Banville is born to Agnes (née Doran) and Martin Banville, a garage clerk, in Wexford. He is the youngest of three siblings. He is educated at CBS Primary, Wexford, a Christian Brothers school, and at St. Peter’s College, Wexford. Despite having intentions of being a painter and an architect, he does not attend university. After school, he works as a clerk at Aer Lingus, which allows him to travel at deeply discounted rates. He takes advantage of these rates to travel to Greece and Italy. He begins working as a sub-editor at The Irish Press in 1969.
Banville publishes his first book, a collection of short stories titled Long Lankin, in 1970. His first novel, Nightspawn, appears in 1971, followed by his second, Birchwood, two years later. His The Revolutions Trilogy, published between 1976 and 1982, comprises works named after renowned scientists: Doctor Copernicus, Kepler and The Newton Letter. His next work, Mefisto, has a mathematical theme, and, in combination with the three books from The Revolutions Trilogy, is the fourth book from the “Scientific Tetralogy.” His 1989 novel, The Book of Evidence, begins The Frames Trilogy, dealing with the work of art. It is completed by Ghosts and Athena. His thirteenth novel, The Sea, wins the Booker Prize in 2005. In addition, he publishes crime novels as Benjamin Black, most of which feature the character of Quirke, an Irish pathologist based in 1950s Dublin. His alternative history novel, The Secret Guests (2020), is published under the name B. W. Black.
In 1969, Banville marries the American textile artist Janet Dunham, whom he met in San Francisco the previous year while she is a student at the University of California, Berkeley. The couple has two sons together. The marriage breaks down after Banville has an affair with a neighbour, Patricia Quinn, who subsequently becomes director of the Arts Council of Ireland. Banville has two daughters with Quinn, born around 1990 and 1997. Despite separating, Banville and Dunham never divorce and he describes them as remaining “on good terms.” Dunham dies at Blackrock Clinic on November 22, 2021, after which Banville states that he experienced “brain fog” due to grief and is unable to write for six months. In a 2024 interview, he expresses regret over his relationship history, saying, “I caused Janet such anguish. I have caused Patricia Quinn such anguish. I wasn’t good with my children. I was not a good parent. I am not a good person. I am selfish. But I have to have responsibility.”
Con Houlihan, Irish sportswriter, is born on December 6, 1925, in Castleisland, County Kerry. Despite only progressing to national journalism at the age of 46, he becomes “the greatest and the best-loved Irish sports journalist of all.”
Over a lengthy career, Houlihan covers many Irish and international sporting events, from Gaelic football and hurling finals, to soccer and rugby World Cups, the Olympic Games and numberless race meetings inside and outside Ireland.
Houlihan is a journalist with the Irish Press group writing for The Irish Press, Evening Press and sometimes The Sunday Press, until the group’s demise in 1995. He writes the “Tributaries” column and Evening Press back sports page “Con Houlihan” column.
Houlihan dies on the morning of August 4, 2012, in St. James’s Hospital in Dublin. Often considered one of Ireland’s finest writers, he leaves behind a legacy of immense sports journalism that spans over 60 years. A minute’s silence is observed in his memory ahead of Kerry GAA‘s All-Ireland Senior Football Championship quarter-final defeat to Donegal GAA at Croke Park the following day. His last column, in which he wishes Irish Olympic boxer Katie Taylor well, is published the day after his death. His funeral takes place on August 8, 2012.
Ireland’s president, Michael D. Higgins, leads the tributes to Houlihan, describing him as a “most original writer, with a unique style based on his extensive knowledge of literature, politics, life and sport.” He adds, “He had that special quality and ability to identify with the passion, pain and celebration of Irish community life.”
A bronze bust of Houlihan is unveiled in his hometown of Castleisland in 2004. In 2011, another sculpture is erected outside The Palace bar in Dublin.
Plunkett is educated expensively: at a primary school in Nice, making him fluent in French and Italian, then at Clongowes Wood College, and, from 1872, at Trinity College Dublin (TCD), where his generous allowance allows him to study renaissance and medieval art. He enrolls at King’s Inns in 1870 and the Middle Temple in 1874, but is not called to the bar until 1886. While there he befriends Oscar Wilde and Jeremiah O’Donovan Rossa. In 1877, he endows a university gold medal for Irish speakers and publishes a book of poems, God’s Chosen Festival, and the following year he issues a pamphlet, The Early Life of Henry Grattan. He also writes articles for magazines, editing a short-lived one, Hibernia, for eighteen months from 1882. In 1883, he donates funds and property to the nursing order of the Little Company of Mary (Blue Sisters), and on April 4, 1884, Pope Leo XIII makes him a count.
