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Birth of Isaac Weld, Writer, Explorer & Artist

Isaac Weld, Irish topographical writer, explorer, and artist, is born on Fleet Street, Dublin on March 15, 1774. He is a member of the Royal Dublin Society.

Weld’s name stems from his great-grandfather Nathanael Weld’s close friendship with Sir Isaac Newton, and as such both his grandfather and father are also named Isaac. His father is a close friend of Charles James Fox. His sister marries George Ensor, and their half-brother is Charles Richard Weld, traveler and author of A Vacation Tour in the United States and Canada (London, 1855), which is dedicated to his brother, Isaac. He is sent to the school of Samuel Whyte at Grafton Street and from there to another private school Barbauld at Palgrave near the town of Diss in Norfolk. From Diss he proceeds to Norwich as a private pupil of Dr. William Enfield. He leaves Norwich in 1793.

In 1795 he sails to Philadelphia from Dublin and spends two years traveling in the United States and Canada, partly as an adventure and partly as research into suitable countries to which the Irish can emigrate. He visits Monticello and Mount Vernon and meets George Washington and Thomas Jefferson. He travels on horseback, by coach and by canoe in Canada with local native guides. He returns in 1797 “without entertaining the slightest wish to revisit it.” He finds the Americans to be obsessed with material things and prefers Canada. His published Travels (1799) quickly goes into three editions and is translated into French, German, Italian, and Dutch.

Weld writes on slavery that “there will be an end to slavery in the United States…[as] negroes will not remain deaf to the inviting call of liberty forever.” With regard to Americans in general, he states, “Civility cannot be purchased from them on any terms; they seem to think that it is incompatible with freedom.” On Washington, D.C., he writes “If the affairs of the United States go on as rapidly as they have done, it will become the grand emporium of the West, and rival in magnitude and splendour the cities of the whole world.”

Weld visits Killarney, navigates the lakes in a boat he made from compressed brown paper, and publishes Scenery of Killarney (1807), illustrated with his own drawings. He is also well known for his drawings of American life and, in particular, the Niagara Falls.

In May 1815 Weld sails from Dún Laoghaire to London in the 14 horsepower (10 kW) steamboat Thames, the first such vessel to make the passage. He compiles the Statistical Survey of the County of Roscommon (1838) for the Royal Dublin Society, of which he is Honorary Secretary and Vice-President. In later life, he spends much time in Italy and particularly Rome, where he develops a friendship with Antonio Canova.

Weld dies at his home, Ravenswell, near Bray, County Wicklow, on August 4, 1856, and is buried in Mount Jerome Cemetery, Dublin.

Weld is part of the Weld family of New England. His ancestor, Thomas Welde, is a Puritan minister from Suffolk, England who is one of three brothers who emigrated to Roxbury, Massachusetts in 1632. His great-great-grandfather, Thomas Weld, helps to publish the Bay Psalm Book, the first book published in America. His great-grandfather, Nathaniel, is graduated at Harvard College. He leaves Massachusetts for Kinsale and then Blarney Castle, County Cork, in 1655 to be a Puritan Chaplain with Oliver Cromwell. He later moves to Dublin.

The family that stays in America grows in wealth and influence and includes such notables as Governor of Massachusetts William Weld, Isabel Weld Perkins, and Theodore Dwight Weld.


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Birth of Sir James Comyn, Irish-born English High Court Judge

Sir James Peter Comyn, Irish-born barrister and English High Court judge, is born at Beaufield House, Stillorgan, County Dublin on March 8, 1921. Considered by many to be “the finest all-round advocate at the English bar”, he is appointed to the High Court of Justice in 1978, serving on the bench until his retirement in 1985.

Comyn is the son of Nationalist barrister James Comyn KC and of Mary Comyn. Through his father he is the nephew of the barrister Michael Comyn KC. Both his father and uncle had been political and legal advisers to Éamon de Valera, who at one point uses Beaufield House as a safe house. However, the Comyn brothers have a falling out with de Valera shortly before he comes to power in 1932, and Michael Comyn is passed over as Attorney General of the Irish Free State. As a result, James Comyn, who is then attending Belvedere College in Dublin, is sent by his father to attend The Oratory School in England. He spends six months as a trainee at The Irish Times under the editor R. M. “Bertie” Smyllie, but abandons journalism after a joke he added to an obituary is printed in the paper, leading to his demotion to the racing department.

