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Death of Basil Maturin, Catholic Priest & Writer

Basil William Maturin, Irish-born Anglican priest, preacher and writer who later converts to Catholicism, dies aboard the RMS Lusitania after it is torpedoed by a German U-boat and sinks on May 7, 1915.

Maturin is born on February 15, 1847, at All Saints’ vicarage, Grangegorman, Dublin, the third of the ten children of the Rev. William Basil Maturin and his wife, Jane Cooke (née Beatty). The Maturins, a prominent Anglo-Irish family of Huguenot ancestry, have produced many influential Church of Ireland clergymen over the generations, the most notable being Maturin’s grandfather, the writer Charles Robert Maturin. His own father, whose tractarian convictions are considered too “high church” for many in Dublin, is a somewhat controversial figure in the church. Religion plays a huge part in the Maturin children’s lives. Two of his brothers enter the church and two sisters become nuns. As a young man, he assists in training the choir and playing the organ at his father’s church. Educated at home and at a Dublin day school, he goes on to attend Trinity College Dublin (TCD), from where he graduates BA in 1870.

Though he initially intends to make a career in the army as an engineer, a severe attack of scarlet fever around 1868, and the death of his brother Arthur, changes his outlook on life, and he decides to become a clergyman. He is ordained a deacon in 1870 and later that year goes as a curate to Peterstow, Herefordshire, England, where his father’s friend Dr. John Jebb is rector. He subsequently joins the Society of St. John the Evangelist, entering the novitiate at Cowley, Oxford, in February 1873. As a Cowley father he is sent in 1876 to establish a mission in Philadelphia, Pennsylvania, where he works as an assistant priest and, from 1881, as rector of Saint Clement’s Church. Though he proves to be an effective clergyman and popular preacher, his growing religious doubts and increasing interest in Catholicism results in his returning to Oxford in 1888. Then follows a six-month visit in 1889–90 to a society house in Cape Town, South Africa. He returns to Britain, where he preaches, and conducts retreats around the country and occasionally on the continent. In 1896 he produces the first in a series of religious publications, Some Principles and Practices of Spiritual Life.

Maturin’s continuing religious anxieties eventually lead to his conversion to Catholicism on March 5, 1897, at the Jesuit Beaumont College outside London. He then studies theology at the Canadian College, Rome, and is ordained there in 1898. Following his return to England he lives initially at Archbishop’s House, Westminster, and undertakes missionary work. He then serves at St. Mary’s, Cadogan Street, in 1901. He becomes parish priest of Pimlico and, in 1905, having joined the newly established Society of Westminster Diocesan Missionaries, organises the opening of St. Margaret’s chapel on St. Leonard’s Street, where huge crowds come to hear his sermons. As a Catholic priest, he returns to Ireland on several occasions, and frequently preaches at the Carmelite church, Clarendon Street, Dublin. His attempt, at the age of sixty-three, to enter into monastic life at the Benedictine monastery at Downside, in 1910, proves unsuccessful. He returns to London and begins working in St. James’s, Spanish Place, while maintaining his preaching commitments. He continues to write, publishing Self-Knowledge and Self-Discipline (1905), Laws of the Spiritual Life (1907) and his autobiographical The Price of Unity (1912), in which he traces his gradual move toward Catholicism. His sermons, like his approach when hearing confessions, are said to have much appeal for their integrity. Despite his influence as a preacher, he seems often feel that his life and vocation lack real purpose and at times he suffers from depression.

After a brief visit to the United States in 1913, Maturin accepts the post of Catholic chaplain at the University of Oxford in 1914. He travels to New York in 1915 and, after preaching there throughout the spring, boards the RMS Lusitania in May to return to England. The liner is torpedoed and sinks on May 7, 1915, off the southern coast of Ireland. He assists his fellow passengers in the last minutes, and it is presumed that he refuses a life jacket, as they are in short supply. His body washes ashore. A service is held for him at Westminster Cathedral.

Maturin’s friend Wilfrid Philip Ward edits a collection of his spiritual writings, Sermons and Sermon Notes, in 1916.

