Initially after leaving school Laffoy tries primary school teaching at Carysfort College and joins the civil service. She is subsequently educated at University College Dublin (UCD) and King’s Inns. She receives the John Brooks Scholarship at the Inns for achieving the highest marks. She receives a BA from UCD in 1968 and a BCL in 1971.
Laffoy is called to the Bar in 1971 and to the Inner Bar in 1987. She devils for Brian McCracken. She becomes a Senior Counsel on the same day as future Supreme Court colleagues Susan Denham and Liam McKechnie and at the time is only one of four women seniors.
Laffoy’s expertise at the Bar is in property law. She appears in the Cityview Press case which clarifies the law on the nondelegation doctrine in Ireland. In 1983, she is appointed by the Supreme Court to argue against the constitutionality of the Electoral (Amendment) Bill 1983 following a reference made by PresidentPatrick Hillery under Article 26 of the Constitution of Ireland. She appears in another Article 26 reference made by Mary Robinson regarding the Matrimonial Home Bill 1993. For both references, the Supreme Court finds for her side.
Laffoy is appointed as a judge of the High Court in 1995, primarily presiding over cases involving chancery law.
Laffoy presides over the Commission to Inquire into Child Abuse from 1999 to 2003, an inquiry into child abuse. Her decision to resign as chair before the commission completes its report is controversial. In her letter of resignation from the commission of September 2, 2003, she outlines her belief that the actions of the Government and the Department of Education have frustrated her efforts and have slowed the commission’s work. She feels that “the cumulative effect of those factors effectively negated the guarantee of independence conferred on the Commission and militated against it being able to perform its statutory functions.” The commission is chaired from 2003 to 2009 by Judge Sean Ryan.
Laffoy presides over the High Court hearing in A v Governor of Arbour Hill Prison, ordering the release of a prisoner convicted of statutory rape due an earlier finding that the offence he was convicted of was contrary to the Constitution of Ireland. Her decision is overturned on appeal to the Supreme Court. In 2012, she dismisses an action taken by Thomas Pringle regarding the legality of the European Stability Mechanism. The European Court of Justice, after reference from the Supreme Court, also rejects his claim. During her time at the High Court, ten percent of reported judgments are written by her.
Laffoy is appointed to the Supreme Court of Ireland in July 2013. She retires from the Supreme Court on June 16, 2017. A portrait of her is unveiled in the King’s Inns in March 2020.
In July 2016, Laffoy is appointed by TaoiseachEnda Kenny to chair the Citizens’ Assembly, which she chairs until June 2018. She becomes the president of the Law Reform Commission in 2018.
Paul McGuinness, the founder of Principle Management Limited, a popular music act management company based in Dublin, is born on June 16, 1951, in Rinteln, Westphalia, Germany. He is the manager of the rock band U2 from 1978 to 2013.
McGuinness is born in a British military hospital at Rinteln where his father, Philip McGuinness, a native of Liverpool, is serving with the Royal Air Force. His mother, Sheila McGuinness (née Lyne), is a schoolteacher from County Kerry. There are three children in the family: Paul, Niall, and Katy.
McGuinness receives his early formal education in Ireland at the private Jesuit boarding school, Clongowes Wood College. From there he goes on to Trinity College Dublin, where he directs plays, edits the magazine T.C.D. Miscellany, and promotes gigs, but drops out before obtaining a degree.
Before becoming involved with U2, Guinness works as a film assistant director on productions such as John Boorman‘s Zardoz. For a time, he also manages folk-rock group Spud.
McGuinness first meets U2 at a Dublin gig on May 25, 1978, where they are supporting the Gamblers. Following this meeting, he becomes U2’s manager, having been introduced to the band by Bill Graham, a journalist with Hot Press magazine. His original agreement with the band is that the money is to be split equally five ways, though this is later changed.
McGuinness founds Principle Management Limited on March 29, 1984. He and Bill Whelan set up a music publishing company called McGuinness/Whelan Publishing in the late 1980s. Whelan later composes the music for the theatrical show Riverdance.
