Connolly travels to Russia on several occasions in 1920 and 1921 and forms a close association with Vladimir Lenin and is hugely influenced by the Soviet leader. He is a delegate to the Second Congress of the Communist International (Comintern) as a delegate of the Industrial Workers of the World (IWW) in June 1920. It is here he meets Lenin at just 19 years of age following an introduction from journalistJohn Reed. According to Connolly, Lenin speaks English with a Rathmines accent which he acquired from his Irish tutor.
Connolly helps form and becomes President of the first Communist Party of Ireland (CPI) in October 1921. He is editor of the CPI newspaper, The Workers’ Republic. He opposes the 1921 Anglo-Irish Treaty between the representatives of the Irish Republic and the British state, and fights in the Irish Civil War on the anti-treaty side. The CPI is the first Irish political party to oppose the Treaty and urges the Irish Republican Army (IRA) to adopt socialist policies to defeat the new Irish Free State government. The CPI is dissolved in 1924 by the Comintern but in 1926, Connolly helps set up a second Marxist party, the Irish Workers’ Party. He is the party leader and editor of its journal, The Hammer and Plough. This party too is dissolved in 1927.
Connolly enters a semi-retirement between the mid-1950s and mid-1960s, but in the late 1960s, he begins a comeback. He is elected as party chairman in 1971 and holds this position until 1978. During his time as chairman, he oversees the expulsion of the Socialist Labour Alliance in 1971, some of whose members go on to form the Socialist Workers Network (SWN), which in turn eventually establishes People Before Profit (PBP).
In 1921, Connolly marries Jessica Maidment, a socialist activist in England and chartered accountant, who from 1928 works for Russian Oil Products in Dublin. She dies in 1930 from blood poisoning arising from an operation. He is survived by his second wife, Peggy, whom he marries in 1937, sons, and daughters. His recreations include chess and bridge; highly adept at both, he learns the former from Seán Mac Diarmada as prisoners after the Easter rising and is international bridge correspondent for the Irish Independent.
(Pictured: Roddy Connolly during an interview conducted for the RTÉ Television project “Portraits 1916” on January 9, 1966)
John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.
Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.
Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.
By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.
As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.
His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.
Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).
During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.
Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Dowling is born in Kimmage, Dublin, on September 7, 1929, the sixth of four sons and three daughters of William Dowling, a ship’s captain, and his wife Mary (née Kelly). His father is violent toward the family and leaves when he is a toddler. Helped by money provided by a priest, the Dowlings move in 1934 from the basement of his maternal uncle’s flat in Merrion Square, Dublin, to a house in Mount Merrion, County Dublin. In 1942, financial necessity forces the family’s move to a smaller residence in Marlborough Road, Donnybrook, Dublin.
Dowling is educated at St. Mary’s College in Rathmines, Dublin, having previously attended KilmacudNational School and CBS Dún Laoghaire, both in County Dublin. He is a bright student, but with his fees in arrears, the dean of studies induces him to leave school early in September 1945 for a clerkship with the Standard Life Assurance Company. A few years later, he finds his vocation when he accompanies a girlfriend to the academy of acting run by Brendan Smith. He signs up in 1948 for a two-year course during which he performs in and stage-manages academy plays and stage-manages for Smith’s professional company. Upon quitting Standard Life in June 1950, he spends a year touring Ireland with Smith’s company, both as an actor and the touring group’s manager.
Dowling comes to prominence in the 1950s for his role as Christy Kennedy in the long-running radio soap opera, The Kennedys of Castleross, and as a member of the Abbey Theatre company. He returns to the Abbey as artistic director from 1987 to 1990.
Following two months in the United States in 1969 lecturing and directing at Loyola University Chicago, he spends periods during 1972–74 directing for the Missouri Repertory Theatre and lecturing and directing at the University of Missouri – Kansas City. On extended leave from the Abbey, he directs in various American theatres throughout 1975, the year he married Olwen O’Herlihy, daughter of the Irish actor Dan O’Herlihy. After his request for six months leave each year is refused, he quits the Abbey in 1976, having done over a hundred major roles for the company.
Dowling marries actress Brenda Doyle in 1952. They have four daughters, including actress Bairbre Dowling, before divorcing in 1975. In 1975, he marries Olwen O’Herlihy, with whom he has a son.
