seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: World War II


by Leave a comment

Birth of Liam Tobin, Irish Army Officer

Liam Tobin, officer in the Irish Army and the instigator of the Irish Army Mutiny in March 1924, is born William Joseph Tobin at 13 Great Georges Street in Cork, County Cork, on November 15, 1895. During the Irish War of Independence, he serves as an Irish Republican Army (IRA) intelligence officer for Michael Collins‘ Squad.

Tobin is the eldest son of Mary Agnes (nee Butler) and David Tobin, a hardware clerk. He has two younger siblings, Katherine and Nicholas Augustine Tobin, also born in Cork. His family moves to John Street in Kilkenny and then to Dublin. He goes to school in Kilkenny and is an apprentice in a hardware shop at the time of the 1916 Easter Rising. As a participant in the Rising, he fights in the Four Courts garrison under Edward Daly. He is arrested, court martialed, and sentenced to death but his sentence is commuted to life imprisonment. He is a prisoner in Kilmainham, Mountjoy, Lewes, Dartmoor, Broadmoor and Pentonville prisons. He is released in June 1917.

In early 1919 Tobin becomes Collins’ chief executive in the Intelligence Directorate handling the many spies in Dublin Castle, including double agent David Neligan. Nancy O’Brien works for Under-Secretary for Ireland James Macmahon, decoding messages sent from London. Each day between 2:30 and 3:30 she passes any information acquired to either Tobin, Joseph McGrath, or Desmond FitzGerald. Tobin is involved in planning the assassinations of British soldiers, informants, members of the Royal Irish Constabulary, the Dublin Metropolitan Police, and operatives of MI5. He constructs detailed profiles of everyone remotely connected to the British government, often using Who’s Who, The Morning Post, and The Times, a newspaper that describes him as “one of the most formidable of [the] Twelve Apostles.”

In October 1921, Tobin travels with the Irish Treaty Delegation as part of Collins’ personal staff.

Tim Pat Coogan and James Mackay have examined Tobin’s involvement in the assassination of British Field Marshal Sir Henry Wilson. Wilson’s public tirades about Collins is evidence of mutual personal dislike between the two men. In May 1922 Collins tells Tobin “We’ll kill a member of that bunch” to the news of “bloody pogroms” in Belfast. Wilson is intimately involved with the Ulster loyalist cause, including the Curragh Mutiny and the establishment of the Ulster Special Constabulary. Just before the shooting, Coogan places Tobin in London. He meets courier Peig Ni Braonain at Euston Station collecting a document that has been sent from Dublin. Returning to Dublin before the incident, he is jubilant when he tells defence minister Richard Mulcahy about Wilson’s death. Mulcahy is appalled and threatens to resign.

Following the Anglo-Irish Treaty, Tobin is appointed deputy director of intelligence in the new state and assigned to the Criminal Investigation Department based at Oriel House. However Collins soon replaces him with Joseph McGrath. Tobin is placed on the Army Council and is Director of Intelligence from September 1922 until his appointment as Senior Aide-de-Camp to the new Governor–General of the Irish Free State, Tim Healy, in November 1922. The position provides an apartment in Viceregal Lodge.

In October 1922, Tobin’s brother Nicholas, a Free State captain, is accidentally shot dead by his own troops during the raid and capture of a bomb making factory at number 8 Gardiner’s Place, Dublin.

Tobin believes in the steppingstone doctrine which sees the Treaty as a stage towards full independence. With the outbreak of the Irish Civil War he remains loyal to Collins and takes the Pro-Treaty side. He leads in the fight against the Anti-Treaty IRA in the south. Disillusioned with the continuing hostilities and in the aftermath of the death of Collins, he forms an association called the IRA Organisation (IRAO) or “Old Irish Republican Army” to distinguish themselves from the anti-treaty insurgents.

Richard Mulcahy, the new Irish defence minister, proposes to reduce the army from 55,000 to 18,000 men in the immediate post- Civil-War period. Tobin knows his own position is to be affected and shares the perception that the Irish Army treats former British officers better than former IRA officers. On March 7, 1924, Tobin, together with Colonel Charlie Dalton, sends an ultimatum to President of the Executive Council of the Irish Free State W. T. Cosgrave demanding an end to the army demobilisation. The immediate response is an order for the arrest of the two men on a charge of mutiny. The cabinet, already wary of the Irish Army, orders an inquiry and appoints Garda Commissioner Eoin O’Duffy to the army command.

On March 18, the mutineers assemble with hostile intent at a Dublin pub. An order is made to arrest the mutineers and the cabinet demands the resignation of the army council. The generals resign, affirming the subservience of the military to the civilian government of the new state.

In later years, Tobin rebuilds relations with his Civil War foes and joins Éamon de Valera‘s Anti-Treaty Fianna Fáil party. He joins up with Joseph McGrath to form the Irish Hospitals’ Sweepstake in the 1930s. Many other former army comrades find work in this lottery. He leaves the Sweep in 1938. After World War II, he becomes Superintendent of the Oireachtas for the Irish Dáil.