(From: “Maturin, Basil William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Paul Muldoon Wins the Pulitzer Prize for Poetry

Irish poet Paul Muldoon wins the Pulitzer Prize for Poetry on April 8, 2003, for his work Moy Sand and Gravel (2002). Additionally, he has published more than thirty collections and won the T. S. Eliot Prize. At Princeton University he has been both the Howard G. B. Clark ’21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He holds the post of Professor of Poetry at the University of Oxford from 1999 to 2004 and has also served as president of The Poetry Society (UK) and poetry editor at The New Yorker.

Muldoon, the eldest of three children, is born on June 20, 1951, on a farm in County Armagh, Northern Ireland, outside The Moy, near the boundary with County Tyrone. His father works as a farmer (among other jobs) and his mother is a school mistress. In 2001, Muldoon says of the Moy:

“It’s a beautiful part of the world. It’s still the place that’s ‘burned into the retina,’ and although I haven’t been back there since I left for university 30 years ago, it’s the place I consider to be my home. We were a fairly non-political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we’d hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn’t really socialise a great deal. We were ‘blow-ins’ – arrivistes – new to the area, and didn’t have a lot of connections.”

Talking of his home life, Muldoon continues, “I’m astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopedia, which I certainly read again and again. People would say, I suppose that it might account for my interest in a wide range of arcane bits of information. At some level, I was self-educated.” He is a “Troubles poet” from the beginning.

In 1969, Muldoon reads English at Queen’s University Belfast (QUB), where he meets Seamus Heaney and becomes close to the Belfast Group of poets which include Michael Longley, Ciaran Carson, Medbh McGuckian and Frank Ormsby. He says of the experience, “I think it was fairly significant, certainly to me. It was exciting. But then I was 19, 20 years old, and at university, so everything was exciting, really.” He is not a strong student at QUB. He recalls, “I had stopped. Really, I should have dropped out. I’d basically lost interest halfway through. Not because there weren’t great people teaching me, but I’d stopped going to lectures, and rather than doing the decent thing, I just hung around.” During his time at QUB, his first collection New Weather (1973) is published by Faber & Faber. He meets his first wife, fellow student Anne-Marie Conway, and they are married after their graduation in 1973. The marriage breaks up in 1977.

For thirteen years (1973–86), Muldoon works as an arts producer for the BBC in Belfast. In this time, which sees the most bitter period of the Troubles, he published the collections Why Brownlee Left (1980) and Quoof (1983). After leaving the BBC, he teaches English and Creative Writing at the University of East Anglia and at Gonville and Caius College and Fitzwilliam College, Cambridge, where his students include Lee Hall (Billy Elliot) and Giles Foden (The Last King of Scotland). In 1987, he emigrates to the United States, where he teaches in the creative writing program at Princeton University. He is Professor of Poetry at Oxford University for the five-year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.

Muldoon has been awarded fellowships in the Royal Society of Literature and the American Academy of Arts and Sciences, the 1994 T. S. Eliot Prize, the 1997 The Irish Times Literature Prize for Poetry, and the 2003 Griffin International Prize for Excellence in Poetry. He is also shortlisted for the 2007 Poetry Now Award. His poems have been collected into four books: Selected Poems 1968–1986 (1986), New Selected Poems: 1968–1994 (1996), Poems 1968–1998 (2001) and Selected Poems 1968–2014 (2016). In September 2007, he is hired as poetry editor of The New Yorker.

Muldoon is married to novelist Jean Hanff Korelitz, whom he meets at an Arvon Foundation writing course. He has two children, Dorothy and Asher, and lives primarily in New York City.

(Pictured: Paul Muldoon in Tepoztlán, Morelos, Mexico, 2018. Photograph by Alejandro Arras.)


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Death of Sir Robert Prescott Stewart, Organist, Conductor & Composer

Sir Robert Prescott Stewart, organist, conductor, composer, teacher, and academic, dies in Dublin on March 24, 1894. He is one of the most influential (classical) musicians in 19th-century Ireland.

Stewart is born on December 16, 1825, the second of two sons of Charles Frederick Stewart of 6 Pitt Street (now Balfe Street), Dublin, librarian of King’s Inns. Nothing is known of his mother other than that she studies music with one of the Logier family, presumably the noted military musician and piano teacher Johann Bernhard Logier, a resident of Dublin from 1809.

Stewart is educated at Christ Church Cathedral school in Dublin, where he is a chorister. He begins to accompany choral services in his early teens, and in 1844 is appointed organist of Christ Church Cathedral and the Trinity College Dublin (TCD) chapel. In addition, in 1852 he becomes de facto organist of St. Patrick’s Cathedral, and holds all three positions concurrently for the rest of his life.