In 2002, McGuinness is presented with a Lifetime Achievement Award at the Meteor Music Awards at the Point Theatre in Dublin and U2 wins the best Irish Band Award.
Noted for his business acumen, McGuinness is responsible for U2 3D concert films, U2-branded iPods, sponsorship from BlackBerry and the first-ever concert streamed live on YouTube.
McGuinness is regarded as the fifth member of U2, although in an interview with The Irish Press in 1985, when asked if he is the fifth member of U2, he replies, “The fifth member of U2 is in Adam (Clayton)‘s trousers.” He is also regarded as one of the most successful managers in the music business.
McGuinness steps down as manager of U2 after 34 years on November 13, 2013, with Madonna‘s manager, Guy Oseary, succeeding him in 2014 when he sells Principle Management Limited to Live Nation.
McGuinness is a founding partner of TV3 (Ireland) and is one of the owners of Ardmore Film Studios. He becomes a member of the Arts Council of Ireland on January 1, 1988, having been appointed by Charles Haughey. He serves until February 2000 when he resigns.
McGuinness has been an advocate on behalf of artists, record labels, and music publishers. On January 28, 2008, in a speech at the Midem music industry convention in Cannes, he specifically accuses companies such as Apple, Google, Yahoo!, and Facebook of building “multi-billion dollar industries on the back of our content without paying for it.”
In 2015, McGuinness founds Primo Productions, a film and TV company. Primo produces three seasons of Riviera, a drama set in the South of France. He writes the “list of ingredients” for the show: “Rich people behaving badly in the sun, yachts, Maseratis, great clothes, beautiful women, art fraud, money laundering through the auction houses, Russians, English people, American, French. Murder, adultery.” Everyday life on the Côte d’Azur. His production partner is Kris Thykier of Archery Pictures. The show is originally commissioned by Anne Mensah of Sky Atlantic.
McGuinness marries Kathy Gilfillan in 1977. They meet while he is studying at Trinity. Gilfillan is director of The Lilliput Press. They have two children.
McAnally is born on March 30, 1926, in Buncrana, a seaside town located on the Inishowen peninsula of County Donegal. The son of a bank manager, he is educated at Saint Eunan’s College in Letterkenny where he writes, produces and stages a musical called “Madame Screwball” at the age of sixteen. He enters St. Patrick’s College, Maynooth at the age of 18 but leaves after a short time having decided that the priesthood is not his vocation. He joins the Abbey Theatre in 1947 where he meets and marries actress Ronnie Masterson.
The couple later forms Old Quay Productions and present an assortment of classic plays in the 1960s and 1970s. McAnally makes his theatre debut in 1962 with A Nice Bunch of Cheap Flowers and gives a well-received performance as George in Who’s Afraid of Virginia Woolf?, opposite Constance Cummings, at the Piccadilly Theatre.
On television he is a familiar face, often in glossy thriller series like television series The Avengers, Man in a Suitcase, and Strange Report. In 1968 he takes the title role in Spindoe, a series charting the return to power of an English gangster, Alec Spindoe, after a five-year prison term. This is a spin-off from another series, The Fellows (1967) in which McAnally had appeared in several episodes as the Spindoe character. He could render English accents very convincingly.
McAnally regularly acts in the Abbey Theatre and at Irish festivals, but in the last decade of life he achieves award-winning notice on TV and films. His impressive performance as Cardinal Altamirano in the film The Mission (1986) earns him Evening Standard and BAFTA awards. He earns a second BAFTA award for his role in the BBC’s A Perfect Spy (1987). In 1988 he wins the BAFTA for Best Actor for his performance in A Very British Coup, a role that also brings him a Jacob’s Award. In the last year of his life, he portrays the father of Christy Brown, played by Daniel Day-Lewis, in the Academy Award-winning film, My Left Foot (1989).
McAnally dies suddenly of a heart attack on June 15, 1989, at the age of 63, at his home in County Wicklow which he shares with Irish actress Britta Smith. He remains married to actress Ronnie Masterson until his death, although they reside in different homes. He receives a posthumous BAFTA award for Best Supporting Actor for his last film, My Left Foot, in 1990.