Comyn then matriculates at New College, Oxford, where he reads law, graduating with Second Class Honours. In 1940, he defeats Roy Jenkins for the presidency of the Oxford Union, winning by four votes. After suffering the first of several breakdowns through his life, he briefly works for the BBC‘s Empire Service during World War II.

Comyn is called to the English bar by the Inner Temple in 1942, the Irish bar in 1947, and the Hong Kong bar in 1969. In 1944, he begins his pupillage with Edward Holroyd Pearce KC, later a law lord, and joins his chambers at Fountain Court. He practises in London and on the Western circuit, supplementing his earnings by teaching banking, a subject of which he knows nothing. On one occasion, he rises in Lambeth County court to cross-examine a female defendant in an eviction case. Just as he begins by saying “Madam,” the defendant opens her bag, takes out a dead cat, and throws it at him. The judge’s reaction is to tell the defendant, “Madam, if you do that again, I’ll commit you.” Comyn wins the case.

Comyn takes silk in 1961, and acquires a large practice as a senior, appearing in many high-profile cases. In 1964, he wins damages for libel for the former safe-breaker Alfred George Hinds against a Scotland Yard inspector by convincing the jury that Hinds is in fact innocent. In 1970, he successfully defends the Labour MP Will Owen, who is accused of providing information to the Czechoslovak intelligence services. In 1975, he defeats the government’s attempt to obtain an injunction against the publication of the diaries of former minister Richard Crossman.

Comyn is Recorder of Andover between 1964 and 1971 (honorary life recorder from 1972), commissioner of assize for the Western Circuit in 1971, and a Recorder of the Crown Court between 1972 and 1977. He is elected a bencher of the Inner Temple in 1968 and serves as chairman of the Bar council from 1973 to 1974.

Having refused a previous invitation by Quintin Hogg, Baron Hailsham of St. Marylebone to join the bench, Comyn is again nominated by Elwyn Jones, Baron Elwyn-Jones, in 1977, and is appointed a High Court judge in 1978, receiving the customary knighthood upon his appointment. Initially assigned to the Family Division, he does not take to the work and is reassigned to the Queen’s Bench Division in 1979. He has a reputation for leniency in sentencing, first acquired as Recorder of Andover. In 1980–81, he presides over an unsuccessful libel action by a member of the Unification Church, colloquially known as the Moonies, against the Daily Mail, the longest libel trial in England up to that time. His Irish background makes him the target of Irish Republican Army (IRA) action, and in 1981 the Provisional IRA burns his house in Tara.

Recurring bouts of depression lead to Comyn’s early retirement, on grounds of ill health, in 1985. In retirement, he divides his time between England and Ireland, whose citizenship he has retained. He writes a number of books, including memoirs, light verse, and books on famous trials. He also breeds Friesian cattle. He dies in Navan, County Meath on January 5, 1997, at age 75.


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Birth of Sir Peter O’Sullevan, Horse Racing Commentator

Sir Peter O’Sullevan, Irish-British horse racing commentator for the BBC, and a correspondent for the Press Association, the Daily Express, and Today, is born Newcastle, County Down on March 3, 1918. He is the BBC’s leading horse racing commentator from 1947 to 1997, during which time he describes some of the greatest moments in the history of the Grand National.

O’Sullevan is the son of Colonel John Joseph O’Sullevan DSO, resident magistrate at Killarney, and Vera (née Henry). As an infant, the family returns to his parents’ home at Kenmare, County Kerry and he is raised in Surrey, England. He is educated at Hawtreys Preparatory School, Charterhouse School, and later at Collège Alpin International Beau Soleil in Switzerland.

In the late 1940s O’Sullevan is involved in some of the earliest television commentaries on any sport and makes many radio commentaries in his earlier years (including the Grand National before it is televised for the first time in 1960). On television, he commentates on many of the major events of the racing year, including the Cheltenham Festival until 1994, The Derby until 1979, and the Grand National, Royal Ascot and Glorious Goodwood until he retires in 1997. During his career, he commentates on around 30 runnings of the Prix de l’Arc de Triomphe in Paris and racing from the United States and Ireland as well as trotting from Rome during the 1960s.