On October 14, 1929, Tobin marries Monica “Mona” Higgins at the Church of the Holy Family, Aughrim Street, Dublin. They have two daughters, Máire and Anne Tobin. Following the death of his father, David, in 1956, Tobin’s health declines, resulting in his death in Dublin on April 30, 1963.

Tobin is portrayed by actor Brendan Gleeson in Neil Jordan‘s biopic Michael Collins.


by Leave a comment

Birth of Reg Ryan, Irish Footballer

Reginald Alphonso Ryan, Irish footballer also referred to as Paddy Ryan, is born in Dublin, County Dublin, on October 30, 1925. He plays for West Bromwich Albion F.C., Derby County F.C. and Coventry City F.C. He is also a dual international, playing for both Ireland teams – the FAI XI and the IFA XI. He is the last player to represent both teams. He is considered more of a goal creator then a goalscorer.

Ryan initially plays Gaelic football for the Marino School in Dublin while growing up, but then switches to soccer after moving to Blackpool, Lancashire, England, during the early years of World War II. He then plays with Claremount School, Blackpool Boys, various factory teams and has trials with both Sheffield United F.C. and Nottingham Forest F.C. before joining Nuneaton Borough F.C.

Ryan has two spells with Coventry City. In April 1943, he signs for the club as an amateur and during the 1942–43 season he plays two games in wartime regional leagues. He then turns professional in August 1944 and makes a further four appearances for the club during the 1944–45 wartime season. After playing for West Bromwich Albion and Derby County, he returns to City in September 1958. He then helps the club win promotion from the newly formed Football League Fourth Division, after they finish as runners-up in 1959. During his second spell with City he plays 70 times in all competitions.

In April 1945, Ryan signs for West Bromwich Albion and, during the 1945–46 season, makes 17 appearances in the Football League South. He makes his debut for the club against Millwall F.C. in November 1945. Together with Davy Walsh and Jackie Vernon, he helps West Brom gain promotion to the Football League First Division in 1949. In 1954, together with Ronnie Allen and Frank Griffin, he is also a member of the West Brom team that finishes as First Division runners-up and FA Cup winners. He also helps West Brom gain a share of the FA Charity Shield when he scores in a 4–4 draw against Wolverhampton Wanderers F.C.

Ryan signs for Derby County in June 1955 for a fee of £3,000. He is appointed team captain by manager Harry Storer, Jr., and during his three seasons with the club misses only three matches – two because of injury and one because of international duty. He is a member of the side promoted as champions of the Third Division North to the Football League Second Division in 1956–57. In 1955 he also plays for an English Division Three North XI against an English Division Three South XI. He plays 133 league games for County, scoring 30 goals. He also plays a further six games for the club in the FA Cup, scoring a further goal.

When Ryan begins his international career in 1949 there are, in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Republic of Ireland–based Football Association of Ireland (FAI) claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including Ryan, play for both teams.

Between 1949 and 1955 Ryan makes 16 appearances and scores 3 goals for the FAI XI. He makes his debut in a 3–1 defeat to Sweden on November 13, 1949, in a qualifier for the 1950 FIFA World Cup. He scores his first two goals for the FAI XI in October 1953 during the qualifiers for the 1954 FIFA World Cup, one against France in a 5–3 defeat and the second, a penalty, against Luxembourg in 4–0 win. On November 7, 1954, in a friendly against Norway, he scores his third goal, again from the penalty spot, and earns the FAI XI a 2–1 victory. He makes his last appearance for the FAI XI on November 27, 1955, in a 2–2 draw with Spain.

Ryan makes his one and only appearance for the IFA XI in a 0–0 draw with Wales on March 8, 1950. As well as being part of the 1950 British Home Championship, the game also doubles up as a qualifier for the 1950 FIFA World Cup. Ryan, together with Con Martin, Davy Walsh and Tom Aherne, is one of four players born in the Irish Free State, included in the IFA XI that day. He earlier plays for the FAI XI in the same competition, and as a result, plays for two different teams in the same FIFA World Cup tournament. This situation eventually leads to intervention by FIFA and, as a result, Ryan becomes one of the last four Irish Free State–born players to play for the IFA XI.

After retiring as a player in November 1960, Ryan works as a pools supervisor for both Coventry City (1960–1961) and West Bromwich Albion (1961–1962). Between September 1962 and October 1976, he is chief scout for West Brom. He later works as a scout for various clubs including Aston Villa F.C., Derby County F.C., Hereford United F.C. and Leeds United F.C. before retiring in 1994.

Ryan dies at the age of 71 on February 13, 1997, at Sheldon, West Midlands, England.


by Leave a comment

Birth of Irish Writer Gabriel Rosenstock

Gabriel Rosenstock, Irish writer who works chiefly in the Irish language, is born in Kilfinane, County Limerick, on September 29, 1949. A member of Aosdána, he is poet, playwright, haikuist, tankaist, essayist, and author/translator of over 180 books, mostly in Irish.

Rosenstock’s father, George, is a doctor and writer from Schleswig-Holstein, Germany, who serves as a medical officer with the Wehrmacht in World War II. His mother is a nurse from County Galway. He is the third of six children and the first born in Ireland. He is educated locally in Kilfinane, then in Mount Sackville, County Dublin.