Stewart’s first conducting appointment is with the Dublin University Choral Society in 1846, to which he later adds similar appointments in Dublin, Bray, and Belfast. He is active as a teacher, both privately and from 1869 at the Royal Irish Academy of Music (RIAM), and as a critic with the Dublin Daily Express. On occupying the University of Dublin‘s chair of music in 1862, he takes steps to formalise requirements for the music baccalaureate, introducing examinations in a modern language, Latin (or a second modern language), English (literature and composition), arithmetic, and music history. As a result, though not until 1878, similar examinations are introduced at the University of Oxford and the University of Cambridge. In his professorial capacity he delivers in the 1870s public lectures on Bach, Handel, Wagner, church music, music education, organology, and, most notably, Irish music, in which he reveals an uncanny knowledge of the wire-strung harp and the uilleann pipes. He also contributes entries on Irish music and musicians to the first edition of George Grove‘s A Dictionary of Music and Musicians.

By all accounts, Stewart is a very adept musician, having perfect pitch, a formidable memory, and astonishing facility in transposition. Apparently an autodidact, he is the first Irish organist to cultivate pedal technique, while in the art of improvisation both Joseph Robinson and Sir John Stainer hold him to be the equal of Mendelssohn.

Intent on broadening his musical horizons, Stewart travels widely. From 1851 he is a regular visitor to London, and from 1857 makes frequent trips to Continental Europe, attending the Beethoven and Schumann festivals at Bonn in 1871 and 1873 respectively and Wagner’s first Bayreuth Festival in 1876. On the initiative of the Dublin University Choral Society, he is conferred with the simultaneous degrees of Mus.B. and Mus.D. at a special ceremony on April 9, 1851. On February 28, 1872, he is knighted at Dublin Castle by John Poyntz Spencer, 5th Earl Spencer, a social climb that Stewart, who has no independent income, can afford only by accumulating professional appointments and by relentless private teaching. In addition to successive townhouses in the vicinity of Merrion Square, he owns a smaller property on Bray Esplanade, named Holyrood.

Among Stewart’s compositions, his disciple James Culwick lists about forty part songs (of which several win prizes), more than twenty solo songs, fifteen anthems, several church services, a quantity of shorter liturgical music, and sixteen choral cantatas with orchestra. Three of the cantatas set texts by John Francis Waller: the 24-movement A Winter Night’s Wake (1858), The Eve of St. John (1860) and Inauguration Ode for the Opening of the National Exhibition of Cork (1852) for the opening of the Irish Industrial Exhibition in Cork. Other occasional pieces are Who Shall Raise the Bell? (The Belfry Cantata) for the inauguration of Trinity College campanile in 1854, Ode to Shakespeare (1870) for the Birmingham Triennial Music Festival, Orchestral Fantasia (1872) for the Boston Peace Festival, How Shall We Close Our Gates? (1873) for the Dublin Exhibition and Tercentenary Ode (1892) for the tercentenary of Trinity College Dublin.

Though Stewart destroys many of his works, his surviving music is consistently well crafted, and the rapid decline in the popularity of the odes is at least partly attributable to the tawdry and ephemeral character of their texts. Yet despite his esteem for Wagner, he never shakes off the conservative stylistic influences of Handel, Beethoven, and Mendelssohn, and the posthumous performance of his music has been restricted almost entirely to the Dublin cathedrals.

In August 1846 Stewart marries Mary Emily Browne, the daughter of Peter Browne of Rahins House, Castlebar, County Mayo. They have four daughters, of whom the eldest dies in 1858. Following Mary’s death on August 7, 1887, he marries on August 9, 1888, Marie Wheeler of Hyde, Isle of Wight, the daughter of Joseph Wheeler of Westlands, Queenstown (now Cobh).

Stewart dies in Dublin on March 24, 1894, and is buried at Mount Jerome Cemetery alongside his first wife and eldest daughter. Portraits of him are in the possession of the Dublin University Choral Society and the Royal Irish Academy of Music (RIAM), and his statue, erected on Leinster Lawn in 1898, still stands.