During his 50 years of commentating on the Grand National, O’Sullevan commentates on numerous historic victories. These include Bob Champion‘s run on Aldaniti in 1981 after recovering from cancer, 100/1 outsider Foinavon‘s win in 1967, and the three-times winner Red Rum in 1973, 1974 and 1977. He also commentates on the 1993 Grand National, which is declared void after 30 of the 39 runners fail to realise there had been a false start, and seven go on to complete the course. As the runners approach the second-last fence in the so-called “race that never was,” O’Sullevan declares it “the greatest disaster in the history of the Grand National.”

O’Sullevan becomes known as the “Voice of Racing.” In a television interview before his 50th and last Grand National in 1997, he reveals that his commentary binoculars came from a German submarine. He is knighted the same year – the only sports broadcaster at the time to have been bestowed that honour. He is also a racehorse owner, including of Be Friendly, who wins the King’s Stand Stakes at Ascot, and Prix de l’Abbaye de Longchamp. He is twice successful in the Haydock Sprint Cup (then Vernons Sprint) in 1966 and 1967. Another horse he owns is Attivo, whose victory in the 1974 Triumph Hurdle at the Cheltenham Festival is described by O’Sullevan as the most difficult race to call.

Attivo also wins the Chester Cup and the Northumberland Plate during the 1970s. O’Sullevan’s final race commentary comes at Newbury Racecourse for the 1997 Hennessy Gold Cup, and he visits the winners’ enclosure as a winning owner in the race which follows courtesy of Sounds Fyne’s victory in the Fulke Walwyn Chase. He is succeeded as the BBC’s lead commentator by Jim McGrath.

After his retirement, O’Sullevan is actively involved in charity work, fundraising for causes which revolve around the protection of horses and farm animals, including the International League for the Protection of Horses (ILPH), the Thoroughbred Rehabilitation Centre and Compassion in World Farming. The National Hunt Challenge Chase Cup (run at the Cheltenham Festival) is named after him in 2008 to celebrate his 90th birthday. In 2010, Aintree Racecourse names O’Sullevan as one of the eight inaugural “Grand National Legends.” His name is inscribed on a commemorative plaque at the course, alongside the likes of Ginger McCain and Captain Martin Becher.

O’Sullevan meets his wife Patricia, daughter of Frank Duckworth of Manitoba, Canada, at a ball in Manchester in 1947. She dies of Alzheimer’s disease in 2010.

O’Sullevan dies of cancer at his home in London on July 29, 2015.


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Birth of John Gore, 1st Baron Annaly

John Gore, 1st Baron Annaly, Irish politician and peer, is born on March 2, 1718.

Gore is the second son of George Gore, judge of the Court of Common Pleas (Ireland), who in turn is the son of Sir Arthur Gore, 1st Baronet. His mother is Bridget Sankey, younger daughter of John Sankey. His mother brings his father a fortune and the manor of Tenelick in County Longford, which comes to John on the death of his brother Arthur in 1758.

Gore is called to the Bar by King’s Inns and works as barrister-at-law. He is Counsel to the Commissioners of Revenue and also a King’s Counsel from 1749. From 1747 and 1760, he sits as Member of Parliament (MP) for Jamestown. Subsequently, he sits for Longford County in the Irish House of Commons until 1765.

In 1760 Gore is appointed Solicitor-General for Ireland, a post he holds until 1764, when he becomes Lord Chief Justice of the King’s Bench for Ireland. In the same year he is sworn of the Privy Council of Ireland. On January 17, 1766, he is elevated to the Peerage of Ireland as Baron Annaly, of Tenelick in the County of Longford. In the following year he is elected Speaker of the Irish House of Lords.

Gore is a popular, witty and unassuming man, and a keen sportsman. In politics he is considered a strong reactionary, arguing that the Crown has the right to keep Parliament sitting indefinitely, and he is opposed to any extension of the powers of the Irish Parliament. In his later years he is inclined to denounce the Irish people as “idle and licentious.” Irish author and legal historian F. Elrington Ball notes however that Henry Grattan likes and admires Gore despite their strongly opposed political views. His judicial qualities are viciously attacked in an anonymous satire: “Without judgement, a judge makes justice unjust.” Ball on the other hand argues that his judgements and speeches in the House of Commons show that he does not lack ability.