At the time of his death, McAnally is due to play “Bull McCabe” in Jim Sheridan‘s film The Field. The part eventually goes to Richard Harris who receives an Academy Award nomination for his performance. McAnally had also been cast in the lead role of First and Last, a drama about a man who walked from Land’s End to John o’ Groats. Filming is almost a third of the way done when he dies, but the whole play has to be re-filmed, with Joss Ackland taking the role instead.
Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Bateman attends Bangor Grammar School leaving at the age of 16 when he is hired by Annie Roycroft to join the County Down Spectator as a “cub” reporter, then columnist and deputy editor. A collection of his columns is published as Bar Stool Boy in 1989.
Bateman has been writing novels since his debut, Divorcing Jack, in 1994. Divorcing Jack wins a Betty Trask Award in the same year and is adapted into a 1998 film starring David Thewlis. Several of his novels feature the semi-autobiographical Belfast journalist, Dan Starkey.
Bateman’s book Murphy’s Law is adapted from the BBC television series Murphy’s Law (2001–2007), featuring James Nesbitt. He explains on his website that “Murphy’s Law was written specifically for James Nesbitt, a local actor who became a big TV star through Cold Feet. The ninety-minute pilot for Murphy’s Law on BBC One was seen by more than seven million people, and led to three TV series, on which I was the chief writer.”
Bateman’s eight-part series Scúp is written in English and translated into Irish. It is produced by Stirling Productions and BBC Northern Ireland. A second series has since been commissioned.
At the Athyby-election on June 12, 1741, following the death of Sir Walter Dixon Borrowes, James FitzGerald, styled Lord Ophaly and later 1st Duke of Leinster, is returned. In the course of the election there is a duel between William Paul Warren and Jack Hardy, which leads to Hardy’s right hand and arm being shattered. It is thought that it might have to be amputated.
In 1761 FitzGerald is created Earl of Offaly and Marquess of Kildare in the Peerage of Ireland and in 1766 he is further honoured when he is made Duke of Leinster, becoming by this time the Premier Duke, Marquess and Earl in the Peerage of Ireland.
FitzGerald dies at Leinster House, Dublin, on November 19, 1773, aged 51, and is buried in the city’s Christ Church Cathedral. He is succeeded by his second (but eldest surviving) son, William, Marquess of Kildare. The Duchess of Leinster causes a minor sensation by marrying her lover William Ogilvie in 1774 but continues to be known as The Dowager Duchess of Leinster. She has a further three children by him. She dies in London on March 27, 1814, aged 82.
In 1999, Irish Screen, BBC America and WGBH produce Aristocrats, a six-part limited television series based on the lives of Emily Lennox and her sisters. FitzGerald is portrayed by Ben Daniels.
The general election of 1981 is the first one of five during the 1980s. The election also sees three new leaders of the three main parties fight their first general election. Charles Haughey had become Taoiseach and leader of Fianna Fáil at the end of 1979, Garret FitzGerald is the new leader of Fine Gael and Frank Cluskey is leading the Labour Party.
Haughey and Fianna Fáil seem extremely popular with the electorate in early 1981. He is expected to call the election at the time of the Fianna Fáil ardfheis on February 14, but the Stardust fire causes the ardfheis to be postponed, and the Republican hunger strike in the Maze Prison begins in March. By the dissolution in May, much of the earlier optimism in the party has filtered out. The Anti H-Block movement fields abstentionist candidates in solidarity with the hunger strikers, undermining the Republican credentials of Fianna Fáil.
Fianna Fáil’s manifesto promises more spending programmes and Fine Gael puts forward a series of tax-cutting plans.