Rosenstock exhibits an early interest in anarchism and is expelled from Gormanston College in County Meath and exiled to Rockwell College near Cashel, County Tipperary. Later, he attends University College Cork (UCC).

Rosenstock works for some time on the television series Anois is Arís on RTÉ, then on the weekly newspaper Anois. Until his retirement he works with An Gúm, the publications branch of Foras na Gaeilge, the North-South body which promotes the Irish language.

Although he has worked in prose, drama and translation, Rosenstock is primarily known as a poet. He has written or translated over 180 books.

Rosenstock has edited and contributed to books of haiku in Irish, English, Scots and Japanese. He is a prolific translator into Irish of international poetry (among others Ko Un, Seamus Heaney, K. Satchidanandan, Rabindranath Tagore, Muhammad Iqbal, Hilde Domin, Peter Huchel), plays (Samuel Beckett, Max Frisch, W. B. Yeats) and songs (Bob Dylan, Kate Bush, The Pogues, Leonard Cohen, Bob Marley, Van Morrison, Joni Mitchell). He also has singable Irish translations of Lieder and other art songs. His being named as Lineage Holder of Celtic Buddhism inspires the latest title in a rich output of haiku collections: Antlered Stag of Dawn (Onslaught Press, Oxford, 2015), haiku in Irish and English with translations into Japanese and Scots Lallans.

Rosenstock also writes for children, in prose and verse. Haiku Más É Do Thoil É! (An Gúm) wins the Children’s Books Judges’ Special Prize in 2015.

Rosenstock appears in the anthology Best European Fiction 2012, edited by Aleksandar Hemon, with a preface by Nicole Krauss (Dalkey Archive Press). He gives the keynote address to Haiku Canada in 2015.

Rosenstock has worked with American photographer Ron Rosenstock, Indian Photographer Debiprasad Mukherjee, Greek photographer Kon Markogiannis, Dublin photographer Jason Symes, French photographer Jean-Pierre Favreau and many more to create the new guise of a photo-haiku (or a haiga) – the interplay of visual aesthetic and literature.

Rosenstock currently resides in Dublin. His son, Tristan, is a member of the Irish traditional music quintet Téada, and impressionist/actor Mario Rosenstock is his nephew.


by Leave a comment

Death of Thomas McDowell, Former CEO of “The Irish Times”

Thomas Bleakley McDowell, often called T. B. McDowell or simply “the Major,” dies on September 9, 2009. He is a British Army officer and subsequently chief executive of The Irish Times for nearly 40 years.

Born in Belfast, Northern Ireland, on May 18, 1923, the only child of a Protestant and unionist couple, McDowell finishes school at the Royal Belfast Academical Institution in 1941 as World War II is under way. He is dissuaded from enlisting immediately in the British Army by his parents as his father, also named Thomas, had been gassed in World War I and suffers serious lung problems which lead to his early death in 1944. He goes instead to Queen’s University Belfast to study commerce but, a year later and still uncertain about his long-term plans, he joins the Royal Inniskilling Fusiliers, being commissioned in 1943. He goes on to join the Royal Ulster Rifles.

A knee injury during a night training exercise in Omagh makes McDowell ineligible for active military service and he becomes a weapons instructor. The accident also leads to him meeting his future wife, Margaret Telfer, the physiotherapist who treats him in hospital in Bangor, County Down.

McDowell rises to the rank of major and is part of the Allied forces in occupied Austria following the end of the war, taking part in joint patrols in Vienna with Russian, American and French officers. In the post-war period, he is given two years to finish his college course and spends a summer studying law with a tutor before passing the English bar and returning to the British Army.

After a further military posting to Edinburgh, McDowell’s legal qualification brings him to the army legal service in the War Office in London. With little prospect of further promotion and every chance of being posted abroad without his young family, he decides to leave the army. He is offered a job as legal adviser in London to James North Ltd, a company which makes protective clothing. With no experience of industry, he asks to be given a managerial role at first. The company suggests a managing position in its operations in Dublin. He slots easily into the city’s old business establishment, joining the Kildare Street Club, becoming a director of Pim’s department store, and setting his career firmly on a commercial rather than a legal path.

McDowell’s involvement with newspapers comes about through the recognition of his business acumen. He is asked by some acquaintances to take a look at the financial troubles of the Evening Mail, which is bought subsequently by The Irish Times, adding to the latter’s own financial difficulties.

McDowell is asked later by The Irish Times to see if Roy Thomson, the Canadian-born British press baron whom he had met while they both looked separately at the Evening Mail, might be interested in taking it over. Thomson passes and the company then asks McDowell himself to take charge as chief executive in 1962. Among his first actions are to close the Evening Mail and the Sunday Review, a short-lived tabloid that is ahead of its time. A year later, another problem is resolved when Douglas Gageby, who had been hired as managing director of The Irish Times shortly before McDowell’s arrival, takes over as editor.

Thus, what had begun as a slightly awkward relationship, turns into a highly successful partnership as Gageby sets about broadening the newspaper’s editorial appeal and McDowell sets it on a successful commercial course. McDowell always credits Gageby and his successors as editor with the success of the newspaper. Although he has a close relationship with editors, especially Gageby, he does not interfere in the editorial running of the newspaper.