(From: “Stewart, Sir Robert Prescott” by Andrew Johnstone, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Piers Butler, 3rd Viscount Galmoye

Piers Butler, 3rd Viscount Galmoye, otherwise Viscount Galmoy, an Anglo-Irish nobleman, is born on March 21, 1652. He is descended from Thomas Butler, 10th Earl of Ormond, and is the son of Edward Butler, 2nd Viscount Galmoye, and Eleanor (née Whyte), daughter of Sir Nicholas Whyte of Leixlip, County Kildare.

Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.

Under James II of England Butler is Privy Councillor of Ireland, Lieutenant of the County of Kilkenny, and Colonel of the 2nd Regiment of Irish Horse. Serving as part of the Jacobite Irish Army, he commands a regiment at the Battle of the Boyne and serves with distinction in the Battle of Aughrim. He is one of the signatories of the Treaty of Limerick. At the Glorious Revolution, he might have been able to secure his old estates of 10,000 acres in Kilkenny and 5,000 in Wexford, had he consented to give his allegiance to William III of England rather than following Patrick Sarsfield and James II into exile in France. Instead, the English Parliament attaints him and declares his titles forfeited in 1697 by the statute 9 Will. 3. c. 4.

In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.

Butler marries Anne Mathew and with her has one son, Colonel Edward Butler, who is killed at the Battle of Malplaquet in 1709. After the death of his first wife, he marries Henrietta FitzJames, the illegitimate daughter of King James II and Arabella Churchill and the widow of Henry Waldegrave, 1st Baron Waldegrave, on April 3, 1695. She deserts him and returns to England.

Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”

Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.


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Birth of Nuala O’Faolain, Journalist, TV Producer, Teacher & Writer

Nuala O’Faolain, Irish journalist, television producer, book reviewer, teacher and writer, is born in Clontarf, Dublin on March 1, 1940. She becomes well known after the publication of her memoirs Are You Somebody? and Almost There. She also writes a biography of Irish criminal Chicago May and two novels.

O’Faolain is the second eldest of nine children. Her father, known as ‘TerryO’ is a well-known Irish journalist, writing the “Dubliners Diary” social column under the pen name Terry O’Sullivan for the Evening Press. She is educated at University College Dublin (UCD), the University of Hull, and the University of Oxford. She teaches for a time at Morley College in London and works as a television producer for the BBC and Raidió Teilifís Éireann.

O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.

O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.

O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.

O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.

O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastatic cancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”

In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.

O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.

O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.


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Death of James Bernard Fagan, Actor, Producer & Playwright

James Bernard Fagan, Irish-born actor, theatre manager, producer and playwright in England, dies of a heart attack in Hollywood, Los Angeles, California, on February 17, 1933, following a bout of influenza.

Fagan is born in Belfast on May 18, 1873, the eldest of the five children of Sir James Fagan, a surgeon at the Belfast Royal Hospital and an inspector of Irish reformatories, and Mary Catherine Fagan (née Hughes). He attends Clongowes Wood College near Clane, County Kildare and then moves to England. Initially interested in a career in the church, he begins studying law at Trinity College, Oxford in 1892 but leaves in 1893 without a degree. He works for a time in the Indian Civil Service but abandons this career for the stage.

Fagan begins his career as an actor with the company of Sir Frank Benson for two years, then joining, from 1895 to 1899, the company of Herbert Beerbohm Tree at Her Majesty’s Theatre. There he appears in Katherine and Petruchio, A Man’s Shadow, Julius Caesar, The Musketeers and Carnac Sahib. He starts writing plays in 1899, with The Rebels, for the time forsaking acting. In 1913, he returns to the stage touring as the Rt. Hon. Denzil Trevena in his own play, The Earth. He next writes The Fourth of August (1914) and Doctor O’Toole (1917). In 1917 he produces his first play, his own adaptation of the Eugène Brieux play Damaged Goods at St. Martin’s Theatre. He next produces The Wonder Tales and The Little Brother at the Ambassadors Theatre in London.

Fagan takes over the Court Theatre in London’s Sloane Square as a Shakespearean playhouse in 1920. The Times calls his revivals of Twelfth Night, The Merchant of Venice, Henry the Fourth (Part Two) and A Midsummer Night’s Dream “memorable for their freshness, sanity and distinction, and [deserving of] a place in theatrical history.” At the Court, he revives Damaged Goods and, in 1921, with the assistance of the author, produces George Bernard Shaw‘s Heartbreak House, with Edith Evans as “Lady Utterwood.” In 1922 he produces his play The Wheel at the Apollo Theatre. Its success allows him to repay his creditors. Even more successful is his adaptation of Treasure Island at the Savoy Theatre with Arthur Bourchier as “Long John Silver,” which opens December 26, 1922. It is revived every Christmas until the outbreak of World War II.