Fianna Fáil loses seats as a result of sympathy to the Anti H-Block candidates and the attractive tax proposals of Fine Gael. It is the worst performance for Fianna Fáil in twenty years. Meanwhile, Labour Party leader Frank Cluskey loses his seat, necessitating a leadership change with Michael O’Leary succeeding Cluskey. A Fine Gael–Labour Party coalition government comes to power. Fine Gael and the Labour Party form the 17th Government of Ireland, a minority coalition government, with Garret FitzGerald becoming Taoiseach.
(Pictured: Fine Gael’s Garret FitzGerald, who is appointed Taoiseach following the 1981 Irish General Election)
Dowling begins his hurling career at club level with the O’Loughlin Gaels. He breaks onto the club’s top adult team as a 16-year-old in 1994 and enjoys his first success the following year when the club wins the 1995 Kilkenny Premier Junior Hurling Championship. He wins a Kilkenny Intermediate Hurling Championship title in 1996 and promotion to the top flight of Kilkenny hurling. He goes on to make numerous championship appearances at senior level and is at left wing-back on the O’Loughlin Gaels’ Leinster Senior Club Hurling Championship-winning team in 2003. His club career ends as a result of a hip injury in 2010, by which time he has also won two Kilkenny Senior Championship titles.
At inter-county level, Dowling is part of the Kilkenny minor team that wins back-to-back Leinster Minor Hurling Championships in 1995 and 1996 before winning the All-Ireland Under-20 Hurling Championship in 1999. He joins the Kilkenny senior team in 2001. From his debut, he lines out as a half-back or a midfielder and makes a combined total of 25 National League and Championship appearances in a career that ends with his last game in 2005. During that time, he is part of two All-Ireland Senior Hurling Championship-winning teams – in 2002 and 2003. He also secures three successive Leinster Senior Hurling Championship medals and three National Hurling League medals. He is dropped from the panel in June 2005.
Murphy is born in 1767. While his birthplace in Ireland is undetermined, various locations, such as Ballinoulart, Castleannesley or in Kilnew, County Wexford, are documented as possibilities. He is ordained a priest in 1785 at Wexford after completing hedge school in Oulart. His first parish is at Ballycanew, after Theology and Philosophy studies at the Irish College in Bordeaux in France. Murphy joins the Rebellion on May 27, 1798, following the vandalism of his church by Crownyeomen, despite a mostly pacifist stance by the church leadership.
Murphy proceeds toward battle at Gorey, Kilthomas Hill, then Ballyorril Hill where he meets with fellow priest Fr. John Murphy of Boolavogue. He is attacking a gun position on horseback at the Battle of Arklow on June 9, 1798, when he is killed by gunfire. His grave is at Castle Ellis.
(Pictured: Michael Murphy Monument in Arklow, County Wicklow)
McNally is born in Dublin in 1752, the son of a merchant and wine importer. He is raised by his mother with the support of his uncle. He is born into a Roman Catholic family, but at some point in the 1760s he converts to the Church of Ireland. He is passionate about theatre, entirely self-educated and initially becomes a merchant in Bordeaux like his father.
However, in 1774 McNally goes to London to study law at the Middle Temple but returns to Dublin to be called to the Irish bar in 1776. After returning to London in the late 1770s, he qualifies as a barrister in England as well, in 1783. He practises for a short time in London and, while there, supplements his income by writing plays and editing The Public Ledger.
Returning to Ireland, McNally developes a successful career as a barrister in Dublin. He develops an expertise in the law of evidence and, in 1802, publishes what becomes a much-used textbook, The Rules of Evidence on Pleas of the Crown. The text plays a crucial role in defining and publicising the beyond reasonable doubt standard for criminal trials.
Not long after returning to Ireland, McNally becomes involved in radical politics, having already in 1782 published a pamphlet in support of the Irish cause. He becomes Dublin’s leading radical lawyer of the day. In 1792, he represents James Napper Tandy, a radical member of the Irish Parliament, in a legal dispute over parliamentary privilege. In the early 1790s, he becomes a founder member of the United Irishmen, a clandestine society which soon develops into a revolutionary Irish republican organisation. He ranks high in its leadership and acts as the organisation’s chief lawyer, representing many United Irishmen in court. This includes defending Wolfe Tone and Robert Emmet, the leaders of the 1798 and 1803 rebellions respectively, at their trials for treason. In 1793, he is wounded in a duel with Sir Jonah Barrington, who had insulted the United Irishmen. Barrington subsequently describes McNally as “a good-natured, hospitable, talented and dirty fellow.”
