The 32CSM has been described as the “political wing” of the now defunct Real Irish Republican Army (RIRA), but this is denied by both organisations. The group originates in a split from Sinn Féin over the Mitchell Principles.
Those present at the initial meeting are opposed to the direction taken by Sinn Féin and other mainstream republican groups in the Northern Ireland peace process, which leads to the Belfast Agreement (also known as the Good Friday Agreement) the following year. The same division in the republican movement leads to the paramilitary group now known as the Real IRA breaking away from the Provisional Irish Republican Army at around the same time.
Most of the 32CSM’s founders had been members of Sinn Féin. Some had been expelled from the party for challenging the leadership’s direction, while others felt they had not been properly able to air their concerns within Sinn Féin at the direction its leadership had taken. Bernadette Sands McKevitt, wife of Michael McKevitt and a sister of hunger strikerBobby Sands, is a prominent member of the group until a split in the organisation.
The name refers to the 32 counties of Ireland which are created during the Lordship and Kingdom of Ireland. With the partition of Ireland in 1920–22, twenty-six of these counties form the Irish Free State which is abolished in 1937 and is now known as Ireland since 1949. The remaining six counties of Northern Ireland remain part of the United Kingdom. Founder Bernadette Sands McKevitt says in a 1998 interview with the Irish Mirror that people did not fight for “peace” – “they fought for independence” – and that the organisation reaffirms to the republican position in the 1919 Irish Declaration of Independence.
Before the referendums on the 1998 Good Friday Agreement, the 32CSM lodges a legal submission with the United Nations challenging British sovereignty in Ireland. The referendums are opposed by the 32CSM but are supported by 71% of voters in Northern Ireland and by 94% in the Republic of Ireland. It is reported in February 2000 that the group established a “branch” in Kilburn, London.
In November 2005, the 32CSM launches a political initiative titled Irish Democracy, A Framework for Unity.
On May 24, 2014, Gary Donnelly, a member of the 32CSM, is elected to the Derry City and Strabane District Council. In July 2014, a delegation from the 32CSM travels to Canada to take part in a six-day speaking tour. On arrival the delegation is detained and refused entry into Canada.
In 2015, the 32CSM organises a demonstration in Dundee, Scotland, in solidarity with the men convicted of shooting Constable Stephen Carroll, the first police officer to be killed in Northern Ireland since the formation of the PSNI. The organisation says the “Craigavon Two” are innocent and have been victims of a miscarriage of justice.
The group is currently considered a Foreign Terrorist Organization (FTO) in the United States, because the group is considered to be inseparable from the Real IRA, which is designated as an FTO. At a briefing in 2001, a spokesman for the U.S. Department of State states that “evidence provided by both the British and Irish governments and open-source materials demonstrate clearly that the individuals who created the Real IRA also established these two entities to serve as the public face of the Real IRA. These alias organizations engage in propaganda and fundraising on behalf of and in collaboration with the Real IRA.” The U.S. Department of State’s designation makes it illegal for Americans to provide material support to the Real IRA, requires U.S. financial institutions to block the group’s assets and denies alleged Real IRA members visas into the U.S.
The 32CSM also operates outside of the island of Ireland to some extent. The Gaughan/Stagg Cumann covers England, Scotland and Wales, and has an active relationship of mutual promotion with a minority of British left-wing groups and anti-fascist organisations. The James Larkin Republican Flute Band in Liverpool, and the West of Scotland Band Alliance, the largest section of which is the Glasgow-based Parkhead Republican Flute Band, are also supporters of the 32CSM. As of 2014, the 32CSM’s alleged paramilitary wing, the Real IRA, is reported to have been still involved in attempts to perpetrate bombings in Britain as part of the Dissident Irish Republican campaign, which has been ongoing since 1998.
Luby is born in Dublin on January 16, 1822, the son of a Church of Ireland clergyman from Templemore, County Tipperary, his mother being a Catholic. He is educated at Trinity College Dublin where he studies law and puts in the necessary number of terms in London and Dublin where he acquires a reputation as a scholar and takes his degree. He goes on to teach at the college for a time.
In 1851 Luby travels to France, where he hopes to join the French Foreign Legion to learn infantry tactics but finds the recruiting temporarily suspended. From France he goes to Australia for a year before returning to Ireland. From the end of 1855 he edits the Tribune newspaper founded by John E. Pigot who had been a member of The Nation group. During this time, he remains in touch with the small group of ’49 men including Philip Gray and attempts to start a new revolutionary movement. Luby’s views on social issues grow more conservative after 1848 which he makes clear to James Stephens whom he meets in 1856.