On June 26, 1884, Plunkett marries Mary Josephine Cranny (1858–1944). The couple has seven children: Philomena (Mimi) (b. 1886), Joseph (b. 1887), Mary Josephine (Moya) (b. 1889), Geraldine (b. 1891), George Oliver (b. 1894), Fiona (b. 1896), and Eoin (Jack) (b. 1897).
In 1894, Plunkett part-edits Charles O’Kelly‘s memoir The Jacobite War in Ireland. By 1900, when he publishes the standard biography Sandro Botticelli, he is supplementing his income by renewed artistic studies, which until 1923 finances his lease of Kilternan Abbey, County Dublin. His Pinelli (1908) is followed by Architecture of Dublin, and, in 1911, by his revised edition of Margaret McNair Stokes‘s Early Christian Art in Ireland. In 1907, he becomes director of the National Museum of Ireland, where he increases annual visits from 100 to 3,000.
Joseph Plunkett swears his father into the Irish Republican Brotherhood (IRB) in April 1916, sending him secretly to seek German aid and a papal blessing for the projected Easter rising. After its defeat, Plunkett is sacked by the National Museum of Ireland and deported with the countess to Oxford, and the following January he is expelled by the Royal Dublin Society (RDS). This earns him nomination as the surviving rebels’ candidate in the North Roscommon by-election. He returns to Ireland illegally on January 31, 1917, and wins the seat easily three days later. Pledging abstention from attendance at Westminster in accordance with Sinn Féin policy, he initiates a Republican Liberty League, which coalesces with similar groups such as Sinn Féin. In October this front becomes the new Sinn Féin, committed to Plunkett’s republic rather than to the “king, lords and commons“ of Arthur Griffith. Plunkett and Griffith become the new party’s vice-presidents, under Éamon de Valera.
On May 18, 1918, Plunkett is interned again. Released after Sinn Féin’s general election landslide (in which he is returned unopposed), he presides, Sinn Féin’s oldest MP, at the planning meeting for Dáil Éireann on January 17, 1919, and at its opening session on January 21. On the 22nd he is made foreign affairs minister by Cathal Brugha, an appointment reaffirmed by de Valera on April 10. He criticises his president for advocating a continuing Irish external relationship with Britain, and fails to organise an Irish foreign service. In February 1921, de Valera makes Robert Brennan his departmental secretary and a ministry takes shape, while Plunkett publishes a book of poems, Ariel. After uncontested “southern Irish“ elections to the Second Dáil, de Valera moves his implacable foreign minister from the cabinet to a tailor-made portfolio of fine arts. Plunkett’s Dante sexcentenary commemoration is overshadowed by news of the Anglo–Irish Treaty. Opposing this, Plunkett cites his oath to the republic and its martyrs including his son. He leaves his ministry on January 9, 1922.
Plunkett chairs the anti-treaty Cumann na Poblachta, which loses the June general election, though he is returned again unopposed. In the Irish Civil War the treatyites intern him and the republicans appoint him to their council of state. In the August 1923 Irish general election, his first electoral contest since 1917, the interned count tops the poll in County Roscommon. He is released in December.
When de Valera forms Fianna Fáil in 1926, Plunkett stays with Sinn Féin, and loses his deposit in the June 1927 Irish general election. A year later he publishes his last poetry collection, Eros. He runs for a new Cumann Poblachta na hÉireann in a County Galway by-election in 1936, but loses his deposit again. On December 8, 1938, with the other six surviving abstentionist Second Dáil TDs, he transfers republican sovereignty to the IRA Army Council.
Plunkett is a big man with a black beard which whitens steadily after his fiftieth birthday. He is always formally pleasant and courteous. His oratory is described by M. J. MacManus as “level, cultured tones . . . [more] used to addressing the members of a learned society than to the rough and tumble of the hustings” (The Irish Press, March 15, 1948). Theoretically and practically, he is more scholar than politician. His portrait is on display at the Royal Society of Antiquaries of Ireland (RSAI).