By the early 1970s, the circulation of The Irish Times has almost doubled in a decade to 60,000 and it is making money. Some of the directors indicate an interest in selling the company. McDowell proposes instead that it be turned into a trust. It is a period when several newspapers in Ireland and Britain have changed hands or are seen as being vulnerable to takeovers. His aims are to protect the newspaper’s independence, make it as difficult as possible for anyone to take over, and formalise its aims in a guiding trust.

McDowell works on the trust document for many months, going through 28 drafts before he is satisfied with the result. The five directors of the company, including McDowell and Gageby, transfer their shares in the company to a solicitor in the autumn of 1973 in anticipation of announcing the trust at the end of that year. Further delays in finalising the trust terms result in its announcement in April 1974, on the eve of the introduction of capital gains tax. The timing gives rise to suggestions that the directors are taking their cash (£325,000 each) out of the company before the new tax takes effect. McDowell always denies that this is the case, maintaining that the timing is coincidental. He is also adamant that the motivation behind the formation of the trust itself is altruistic.

The formation of the trust leaves the newspaper with a large bank debt, used to buy out the directors/shareholders, at what turns out to be a difficult economic period after the first oil crisis hits the western world in the autumn of 1974. McDowell successfully guides The Irish Times‘ financial fortunes through the subsequent recession and into further periods of growth throughout the 1980s and 1990s.

McDowell stands down as chief executive of the company in 1997 and retires from the chairmanship of The Irish Times Trust in 2001. He is given the title President for Life in recognition of his huge contribution to the newspaper.

McDowell is a private person and never seeks or exploits the public status or limelight that goes with being a newspaper publisher. During his visit to the new The Irish Times offices on Tara Street in June 2008 for the unveiling of a portrait of him by Andrew Festing, he describes the newspaper and his family as the two loves of his life.

McDowell dies unexpectedly at the age of 87 on September 9, 2009. His funeral takes place in Whitechurch Parish Church, Rathfarnham, followed by burial in the adjoining churchyard.


by Leave a comment

Death of John Ford, Irish American Film Director

John Ford, American film director of Irish descent and one of the most important and influential filmmakers of his generation, dies in Palm Desert, California, on August 31, 1973.

Ford is born John Martin Feeney on February 1, 1894, at Cape Elizabeth, Maine. He is the fourth son among five sons and six daughters of Seán Feeney, Roman Catholic farmer and saloonkeeper, and Barbara ‘Abby’ Feeney (née Curran). His father had emigrated to the United States from Spiddal, County Galway, and his mother from Kilronan, Inishmore, one of the Aran Islands.

From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent films. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.

In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.

Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.

In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.

In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.

Stagecoach, shot in 1938, is one of Ford’s masterpieces. It was a western starring his protégé, John Wayne, and marks the beginning of his golden decade. In 1940 and 1941 he wins Best Director Oscars successively for The Grapes of Wrath and How Green Was My Valley. With American entry into World War II, he serves in the U.S. Navy, and makes important documentaries such as The Battle of Midway (1942).

In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.

Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”

Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.

When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest filmmakers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”

(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)


by Leave a comment

Death of Anew McMaster, Touring Shakespearean Actor & Manager

Anew McMaster, the last of the touring actor-managers who presents William Shakespeare’s plays throughout the United Kingdom, Ireland, Australia and the United States, dies in Dublin on August 24, 1962. For almost 35 years he tours as actor-manager of his own theatrical company performing the works of Shakespeare and other playwrights.

McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.

At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.

In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”

McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).

In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.

McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.

McMaster trains a generation of actors who tour with his company and go on to achieve success as actors. These include Pauline Flanagan, Milo O’Shea, T. P. McKenna, Kenneth Haigh, Henry Woolf, Harold Pinter, Donal Donnelly and Patrick Magee. It is while they are touring with McMaster’s company that the actor and dramatist Micheál Mac Liammóir and the actor and producer Hilton Edwards first meet and begin their lifelong partnership.

McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.


by Leave a comment

Birth of Seán MacEntee, Fianna Fáil Politician

Seán Francis MacEntee (Irish: Seán Mac an tSaoi), Fianna Fáil politician, is born as John McEntee at 47 King Street, Belfast, on August 23, 1889. He serves as Tánaiste (1959-65), Minister for Social Welfare (1957-61), Minister for Health (1957-65), Minister for Local Government and Public Health (1941-48), Minister for Industry and Commerce (1939-41), and Minister for Finance (1932-39 and 1951-54). He serves as a Teachta Dála (TD) from 1918 to 1969.

MacEntee is the son of James McEntee, a publican, and his wife, Mary Owens, both of whom are from Monaghan. James McEntee is a prominent Nationalist member of Belfast Corporation and a close friend of Joseph Devlin MP.

