough money that he is able to send Conolly to Dublin to study law. He qualifies as an attorney in 1685, aged twenty-three.
Conolly practises as a lawyer in Dublin and in 1694 he marries Katherine Conyngham, daughter of General Sir Albert Conyngham. The Conynghams are an Ulster Scots family who are originally from Mountcharles in County Donegal. The family later settles at Slane Castle in County Meath in the 1780s, where the Conynghams still reside. They have no children, and on Katherine’s death in 1752 the estates are inherited by William James Conolly, his nephew by his brother Patrick.
Conolly makes his fortune from land transfers, following the confiscations by the Crown of lands belonging to supporters of King James II, in the wake of the Glorious Revolution and the accession of William III and Mary II in 1688–91, known as the “Williamite War in Ireland.” About 600,000 Irish acres are confiscated to be sold to pay for the costs of the war, nearly 5% of the land area of Ireland. Conolly is the largest individual buyer, in particular buying 3,300 acres in County Meath that had been assigned to the Earl of Albemarle.
Conolly builds the first winged Palladian house in Ireland, Castletown House in Celbridge, County Kildare, starting in 1722, and specifies that every part of it has to be made from Irish materials. His Dublin townhouse is on Capel Street, then the most fashionable part of the city. He also commissions the former Customs House (now the site of the Clarence Hotel) and the Irish Houses of Parliament, the world’s first building specifically designed as a bicameral parliament.
Conolly is the most important of the “Undertakers,” the managers of Government business in the Irish House of Commons, in the early 18th century. He is associated with the moderate faction of Whigs and is opposed by the Brodrick faction from Cork. He is a Member of Parliament for Donegal Borough from 1692 to 1703 and subsequently for Londonderry County until his death in 1729. In 1703 and 1713, he is also elected for Newtown Limavady and in 1727 for Ballyshannon but chooses each time not to sit.
Conolly is Speaker of the Irish House of Commons and a Commissioner of the Revenue from 1715 to his death in 1729. He is re-elected as Speaker of the House of Commons in the first session of George II‘s parliament and continues to serve until he collapses in the Commons on September 26, 1729. He is eventually persuaded to resign the Speaker’s chair on October 13, and he dies at his house in Capel Street, Dublin, on October 30. He is buried in Celbridge following a spectacular public funeral, which sees the beginnings of the custom of mourners wearing linen scarves to promote the Irish linen industry.
On his death, the Archbishop of Armagh, Hugh Boulter, estimates Conolly’s income in 1729 at £17,000 p.a. His widow Katherine continues to live in style at Castletown until her death in 1752. She builds the Wonderful Barn and the Conolly Folly in the 1740s. Then their estates pass briefly to William’s nephew William junior, and then on to his great-nephew Thomas Conolly M.P., known as “Squire Tom,” who is married to Lady Louisa Conolly.
A pub in Celbridge, The Speaker’s Bar, is named in his memory. There is also a pub in Firhouse, Dublin, called The Speaker Conolly named after him.
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