Plunkett dies from cancer on March 12, 1948, and is buried in Glasnevin Cemetery, survived by his children Geraldine (wife of Thomas Dillon), Fiona, and Jack. His grandson Joseph (1928–66), son of George Oliver Plunkett, inherits the title.
(From: “Plunkett, Count George Noble” by D. R. O’Connor Lysaght, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Brennan is born in Dublin on January 6, 1917, one of four siblings, and grows up at 48 Cherryfield Avenue in the Dublin suburb of Ranelagh. She and her sisters are each named after ancient Irish Queens: Emer, Deirdre and Maeve. Her parents, Robert and Úna Brennan, both from County Wexford, are republicans and are deeply involved in the Irish political and cultural struggles of the early twentieth century. They participate in the 1916 Easter Rising but while Úna is imprisoned for a few days, Robert is sentenced to death. The sentence is commuted to penal servitude.
Robert’s continuing political activity results in further imprisonments in 1917 and 1920. Brennan is born while he was in prison. He is director of publicity for the anti-Treaty Irish Republican Army during the Irish Civil War. He also founds and is the director of The Irish Press newspaper. His imprisonments and activities greatly fragment her childhood. In her story The Day We Got Our Own Back she recounts her memory of how, when she was five, her home was raided by Irish Free State forces looking for her father, who was on the run.
Robert Brennan is appointed the Irish Free State’s first minister to the United States, and the family moves to Washington, D.C. in 1934, when Brennan is seventeen. She attends the Sisters of ProvidenceCatholic school in Washington, Immaculata Seminary, graduating in 1936. She then graduates with a degree in English from American University in 1938. She and her two sisters remain in the United States when her parents and brother return to Ireland in 1944.
Brennan moves to New York City and finds work as a fashion copywriter at Harper’s Bazaar in the 1940s. She also writes a Manhattan column for the Dublin society magazine Social and Personal, and writes several short pieces for The New Yorker magazine. In 1949, she is offered a staff job by William Shawn, The New Yorker‘s managing editor.
Brennan first writes for The New Yorker as a social diarist. She writ’s sketches about New York life in The Talk of the Town section under the pseudonym “The Long-Winded Lady.” She also contributes fiction criticism, fashion notes, and essays. She writes about both Ireland and the United States.
The New Yorker begins publishing Brennan’s short stories in 1950. The first of these stories is called The Holy Terror. In it, Mary Ramsay, a “garrulous, greedy heap of a woman” tries to keep her job as a ladies’ room attendant in a Dublin hotel.
Brennan’s work is fostered by William Keepers Maxwell, Jr., and she writes under The New Yorker managing editors Harold Ross and William Shawn. Although she is widely read in the United States in the 1950s and 1960s, she is almost unknown in Ireland, even though Dublin is the setting of many of her short stories.
A compendium of Brennan’s New Yorker articles called The Long-Winded Lady: Notes from the New Yorker is published in 1969. Two collections of short stories, In and Out of Never-Never Land (1969) and Christmas Eve (1974) are also published.
Brennan’s career does not really take off until after her death which leads many of her stories to be reintroduced to the public and many articles written about her up until her passing.
The love of Brennan’s life is reportedly writer and theatre critic/director Walter Kerr but he breaks off their engagement and marries writer Bridget Jean Collins.
In 1954, Brennan marries St. Clair McKelway, The New Yorker‘s managing editor. McKelway has a history of alcoholism, womanizing and manic depression and has already been divorced four times. She and McKelway divorce after five years.
Brennan is writing consistently and productively in the late 1960s. By the time her first books are published, however, she is showing signs of mental illness. Her previously immaculate appearance becomes unkempt. Her friends begin to find her eccentricities disturbing rather than entertaining. She becomes obsessive.
In the 1970s, Brennan becomes paranoid and alcoholic. Hospitalized on numerous occasions, she becomes destitute and homeless, frequently sleeping in the women’s lavatory at The New Yorker. She is last seen at the magazine’s offices in 1981.
In the 1980s, Brennan vanishes from view and her work is forgotten. After wandering from one transient hotel to another along 42nd Street, she is admitted to Lawrence Nursing Home in Arverne.
Brennan dies of a heart attack on November 1, 1993, aged 76, and is buried in Queens, New York City.
Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionistSligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.
After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with TheIrish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.
Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna FáilTDs, signaling the volatile politics of the early state years.
Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.
When Healy dies in 1934, Smyllie becomes editor of TheIrish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.