In 1747, Gore marries Frances Wingfield, second daughter of Richard Wingfield, 1st Viscount Powerscourt of the third creation. Their marriage is childless. He dies on April 3, 1784 at St. Stephen’s Green in Dublin and is buried in the family vault in the church of Taghshinny in County Longford. With his death the barony becomes extinct, but is revived for his brother Henry, first and last Baron Annaly of the second creation. Lady Annaly dies in 1794 and is buried at St. Marylebone Parish Church, London.


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Death of William O’Brien, Journalist & Politician

William O’Brien, Irish nationalist, journalist, agrarian agitator, social revolutionary, politician, party leader, newspaper publisher, author and Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland, dies suddenly on February 25, 1928, at the age of 75 while on a visit to London with his wife.

O’Brien, who is for several years second only to Charles Stewart Parnell among Irish Nationalist leaders, is born on October 2, 1852, in Mallow, County Cork. He is perhaps most important for his Plan of Campaign (1886), by which Irish tenant farmers withhold all rent payments from landlords who refuse to lower their rents and instead pay the money into a mutual defense fund on which evicted tenants can draw.

O’Brien shares his primary education with a townsman with whom he is later to have a close political connection, Canon Patrick Augustine Sheehan of Doneraile. He enjoys his secondary education at the Cloyne diocesan college, which results in his being brought up in an environment noted for its religious tolerance. He greatly values having had this experience from an early age, which strongly influences his later views for the need of such tolerance in Irish national life.

A journalist from 1869, O’Brien is appointed editor of the Irish Land League’s weekly United Ireland by Parnell in 1881. In October of that year the British authorities suppress the paper and put O’Brien in Kilmainham Gaol in Dublin, along with Parnell and others. There he draws up a No Rent Manifesto, which, when read at a Land League meeting, results in the outlawing of the League. Released from prison in 1882, he resumes the editorship of United Ireland, and in 1883 he is elected to the British House of Commons, remaining there until 1895. His “plan of campaign” is disavowed by Parnell but nonetheless stirs up fierce agitation. To suppress the movement, the British government passes the Criminal Law and Procedure (Ireland) Act 1887, under which O’Brien is jailed again.

For some time following the Katherine O’Shea divorce case (1889–90), in which Parnell is correspondent, O’Brien attempts to mediate between the Parnellites and their opponents, although he sides with the majority in rejecting Parnell’s continued leadership of the Irish Home Rule struggle. In 1902 he supports the Land Conference, which secures agreement between landlords and tenants’ representatives and results in George Wyndham‘s Land Purchase Act (1903), which is designed to turn Irish tenant farmers into occupying owners.

In 1898 O’Brien founds the United Irish League, and in 1910, after control of that group passes to the Parnellite John Redmond, he establishes the All-for-Ireland League in opposition to the older organization. Most of his personal following, however, join Arthur Griffith’s Sinn Féin party by the end of World War I.

Retiring from political life, O’Brien contents himself with writing and declines Éamon de Valera‘s offer to stand for Fianna Fáil in the 1927 general election. He dies suddenly at the age of 75 on February 25, 1928, while on a visit to London with his wife. His remains rest in Mallow, and one of the principal streets in the town bears his name to this day. His head-bust overlooks the town Council’s Chamber Room and one of his finest portraits hangs in University College Cork.


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Birth of Ciarán Bourke, Founding Member of The Dubliners

Ciarán Bourke, Irish musician and one of the founding members of the Irish folk band The Dubliners, is born in Dublin on February 18, 1935.

Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.

After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.

Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”

On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.

Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.

Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.

Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”

Bourke dies on May 10, 1988, after a long illness. From 1974 until his death, he is continued to be paid by the band. A fifth member of the group is not recruited until after his death.


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Birth of Mary Swanzy, Landscape & Genre Artist

Mary Swanzy, Irish landscape and genre artist, is born in Dublin on February 15, 1882. Noted for her eclectic style, she paints in many styles including cubism, futurism, fauvism, and orphism, she is one of Ireland’s first abstract painters.

Swanzy is the second of three daughters of Sir Henry Rosborough Swanzy, an eye surgeon, and his wife Mary (née Denham). She attends Alexandra College, Earlsfort Terrace, a finishing school at the Lycée in Versailles, France, and a day school in Freiburg, Germany. This education means that she is fluent in French and German. She goes on to take art classes at Mary Manning‘s studio, under the direction of John Butler Yeats. Manning encourages her to study modelling with John Hughes at the Dublin Metropolitan School of Art.