MacEntee is educated at St. Mary’s Christian Brothers’ Grammar School, St. Malachy’s College and the Belfast Municipal College of Technology where he qualifies as an electrical engineer. His early political involvement is with the Irish Socialist Republican Party in Belfast. He quickly rises through the ranks of the trade union movement becoming junior representative in the city’s shipyards. Following his education, he works as an engineer in Dundalk, County Louth, and is involved in the establishment of a local corps of the Irish Volunteers in the town. He mobilises in Dundalk and fights in the General Post Office garrison in the Easter Rising in 1916. He is sentenced to death for his part in the rising. This sentence is later commuted to life imprisonment. He is released in the general amnesty in 1917 and is later elected a member of the National Executives of both Sinn Féin and the Irish Volunteers in October 1917. He is later elected Sinn Féin Member of Parliament (MP) for South Monaghan at the 1918 Irish general election.

An attempt to develop MacEntee’s career as a consulting engineer in Belfast is interrupted by the Irish War of Independence in 1919. He serves as Vice-Commandant of the Belfast Brigade of the Irish Republican Army (IRA). He is also a member of the Volunteer Executive, a sort of Cabinet and Directory for the Minister for Defence and the HQ Staff, however, he remains one of the few Sinn Féiners from the north. On August 6, 1920, he presents ‘a Memorial’ lecture to the Dáil from the Belfast Corporation. He tells the Dáil it is the only custodian of public order, that a Nationalist pogrom is taking place, and he advises them to fight Belfast. The Dáil government’s policy is dubbed Hibernia Irredenta or “Greening Ireland.” He is asked to resign his South Monaghan seat after voting against a bunting celebration in Lurgan to mark the signing of the Anglo-Irish Treaty.

In April 1921 MacEntee is transferred to Dublin to direct a special anti-partition campaign in connection with the May general election. It remains Michael Collins‘s policy, he declares, that the largely Protestant shipyard workers of Belfast are being directed by the British, urging all Irishmen to rejoin the Republic. Correspondingly the Ulster Unionist Council rejects the call for a review of the boundary commission decision made on Northern Ireland. But when Ulstermen choose James Craig as Premier, Collins denounces democracy in the north as a sham. It is on the partition of Ireland issue that MacEntee votes against the Anglo-Irish Treaty of 1921. During the subsequent Irish Civil War, he commands the IRA unit in Marlboro Street Post Office in Dublin. He later fights with Cathal Brugha in the Hamman Hotel and is subsequently interned in Kilmainham and Gormanstown until December 1923.

After his release from prison, MacEntee devotes himself more fully to his engineering practice, although he unsuccessfully contests the Dublin County by-election of 1924. He becomes a founder-member of Fianna Fáil in 1926 and is eventually elected a TD for Dublin County at the June 1927 Irish general election.

MacEntee founds the Association of Patent Agents in 1929, having gained his interest in Patents when he worked as an assistant engineer in Dundalk Urban District Council. He values his status as a Patent Agent as he maintains his name on the Register for over 30 years while he holds Ministerial rank in the Irish Government, although he is not believed to have taken any active part in the patent business, which is carried on by his business partners.

In 1932, Fianna Fáil comes to power for the very first time, with MacEntee becoming Minister for Finance. In keeping with the party’s protectionist economic policies his first budget in March of that year sees the introduction of new duties on 43 imports, many of them coming from Britain. This sees retaliation from the British government, which in turn provokes a response from the Irish government. This is the beginning of the Anglo-Irish Trade War between the two nations, however, a treaty in 1938, signed by MacEntee and other senior members brings an end to the issue.

In 1939, World War II breaks out and a cabinet reshuffle results in MacEntee being appointed as Minister for Industry and Commerce, taking over from his rival Seán Lemass. During his tenure at this department, he introduces the important Trade Union Act (1941). In 1941, another reshuffle of ministers takes place, with him becoming Minister for Local Government and Public Health. The Health portfolio is transferred to a new Department of Health in 1947. Following the 1948 Irish general election, Fianna Fáil returns to the opposition benches for the first time in sixteen years.

In 1951, Fianna Fáil are back in government, although in minority status, depending on independent deputies for survival. MacEntee once again returns to the position of Minister for Finance where he feels it is vital to deal with the balance of payments deficit. He brings in a harsh budget in 1951 which raises income tax and tariffs on imports. His chief aim is to cut spending and reduce imports, however, this comes at a cost as unemployment increases sharply. The increases are retained in his next two budgets in 1952 and 1953. It is often said that it is his performance during this period that costs Fianna Fáil the general election in 1954. The poor grasp on economics also does his political career tremendous damage as up to that point he is seen as a likely successor as Taoiseach. Seán Lemass, however, is now firmly seen as the “heir apparent.”

In 1957, Fianna Fáil returns to power with an overall majority with MacEntee being appointed Minister for Health. The financial and economic portfolios are dominated by Lemass and other like-minded ministers who want to move away from protection to free trade. He is credited during this period with the reorganisation of the health services, the establishment of separate departments of health and social welfare, and the fluoridation of water supplies in Ireland. In 1959, he becomes Tánaiste when Seán Lemass is elected Taoiseach.