In the autumn of 1857 Owen Considine arrives with a message signed by four Irish exiles in the United States, two of whom are John O’Mahony and Michael Doheny. The message conveys the confidence they have in Stephens and asks him to establish an organisation in Ireland to win national independence. Considine also carries a private letter from O’Mahony to Stephens which is a warning, and which is overlooked by Luby and Stephens at the time. Both believe that there is a strong organisation behind the letter, only later to find it is rather a number of loosely linked groups. On December 23, Stephens dispatches Joseph Denieffe to America with his reply which is disguised as a business letter dated and addressed from Paris. In his reply, Stephen’s outlines his conditions and his requirements from the organisation in America.
On March 17, 1858, Denieffe arrives in Dublin with the acceptance of Stephens’s terms by the New York Committee and the eighty pounds. On that very evening the Irish Republican Brotherhood is established in Peter Langan’s timberyard in Lombard Street.
In mid-1863 Stephens informs his colleagues he wishes to start a newspaper, with financial aid from O’Mahony and the Fenian Brotherhood in America. The offices are established at 12 Parliament Street, almost at the gates of Dublin Castle. The first issue of the Irish People appears on November 28, 1863. The staff of the paper along with Luby are Charles J. Kickham and Denis Dowling Mulcahy as the editorial staff. Jeremiah O’Donovan Rossa and James O’Connor have charge of the business office, with John Haltigan being the printer. John O’Leary is brought from London to take charge in the role of Editor.
On July 15, 1865, American-made plans for a rising in Ireland are discovered. Superintendent Daniel Ryan, head of the G Division of the Dublin Metropolitan Police at Dublin Castle, has an informer within the offices of the Irish People who supplies him with an “action this year” message on its way to the IRB unit in Tipperary. With this information, Ryan raids the offices of the Irish People on Thursday, September 15, followed by the arrests of Luby, O’Leary and O’Donovan Rossa. Kickham is caught after a month on the run. Stephens is also caught with the support of Fenian prison warders. The last number of the paper is dated September 16, 1865.
After his arrest and the suppression of the Irish People, Luby is sentenced to twenty years of penal servitude. He is released in January 1871, but is compelled to remain away from Ireland until the expiration of his sentence.
Upon his release Luby goes first to the Continent and later settles in New York City. He lectures all over the country for years and writes for a number of Irish newspapers on political topics. At the memorial meeting on the death of John Mitchel, he delivers the principal address in Madison Square Garden.
Thomas Clarke Luby dies at 109½ Oak Street, Jersey City, New Jersey of paralysis, on November 29, 1901, and is buried in a grave shared with his wife in Bayview Cemetery in Jersey City. His epitaph reads: “Thomas Clarke Luby 1822–1901 He devoted his life to love of Ireland and quest of truth.”
O’Sullivan is a member of the Irish Republican Army and is one of three IRA men to die on hunger strike in 1923. IRA VolunteersJoseph Whitty from Wexford dies on September 2, 1923, and Denny Barry from Riverstick, County Cork, dies on November 20, 1923, in the Curragh Camp hospital. Whitty, Barry and O’Sullivan are three of the twenty-two Irish Republicans in the 20th century who die on hunger strike.
O’Sullivan is born in Denbawn, County Cavan, in 1882, the eldest of eight children. His father, Michael Sorohan, emigrates to the United States but returns to take over the family farm. O’Sullivan works on the family farm but wins a scholarship provided by the local newspaper, The Anglo-Celt, to Monaghan Agricultural College. From there he wins another scholarship to the Royal Albert College in Dublin and attends the college as a full-time student from 1907 to 1909. He graduates as one of the top students in his year and is also elected head of the student union, the highest elected position in the college. In addition, he is secretary of the college hurling team which is undefeated after fourteen games in 1909.
In 1909, O’Sullivan gets a job as an agricultural instructor in the Mallow area of County Cork. In addition to educating and advising local farmers on crops and new techniques, he also judges local agricultural shows.
O’Sullivan is a captain in the IRA in the intelligence unit during the Irish War of Independence. He begins his intelligence activities in 1917 using the code name W.N. – the last 2 letters of his first and last name.