One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures TheIrish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.
During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.
Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on TheIrish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for HealthNoël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.
Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, TheIrish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.
In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.
In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.
Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.
Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.
In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.
In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.
Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.
In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.
In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”
Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”
In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”
In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”
During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.
After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.
In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.
Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.
In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.
In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”
In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”
Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.
The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.
Coogan’s particular focus is on Ireland’s nationalist/independence movement in the 20th century, a period of unprecedented political upheaval. He blames the Troubles in Northern Ireland on “Paisleyism.”
In 2000, Irish writer and editor Ruth Dudley Edwards is awarded £25,000 damages and a public apology by the High Court in London against Coogan for factual errors in references to her in his book Wherever Green is Worn: The Story of the Irish Diaspora (2000). In the book, he writes that Dudley Edwards had “groveled to and hypocritically ingratiated herself with the English establishment to further her writing career.” He also alleges that Dudley Edwards “had abused the position of chairwoman of the British Association for Irish Studies (BAIS) by trying to impose her political views on it” and that her commission to write True Brits had been awarded because of political favouritism.
When TaoiseachEnda Kenny causes confusion following a speech at Béal na Bláth by incorrectly claiming Michael Collins had brought Lenin to Ireland, Coogan comments, “Those were the days when bishops were bishops and Lenin was a communist. How would that have gone down with the churchyard collections?”
Coogan has been criticised by the Irish historians Liam Kennedy and Diarmaid Ferriter, as well as Cormac Ó Gráda, for a supposed lack of thoroughness in his research and bias:
“Well, I waited in this book to hear some great revelation, and it just isn’t there. It’s anticlimactic. I could not see the great plot, and indeed there is no serious historian who … I can’t think of a single historian who has researched the Famine in depth – and Tim Pat has not researched it in depth” (The Famine Plot).
“Coogan is not remotely interested in looking at what others have written on 20th-century Irish history…. he does not appear interested in context and shows scant regard for evidence. He does not attempt to offer any sustained analysis in relation to the challenges of state building, the meaning of sovereignty, economic and cultural transformations, or comparative perspectives on the evolution of Irish society. There is no indication whatsoever that Coogan has engaged with the abundant archival material relating to the subject matter he pronounces on. There is no rhyme or reason when it comes to the citation of the many quotations he uses; the vast majority are not referenced. For the 300-page text, 21 endnotes are cited and six of them relate to Coogan’s previous books, a reminder that much of this tome consists of recycled material…. Tim Pat Coogan… he is a decent, compassionate man who has made a significant contribution to Irish life. But he has not read up on Irish history; indeed, such is the paucity of his research efforts that this book amounts to a travesty of 20th-century Irish history” (1916: The Mornings After).
Margaret Brady is born to Patrick Brady, a coal merchant whose family are from County Meath, and Brigid Brady (née Savage) of Oldtown, Dublin. She is baptised in St. Lawrence O’Toole’s parish. At the time, her parents are living at 1 Clarence Street. She has three known siblings and is educated by the Sisters of St. Vincent de Paul. She is employed as a stationery shop assistant where she meets her future husband, James Pearse.
In 1877, she marries James Pearse at St. Agatha’s Church, off the North Strand. James is born in Bloomsbury, Middlesex, on December 8, 1839, and later lives in Birmingham. He comes to Ireland to work as a sculptor in the late 1850s with his first wife, Emily Susanna Fox, who dies in 1876. They have four children together. The first three children are Margaret Mary (born on August 4, 1878), Patrick (born on November 10, 1879) and William (born on November 15, 1881). All three children are born while the family lives in 27 Great Brunswick Street. Their youngest child, Mary Brigid, is born on September 29, 1888, by which time the family has moved to Newbridge Avenue, Sandymount. Pearse’s aunt, Margaret Brady, an Irish speaker, is a frequent visitor to the family home and encourages the children’s interest in the Irish language and culture. Her husband dies in 1900. Pearse does not permit her children to play with other children, however, she supports her children in all their aspirations. She has a very strong relationship and consequent effect on her eldest son, Patrick, who founds St. Enda’s School in 1908 and is the headmaster up until the time of his execution. She takes over the responsibility of Housekeeper at the school.