Fagan is persuaded by Jane Ellis, the actress who with Alfred Ballard founds the Oxford Playhouse “Red Barn” in 1923, to be its first manager. His first production at the Oxford Playhouse is a restaging of Shaw’s Heartbreak House and numbered Shaw among the audience. He produces The Cherry Orchard, at various theatres, to favourable reviews, popularising Anton Chekhov in Britain. From November 16, 1925, with Dennis Eadie, he presents Juno and the Paycock at the Royalty Theatre, thus bringing Seán O’Casey to the attention of London’s theatre-going public. O’Casey’s The Plough and the Stars follows the next year.

Fagan receives little support from the University of Oxford or the play-going public and resigns in 1929. His successor is Stanford Holme, who broadens its appeal and, despite the straitened times, makes it financially viable. In 1929, he is a director of the Festival Theatre, Cambridge, where his friend Terence Gray is director. He also produces many works for the Irish Players.

Beginning in the 1920s, several of Fagan’s plays are adapted for film. He moves to Hollywood in 1929 for the filming by Paramount Pictures of his play The Wheel as The Wheel of Life. Other film work includes his co-adaptation of the screenplay for the 1932 film Smilin’ Through, and he co-writes Paramount’s Forgotten Commandments the same year. His play Bella Donna is filmed four times, including posthumously in 1946, and a 1936 film, The Improper Duchess is based on his 1931 play of the same name.

James Bernard Fagan dies in Hollywood, California, on February 17, 1933, at the age of 59 of a heart attack following a bout of influenza.


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Birth of Lawrence Parsons, 4th Earl of Rosse

Lawrence Parsons, 4th Earl of Rosse, KP, FRS, a member of the Irish peerage and an amateur astronomer, is born at Birr Castle, Parsonstown, King’s County (now County Offaly), on November 17, 1840. His name is often given as Laurence Parsons.

Parsons is the son and heir of the astronomer William Parsons, 3rd Earl of Rosse, who built the “Leviathan of Parsonstown” reflecting telescope, largest of its day, and his wife, the Countess of Rosse (née Mary Field), an amateur astronomer and pioneering photographer. He succeeds his father in 1867 and is educated first at home by tutors, like John Purser, and after at Trinity College Dublin (TCD) and the University of Oxford. He is the brother of Charles Algernon Parsons, inventor of the steam turbine.

Parsons serves as the eighteenth Chancellor of Trinity College Dublin between 1885 and 1908. His father serves as the sixteenth Chancellor. He is Lord Lieutenant of King’s County and Custos Rotulorum of King’s County from 1892 until his death. He is also a Justice of the Peace for the county and is appointed High Sheriff of King’s County for 1867–68. He is knighted KP in 1890.

Parsons also performs some preliminary work in association with the practices of the electrodeposition of copper sulfate upon silver films circa 1865 while in search of the design for a truly flat mirror to use in a telescope. However, he finds it impossible to properly electroplate copper upon these silver films, as the copper contracts and detaches from the underlying glass substrate. His note has been cited as one of the earliest confirmations in literature that thin films on glass substrates experience residual stresses. He revives discussion in his work Nature’s August 1908 edition after witnessing similar techniques used to present newly devised searchlights before the Royal Society.

Although overshadowed by his father (when astronomers speak of “Lord Rosse”, it is almost always the father that they refer to), Parsons nonetheless pursues some astronomical observations of his own, particularly of the Moon. Most notably, he discovers NGC 2, a spiral galaxy in the constellation Pegasus.

Parsons is elected a Fellow of the Royal Society in December 1867 and delivers the Bakerian lecture there in 1873. He is vice-president of the society in 1881 and 1887. From 1896 he is President of the Royal Irish Academy. In May 1902 he is at Caernarfon to receive the honorary degree LL.D. (Legum Doctor) from the University of Wales during the ceremony to install the Prince of Wales (later King George V) as Chancellor of that university.