Living within walking distance of the National Gallery of Ireland, she spends a lot of time studying and copying the great masters. Her first exhibition is with the Royal Hibernian Academy (RHA) in 1905 with Portrait of a child, continuing to exhibit portraits every year until 1910. In 1905 she goes to Paris and works at the Académie Delécluse, an atelier-style art school. She goes on to attend the studio of Antonio de La Gándara in 1906 and takes classes at Académie de la Grande Chaumière and Académie Colarossi. While in Paris she is exposed to the works of Gauguin, Matisse, and Picasso, which make a lasting impression on her.

On her return to Dublin, Swanzy paints portraits and genre scenes and holds her first show at Mill’s Hall, Merrion Row in 1913. She holds another show there in 1919, where she exhibits nearly 50 pieces. This exhibition is reviewed by Sarah Purser who notes the lack of melancholy and light optimism in Swanzy’s Irish landscapes. Swanzy paints in a number of styles, often reflecting the major art developments in Paris.

After the deaths of her parents, she is financially independent and can travel, spending her time between Dublin and Saint-Tropez during World War I while continuing to paint. She also exhibits with the Société des Artistes Indépendants in 1914 and 1916, being elected to the committee in 1920. While visiting her sister who is involved with the Protestant relief mission in Yugoslavia and Czechoslovakia, she paints landscapes, village life, and peasant scenes. These works are shown in the autumn of 1921 in the Dublin Painters’ Gallery with six other artists including Jack Butler Yeats, Paul Henry, and Clare Marsh with whom she shares a studio.

Swanzy begins to travel to more exotic countries from the 1920s, Honolulu around 1923, and later Samoa. As a result, she paints local tropical flowers, trees, and native women, with a palette and style similar to that of Fauvism. She stays for a time in Santa Barbara, California, working in a local studio and exhibiting some of her Samoan work at the Santa Barbara Arts Club Gallery. She returns to Ireland in February 1925 and exhibits three of her Samoan paints at the RHA, and 14 at her one-woman show in the Galerie Bernheim-Jeune, Paris in October 1925. Gertrude Stein writes her to congratulate her on her Paris exhibition.

In the mid 1920s Swanzy settles in Blackheath, London, making regular trips to Dublin and abroad. In 1932 Purser holds an exhibition of Swanzy’s work for invited guests in her house. At this time her painting is influenced by orphism and is reviewed positively. Her work becomes more allegorical in later years, with The message in the Hugh Lane Gallery demonstrating this. During World War II she stays with her sister in Coolock for three years. In 1943, she holds a one-woman show at the Dublin Painters’ Gallery, and is also featured at the first Irish Exhibition of Living Art. She is exhibited at St. George’s Gallery, London in 1946 along with Henry Moore, Marc Chagall, and William Scott.

Swanzy is made an honorary member of the RHA in 1949, showing with them in 1950 and 1951. She does not exhibit in Ireland for a number of years, but the Hugh Lane Gallery holds a major retrospective of her work in 1968. Following this she holds two one-woman shows at the Dawson Gallery in 1974 and 1976. In 1975 she is featured at the Cork ROSC art exhibition and resumes showing with the RHA. She continues to paint until her death at her home in London on July 7, 1978.

In 1982 the Taylor Galleries holds an exhibition to mark the centenary of Swanzy’s birth. More recently she is featured in the Irish Museum of Modern Art (IMMA) 2013 exhibition Analysing Cubism. From October 2018-February 2019, also in IMMA, she is the subject of the solo exhibition Mary Swanzy Voyages.

(Pictured: Sunlit Landscape, oil-on-canvas, by Mary Swanzy)


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Birth of Irish Footballer Liam Brady

William Brady, former Irish footballer who also serves as assistant manager of the Republic of Ireland national football team from 2008 to 2010, is born in Dublin on February 13, 1956.

Brady is raised in Dublin and attends St. Aidan’s C.B.S., leaving before his Intermediate Certificate. He alleges at the time that he had been expelled for missing a school Gaelic football match to play a schoolboy soccer international, however the school denies this.

Brady is a talented offensive midfielder renowned for his left foot and elegant technical skills such as his high-quality passing, vision, and close control, which makes him an excellent playmaker. He combines these abilities with significant tenacity, an eye for goal from midfield, and accurate penalty-taking. In addition to his footballing ability, he also stands out throughout his career for his professionalism.