Following the 1965 Irish general election, MacEntee is 76 years old and retires from the government. He re-emerges in 1966 to launch a verbal attack on Seán Lemass for deciding to step down as party leader and Taoiseach. The two men, however, patch up their differences shortly afterwards. MacEntee retires from Dáil Éireann in 1969 at the age of 80, making him the oldest TD in Irish history.

MacEntee dies in Dublin on January 9, 1984, at the age of 94. He is buried in Glasnevin Cemetery, Dublin. At the time of his death, he is the last surviving member of the First Dáil.


by Leave a comment

Death of Irish Writer Denis Johnston

Irish writer (William) Denis Johnston dies on August 8, 1984, at Ballybrack, County Dublin. He writes mostly plays, but also works of literary criticism, a book-length biographical essay of Jonathan Swift, a memoir and an eccentric work on cosmology and philosophy. He also works as a war correspondent and as both a radio and television producer for the BBC.

Johnston is born in Dublin on June 18, 1901, the only child of William John Johnston from Magherafelt, a barrister and later an Irish Supreme Court judge, and his wife Kathleen (née King), a teacher and singer from Belfast. They are Presbyterians and liberal home rulers. He sees the family home in Dublin occupied by rebels during the 1916 Easter Rising.

Johnston is educated at St. Andrew’s College, Dublin (1908–15, 1917–19), and Merchiston Castle School, Edinburgh (1915–16). In 1918, he attempts to join Sinn Féin, offering to supply the party with weapons taken from his Officers’ Training Corps. In 1922, while reading history and law at Christ’s College, Cambridge (1919–23) he tries to enlist in the civil war Free State army. He goes on to study at the Harvard Law School (1923–24) and enters King’s Inns in Dublin and the Inner Temple in London.

In London, developing his interest in the theatre, Johnston abandons plans for a legal and political career.

Johnston is a protégé of W. B. Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work includes both original plays and adaptation of the work of many different writers.

Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of Dublin’s Gate Theatre. His second play, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such storied names as James Mason, Jack Hawkins, Claude Rains, Barry Fitzgerald, James Coco and Errol Flynn. Later plays deal with the life of Jonathan Swift, the 1916 Rebellion, the pursuit of justice, and the fear of death. He writes two opera libretti and a pageant.

“Passionate in his radical skepticism and loathing of what he saw as the pernicious influence of the Roman Catholic Church,” at the end of 1933, Johnston joins the trade unionist John Swift, the Dublin novelist Mary Manning, and fellow northerner, the libertarian socialist Jack White, in forming The Secular Society of Ireland. “Convinced that clerical domination in the community is harmful to advance,” the society seeks “to establish in this country complete freedom of thought, speech and publication, liberty for mind, in the widest toleration compatible with orderly progress and rational conduct.” Among other things it aims to terminate the clerically-dictated ban on divorce, the Censorship of Publications Act and the system of clerical management, and consequent sectarian teaching, in schools.

This is at a time of heightened clerical militancy and as soon the meeting place of the Society (from which it distributed the British journal The Freethinker) is exposed, it has to shift to private houses outside of Dublin. In 1936, Johnston and the other members disband the society and donate the proceeds to the government of the beleaguered Spanish Republic. He has become a recognised man of the left. In 1930 he joins the Irish Friends of Soviet Russia, and though never a party member, until as late as the 1950s he professes faith in a communist future.

During World War II he serves as a BBC war correspondent, reporting from El Alamein, through the Italian campaign, to Buchenwald and Adolf Hitler‘s Berghof. For this he is awarded an OBE, a mention in dispatches, and the Yugoslav Partisans Medal. He then becomes Director of Programmes for the television service.

Johnston later moves to the United States and teaches at Mount Holyoke College, Smith College and other universities. He keeps extensive diaries throughout his life, now deposited in the Library of Trinity College, Dublin, and these together with his many articles and essays give a distinctive picture of his times and the people he knew. Another archive of his work is held at the library of Ulster University at Coleraine. He receives honorary degrees from Ulster University and Mount Holyoke College and is a member of Aosdána.

Johnston and actress Shelah Richards are the parents of Jennifer Johnston, a respected novelist and playwright, and a son, Micheal. His second wife is the actress Betty Chancellor, with whom he has two sons, Jeremy and Rory.

Johnston dies on August 8, 1984, at Ballybrack, County Dublin, and is buried in St. Patrick’s Cathedral close. His epitaph is a quotation from The Old Lady Says “No!” – Emmet’s lines praising Dublin “the strumpet city.”

Johnston’s war memoir, Nine Rivers from Jordan, reaches The New York Times‘ Best Seller list and is cited in the World Book Encyclopedia‘s 1950s article on World War II under “Books to Read,” along with Winston Churchill, Dwight D. Eisenhower, et al. Joseph Ronsley cites an unnamed former CBS Vietnam War correspondent who called the book the “Bible,” carrying it with him constantly, “reading it over and over in the field during his tour of duty.” In a profile in The New Yorker in 1938, Clifford Odets is quoted as saying that the only playwrights he admires are John Howard Lawson, Sean O’Casey, and Denis Johnston.