Politician Richard Boyd Barrett is the biological son of Dowling and recording artist and actress Sinéad Cusack from a 1966 relationship while both are at the Abbey Theatre. Boyd Barrett is adopted as an infant. Dowling contacts Boyd Barrett after his connection with Cusack is publicly revealed in 2007. Their relationship is made known after his death.
Dowling dies on May 10, 2013, in Massachusetts General Hospital due to complications arising from surgery. Following a funeral service at the First Congregational Church of Chester, his remains are interred in the nearby cemetery.
Dowling receives honorary doctorates from Westfield State University in Massachusetts, and from Kent State University, John Carroll University and the College of Wooster, all in Ohio. His papers, from 1976 onward, are housed at the Kent State University and John Carroll University libraries.
Chancellor is born at 8 Fitzwilliam Place, Dublin, on January 9, 1910. Her parents are John William Chancellor, a Dublin clockmaker, jeweler, and photographer, and Cicely Chancellor (née Granger). They marry in Billericay, Essex, in 1904. She has an elder sister, Joyce Fanny, who also becomes an actress. She attends Nightingale Hall and Alexandra College, going on to train as a secretary.
Chancellor’s first appearance on stage is as a fairy in a benefit performance at the Gaiety Theatre in 1914. She appears again at the Gaiety in 1922 as Gwennie in F. Anstey‘s The Man from Blankley’s, and then studies drama under Frank Fay. In the 1920s, she acts in the Dublin Drama League’s productions in the Abbey Theatre. Once she joins the Gate Theatre her career progresses, establishing her as one of the principal actresses in the Gate by the early 1930s.
Chancellor plays Naomi alongside Orson Welles in a production of Jud Süss in October 1931. Welles becomes infatuated with her and later describes her as “the sexiest thing that ever lived.” In 1931, she debuts in J. B. Fagan‘s production of The New Gossoon by George Shiels as Biddy Henley at the Apollo Theatre. Her most noted roles are as Toots in Youth’s the Season in 1932 by Mary Manning, Laura in a production of Carmilla in 1932, based on the Gothicnovella by Sheridan Le Fanu, Ophelia in 1932 and Cicely in The Importance of Being Earnest in 1933. Touring with the Gate company in 1935, she plays Stella in its production of Lord Longford‘s Yahoo performed in the Westminster Theatre, London. She stars with James Mason in the Gate’s production of Pride and Prejudice in 1937. Disappointed with the parts she is getting at the Gate after that and much to the annoyance of Micheál Mac Liammóir and Hilton Edwards, she joins Lord Longford’s first provincial tour in 1937.
In the late 1930s, Chancellor works more often in London. Following her appearance as Baby Furze in the 1938 production of Spring Meeting by Molly Keane and John Perry, she is nominated as “Star of the Future” by the Daily Mail. She acts alongside Alec Guinness and Peggy Ashcroft in 1940 in Clemence Dane‘s Cousin Muriel at the Globe Theatre, directed by John Gielgud.
Chancellor returns to the Gaiety Theatre in 1941 to act with Hilton Edwards in a production of Caesar and Cleopatra by George Bernard Shaw, a production that marks the 75th anniversary of the Gaiety. The press welcomes her return to the company, but her fellow actors are disturbed by the fact she is then living with Denis Johnston, the husband of fellow actress Shelah Richards. After Johnston’s divorce, they marry in March 1945 in Dungannon, County Tyrone. She partly retires from acting to raise their sons, but also due to her increasing deafness that had begun in her teens.
In 1969, Chancellor returns to Ireland with her family and settles in Dalkey, County Dublin. She dies in Dún Laoghaire on April 27, 1984, and is buried in the close of St. Patrick’s Cathedral, Dublin.
Cuffe joins the Green Party in 1982, and campaigns with Students Against the Destruction of Dublin (SADD) in the 1980s. He is twice elected to Dublin City Council, in 1991 and 1999, for the South Inner City electoral area. In 1996, he launches a free bikes scheme in which bicycles are placed around Dublin city centre for use by the public.
In June 2003, Cuffe steps down as the Green Party’s environment spokesperson after it is revealed that he held shares worth $70,000 in a number of oil exploration companies which he had inherited when his late mother had left him $1.3 million in her will. He is re-elected at the 2007 Irish general election.