Pearse supports her sons’ political beliefs. After their execution, she wishes to maintain their legacy and becomes involved in political life. She joins Sinn Féin after the Rising and gives support and endorsement to candidates during the 1918 Westminster election. During the 1920 Poor Law Elections for the Rathmines area of Dublin, she stands as a Sinn Féin candidate and is elected on the first count. She is elected to Dáil Éireann as a Sinn Féin Teachta Dála (TD) for the Dublin County constituency at the 1921 Irish elections.
Pearse strongly opposes the Anglo-Irish Treaty, as do all the female TDs. She states during the Treaty debate that:
“I rise to support the motion of our President for the rejection of the Treaty. My reasons for doing so are various, but my first reason for doing so I would like to explain here today is my son’s account. It has been said here on several occasions that Patrick Pearse would have accepted this Treaty. I deny it. As his mother I deny it, and on his account, I will not accept it.”
Later she continues in a similar vein:
“Always we had to be on the alert. But even the Black and Tans alone would not frighten me as much as if I accepted this Treaty; because I feel in my heart – and I would not say it only I feel it – that the ghosts of my sons would haunt me.”
Following the ratification of the Treaty Pearse leaves the Dáil with the other anti-Treaty deputies. She is defeated at the 1922 Irish general election. She supports those who oppose the Treaty during the Irish Civil War and continues to be a member of Sinn Féin until 1926. In 1926 she leaves the party conference with Éamon de Valera and becomes a founder member of Fianna Fáil. She never stands for election again.
At the launch of The Irish Press newspaper, Pearse is asked to press the button to start the printers rolling. At many public occasions she states that were her sons alive they too would have joined Fianna Fáil. Accordingly, Patrick Pearse is recognised as the spiritual figurehead of the party to this day.
After Patrick’s death, the responsibility for running the school falls to Pearse and her two daughters. As Patrick Pearse had died without a will, the school is left in a precarious financial position. In May 1924, when she is aged 70, she undertakes a trip to the United States to raise funds for the school, alongside showing support for Éamon de Valera and the Irish Republic. At an event in Brooklyn on May 19, 1924, when referencing the execution of her two sons, she declares herself the “proudest mother in Ireland.” She also states that Michael Collins had attempted to “bribe” her with an offer to subsidise the school, which she refused. During a meeting in Seattle on August 11, 1924, she again discusses her sons and how she believes “the best way to honour their memory was to carry on their work for Ireland.” She raises over $10,000 in donations for the school during the trip. Notwithstanding her fundraising activities, St. Enda’s continues to decline and eventually closes in 1935. Great Brunswick Street, where she and the Pearse family originally lived, is renamed Pearse Street in 1920 by a resolution passed at the Dublin City Council meeting.
Pearse dies on April 22, 1932. She is honoured with a large state funeral and a motion is passed at the meeting of Dublin City Council expressing sympathy with the Pearse family. On April 26, 1932, sizeable crowds pay their respects as her funeral procession makes its way through the streets of Dublin. At the General Post Office (GPO), where Patrick and William fought during the Easter Rising, the funeral cortege pauses for a minute of silence before proceeding to Glasnevin Cemetery. Éamon de Valera gives an oration as she is laid to rest, which praises her inspiring courage, charity and cheerfulness during the years after her son’s death.
After Pearse’s death, her daughter, Mary Margaret, continues to reside at St. Enda’s. She also joins Fianna Fáil, and serves as a TD from 1933 to 1937 and later serves in Seanad Éireann as a Senator from 1938 until her death in 1968. Upon her death, as per her mother’s request, she passes St. Enda’s on to the people of Ireland.
Blackham is born in London, England, on December 16, 1891. His father, William George Blackham, is an Ulster Protestant from Newry, while his mother is an Englishwoman named Evison Elizabeth Saunders. An uncle is Robert J. Blackham who is the Surgeon-General to the British Army in Ireland. The family are evangelical Protestants, against which he rebels. Having been brought up to take the Bible literally, he suffers a religious crisis upon the realisation his teachers at school do not. He finds the transition to adulthood difficult, particularly due to the early death of his father.
For a time, Blackham moves in socialist circles, under the influence of Ulster socialist Robert Wilson Lynd. However, upon the discovery that his father had been a Protestant who had been in favour of Irish home rule and also had some republican sympathies, he turns toward Irish nationalism.