The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screenplay or musical written by an undergraduate at Smith College, Mount Holyoke College, Amherst College, Hampshire College and the University of Massachusetts Amherst. The prize is endowed by his former student at Smith, Carol Sobieski.


by Leave a comment

Birth of Edward Plunkett, 18th Baron of Dunsany

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany FRSL, Anglo-Irish writer and dramatist, is born in London, England, on July 24, 1878. Over 90 volumes of fiction, essays, poems and plays appear in his lifetime, and a modest amount of material is published posthumously.

Plunkett, known to his family as “Eddie,” is the first son of John William Plunkett, 17th Baron of Dunsany (1853–1899), and his wife, Ernle Elizabeth Louisa Maria Grosvenor Ernle-Erle-Drax (née Burton) (1855–1916). From a historically wealthy and famous family, he is related to many well-known Irish figures. He is a kinsman of the Catholic Saint Oliver Plunkett, the martyred Archbishop of Armagh. He is also related to the prominent Anglo-Irish unionist and later nationalist Home Rule politician Sir Horace Plunkett and George Noble Plunkett, Papal Count and Republican politician, father of Joseph Plunkett, executed for his part in the 1916 Easter Rising.

Plunkett’s only grown sibling, a younger brother, from whom he is estranged from about 1916, for reasons not fully clear but connected to his mother’s will, is the noted British naval officer Sir Reginald Drax. Another younger brother dies in infancy.

Plunkett grows up at the family properties, notably, Dunstall Priory in Shoreham, Kent, and Dunsany Castle in County Meath, but also in family homes such as in London. His schooling is at Cheam School, Eton College and the Royal Military College, Sandhurst, which he enters in 1896.

The title passes to Plunkett at his father’s death in 1899 at a fairly young age. The young Lord Dunsany returns to Dunsany Castle in 1901 after war duty. In that year he is also confirmed as an elector for the Representative Peers for Ireland in the House of Lords.

In 1903, Plunkett meets Lady Beatrice Child Villiers (1880–1970), youngest daughter of Victor Child Villiers, 7th Earl of Jersey, who is then living at Osterley Park. They marry in 1904. Their one child, Randal, is born in 1906. Lady Beatrice is supportive of her husband’s interests and helps him by typing his manuscripts, selecting work for his collections, including the 1954 retrospective short story collection, and overseeing his literary heritage after his death.

The Plunketts are socially active in Dublin and London and travel between homes in Meath, London and Kent, other than during the First and Second World Wars and the Irish War of Independence. He circulates with many literary figures of the time. To many of these in Ireland he is first introduced by his uncle, the co-operative pioneer Sir Horace Plunkett, who also helps to manage his estate and investments for a time. He is friendly, for example, with George William Russell, Oliver St. John Gogarty, and for a time, W. B. Yeats. He also socialises at times with George Bernard Shaw and H. G. Wells and is a friend of Rudyard Kipling.

In 1910 Plunkett commissions a two-story extension to Dunsany Castle, with a billiard room, bedrooms and other facilities. The billiard room includes the crests of all the Lords Dunsany up to the 18th.

Plunkett serves as a second lieutenant in the Coldstream Guards in the Second Boer War. Volunteering in World War I and appointed Captain in the Royal Inniskilling Fusiliers, he is stationed for a time at Ebrington Barracks in Derry, Northern Ireland. Hearing while on leave of disturbances in Dublin during the Easter Rising of 1916, he drives in to offer help and is wounded by a bullet lodged in his skull. After recovery at Jervis Street Hospital and what is then the King George V Hospital (now St. Bricin’s Military Hospital), he returns to duty. His military belt is lost in the episode and later used at the burial of Michael Collins. Having been refused forward positioning in 1916 and listed as valuable as a trainer, he serves in the later war stages in the trenches and in the final period writing propaganda material for the War Office with MI7b. There is a book at Dunsany Castle with wartime photographs, on which lost members of his command are marked.

During the Irish War of Independence, Plunkett is charged with violating the Restoration of Order in Ireland Act 1920, tried by court-martial on February 4, 1921, convicted, and sentenced to pay a fine of 25 pounds or serve three months in prison without labour. The Crown Forces had searched Dunsany Castle and had found two double-barrelled shotguns, two rook rifles, four Very pistols, an automatic pistol and a large quantity of pistol ammunition, along with shotgun and rifle ammunition.

During World War II, Plunkett signs up for the Irish Army Reserve and the British Home Guard, the two countries’ local defence forces, and is especially active in Shoreham, Kent, the English village bombed most during the Battle of Britain.

Plunkett’s fame arises chiefly from his prolific writings. He is involved in the Irish Literary Revival. Supporting the Revival, he is a major donor to the Abbey Theatre, and he moves in Irish literary circles. He is well acquainted with W. B. Yeats, Lady Gregory, Percy French, George “AE” Russell, Oliver St. John Gogarty, Padraic Colum and others. He befriends and supports Francis Ledwidge, to whom he gives the use of his library, and Mary Lavin.

Plunkett makes his first literary tour to the United States in 1919 and further such visits up to the 1950s, in the early years mostly to the eastern seaboard and later, notably, to California. His own work and contribution to the Irish literary heritage are recognised with an honorary degree from Trinity College Dublin.