During the Irish Civil War O’Sullivan is officer commanding (OC) Administration in the North Cork area and later in the IRA’s 1st Southern Cork Division, where he had been appointed by Liam Lynch. He dedicates his life to the establishment of an Irish Republic: “His ideal and his goal was a Republic, and he went straight ahead working to achieve it. Nothing else bothered him.” After the signing of the 1921 Anglo-Irish Treaty, he joins the anti-treaty side during the Irish Civil War.
During the Irish Civil War, O’Sullivan is arrested by Free State forces and interned in Mountjoy Prison. In 1923, after the end of the war, thousands of interned Irish republicans protest being held without trial, poor prison conditions and being treated as convicts rather than political prisoners. On October 13, 1923, Michael Kilroy, the OC of the IRA prisoners in Mountjoy Prison, announces that 300 men will go on hunger strike. This action starts the 1923 Irish hunger strikes. Within days, thousands of Irish republican prisoners are on hunger strike in multiple prisons and internment camps across Ireland. The mass hunger strike of 1923 starts at midnight on October 14, 1923. Previously, the Free State government had passed a motion outlawing the release of prisoners on hunger strike. However, because of the large numbers of Republicans on strike, at the end of October, the Government sends a delegation to speak with the IRA leadership. On November 23, 1923, the day after o’Sullivan’s death, the 41-day hunger strike is called off, setting in motion a release program for many of the prisoners. However, some are not released until as late as 1932.
O’Sullivan dies at the age of 41 on November 22, 1923, in St. Bricin’s Military Hospital, Dublin, after 40 days on hunger strike. He is buried in the republican plot in Saint Gobnait’s Cemetery, Goulds Hill, Mallow, County Cork, on November 27, 1923. His funeral cortège is reported to be a mile in length.
O’Sullivan’s name is commemorated on a statue that stands outside Cavan Courthouse in Farnham Street, Cavan, County Cavan.
Wallace is born into a family of twelve children. He graduates from University College Dublin (UCD) with a teaching qualification. He marries Mary Murphy from Duncormick, County Wexford, in 1979. The couple has two sons, but the marriage ends when the children are young. He has two more children from another relationship in the 1990s.
Prior to entering politics, Wallace owns a property development and construction company completing developments such as the Italian Quarter in the Ormond Quay area of the Dublin quays. The company later collapses into liquidation, with him finally being declared bankrupt on December 19, 2016.
On December 15, 2011, Wallace helps to launch a nationwide campaign against the household charge which is introduced as part of the 2012 Budget.
Wallace is the listed officer of the Independents 4 Change, which is registered to stand for elections in March 2014 and, along with Clare Daly, is one of two MEPs which represent the party in the European parliament. During their time in the Dáil, Wallace and Daly, the Dublin North TD, become friends and political allies, and work together on many campaigns, including opposition to austerity and highlighting revelations of alleged Garda malpractices, including harassment, improper cancellation of penalty points and involvement of officers in the drug trade. They are partially active in protesting the Garda whistleblower scandal, which eventually leads to the resignation of Minister for JusticeFrances Fitzgerald, although she is later cleared of wrongdoing by the Charleton Tribunal.
In July 2014, Wallace and Daly are arrested at Shannon Airport while trying to board a U.S. military aircraft. He says the airport is being used as a U.S. military base and that the government should be searching the planes to ensure that they are not involved in military operations or that there are no weapons on board. He is fined €2,000 for being in an airside area without permission and chooses not to pay. He is sentenced to 30 days in prison in default, and in December 2015 is arrested for non-payment of the fine.
In December 2015, Wallace and independent TDs Clare Daly and Maureen O’Sullivan each put forward offers of a €5,000 surety for a man charged with membership of an unlawful organisation and with possession of a component part of an improvised explosive device.
At the 2016 Irish general election, Wallace stands as an Independents 4 Change candidate and is re-elected, finishing third on the first-preference count with 7,917 votes.
In 2017, Wallace calls on Ireland to join the Boycott, Divestment and Sanctions movement against Israel and “condemn the illegal expansion of Israeli settlements on Palestinian lands as well as the ongoing human rights abuses against Palestinians.”
Wallace is criticised for supporting Venezuela, Ecuador, China, Russia, Belarus and Syria during his period as an MEP. In November 2020, he refers to Belarusian opposition presidential candidate Svetlana Tikhanovskaya as a “pawn of western neoliberalism.” In February 2021, he is reprimanded for using a swear word during a session of the European Parliament. He has referred to Venezuelan opposition leader Juan Guaidó as being an “unelected gobshite.”
