Godley is the eldest son of Rev. James Godley, rector of Carrigallen, County Leitrim, and Eliza Frances Godley (née La Touche). After attending Tilney Basset’s preparatory school in Dublin, he goes to Harrow College and Balliol College, Oxford, graduating BA in 1878. At Oxford he becomes known for his classical scholarship and wins several prizes, including the Craven scholarship and the Gaisford Prize for Greek Verse. In 1879 he is appointed assistant classical master at Bradfield College. He returns to Oxford in 1883 as tutor and fellow of Magdalen College (1883–1912). Serving as deputy public orator of Oxford (1904–06), he is elected public orator in 1910, a post he holds until his death.
Godley also enjoys renown as a writer of satiric verse and prose, beginning his literary career as a contributor to The Oxford Magazine in 1883. In 1890 he becomes its editor, and two years later publishes his first book of poems, Verses to Order (1892). Later publications include Lyra Frivola (1899), Second Strings (1902) and The Casual Ward (1912). His work is very popular and two volumes, Reliquiae (1926) and Fifty Poems (1927), are published posthumously. He also publishes numerous works of serious scholarship including Socrates and Athenian Society in His Day (1896) and Oxford in the Eighteenth Century (1908). Noted as a translator of Herodotus, Tacitus, and Horace, he serves as joint-editor of The Classical Review (1910–20). He also edits and publishes volumes of the poetry of Thomas Moore and Winthrop Mackworth Praed.
Active in political life, Godley serves as an alderman on Oxford City Council. During the Second Boer War (1899–1901) he organises volunteer forces, commanding a battalion of the 4th Oxfordshire Light Infantry (1900–05). He serves in this capacity again during World War I and is lieutenant-colonel of the Oxfordshire Volunteer Corps (1916–19). A staunch unionist, during the Home Rule Crisis, he supports the formation of the Ulster Volunteer Force (UVF) and writes some political verse, notably The Arrest, which is popular among unionists. A pioneer in the sport of mountaineering, he is a founding member of the Alpine Club and a committee member (1908–11). He is also a member of the governing body of Harrow School. Towards the end of his career he is awarded honorary doctorates from Princeton (1913) and Oxford (1919).
In 1925 Godley goes on a tour of the Levant and contracts a fever which ultimately leads to his death on June 27, 1925, at his Oxford home, 27 Norham Road. He is buried at Wolvercote Cemetery.
Aengus Fanning, Irish journalist and editor of the Sunday Independent from 1984 until his death, dies on January 17, 2012, following a battle with lung cancer. He is also a former editor of farming for the Irish Independent. He is listed at number 31 on a list of “most influential people” in Irish society compiled for Village magazine.
Fanning is born on April 22, 1944, in the family home at Cloonbeg Terrace, Tralee, County Kerry, the fourth child among five sons and one daughter of Arnold (‘Paddy’) Fanning, a teacher, and his wife Clara (née Connell). Originally from Rostrevor, County Down, his mother is born a Presbyterian and converts to Catholicism to marry his father, though neither is religious. His father is a noted organiser of local theatrical productions, having written a one-act play, Vigil, which is staged in the Abbey Theatre in 1929.
Fanning has a keen interest in sport, having represented Kerry in Gaelic football in his youth. He is also passionate about cricket. He also plays the clarinet and is a jazz fan. He is a graduate of University College Cork (UCC).
In May 1964 Fanning is hired as a reporter by his uncle, James Fanning, the owner of the Midland Tribune in Birr, County Offaly, and pursues an unglamorous beat covering court sittings, local authority meetings and GAA matches. Needing a better salary to start a family, he joins Independent Newspapers (IN) in Dublin as a general reporter in May 1969, and soon after marries Mary O’Brien from Streamstown, County Offaly. They settle in Dún Laoghaire, County Dublin, and have three sons.
Fanning covers the Northern Irelandtroubles during 1969–70, before reporting increasingly on farming matters, becoming the IN group’s agricultural correspondent in 1973, as Ireland’s European Economic Community (EEC) accession sparks a farming boom. He is made head of news analysis at the Irish Independent in 1982, improving the op-ed page and using it to advocate more market-driven economic policies.