Following the 2007 election, the Green Party forms a coalition government with two other political parties and a number of independent TDs. Just after the election, on May 28, 2007, Cuffe writes in his blog: “A deal with Fianna Fáil would be a deal with the Devil. We would be spat out after 5 years and decimated as a party.” He loses his seat at the 2011 Irish general election.
While Cuffe is minister, the Oireachtas enacts the Planning and Development (Amendment) Act 2010 to address land-use planning failures and over-zoning of development land. The legislation reforms the way development plans and local area plans are made and, for the first time in Irish legislation, includes a definition of Anthropogenic Climate Change and required energy use to be taken into account in planning decisions. He publishes the Climate Change Response Bill 2010, and an update of the National Spatial Strategy. He is head of the Irish delegation at the 2010 United Nations Climate Change Conference in Cancún, Mexico.
Cuffe promotes healthy eating for children, school gardens and local markets. He publishes bills to address climate change, noise pollution, and heritage protection. In January 2011, he launches a new policy of allowing bicycles on off-peak Dublin Area Rapid Transit (DART) trains.
Cuffe resigns as Minister of State on January 23, 2011, when the Green Party withdraws from government.
At the 2014 Irish local elections, Cuffe is elected to Dublin City Council for Dublin North Inner City area, on the 13th count. He is appointed chairperson for the Dublin City Council Transportation Committee in 2014. As a member of the Central Area Committee for Dublin City Council, he works to provide a site for the Gaelscoil Choláiste Mhuire primary school on Dominick Street in 2017. He introduces 30 km/h speed limits to residential and school areas of Dublin and also advocates for a car-free College Green. He calls for an increase in affordable housing in Dublin, specifically for people with different incomes. Speaking on the Strategic Development Zone in the Dublin Docklands, he states, “We have seen a lot of cranes in the Docklands but not a lot of homes. Particularly affordable homes.” He proposes a Motion declaring a Climate Emergency which is approved at a meeting of the Council on May 13, 2019.
Cuffe is selected as the Green Party candidate for the Dublin constituency at the 2019 European Parliament elections. He tops the poll, receiving 63,849 votes and is elected as an MEP on the 13th count, with 17.54% first preference votes. He is also re-elected to Dublin City Council, but due to the prohibition on a dual mandate, this seat is co-opted to fellow Green Party member Janet Horner.
Cuffe is President of the European Forum for Renewable Energy Sources (EUFORES), a cross-party European parliamentary network gathering members of European, regional and national parliaments of the EU, and works to promote renewable energy and energy efficiency.
McGarry is born at 17 Pembroke Cottages, Dundrum, Dublin, on August 2, 1886. An active member of the Irish Republican Brotherhood, he is a close friend of Bulmer Hobson and is frequently arrested or imprisoned by British authorities for his activities with the IRB during the early 1900s. He participates in the 1916 Easter Rising as an aide-de-camp to Tom Clarke and is sentenced to eight years penal servitude for his role in the failed rebellion.
McGarry is sent to Frongoch internment camp in Wales but is eventually released. He assists Michael Collins in his efforts to reorganise the Irish Republican Brotherhood and, at the Volunteer Executive Meeting held in late 1917, he is elected General Secretary of the Irish Volunteers.
On the night of May 17, 1918, McGarry is arrested, along with seventy-three other Irish nationalist leaders, and deported to England, where they are held in custody without charge. The day following their arrest, he and the others are charged with conspiring “to enter into, and have entered into, treasonable communication with the German enemy.” In his absence, Harry Boland is selected for the Supreme Council and becomes his successor as president of the IRB.
McGarry is only imprisoned a short time when he takes part in the famous escape from Lincoln Jail with Seán Milroy and Éamon de Valera on February 3, 1919. He and Milroy manage to smuggle out a postcard, a comical sketch of McGarry to his wife, allowing a copy of the key to their cell to be made. They are later assisted by Harry Boland and Michael Collins who await them outside the prison.
A month later, McGarry gives a dramatic speech at a Sinn Féin concert held at the Mansion House, Dublin, before going into hiding.