In April 2021, Wallace and Daly are called “embarrassments to Ireland” by Fianna Fáil‘s Malcolm Byrne after the two MEPs had travelled to Iraq and visited the headquarters of the Popular Mobilization Forces, an Iraqi militia supported by Iran.
Wallace questions the director general of the Organisation for the Prohibition of Chemical Weapons (OPCW), Fernando Arias, in the European Parliament in April 2021. He accuses the OPCW of falsely blaming the government of Bashar al-Assad for the 2018 Douma chemical attack. He says that, while he does not know what had happened in Douma, the White Helmets were “paid for by the U.S. and UK to carry out regime change in Syria.” Fianna Fáil’s Barry Andrews calls his accusation against the White Helmets a conspiracy theory and disinformation. French MEP Nathalie Loiseau describes his comments as “fake news” and apologises on his behalf to NGO groups in Syria.
In June 2021, Wallace and Daly are among the MEPs censured by the European Parliament’s Democracy Support and Election Coordination Group for acting as unofficial election-monitors in the December 2020 Venezuelan parliamentary election and April 2021 Ecuadorian general election without a mandate or permission from the EU. They are barred from making any election missions until the end of 2021. They are warned that any further such action may result in their ejection from the European parliament under the end of their terms in 2024.
Wallace has stated his opposition to vaccination certificates. He says, “I’m not anti-vax but we’re going down a dangerous path with COVID pass” and expresses concerns about civil liberties. Both Wallace and Daly have refused to present vaccination certs upon entering the European Parliament, resulting in them being reprimanded by the European Parliament.
In April 2022, Wallace and Daly initiate defamation proceedings against RTÉ.
In November 2022, Wallace criticises protests in Iran following the death of Mahsa Amini, accusing some protestors of violence and destruction and saying it “would not be tolerated anywhere.”
In February 2023, Wallace claims on social media that he has “three wine bars in Dublin.” This arouses alarm from his European parliamentary group, as no such assets were listed on his mandatory declaration of financial interests. After the chair of his parliamentary group calls any omission from the declaration “unacceptable” and not “worthy of our political group,” he amends his declaration to state that he is an “advisor” to the three wine bars and receives up to €500 a month in income for this role.
Joyce is brought up between Mary Street, in the city centre, and the GalwayGaeltacht. Galway is the ancestral home of both his mother’s and father’s families, and Patrick Weston Joyce, historian, writer and collector of Irish music, and Robert Dwyer Joyce, poet, writer and fellow collector of music, are numbered among his great granduncles. Recent poems such as “Trem Neul” see Joyce appropriate elements of the folk music gathered by Patrick Weston Joyce and engage ideas of lineage and transmission.
Joyce’s early books include Sole Glum Trek (1967), Watches (1969), Pentahedron (1972) and The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text (1976). The last of these is a version of the Middle-Irish Buile Shuibhne, well known from Seamus Heaney‘s later translation in Sweeney Astray (1983).
After a near-total silence for 20 years, Joyce resumes publishing in 1995 with stone floods, followed by Syzygy and Without Asylum (1998). In 2001, with the first dream of fire they hunt the cold is published, which gathers all of the poet’s major work from 1966 to 2000. In 2007, What’s in Store: Poems 2000–2007 appears, and in 2009 he publishes Courts of Air and Earth. His work appears in many anthologies, including Keith Tuma’s Anthology of Twentieth-Century British and Irish Poetry and Patrick Crotty’s The Penguin Book of Irish Poetry.
Joyce’s poetry employs a wide range of forms and techniques, ranging from traditional to modern experimentalism. He has published notable versions from Chinese and from the middle-Irish, which he refers to as “workings” rather than “translations” to emphasise that they are poetic reimaginings in the tradition of Ezra Pound rather than “straight” translations.
A collected poems up to 2000, including his “workings” from the Irish and Chinese, is published as with the first dream of fire they hunt the cold (2001). He also experiments with web-based poetry projects such as the collaborative project OffSets. A collection of his post-with the first dream work, What’s in Store, is published in 2007. A separate collection of new and old translations from the Irish, entitled Courts of Air and Earth, is issued by Shearsman in 2009 and is shortlisted for the Popescu Prize for European Poetry in Translation 2009.
Joyce also publishes several papers on contemporary poetics, and lectures and gives public readings of his work throughout Ireland, the UK and the United States.