Fanning is appointed editor of the mid-to-upmarket Sunday Independent in 1984 from. Under his leadership, the newspaper adopts what Irish newspaper historian John Horgan calls a “new emphasis on pungent opinion columns, gossip and fashion” which results in the paper overtaking its main rival, The Sunday Press. For a time, his deputy editor is journalist Anne Harris.
In a 1993 interview with Ivor Kenny in the book Talking to Ourselves, Fanning describes himself as a classical liberal who is opposed to both Ulster loyalist and Provisional Irish Republican Army terrorism. He also expresses a strong advocacy of the free market, arguing that the goal of a good newspaper is to be as commercially successful as possible:
“If three or four papers out of 15 are successful and the others are not, they might say they’re not driven by the market, they have some higher vocation: to serve the public interest or some pompous stuff like that. That’s how they feel good about themselves. Fair enough, if that’s how they want to explain the world. It’s a grand excuse for relative failure… I think we live or die by the market, it will always win through.”
Fanning recruits a number of noted writers to contribute to the newspaper, including historians Conor Cruise O’Brien and Ronan Fanning, journalists Shane Ross and Gene Kerrigan, poet Anthony Cronin and novelist Colm Tóibín. However, his editorship is not without controversy. The columns published by Eamon Dunphy and Terry Keane draw criticism. Michael Foley notes some Irish commentators criticised Fanning’s Sunday Independent, claiming the newspaper was publishing “a mix of sleaze and prurience.”
Fanning also defends the controversial Mary Ellen Synon, who calls the Paralympics games “perverse.” One of the more bizarre incidents occurs in 2001 when he is involved in fisticuffs with a colleague at the newspaper – operations editor Campbell Spray.
Diagnosed with lung cancer in April 2011, Fanning spends his last months undergoing treatment in St. Vincent’s University Hospital, Dublin, dying there on January 17, 2012, at the age of 69. His remains are cremated at Mount Jerome Crematorium.
Anne Harris, Fanning’s second wife, succeeds him as editor and lasts three years. As well as pioneering changes in the domestic print media’s role, Fanning’s Sunday Independent led Irish society’s turn towards free market hedonism, catching the public mood better than its more conventionally liberal rivals by rendering this cultural transformation in an exuberant, somewhat parodied form, and without regard for lingering post-Catholic inhibitions.
During World War II, Buchanan serves as an operations officer in RAF Coastal Command (1940–45). His service includes a period in Sierra Leone, operational liaison with Free France in French Equatorial Africa, and night attacks on U-boats in the Bay of Biscay. After the war, he lives in Limavady, County Londonderry, Northern Ireland, for nearly ten years, which he later describes as a period of regeneration. During this time, he broadcasts for BBC Radio and becomes chairman of the NI town and country development committee (1949–53) and a member (from 1954) of the executive council of the European Society of Culture (Venice), and later president of its London centre.
A versatile writer with wide-ranging concerns, Buchanan publishes his first journal, Passage Through the Present, in 1932. It is followed by six novels, including A London Story (1935) and Naked Reason (1971). His plays include A Trip to the Castle (1960) and War Song (1965). The Politics of Culture (1977) is one of several collections of essays, and Green Seacoast (1959) and Morning Papers (1965) are autobiographical. His writing has been noted for its integrity and for the diversity of its ideas. Recurrent themes are the importance of common experience, living sensitively in the present, and the impoverishment of urban life. He believes in the power of ideas and the creative nature of journalism in the modern world. Despite his prosaic style, he writes poetry from his teenage years. It “was always the base from which everything else was motivated. . . [it] affected, and perhaps energised, everything I did. Its pressure led me to special attitudes in journalism, in the theatre, in the novel.” He publishes his first collection, Bodily Responses, in 1958. Other collections include Annotations (1970) and Inside Traffic (1976). In order to bring the variety of his work to a wider audience, Frank Ormsby devotes a supplement in the Honest Ulsterman (1978) to Buchanan, whom he believes is almost forgotten in Ireland and has been unjustly neglected.