Throughout the Irish War of Independence, McGarry serves as a commander and is eventually elected to Second Dáil in the 1921 Irish elections as a Sinn Féin Teachta Dála (TD) representing Dublin Mid. He, like the majority of those in the Irish Republican Brotherhood, supports the Anglo-Irish Treaty and is involved in debates against de Valera during the controversy, most especially discussing the status of Sinn Féin as a political entity.
McGarry is re-elected as a Pro-Treaty Sinn Féin TD in the 1922 Irish general election, siding with the Free State government during the Irish Civil War. Liam Lynch and other members of the anti-Treaty Irish Republican Army plan the assassination of McGarry among other TDs supporting the Public Safety Bill. As one anti-Treaty volunteer tells Ernie O’Malley, “Seán McGarry was often drunk in Amiens Street and the boys wanted to shoot him and the Staters there, but I wouldn’t let them.”
On December 10, 1922, shortly before the first meeting of the Free State parliament, a fire is deliberately set by irregulars (anti-Treatyites) at McGarry’s family home. His seven-year-old son, Emmet, is badly burned and dies as a result. McGarry is one of four targeted by anti-Treatyites during the December Free State executions. De Valera publicly denounces the attack.
After retiring from politics, McGarry works for the Irish Hospitals Trust, writes articles for newspapers and journals, and engages in broadcasting. After residing from the mid-1920s at several addresses in Dún Laoghaire, from 1938 he lives at 25 Booterstown Avenue, Blackrock, Dublin. With his wife Tomasina he has two sons and one daughter. He dies suddenly on December 9, 1958, of a heart attack in his son’s home at 44 Richmond Avenue, Monkstown, County Dublin.
Dillon is born in Glanmire, County Cork, in 1830. As a child, he is injured in a heavy fall which results in curvature of the spine and general ill health. His family moves to a house near the corner of Old Youghal Road and Ballyhooly Road. He attends the School of Art for several years and becomes quite talented with brush and pencil. He lives through the Great Famine and becomes an ardent nationalist.
Dillon is appointed a Fenian leader in Cork by James Stephens, the head of the Irish Republican Brotherhood. Under his supervision the Fenian recruits drill on the Fair Field and at Rathpeacon and are hoping for a rebellion in 1865 when the Fenians are at their strongest. He often associates with other Cork Fenians such as John J. Geary, James Mountaine and John Lynch. He chairs the Fenian meetings at Geary’s pub.
In September 1865, police arrest Fenian leaders James Stephens and Jeremiah O’Donovan Rossa in Dublin, and Dillon in Cork. The police search his home and find a pair of field glasses, some drawings and some incriminating letters sewn into the mattress of his bed. He is remanded in Cork City Gaol until his trial.
On December 18, Dillon and another Cork Fenian, John Lynch, are tried together in the dock in Cork Courthouse by Judge Keogh. The charges are primarily based on information provided by an informer named John Warner, an ex-military pensioner. Isaac Butt and Mr. Waters represent the defendants. The charges are “in one indictment with having conspired to depose the Queen, &c., and with illegally drilling and being drilled in furtherance of that design.” Both are found guilty, based primarily on the testimony of informants, although John Warner’s account is very weak and unsatisfactory under cross-examination. The defendants are sentenced to ten years’ penal servitude.
Dillon is brought under armed guard by train from Cork to Dublin and then thrown into Mountjoy Gaol. He spends nearly a month there and suffers from lack of sleep. In January 1866, he and John Sarsfield Casey are handcuffed together on the tough and rough sea crossing between Kingstown and Holyhead. On arrival at Holyhead, they are then taken by train to Pentonville Prison. This is a very cold prison, and he becomes seriously ill in May 1866. He is transferred to the hospital wing of Woking Convict Invalid Prison, and this is to be his home for the next four-and-a-half years. Here he becomes Convict Number 2658.
In 1870, after five years imprisonment, a commission is set up to investigate the Fenian prisoners, and on account of his bad health, this commission recommends that Dillon be allowed home to Cork. In January 1871 he is transferred to Millbank PrisonLondon and is set free two weeks later on February 8. The following day he arrives in Dublin and after a few days’ rest, he returns to Cork by train. All along the route thousands of people wait on the platforms to greet him and read special addresses of welcome. The train reaches Cork at 8:00 p.m. and even though a carriage and pair are waiting, he is glad to seek refuge in the first covered car he can find, so dense is the crowd all around him wanting to shake his hand. The triumphal procession from the station to his home then begins and the hills all along the route are lighted with tar barrels.