Awarded a Literary Bursary by the Irish Arts Council in 2001, Joyce is a Fulbright Scholar for the year 2002–03. In 2004 he is elected a member of Aosdána, the Irish affiliation of artists, and is the first writer to be awarded a fellowship by the Ballinglen Arts Foundation. He holds the Judith E. Wilson Fellowship for poetry to the University of Cambridge for 2009-10. In 2017 he is named by previous winner, the English poet Tom Raworth, as the latest recipient of the biennial N. C. Kaser prize for poetry.
Deane is born on December 2, 1879, in New Ross, County Wexford, and grows up in Clontarf, a suburb of Dublin. His family lives close to the families of both Bram Stoker and his wife, Florence Balcombe, and his mother had been acquainted with Bram Stoker in her youth.
Deane enters the theater as a young man, first appearing in 1899 with the Henry Irving Company, of which Stoker is stage manager for many years. Even before he forms his own troupe in the early 1920s, he has been thinking about bringing Dracula to the stage. Stoker had attempted this in 1897 but the verdict from Irving consigned it to the waste-paper basket. Unable to find a scriptwriter to take on the project, Deane writes the play himself in a four-week period of inactivity while he is suffering with a severe cold. He then contacts Florence Stoker, Bram’s widow, and negotiates a deal for the dramatic rights.
To stage the production, Deane is required to submit the completed script to the Lord Chamberlain for a license under the Theatres Act 1843. The play is censored to limit violence – for example, the count’s death cannot be shown to the audience – but is approved on May 15, 1924.
Deane re-imagines Count Dracula as a more urbane and theatrically acceptable character who could plausibly enter London society. It is Deane’s idea that the count should wear a tuxedo and stand-up collar, and a flowing cape which conceals Dracula while he slips through a trap-door in the stage floor, giving the impression that he has disappeared. He also arranges to have a uniformed nurse available at performances, ready to administer smelling salts should anyone faint.
Deane’s play premieres on August 5, 1924, at the Grand Theatre in Derby, England. Despite critics’ misgivings, the audiences love it. Although he originally intended to play the title role himself, Raymond Huntley plays the role of the Count and Deane fills the role of Van Helsing. It is a huge success and the production tours England for three years before settling in London, where it opens at the Little Theatre in the Adelphi on February 14, 1927. It later transfers to the Duke of York’s Theatre and then the Prince of Wales Theatre to accommodate larger audiences.
When the play crosses the Atlantic in 1927, the role of Dracula is taken by the then-unknown Hungarian-American actor Bela Lugosi. For its United States debut, Dracula is rewritten by the American playwright John L. Balderston. The show runs for a year on Broadway and for two more years on tour, breaking all previous records for any show put on tour in the United States. It is the Deane/Balderston interpretation upon which the classic Tod Browning film Dracula (1931) is based.
Greacen is the only child of Henry Greacen and his wife Elizabeth (née McCrea). His father comes from a Presbyterian farming background in County Monaghan and, at one time, holds a position as a creamery manager, but is a heavy drinker and fails in several businesses. Most of his childhood is spent with his maternal grandmother and aunts when his parents temporarily separate. He briefly attends two local primary schools in Belfast, but when his father receives insurance compensation after his Belfast business burned down, he takes his family to the Castleblayney area in County Monaghan and for a short time goes back to farming. He goes to a national school there, but after another fire destroys the farmhouse, the Greacens return to Belfast to run the Kenilworth, a tobacconist’s shop on the Newtownards Road. He attends Templemore primary school and then enters Methodist College Belfast in 1933.
Greacen mostly enjoys school, though he is too short-sighted to participate with success in any sport, and sometimes, because of his background, feels out of his depth among middle-class children. He is always ashamed of his father’s drunken outbursts and is terrified of the violent temper which accompanies them. Literature provides both a temporary escape and the promise of future success. His first poems are published in school magazines, and he decides at a young age to try to make a career as a writer. He fails examinations and interviews for positions in a bank and an insurance company and instead starts studying history and English at Queen’s University Belfast.