After some years of ill-health, Parsons dies on August 30, 1908, at Birr Castle and is buried in the local churchyard. He leaves a bequest to the Royal Society to establish the “Rosse Fund,” and a further £1,000 to the science school fund at TCD.


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Birth of Edward Conor Marshall O’Brien, Ship Builder & Designer

Edward Conor Marshall O’Brien, Irish aristocrat and intellectual, is born in Cahirmoyle, County Limerick, on November 3, 1880. His views are republican and nationalist. He is also owner and captain of one of the first boats to sail under the tri-colour of the Irish Free State. He is the first amateur Irish sailor to sail around the world.

O’Brien is a ship builder and designer, and his notable boats include the Kelpie (used for gun running in 1914), the Saoirse (in which he circumnavigates the globe) and the Ilen (a Falkland Islands service ship).

O’Brien’s grandfather is William O’Brien who is a member of Young Ireland. His grandfather and his aunt Charlotte Grace O’Brien both play roles in social reform. Robert Donough, his uncle, is an architect, and the painter Dermod O’Brien is his brother. He is educated in England at Winchester College and the University of Oxford, and in Ireland at Trinity College Dublin (TCD). After his education he comes back to Ireland and starts practicing as an architect in 1903. According to the 1911 census he lives at 58 Mount Street, south County Dublin.

O’Brien is credited with two buildings in his lifetime: the Co-operative Hall in County Donegal and the People’s Hall in County Limerick. He is also known as a naval architect, having designed two ships, the Saoirse and the llen. He later captains both of these ships himself.

In Saoirse, a 20-ton, 42-foot ketch designed and built in 1922 in Baltimore, County Cork, he and three crew members circumnavigate the globe between 1923 and 1925 – the first recorded by an amateur skipper from west to east, the first yacht circumnavigation by way of the three great capes: Cape Horn, Cape of Good Hope and Cape Leeuwin, and the first boat flying the Irish tri-colour to enter many of the world’s ports and harbours. His voyage begins and ends at the Port of Foynes, County Limerick, where he lives. His account of the voyage, Across Three Oceans, (1927) becomes one of the classics of maritime literature.

Up until O’Brien’s circumnavigation, this route is the preserve of square-rigged grain ships taking part in the grain race from Australia to England via Cape Horn (also known as the clipper route).

O’Brien’s seagoing experiences are put to use in his design of the Ilen, which is built for the Falkland Islands as a service boat and launched in the spring of 1926. In 1998, Ilen returns to the site where she was first built, on the River Ilen near Baltimore, County Cork, where she undergoes a full restoration and is re-launched in May 2018. This task provides work-based learning for the students of the Ilen School.

O’Brien has some involvement with gun running in 1914 on behalf of the Irish Volunteers, for political reasons and because he has experience in sailing. On July 26, 1914, nine hundred guns are brought to Howth harbour aboard Erskine Childers‘ yacht Asgard. As part of the same operation, O’Brien transports arms on his yacht, Kelpie. The guns on Kelpie are transshipped to another yacht, Chotah, owned by Sir Thomas Myles, before being landed at Kilcoole in County Wicklow on August 1, 1914. After the gun running incidents, he serves in the Royal Naval Volunteer Reserve.

O’Brien is a keen mountaineer as well as a sailor, known for climbing in bare feet. He climbs Mount Brandon in southwest Ireland and Snowdon in North Wales with George Mallory and Geoffrey Winthrop Young among others. Later, during his circumnavigation (1923–1925) he plans to climb Aoraki / Mount Cook in the Southern Alps in New Zealand‘s South Island. However, because of delays during his circumnavigation, he arrives in New Zealand too late.

In 1928, O’Brien marries a well-known artist, Kathleen Francis, the youngest daughter of Sir George Clausen, RA. The couple thereafter moves to Ibiza, where they live on the Saoirse until Kathleen’s death in 1936. They have no children. Relocating to Cornwall, where he lives with his sister, he writes books on sailing and works of fiction for children. Although too old for active service when war with Germany breaks out in 1939, he assists the British war effort by serving in the Small Ships Pool, which delivers support vessels across the Atlantic and brings food supplies from the United States in private yachts.

In 1940 O’Brien sells Saoirse to the Royal Cornwall Yacht Club. The boat remains in use until 1980, when it is lost off the Jamaican coast. After the war he retires to another sister’s home in Foynes, County Limerick, where he lives and continues to write books for children until his death on April 18, 1952.