Amid emotional scenes Dillon meets his family and afterwards appears at one of the windows of the house and thanks the people of Ireland for the great reception he has received everywhere on his journey home to Cork. He is now in very poor health and his mother begins the task of nursing him back to health. Everything that loving care and money could do is done, and from New York comes a cheque for £50 from the generous-hearted O’Donovan Rossa. Other friends also contribute, but all to no avail. On Saturday, August 17, 1872, he dies at his home surrounded by his sorrowing relatives.
Dillon’s funeral is one of the biggest ever seen in Cork. The cortege is headed by the Barrack Street Band, and at least ten other bands take part. All have their instruments dressed in sombre black. On Monday, August 18, his remains are privately borne to St. Joseph’s cemetery, to a temporary resting place, as it has been decided to build a vault in the family burial ground in Rathcooney which will not be ready for a few days. Later the funeral route travels from Turners Cross along Anglesea Street, South Mall, Grand Parade, Patrick Street, McCurtain Street and St. Luke’s. The funeral procession stops outside his home and prayers are recited for the repose of his soul. The procession then moves on toward Ballyvolane and up the steep hill toward the graveyard at Rathcooney. On arrival at the newly built tomb, so dense is the crowd milling around the hearse that considerable difficulty is experienced in getting the coffin to the grave. The priests then read the burial service, and, in a hushed silence, Canon Freeman asks the entire assembly to kneel and recite the Lord’s Prayer aloud. He blesses the grave, and the mortal remains of Brian Dillon are lowered to rest. The coffin is then covered, and after Colonel Ricard O’Sullivan Burke‘s oration, the crowd quietly disperses.
Today Dillon’s name is inscribed in the National Monument on the Grand Parade and in street names like Dillon’s Cross, Brian Dillon Park and Brian Dillon Crescent. The Brian Dillons GAA club in the same area of Cork city is also named after him.
The Solomons come to Ireland from England in 1824. Solomons is the son of Maurice Solomons (1832–1922), an optician whose practice is mentioned in James Joyce‘s Ulysses. His grandmother, Rosa Jacobs Solomons (1833–1926), is born in Kingston upon Hull in England. His elder brother Edwin (1879–1964) is a stockbroker and prominent member of the Dublin Jewish community. His sister Estella Solomons (1882–1968) is a leading artist, and a member of Cumann na mBan during the 1916 Easter Rising. She marries poet and publisher Seumas O’Sullivan. His younger sister Sophie is a trained opera singer.
Solomons attends St. Andrew’s College, Dublin, where he is very interested in rugby. He earns ten international rugby caps for Ireland between 1908 and 1910. He studies medicine at Trinity College, Dublin, becomes a medical doctor, and is Master of the Rotunda Hospital in Dublin from 1926 to 1933, surprising those who felt that a Jew would never hold the post. When his term ends in 1933, his name is intimately linked with that of the hospital when James Joyce writes in Finnegans Wake, “in my bethel of Solyman’s I accouched my rotundaties.” He serves as president of the Royal College of Physicians of Ireland (RCPI) in the late 1940s and practices from No. 30 Lower Baggot Street.
In a biography of Solomons he is described as “World famous obstetrician & gynaecologist, Rugby international, horseman, leader of Liberal Jewry & of Irish literary & artistic renaissance.”
Following a brief courtship, Solomons marries Gertrude Levy, who had studied with his sister Sophie at the Royal Academy of Music, London, in the liberal synagogue in London in 1916. His second son, Dr. Michael Solomons (1919–2007), is a distinguished gynaecologist, a pioneer of family planning in Ireland, and a veteran of the bitter and divisive 1983 constitutional amendment campaign.
Solomons is a friend of the founder of Sinn Féin and TD, Arthur Griffith. He contributes to the purchase of a house for Griffith. He is a founding member and the first president of the Liberal Synagogue in Dublin. He establishes a dispensary for Jewish women with Ada Shillman. In retirement he is inspector of qualifying examinations and visitor of medical schools in midwifery for the general medical council. A volume of memoirs is published in 1956. He is an art collector, including the works of Jean Cooke.