At Queen’s, as earlier at Methodist College, the interests which characterise Greacen’s later career are apparent. Largely thanks to meeting John Boyd, he develops sympathies with left-wing political ideas, as well as a deepened commitment to poetry. His youthful 1930s enthusiasm for Marxism disappears after the Molotov-Ribbentrop Pact of 1939 between the Soviet Union and Nazi Germany, but up to his later years he describes himself as a socialist. The formation of enduring friendships and mutually supportive coteries, a phenomenon particularly characteristic of the Ulster literary scene of the period, continues to be of great importance throughout his life. He makes friends with almost all the significant figures in Belfast, especially Roy McFadden, John Hewitt and Sam Hanna Bell. At Queen’s, he and a friend take over in 1940 the editing of a student magazine, The Northman. They try with short-lived, limited success to make it a literary journal for the whole region, so as to enable aspiring poets to get work into print. His own early poems appear in The Bell, and he writes some pieces for the left-wing Irish Democrat newspaper. His poem The Bird (1941) is well reviewed and later appears in anthologies. In 1942 he publishes Poems from Ulster, a small anthology including work by his friends.
For several months, Greacen worships from afar a fellow student named Irene. When he fails to form a relationship with her, he stops going to lectures so that he does not have to see her and does not finish his degree. His McCrea relatives pay for him to go to Trinity College Dublin in 1943 to take a diploma in social work. He is glad to get away from wartime Belfast and never lives there again. At first, he enjoys Dublin, and again makes many friends, among them Brendan and Beatrice Behan, Blanaid Salkeld, Cecil ffrench Salkeld, Joseph and Mary O’Neill, Douglas Gageby, Arland Ussher and Hubert Butler. He and Patrick Kavanagh live in the same boarding house on Raglan Road for several months in 1945, but Kavanagh takes offence at a review in Horizon by Greacen of his poem The Great Hunger and calls him a “Protestant bastard.” Greacen is upset, as he had thought the review favourable, and is disappointed but not surprised when Kavanagh refuses to allow any of his poems to appear in the prestigious Faber and Faber book Contemporary Irish Poetry, edited by Greacen and Valentin Iremonger in 1949.
The collaborative compilation of anthologies of poetry is Greacen’s characteristic way of working. In 1942, he and Alex Comfort edit Lyra: An Anthology of New Lyric. With Roy McFadden, he edits Ulster Voices in 1943. He is sole editor of Northern Harvest in 1944 and, in the same year, he, Bruce Williamson and Valentin Iremonger publish their own work in On the Barricades. His own first solo collection, One Recent Evening, is also a 1944 imprint. In 1946, with support from Maurice Fridberg, a Jewish Dublin and London bookseller, his publishing company, New Frontiers Press, produces Irish Harvest, which, though designed on more ambitious lines, still consists chiefly of poems by his friends. He feels much more affinity with the modernism and social protest that he finds in contemporary English poetry, especially in the “new apocalypse” movement associated with Herbert Read, and later the “new romantics,” than with what he regards as the outmoded Celtic nationalism of W. B. Yeats and his followers. Like others of his contemporaries, he comes to resent the unquestioned shibboleths of life in Ireland, and particularly objects to the censorship of literature and film.
Consequently, when Greacen’s second small volume of poems, The Undying Day (1948), sells badly, and other avenues seem unpromising, he and his wife give up on Dublin and move to London. He finds a job with the United Nations Association, which suits his outlook and ideals. However, when he is made redundant, he has to take various jobs in adult education, in creative-writing courses, and in teaching English as a foreign language, in the City of London College, the City Literary Institute, and West London College. He retires in 1986. His involvement with the London literary world continues throughout his career, as he gets to know many of the leading figures, including Stephen Spender and T. S. Eliot, and he organises poetry readings and other projects, though he himself writes no poetry for more than twenty years. At one time he considers taking up journalism and continues to produce book reviews and articles in journals, as well as many letters to newspapers. He writes several, well-received short works of criticism, in particular, The Art of Noël Coward (1953) and The World of C. P. Snow (1962). After returning to Dublin in 1986, he writes an interesting memoir about his many friends and acquaintances, Brief Encounters: Literary Dublin and Belfast in the 1940s (1991) and Rooted in Ulster: Nine Northern Writers (2000).
Greacen marries Patricia Hutchins in Fisherwick Presbyterian Church in Belfast on April 10, 1946. She is from a Protestant family who has a small estate at Ardnagashel, near Bantry, County Cork, and is related to the botanist Ellen Hutchins. They have one daughter, Arethusa, but, after four years of separation, the marriage ends in divorce in 1966. He resents his wife’s conversion to vegetarianism and seems also to disapprove of her desire to achieve her own career goals. Probably also the depression he experiences throughout the 1950s contributes to the breakdown of the marriage, but he feels that twelve experiences in the early 1960s with the hallucinogenic drug LSD, under the guidance of a psychiatrist, had cured him. After the LSD treatments he feels that he is ready to begin working on an autobiography, Even Without Irene, published several years later in 1969. This comes out again in an enlarged version in 1995, and, still further augmented, as The Sash My Father Wore (1997).