Brady starts his career at Arsenal F.C., moving to London to join the side on schoolboy forms in 1971, at the age of 15. He turns professional on his 17th birthday in 1973, and makes his debut on October 6, 1973 against Birmingham City F.C. as a substitute for Jeff Blockley. Arsenal reaches three FA Cup finals in a row between 1978 and 1980. Arsenal wins only the 1979 final against Manchester United F.C., with Brady starting the move that ends in Alan Sunderland‘s famous last-minute winner.

Brady spends two seasons with Juventus F.C. in Italy, picking up two Italian Championship medals, in 1981 and 1982. He scores the only goal (a penalty) in the 1–0 win against Catanzaro that wins the 1982 title.

Brady makes his debut for the Republic of Ireland national football team on October 30, 1974, in a 3–0 win against the Soviet Union at Dalymount Park in a European Championship qualifier. Due to a suspension accrued before UEFA Euro 1988 he is not eligible to play within the tournament. During qualifications for the 1990 FIFA World Cup he retires from the international game. As Ireland advances to the World Cup he declares himself available to play once again. However, manager Jack Charlton goes on to declare that only those who played in the qualifiers will make the trip to Italy. Brady wins 72 international caps for the Republic of Ireland with 70 within the starting line-up, scoring 9 goals.

Brady goes on to manage two clubs – Celtic F.C. and then Brighton and Hove Albion F.C. – together with being the assistant manager of Ireland’s national football team. He also holds the post of Head of Youth Development at Arsenal F.C. from 1996 to 2013, and is a frequent television pundit with RTÉ Sport.

While at Arsenal F.C., and particularly early in his career, Brady is nicknamed “Chippy”, not for his ability to chip the ball but for his fondness for fish and chips. He also becomes involved in an anti-drugs campaign in the early 1990s, called “give drugs the boot”, encouraging young boys to play sport as a healthy pastime.


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Oscar Wilde’s “Salomé” Opens in Paris

Oscar Wilde languishes in jail as his play Salomé opens in Paris on February 11, 1896. Salomé is a one act play based on the biblical tale of Salomé, stepdaughter of the tetrarch Herod Antipas, who asks for the head of Jokanaan (John the Baptist) on a platter as a reward for dancing the Dance of the Seven Veils. The original 1891 version of the play is in French. Three years later an English translation, with illustrations by Aubrey Beardsley, is published.

Rehearsals for the play’s debut on the London stage, for inclusion in Sarah Bernhardt‘s London season, begin in 1892, but are halted when the Lord Chamberlain‘s licensor of plays bans Salomé on the basis that it is illegal to depict Biblical characters on the stage. The play eventually premiers on February 11, 1896, while Wilde is in prison, in Paris at the Théâtre de la Comédie-Parisienne in a staging by Lugné-Poe‘s theatre group, the Théâtre de l’Œuvre.

In The Pall Mall Gazette of June 29, 1892 Wilde explains why he had written Salomé in French:

“I have one instrument that I know I can command, and that is the English language. There was another instrument to which I had listened all my life, and I wanted once to touch this new instrument to see whether I could make any beautiful thing out of it. […] Of course, there are modes of expression that a Frenchman of letters would not have used, but they give a certain relief or colour to the play. A great deal of the curious effect that Maeterlinck produces comes from the fact that he, a Flamand by grace, writes in an alien language. The same thing is true of Rossetti, who, though he wrote in English, was essentially Latin in temperament.”

A performance of the play is arranged by the New Stage Club at the Bijou Theatre in Archer Street, London, on May 10 and 13, 1905, starring Millicent Murby as Salomé and directed by Florence Farr. In June 1906 the play is presented privately with A Florentine Tragedy by the Literary Theatre Society at King’s Hall, Covent Garden. The Lord Chamberlain’s ban is not lifted for almost forty years. The first public performance of Salomé in England is produced by Nancy Price at the Savoy Theatre on October 5, 1931. She takes the role of Herodias herself and casts her daughter, Joan Maude, as Salomé.

In 1992 the play is performed on Broadway at the Circle in the Square Theatre, under the direction of Robert Allan Ackerman. Sheryl Lee stars as the title role alongside Al Pacino. The play costars Suzanne Bertish, Esai Morales and Arnold Vosloo.

Al Pacino says in an interview that a new production of the play where he will star as King Herod is to open in London’s West End in 2016.