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Hugh Brady Appointed Church of Ireland Bishop of Meath

Hugh Brady, a native of Trim, County Meath, is appointed Church of Ireland Bishop of Meath on October 21, 1563. He serves in this position until his death on February 14, 1584.

Brady is born in 1527, but his parentage is uncertain, as are most of the details of his early life. He is said to be a graduate of the University of Oxford and later a professor of divinity there, but there is no evidence of this in the college registers.

Brady’s first patron is Edmund Grindal, Bishop of London, under whose auspices he secures a prestigious appointment to the rectorship of St. Mary Aldermary, London, in early 1561. Over the next two years he becomes acquainted with a relative and chief advisor of Queen Elizabeth I, William Cecil. He is eager to return to Ireland and is appointed Bishop of Meath on October 21, 1563, while still in England. He is ideally qualified for this role, being a native of the diocese and a skilled preacher fluent in English and Irish. Arriving in Dublin on December 3, 1563, he is consecrated on December 19, being made a member of the Privy Council of Ireland soon thereafter.

On reaching his diocese, Brady is dismayed at its dilapidated state. His diocesan income scarcely exceeds £60 a year, many of the churches are in ruins, his clergy are uneducated and largely pro-Catholic, and the right to appoint clergy to many parish churches is in the hands of Catholic landowners. Further, the rival Catholic Bishop of Meath, William Walsh, is dedicated, capable, and popular. Although Walsh is belatedly arrested in 1565, his willingness to lead by example and suffer persecution for his beliefs stiffens Catholic resistance in Meath.

Brady is always diligent in attendance at Council meetings. He is vigorous in beating off raids on his diocese by Shane O’Neill, the effective ruler of Ulster. He enjoys the friendship of Sir Henry Sidney, the Lord Deputy of Ireland, who praises his sound judgment, hospitality and blameless private life. His good qualities lead Sidney and Adam Loftus, Archbishop of Armagh, to propose Brady as Archbishop of Dublin, after they have lobbied successfully for the recall of Archbishop Hugh Curwen. However, soon after, Brady and Loftus quarrel, and Loftus blocks Brady’s nomination in order to obtain the See of Dublin for himself.

Nonetheless, Brady retains Sidney’s confidence and finds a new ally in 1567 when Robert Weston becomes Lord Chancellor of Ireland. Weston sympathises with his educational and evangelical bent while gaining the respect of the querulous Loftus, thereby defusing the animosity between Ireland’s leading Protestant clergy.

In 1569, Brady’s diocese is amalgamated with the diocese of Clonmacnoise. He now heads a sprawling diocese that includes Gaelic areas where the crown has very little authority. In practice, he appears to have largely ignored Clonmacnoise. In Meath, a government inquiry in 1575 shows that he has made little headway in spreading the Protestant faith or in restoring the fabric and finances of the church. He has found clergy for nearly every church in the diocese, but most are of a poor standard. He contributes to the diocese’s worsening finances by alienating church land to family and associates. The free school he establishes is also forced to close due to a lack of suitable premises.

Following Sidney’s dismissal as Lord Deputy of Ireland in 1578, Protestant hard-liners begin to dominate the Irish government, causing Brady to lose influence. He complains in 1581 that his letters to London are being opened and read by his colleagues and sometimes being suppressed. His influence declines in Meath also as discontent with the government increases. In 1577, his men capture a number of friars at Navan but are attacked by locals and forced to free their captives. Thereafter, local officials and landowners routinely defy his authority. His conciliatory policies totally discredited, he stays away from Dublin and resides mainly at his episcopal palace at Ardbraccan.

From 1582 Brady suffers from ill health, forcing him to curtail his preaching. He dies on February 14, 1584, and is buried near the parish church at Dunboyne.

Brady marries twice, but little is known of his first wife. In 1568, following the death of his first wife, he marries Weston’s daughter Alice. They had at least four children, including Luke, their eldest son, and Nicholas, grandfather of his namesake the poet. After Brady’s death, his widow marries Sir Geoffrey Fenton and has further issue, including Catherine, Countess of Cork. The poet Nicholas Brady is the bishop’s great-grandson. Maziere Brady, Lord Chancellor of Ireland, is a nineteenth-century descendant of the bishop.