Greacen begins to publish poetry again in his fifties, in A Garland for Captain Fox (1975). Poems about the career and friends of an imaginary, sophisticated adventurer do not always strike the exactly right note but are popular and mark a new beginning for him, who increasingly writes elegiacally about personalities, real and fictional, in more restrained diction and with careful irony. In interviews, he denies that Captain Fox is his own alter ego, but the interplay between the character of Fox and elements of his creator’s own life suggests a metaphor for the poet’s creative process, as well as reminding the reader of the poet friends whose support means much to his writing in real life. At the very least, Captain Fox becomes what could be called a character of virtual reality for his creator.
Greacen’s later poetry collections include Young Mr. Gibbon (1979), A Bright Mask (1985), Carnival at the River (1990), Collected Poems 1944–1994 (1995; awarded The Irish Times Literature Prize for Poetry in that year), Protestant Without a Horse (1997), Captain Fox: A Life (2000), Lunch at the Ivy (2002), Shelley Plain (2002), and Selected and New Poems (2006).
On his return to Dublin in 1986, Greacen for a time shares a flat on Anglesea Road with Beatrice Behan, until he finds her dead in her bed in 1993. In later years he lives in a flat in Sandymount. He is elected to membership of Aosdána in 1986, and during his later years in Dublin enjoys the status of a senior figure in the world of literature. He gives readings in the United States, appears often on RTÉ radio programmes, and has poems republished in anthologies. There was even one poem displayed on the Dublin Dart suburban rail network, St. Andrew’s Day: An Elegy for Patricia Hutchins, perhaps his best work. Perhaps only a few of his poems have been lodged in the public memory, but it is appropriate, given the themes of his career, that his work will be read with most attention by poets and by scholars, and that his reputation in the future may largely be based on his friendships with other poets.
Watchorn first comes to prominence in 1969 as the lead singer of The Quare Fellas, a Dublin-based ballad group. They evolve into the Dublin City Ramblers in the early 1970s and with Watchorn as their lead singer they have hits with songs such as “The Rare Ould Times” and “The Ferryman,” both of which are written by Pete St. John.
Watchorn also writes and sings the Irish Football Team anthem, “We are the Boys in Green” (Home & Away album), with The Dublin City Ramblers for the teams European Championship campaign in Germany and again for the 1990 FIFA World Cup in Italy. The lyrics change slightly in both releases in 1988 and 1990.
In 1995, Watchorn leaves The Dublin City Ramblers and makes a number of solo albums. He joins The Dubliners in 2005, taking Paddy Reilly‘s place. He is well received throughout Ireland, the United Kingdom, Europe, Australia and the United States. He appears on their Tour Sampler EP in 2005, as well as the double album Live at Vicar Street (2006). He plays the banjo, bodhrán and spoons. He cites Luke Kelly, former lead singer with The Dubliners, as his favourite singer.
When The Dubliners announce their retirement in 2012 after finishing their 50 Years Anniversary Tour, Watchorn decides to keep on touring with former band members Seán Cannon and Eamonn Campbell and banjo player Gerry O’Connor under the name of “The Dublin Legends.”
On April 28, 2014, Watchorn posts a message on his website, stating that he has “decided to take a break from the music business for a while” and will not be touring the rest of 2014 with The Dublin Legends. He later admits this is due to ill health and that doctors had advised him that touring would do further damage to his health.
Watchorn’s distinctive and passionate vocals have made him a huge rock on the Irish folk scene. In his solo projects in the mid- and late-1990s, after his departure from The Dublin City Ramblers, he has session men who used to play alongside him and he uses the stage name “Patsy Watchorn, agus a Cháirde” (which means “and his Friends” in Irish).
On Monday, October 4, 2010, Northern Ireland golfer Graeme McDowell delivers the match-winning point for the European team on the 17th green of the 2010 Ryder Cup at the Celtic Manor Resort in Newport, Wales. His is the last match of the twelve player singles matches against the defending champion United States team, with his opponent being Hunter Mahan. Europe wins the tournament 14.5 to 13.5, and it was his 5-foot putt that is conceded to give victory to Europe. For the first time in its history, the Ryder Cup stretches into a fourth day due to torrential rain on the first day.