After McNally’s death in 1820, it emerges that he had for many years been an informant for the government, and one of the most successful British spies in Irish republican circles that there has ever been. In 1794, when a United Irishmen plot to seek aid from Revolutionary France is uncovered by the British government, McNally turns informer to save himself, although, subsequently, he also receives payment for his services. He is paid an annual pension in respect of his work as an informer of £300 a year, from 1794 until his death in 1820.
From 1794, McNally systematically informs on his United Irishmen colleagues, who often gather at his house for meetings. It is he that betrays Lord Edward FitzGerald, one of the leaders of the 1798 rebellion, as well as Robert Emmet in 1803. A significant factor in the failure of the 1798 rebellion is the excellent intelligence provided to the government by its agents. McNally is considered to be one of the most damaging informers.
The United Irishmen represented by McNally at their trials are invariably convicted and he is paid by the crown for passing the secrets of their defence to the prosecution. During the trial of Emmet, he provides details of the defence’s strategy to the crown and conducts his client’s case in a way that assists the prosecution. For example, three days before the trial he assures the authorities that Emmet “does not intend to call a single witness, nor to trouble any witness for the Crown with a cross-examination, unless they misrepresent facts… He will not controvert the charge by calling a single witness.” For his assistance to the prosecution in Emmet’s case, he is paid a bonus of £200, on top of his pension, half of which is paid five days before the trial.
After McNally’s death, his activities as a government agent become generally known when his heir attempts to continue to collect his pension of £300 per year. He is still remembered with opprobrium by Irish nationalists. In 1997, the Sinn Féin newspaper, An Phoblacht, in an article on McNally, describes him as “undoubtedly one of the most treacherous informers of Irish history.”
McNally is a successful dramatist and writes a number of well-constructed but derivative comedies, as well as comic operas. His first dramatic work is The Ruling Passion, a comic opera written in 1771, and he is known to have authored at least twelve plays between 1779 and 1796 as well as other comic operas. His works include The Apotheosis of Punch (1779), a satire on the Irish playwright Richard Brinsley Sheridan, Tristram Shandy (1783), which is an adaptation of Laurence Sterne‘s novel, Robin Hood (1784), Fashionable Levities (1785), Richard Cœur de Lion (1786), and Critic Upon Critic (1788).
McNally also writes a number of songs and operettas for Covent Garden. One of his songs, The Lass of Richmond Hill, becomes very well-known and popular following its first public performance at Vauxhall Gardens in London in 1789. It is said to be a favourite of George III and popularises the romantic metaphor “a rose without a thorn,” a phrase which he used in the song.
Nothing is known of McNally’s first wife Mary O’Brien, other than that she dies in 1786. In London in 1787, he elopes with Frances I’Anson, as her father William I’Anson a solicitor, disapproves of McNally. Frances, and her family’s estate, Hill House in Richmond, North Yorkshire, is the subject of a song with lyrics by McNally and composed by James Hook, The Lass of Richmond Hill. In 1795, Frances dies during childbirth at age 29 and is survived by only one daughter. In early 1799, McNally marries his third wife, Louisa Edgeworth, the daughter of a clergyman from County Longford.
When McNally’s son, who has the same and professions, dies on February 13, 1820, it is widely reported to have been McNally. The son is buried in Donnybrook, Dublin, on February 17, 1820, and McNally sends a letter on March 6, 1820, to the Proprietor of Saunders’s Newsletter seeking damages for the severe injury caused by the circulation of his death. In June 1820, McNally is on his deathbed, and although he had been a Protestant for most of his adult life, he seeks absolution from a Roman Catholic priest. He dies and is also buried in Donnybrook on June 8, 1820.
seamus dubhghaill 