In 2018 a production by Lazarus Theatre is performed at Greenwich Theatre. Directed by Ricky Dukes, the performance portrays Salomé as male.


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House of Lords Votes for the Acts of Union

The House of Lords votes on February 10, 1800, for the Acts of Union which sees Ireland lose its own parliament, direct rule is imposed on Ireland, and the United Kingdom of Great Britain and Ireland is created. The acts come into force on January 1, 1801, and the merged Parliament of the United Kingdom has its first meeting on January 22, 1801. Both acts remain in force, with amendments, in the United Kingdom of Great Britain and Northern Ireland but have been repealed in the Republic of Ireland.

Before these Acts, Ireland had been in personal union with England since 1541, when the Parliament of Ireland had passed the Crown of Ireland Act 1542, proclaiming King Henry VIII of England to be King of Ireland. Since the 12th century, the King of England had been technical overlord of the Lordship of Ireland, a papal possession. Both the Kingdoms of Ireland and England later came into personal union with that of Scotland upon the Union of the Crowns in 1603.

In 1707, the Kingdom of England and the Kingdom of Scotland were united into a single kingdom: the Kingdom of Great Britain. The Irish Parliament at that time was subject to a number of restrictions that placed it subservient to the Parliament of England and, following the union of England and Scotland, the Parliament of Great Britain. Ireland, however, gained effective legislative independence from Great Britain through the Constitution of 1782.

By this time access to institutional power in Ireland was restricted to a small minority, the Anglo-Irish of the Protestant Ascendancy, and frustration at the lack of reform among the Catholic majority eventually led, along with other reasons, to the Irish Rebellion in 1798, involving a French invasion of Ireland and the seeking of complete independence from Great Britain. This rebellion was crushed with much bloodshed, and the subsequent drive for union between Great Britain and Ireland that passes in 1800 is motivated at least in part by the belief that the rebellion was caused as much by reactionary loyalist brutality as by the Society of United Irishmen.

Furthermore, Catholic emancipation is being discussed in Great Britain, and fears that a newly enfranchised Catholic majority will drastically change the character of the Irish government and parliament also contributes to a desire from London to merge the Parliaments.

Complementary acts have to be passed in the Parliament of Great Britain and in the Parliament of Ireland. The Parliament of Ireland had recently gained a large measure of legislative independence under the Constitution of 1782. Many members of the Irish Parliament jealously guard this autonomy and a motion for union is legally rejected in 1799.

Only Anglicans are permitted to become members of the Parliament of Ireland, though the great majority of the Irish population are Roman Catholic, with many Presbyterians in Ulster. In 1793 Roman Catholics regain the right to vote if they own or rent property worth £2 per acre. The Catholic hierarchy is strongly in favour of union, hoping for rapid emancipation and the right to sit as MPs, which is delayed after the passage of the acts until the passage of the Roman Catholic Relief Act 1829.

From the perspective of Great Britain, the union is desirable because of the uncertainty that followed the Irish Rebellion of 1798 and the French Revolution of 1789. If Ireland adopted Catholic Emancipation, willingly or not, a Roman Catholic Parliament could break away from Britain and ally with the French. Also the Irish and British Parliaments, when creating a regency during King George III‘s “madness”, gave the Prince Regent different powers. These considerations lead Great Britain to decide to attempt merger of the two kingdoms and their Parliaments.

The final passage of the Act in the Irish Parliament is achieved with substantial majorities, in part according to contemporary documents through bribery, namely the awarding of peerages and honours to critics to get their votes. Whereas the first attempt had been defeated in the Irish House of Commons by 109 votes against to 104 for, the second vote in 1800 produces a result of 158 to 115.

In the first Parliament of the United Kingdom of Great Britain and Ireland, the members of the House of Commons are not elected afresh. By royal proclamation authorised by the Act, all the members of the last House of Commons from Great Britain take seats in the new House, and from Ireland 100 members are chosen from the last Irish House of Commons: two members from each of the 32 counties and from the two largest boroughs, and one from each of the next 31 boroughs (chosen by lot) and from the University of Dublin. The other 84 Irish parliamentary boroughs are disfranchised, all being pocket boroughs, whose patrons receive £15,000 compensation for the loss of what is considered their property.

(Pictured: Coat of Arms of the United Kingdom from 1837 to 1952 used by Queen Victoria, King Edward VII, George V, Edward VIII and George VI)