Only the brilliance of the Northern Irishman, who holes a stunning birdie putt on the 16th green to extend his lead in the match, and the nervousness of Mahan, who duffs a chip shot on the par-three 17th that seals his defeat, finally turns back a United States team that threatened to deny Colin Montgomerie a captain’s victory to add to the many he has won as a player in this event.
“I didn’t hit a shot out there so it’s not much of an achievement,” Montgomerie says afterwards, dedicating the victory to Seve Ballesteros who is suffering from brain cancer and ultimately dies in 2011. “But it is a proud, proud personal moment for me and for all of us in European golf. My players all played magnificently, all 12 of them.”
McDowell, who had won the U.S. Open earlier in the year, is magnificent when his captain and his teammates need him to be. Through the years the Irish have developed a habit of holing the winning putt in this event and if the latest member of a club that includes Eamonn Darcy, Philip Walton and Paul McGinley is disappointed in being denied the chance to actually watch his ball roll into the hole, he hides it well.
“I didn’t need to hole a putt, thank God,” he says. “I was so nervous out there. I just can’t describe the feeling of this golf tournament – trying to win it for eleven other teammates, the caddies, the fans and Monty. It’s just a special feeling. There is nothing quite like it.”
Europe goes into the singles round holding a three-point lead and at one stage during the afternoon are ahead in eight of the twelve matches. An easy victory beckons, or at least it does until the United States wins a series of matches, some decisively (Tiger Woods over Francesco Molinari 4 & 3, Dustin Johnson over Martin Kaymer 6 & 4) and one by a narrow margin (Steve Stricker beats Lee Westwood on the 17th green). Even Phil Mickelson, one of the weakest players on the United States team over the previous three days, manages a victory, beating Peter Hanson 4 & 2.
The European team responds, with points coming from Luke Donald, who beats Jim Furyk one-up, and Ian Poulter, a victor over Matt Kuchar. However, as the day progresses a victory that had seemed inevitable begins to look uncertain.
In the end, it comes down to McDowell and Mahan on the 17th hole, watched by their teammates and captains, a good portion of the 35,000 mud-splattered souls at Celtic Manor, and a television audience around the world running into many millions. Major championships come with their own particular pressure but, as McDowell says, the Ryder Cup exerts pressure of an altogether different order. In the end the pressure proves too much for the American. His attempted chip from 15 yards short of the green does not even reach the green, far less the flag.
When Murphy is six, his family returns to Dublin, settling in the South inner-city district of Islandbridge. He first goes to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moves to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attends secondary school at St. John’s De La Salle College. After failing the Irish Intermediate Certificate he leaves school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.
Murphy’s stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which is awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998); The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000); The Castlecomer Jukebox (Red Kettle, 2004); and What’s Left of The Flag (Theatre Upstairs at The Plough, 2010), nominated for The Irish TimesBest New Play Award. His last play, with an all-female cast, The Hen Night Epiphany, premieres at the Focus Theatre, Dublin, in September 2011 and is published by Oberon Books. It has recently been translated into Hebrew.
Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and The Jangle of the Keys (BBC Radio 4 1997). His awards include the Stewart Parker Trust Award in 1994. The play The Kings of the Kilburn High Road is adapted by Tommy Collins as the Irish language film Kings, and is selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film & Television Academy.
Three of Murphy’s plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester), and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).
A one act play, Perfida, premieres at Theatre Upstairs in July 2012. In October 2012, The Muesli Belt receives its United States premiere at the Banshee Theater, Burbank, California, and in 2013 The Hen Night Epiphany receives its U.S. premiere at the Wade James Theater, Edmonds, Washington. In June 2013 a new production of Perfidia is staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 his second Verabtim piece for the Abbey, looking at police corruption, A Whisper Anywhere Else, is produced at the Peacock theatre. His first Verbatim play for the Abbey, Of This Brave Time, commissioned to commemorate the 1916 Easter Rising, tours the United Kingdom in 2016 and later returns to the Peacock stage for a short run. A new full length play, The Cartographer’s Pen, commissioned to mark the centenary of the drawing of the Irish border, opens at the Town Hall Theatre, Cavan, in May 2022.
seamus dubhghaill 