Buchanan lives at 18A Courtnell Street, London W2. He marries four times, first to Winifred Mary Corn (1938-45), secondly to Noel Pulleyne Ritter (1949-51), thirdly to the Hon. Janet Hampden Margesson (1952-68), with whom he had two daughters, and fourthly to Sandra Gail McCloy (1974-89). He dies on June 28, 1989, in Richmond, London, and is cremated at Mortlake Crematorium, Richmond.
(From: “Buchanan, George Henry Perrott” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: George Henry Perrott Buchanan by Howard Coster, 10 x 8 inch film negative, 1935, transferred from Central Office of Information, 1974)
Lalor is born on March 10, 1807, in Tinnakill House, Raheen, County Laois, the first son of twelve children of Patrick “Patt” Lalor and Anne Dillon, the daughter of Patrick Dillon of Sheane near Maryborough. His father is an extensive farmer and is the first CatholicMP for Laois (1832–1835). The household is a very political one where active discussion on national issues is encouraged.
Because of an accident when he is young, Lalor is semi-crippled all his life. He is not a very healthy young man and consequently is educated at home. In February 1825 he goes to St. Patrick’s, Carlow College. He studies chemistry under a Mr. Holt and the classics under Father Andrew Fitzgerald. While in college he becomes a member of the Apollo Society, where literature and music are studied, his favourite author at the time being Henry St. John, 1st Viscount Bolingbroke. He suffers greatly through ill health during his time in college, and in February 1826, being ill and very weak he has to return home.
Lalor’s father is passionately opposed to the payment of tithes and urges Catholics not to pay. He supports this stand, but it is the land question and the power of the landlords to evict tenants that exercises him in particular. His father is also a great supporter of Daniel O’Connell and the Repeal movement. However, Lalor does not support the Repeal movement as he considers it to be flawed. As a result, a rift occurs between him and his father on this question. Such is the rift that he leaves home and spends time in Belfast and Dublin. He finally returns home due to ill health and heals his differences with his father.
It is while writing from home that Lalor achieves national prominence. He contributes articles to The Nation and The Felon. He advocates rent strikes and active resistance to any wrongdoings. His central theme is the rights of the tenant farmer to his own land. In his opinion, land reform is the biggest issue of the time. He writes articles such as “What must be done,” “The Faith of a felon,” “Resistance,” and “Clearing Decks.” It is he who says it is time for revolution and active resistance. This is especially evident during the famine years when tenants are being evicted for nonpayment of rent. As a result, he is arrested and imprisoned. Upon his release he continues to write. He is now a nationally acclaimed writer, revolutionary, and reformer.
Ill health once again curtails his efforts. An attack of bronchitis eventually brings about his early death on December 27, 1849, at his lodgings in Great Britain Street (now Parnell Street) at the age of 43. He is buried in Glasnevin Cemetery in Dublin.
The James Fintan Lawlor Commemorative Committee, chaired by David Lawlor is formed in August 2005 to erect a memorial to mark the 200th anniversary of the birth of James Fintan Lalor. Laois County Council provides the site; Irish Life and Permanent sponsors the project; the Department of the Environment provides half the cost. The bronze statue of Lalor holding a pamphlet aloft is sculpted by Mayo-based artist Rory Breslin. The inscription on the limestone plinth reads: “Ireland her own, and all therein, from the sod to the sky. The soil of Ireland for the people of Ireland.”
Michael Davitt considered Lalor “the only real Irish revolutionary mind in the ’48 period.” His ideas were the ideological underpinning of the Irish National League during the Land War.
O’Donoghue is born in Rathmore, County Kerry, on July 22, 1894, the son of farmer Patrick O’Donoghue and Margaret Cronin. He moves to Cork in 1910, where he works as an apprentice in the drapery trade.