In 1940, Plunkett is appointed Byron Professor of English in the University of Athens in Greece. Having reached Athens by a circuitous route, he is so successful that he is offered a post as Professor of English in Istanbul. However, he has to be evacuated due to the German invasion of Greece in April 1941, returning home by an even more complex route, his travels forming a basis for a long poem published in book form (A Journey, in 5 cantos: The Battle of Britain, The Battle of Greece, The Battle of the Mediterranean, Battles Long Ago, The Battle of the Atlantic, special edition January 1944). Olivia Manning‘s character Lord Pinkrose in her novel sequence the Fortunes of War is a mocking portrait of Dunsany in that period.

In 1947, Plunkett transfers his Meath estate in trust to his son and heir and settles in Kent at his Shoreham house, Dunstall Priory, not far from the home of Rudyard Kipling. He visits Ireland only occasionally thereafter and engages actively in life in Shoreham and London. He also begins a new series of visits to the United States, notably California, as recounted in Hazel Littlefield-Smith’s biographical Dunsany, King of Dreams.

In 1957, Plunkett becomes ill while dining with the Earl and Countess of Fingall at Dunsany, in what proves to be an attack of appendicitis. He dies in hospital in Dublin, at the age of 79, on October 25, 1957. He is buried in the churchyard of the ancient church of St. Peter and St. Paul, Shoreham, Kent. His funeral is attended by many family members, representatives of his old regiment and various bodies in which he had taken an interest, and figures from Shoreham. A memorial service is held at Kilmessan in County Meath, with a reading of “Crossing the Bar,” which coincides with the passing of a flock of geese.

Beatrice survives Plunkett, living mainly at Shoreham and overseeing his literary legacy until her death in 1970. Their son Randal succeeds to the barony and is in turn succeeded by his grandson, the artist Edward Plunkett. Plunkett’s literary rights pass from Beatrice to Edward.


by Leave a comment

Birth of Kathleen Cox, Artist, Sculptor & Mystic

Kathleen Cox, Irish artist, sculptor, and mystic, is born Christina Mary Kathleen Cox in Wo-Sung, China, on July 2, 1904. Cox is considered a pioneer of contemporary Irish pottery.

Cox is the eldest daughter of Dr. R. H. Cox, originally from Dundalk, County Louth, and the port health officer in Shanghai. He is also an amateur geologist and models in clay. In his retirement, he invents a periscope later used during World War I by the Royal Navy. The years living in China leave an impression on the young Cox, visually and culturally. The family returns to Ireland in 1911, first moving to Listowel, County Kerry, and later to Howth, County Dublin. She attends Alexandra College, and later the Dublin Metropolitan School of Art in 1921. While there she studies sculpture under Oliver Sheppard and is considered one of his most talented students, winning the Royal Dublin Society Taylor prize for modelling in 1925, 1926, and 1927. The money from these prizes allows Cox to travel to Paris in 1929.

Cox exhibits in 1924 at the Tailteann exhibitions, and in 1925 submits textile designs to the Arts and Crafts Society of Ireland. She establishes a pottery studio at 7 Schoolhouse Lane, Dublin, with college friend Stella Rayner in 1929. The studio has the first electric kiln in Ireland. The first exhibited piece by Cox shown by the Royal Hibernian Academy (RHA) is in 1930, with a pair of Madonna bookends, and portrait masks of the daughter of Dermod O’Brien, Brigid O’Brien, and writer Norris Davidson. Davidson is a friend and neighbour, who commissions her to design the poster for his 1929 film, Suicide. She exhibits with the RHA from 1931 to 1933, and the Tailteann 1932, while also holding exhibitions in her studio. During this period Hilda Roberts paints her portrait, Strange Spirit. Kathleen Cox in her studio. The theme of womanhood is prominent in her work, including in the sign of her studio.

In 1932, Cox begins producing a line of more commercial figurines, drawing influence from the Royal Doulton Burslem factory, where she works for a time. One such figurine is The Lavender Man (pictured), modelled on Michael Clifford, a Dublin street trader. In the mid 1930s, she develops a frustration with her work and with her lack of impact on the wider world. In attending the Chinese exhibition in London in 1935, it is confirmed to her that pottery should be practical rather than ornamental. It spurs her to destroy all her moulds and sell her kiln upon her return to Dublin.

Cox marries Alan Palmer in 1937, the couple has two daughters and relocate to England. Palmer is a conscientious objector during World War II, with the couple running a farm at Meopham, Kent, returning to London after the war.

Cox dies in early September 1972 in London. Some of her work is held in the collections of the National Museum of Ireland and with four works featured in the exhibition Not Just Pots: Contemporary Irish Ceramics of the 21st Century.

It is during the 1920s that Cox begins to question mainstream religion and becomes a vegetarian. Finding that her personal philosophy is similar to that of theosophy, she joins the movement and speaks at meetings. She is heavily influenced by the founder of the Order of the Great Companions, the Rev. William Hayes, who is living in Dublin in the 1930s. She writes and illustrates a children’s book on world religions, A story of stories, which she publishes under the pseudonym C.M. Kay in 1970.