Solomons dies on September 11, 1965, at his home, Laughton Beg, Rochestown Avenue, Dún Laoghaire. The Bethel Solomons medal is awarded annually to an outstanding student in midwifery at the hospital.
Aengus Fanning, Irish journalist and editor of the Sunday Independent from 1984 until his death, dies on January 17, 2012, following a battle with lung cancer. He is also a former editor of farming for the Irish Independent. He is listed at number 31 on a list of “most influential people” in Irish society compiled for Village magazine.
Fanning is born on April 22, 1944, in the family home at Cloonbeg Terrace, Tralee, County Kerry, the fourth child among five sons and one daughter of Arnold (‘Paddy’) Fanning, a teacher, and his wife Clara (née Connell). Originally from Rostrevor, County Down, his mother is born a Presbyterian and converts to Catholicism to marry his father, though neither is religious. His father is a noted organiser of local theatrical productions, having written a one-act play, Vigil, which is staged in the Abbey Theatre in 1929.
Fanning has a keen interest in sport, having represented Kerry in Gaelic football in his youth. He is also passionate about cricket. He also plays the clarinet and is a jazz fan. He is a graduate of University College Cork (UCC).
In May 1964 Fanning is hired as a reporter by his uncle, James Fanning, the owner of the Midland Tribune in Birr, County Offaly, and pursues an unglamorous beat covering court sittings, local authority meetings and GAA matches. Needing a better salary to start a family, he joins Independent Newspapers (IN) in Dublin as a general reporter in May 1969, and soon after marries Mary O’Brien from Streamstown, County Offaly. They settle in Dún Laoghaire, County Dublin, and have three sons.
Fanning covers the Northern Irelandtroubles during 1969–70, before reporting increasingly on farming matters, becoming the IN group’s agricultural correspondent in 1973, as Ireland’s European Economic Community (EEC) accession sparks a farming boom. He is made head of news analysis at the Irish Independent in 1982, improving the op-ed page and using it to advocate more market-driven economic policies.
Fanning is appointed editor of the mid-to-upmarket Sunday Independent in 1984 from. Under his leadership, the newspaper adopts what Irish newspaper historian John Horgan calls a “new emphasis on pungent opinion columns, gossip and fashion” which results in the paper overtaking its main rival, The Sunday Press. For a time, his deputy editor is journalist Anne Harris.
In a 1993 interview with Ivor Kenny in the book Talking to Ourselves, Fanning describes himself as a classical liberal who is opposed to both Ulster loyalist and Provisional Irish Republican Army terrorism. He also expresses a strong advocacy of the free market, arguing that the goal of a good newspaper is to be as commercially successful as possible:
“If three or four papers out of 15 are successful and the others are not, they might say they’re not driven by the market, they have some higher vocation: to serve the public interest or some pompous stuff like that. That’s how they feel good about themselves. Fair enough, if that’s how they want to explain the world. It’s a grand excuse for relative failure… I think we live or die by the market, it will always win through.”
Fanning recruits a number of noted writers to contribute to the newspaper, including historians Conor Cruise O’Brien and Ronan Fanning, journalists Shane Ross and Gene Kerrigan, poet Anthony Cronin and novelist Colm Tóibín. However, his editorship is not without controversy. The columns published by Eamon Dunphy and Terry Keane draw criticism. Michael Foley notes some Irish commentators criticised Fanning’s Sunday Independent, claiming the newspaper was publishing “a mix of sleaze and prurience.”
Fanning also defends the controversial Mary Ellen Synon, who calls the Paralympics games “perverse.” One of the more bizarre incidents occurs in 2001 when he is involved in fisticuffs with a colleague at the newspaper – operations editor Campbell Spray.
Diagnosed with lung cancer in April 2011, Fanning spends his last months undergoing treatment in St. Vincent’s University Hospital, Dublin, dying there on January 17, 2012, at the age of 69. His remains are cremated at Mount Jerome Crematorium.
Anne Harris, Fanning’s second wife, succeeds him as editor and lasts three years. As well as pioneering changes in the domestic print media’s role, Fanning’s Sunday Independent led Irish society’s turn towards free market hedonism, catching the public mood better than its more conventionally liberal rivals by rendering this cultural transformation in an exuberant, somewhat parodied form, and without regard for lingering post-Catholic inhibitions.
seamus dubhghaill 