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Birth of Edward Dowden, Critic, Professor & Poet

Edward Dowden, Irish critic, professor and poet, is born in Cork, County Cork, on May 3, 1843.

Dowden is the son of John Wheeler Dowden, a merchant and landowner, and is born three years after his brother John, who becomes Bishop of Edinburgh in 1886. His literary tastes emerge early, in a series of essays written at the age of twelve. His home education continues at Queen’s College, Cork and at Trinity College, Dublin. He contributes to the literary magazine Kottabos.

Dowden has a distinguished career, becoming president of the University Philosophical Society, and wins the vice-chancellor’s prize for English verse and prose, and the first senior moderatorship in ethics and logic. In 1867 he is elected professor of oratory and English literature in Dublin University.

Dowden’s first book, Shakespeare: A Critical Study of His Mind and Art (1875), results from a revision of a course of lectures, and makes him widely known as a critic: translations appear in German and Russian; his Poems (1876) goes into a second edition. His Shakespeare Primer (1877) is translated into Italian and German. In 1878 the Royal Irish Academy awards him the Cunningham gold medal “for his literary writings, especially in the field of Shakespearian criticism.”

Later works by Dowden in this field include an edition of The Sonnets of William Shakespeare (1881), Passionate Pilgrim (1883), Introduction to Shakespeare (1893), Hamlet (1899), Romeo and Juliet (1900), Cymbeline (1903), and an article entitled “Shakespeare as a Man of Science” (in the National Review, July 1902), which criticizes T. E. Webb’s Mystery of William Shakespeare. His critical essays “Studies in Literature” (1878), “Transcripts and Studies” (1888), “New Studies in Literature” (1895) show a profound knowledge of the currents and tendencies of thought in various ages and countries; but his The Life of Percy Bysshe Shelley (1886) makes him best known to the public at large. In 1900 he edits an edition of Shelley‘s works.

Other books by Dowden which indicate his interests in literature include: Southey (1879), his edition of Southey’s Correspondence with Caroline Bowles (1881), and Select Poems of Southey (1895), his Correspondence of Sir Henry Taylor (1888), his edition of William Wordsworth‘s Poetical Works (1892) and of his Lyrical Ballads (1890), his French Revolution and English Literature (1897), History of French Literature (1897), Puritan and Anglican (1900), Robert Browning (1904) and Michel de Montaigne (1905). His devotion to Johann Wolfgang von Goethe leads to his succeeding Max Müller in 1888 as president of the English Goethe Society.

In 1889 Dowden gives the first annual Taylorian Lecture at the University of Oxford, and from 1892 to 1896 serves as Clark lecturer at Trinity College, Cambridge. To his research are due, among other matters of literary interest, the first account of Thomas Carlyle‘s Lectures on periods of European culture; the identification of Shelley as the author of a review (in The Critical Review of December 1814) of a romance by Thomas Jefferson Hogg; a description of Shelley’s Philosophical View of Reform; a manuscript diary of Fabre d’Églantine; and a record by Dr Wilhelm Weissenborn of Goethe’s last days and death. He also discovers a Narrative of a Prisoner of War under Napoleon (published in Blackwood’s Magazine), an unknown pamphlet by Bishop George Berkeley, some unpublished writings of William Hayley relating to William Cowper, and a unique copy of the Tales of Terror.

Dowden’s wide interests and scholarly methods make his influence on criticism both sound and stimulating, and his own ideals are well described in his essay on The Interpretation of Literature in his Transcripts and Studies. As commissioner of education in Ireland (1896–1901), trustee of the National Library of Ireland, secretary of the Irish Liberal Union and vice-president of the Irish Unionist Alliance, he enforces his view that literature should not be divorced from practical life. His biographical/critical concepts, particularly in connection with Shakespeare, are played with by Stephen Dedalus in the library chapter of James Joyce‘s Ulysses. Leslie Fiedler is to play with them again in The Stranger in Shakespeare.

Dowden marries twice, first to Mary Clerke in 1866, and secondly in 1895 to Elizabeth Dickinson West, daughter of the dean of St Patrick’s. His daughter by his first wife, Hester Dowden, is a well-known spiritualist medium.

Dowden dies in Dublin on April 4, 1913. His Letters are published in 1914 by Elizabeth and Hilda Dowden.

A Dublin City Council plaque commemorating Dowden is unveiled on November 29, 2016.