Blackham becomes involved in the Gaelic League while in London. he Gaelicizes his name to Aodh Sandrach de Blácam or Hugh de Blácam, despite his non-Gaelic ethnic origin. He learns the Irish language from the essayist Robert Wilson Lynd. During this time, he seeks to synthesize his urge to reclaim his sense of Irish nationality with the works and thoughts of hardline Catholic author G. K. Chesterton. It is partially because of Chesterton’s influence that he converts to Catholicism, although the conversion of Protestant Irish Nationalists to Catholicism is common throughout the early 20th century. Another influence upon his decision to convert is his desire to marry Catholic Mary McCarville of County Monaghan.
In May 1914 de Blácam returns to Ireland and begins working as a freelance journalist. He joins the Enniscorthy Echo as a journalist in 1915.
During the Irish War of Independence de Blácam writes nationalist propaganda alongside Arthur Griffith and Herbert Moore Pim. He is interned by the British in 1919. During this time period he writes two political manifestoes: Towards the Republic; a study of new Ireland’s social and political aims (1918) and What Sinn Féin Stands For (1921). The two books argue that at their root, Catholic social teaching (CST) and Bolshevism are essentially identical and that Ireland, having only experienced feudalism and capitalism because of external forces, can skip many of the phrases normally described in the Marxist Trajectory of historical development and go straight to a soviet-type society, an idea not dissimilar to the two-stage theory. He imagines this soviet-type society to be an Irish-speaking decentralised rural cooperative commonwealth. Critics of Sinn Féin frequently cite his works as proof of the infeasibility of Sinn Féin’s aims.
De Blácam opposes the Anglo-Irish Treaty and subsequently aids the Anti-Treaty Irish Republican Army (IRA) during the Irish Civil War. For this he is interned by the newly created Irish Free State in 1922. Following his release, he continues to pin his flag to the mast of Éamon de Valera and his newly formed Fianna Fáil party. He believes De Valera fully embodies his own political ideas.
During the 1920s de Blácam joins The Irish Times, which he later leaves to become editor of The Catholic Standard. For seventeen years he writes a feature in the Fianna Fáil aligned The Irish Press called “Roddy the Rover.”
It was also during the 1920s that de Blácam moves to Dublin, where he begins to move in the same circles as George Bernard Shaw, George Russell, and W. B. Yeats. He hopes all three men might one day convert to Catholicism as he did and is sorely disappointed when each do not. Upon the death of Yeats, he goes so far as to refer to Yeats’ poem as “Demonic.” He has similar hopes for Peadar O’Donnell but is similarly disappointed in his lack of interest in conversion.
In 1938 de Blácam publishes The Black North, a book which carries an introduction by de Valera. In the book he argues that Ulster Protestants are in actuality both Irish and Catholic, but they simply do not realise it. Among his arguments to support this idea are the suggestions that the presbyterian emphasis on self-government is derived from the Gaelic clan tradition, that presbyterian “kailyard” writers of rural nostalgia such as Lydia Mary Foster exemplify the naturally Irish piety and purity of her co-religionists, and that the fact that some workers commute from the Armagh borderland to work in Dundalk factories prove that the south is better off economically than the north.
It is suggested de Blácam is an influence upon de Valera’s 1943 broadcast “The Ireland That We Dreamed Of.” Politically he is highly considered about rural depopulation and is involved in a number of organisations seeking to end it. He advocates more economic autarky and cultural protectionism to combat rural depopulation and lamented urbanisation and industrialisation. He also tries to convince the Fianna Fáil executive that they should ban women from emigration as well as ban women from factories in order to force women to remain in rural Ireland. His ideas fail to impress the executive, with Seán MacEntee in particular standing in strong disagreement.
De Blácam is a member of the Fianna Fáil executive until 1947, when he defects to the upstart Irish Republican party Clann na Poblachta. For this move he is immediately fired from The Irish Press. He stands for Clann na Poblachta in the Louth constituency at the 1948 Irish general election but is not elected.
During the brief period in which Clann na Poblachta is in government, de Blácam serves as an official spokesman for the Department of Health and as a speechwriter to Noël Browne, the embattled Minister for Health.
De Blácam dies while working in the Custom House on January 16, 1951. His funeral is attended by many dignitaries including TaoiseachJohn A. Costello and former Taoiseach Éamon de Valera. He is buried in New Mellifont Abbey, County Louth.
Mac Thomáis comes from a staunch Republican family. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore, Dublin. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.
At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.
Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.
Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.
From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.
seamus dubhghaill 