The 1916 Easter Rising is a watershed in O’Donoghue’s life. In December 1916, he joins the Cork branch of the Irish Volunteers. In early 1917, he is elected unanimously First Lieutenant of the Cyclist Company and as a result devotes all his spare time to Volunteer work. He begins writing weekly for two years for TheIrish World newspaper. By May 1917, he is sworn into the Irish Republican Brotherhood (IRB) and in October, Tomás Mac Curtain appoints him head of communications of the Cork Brigade. He replaces Pat Higgins as Brigade Adjutant in February 1917. He is a key organiser in the sensational jailbreak of Captain Donnchadh Mac Niallghuis on Armistice Day 1918 and takes personal responsibility for his protection. Michael Collins is the last officer from Volunteers General Headquarters to visit Cork shortly after Christmas 1919, until the truce in 1921.
O’Donoghue builds up an intelligence network and agents which includes his future wife, Josephine Marchment. She is head female clerk at the 6th Division Headquarters at Victoria Barracks, Cork, and passes on secret British Army correspondence to him. He recruits people to open letters, tap phone lines and intercept telegrams. The Irish Republican Army has 2,000 active members in Cork which are also used for intelligence gathering. By March 1920, after killing a Royal Irish Constabulary (RIC) Inspector, he is on the run and serving full-time in the IRA. In November of that year, the Cork Brigade kills six British Army officers and executes five Cork civilians on suspicion of spying.
After two and a half years of fighting, a truce is agreed upon on July 11, 1921. When the Dáil approves the Anglo-Irish Treaty, in January 1922, the IRA splits into pro- and anti-Treaty camps. Over the coming months and after being elected onto the army’s executive as Adjutant General, O’Donoghue warns of the dangers of an Irish Civil War. In June 1922, he resigns from the army’s national executive and a month later, on July 3, 1922, from the army. Civil war does break out on June 28, 1922 between pro- and anti-Treaty factions, much to his dismay.
During the Irish Civil War, O’Donoghue remains neutral and tries to organise a truce to end the fighting. In December 1922, he forms a group called the “Neutral IRA”, along with Seán O’Hegarty, composed of pro-truce IRA men. He claims he has 20,000 members in this group. He campaigns for a month’s truce between the two sides, so that a political compromise could be reached. However, his efforts come to nothing and in March 1923, he winds up the “Neutral IRA,” judging that its objectives cannot be achieved. The Irish Civil War ends on May 24, 1923.
O’Donoghue serves as major in the Irish Army from 1939-1946. He forms a Supplementary Intelligence Service that is to remain behind enemy lines in the event of an invasion. He also teaches guerrilla warfare tactics to new army recruits.
O’Donoghue marries Josephine Brown (née Marchment) in April 1921 and they have four children. The couple also adopts two children from Josephine’s first marriage, including Reggie Brown, whom O’Donoghue kidnaps from his grandparents in Wales in 1920. He becomes a rate collector and remains outside politics.
In later years O’Donoghue becomes a respected historian. While in the army he edits An Cosantóir, the Irish Army’s magazine. He convinces Éamon de Valera to establish the Bureau of Military History to record personal accounts from the Irish War of Independence. He is a recording officer until 1948. His most famous work is his biography on Liam Lynch, entitled No Other Law.
O’Donoghue dies on December 18, 1967, and Tom Barry gives the graveside oration. His papers are in the National Library of Ireland (NLI) and his statement to the Bureau of Military History is in the Military Archives.
Swift’s father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew with one of his cousins in Kilkenny College, which is perhaps the best school in Ireland at the time. He arrives there at the age of six, where he is expected to have already learned the basic declensions in Latin. He has not and thus begins his schooling in a lower form. He graduates in 1682, when he is 15. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.
In 1682, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple, 1st Baronet.
During his Moor Park years, Swift meets the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson, known as “Stella.” They become lovers for the rest of their lives until Johnson’s death in 1728. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.
During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.
In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.
When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of Dean at St. Patrick’s Cathedral, Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.
Not long after the celebration of this work, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.
In 1742, Swift suffers a stroke and loses the ability to speak. He dies on October 19, 1745. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
McCarthy is educated in Cork. He begins his career as a journalist at the age of 18 in Cork. From 1853 to 1859 he is in Liverpool, on the staff of the Northern Daily Times. In March 1855, he marries Charlotte Ailman. In 1860 he moves to London, as parliamentary reporter to the Morning Star, of which he becomes editor in 1864. He gives up his post in 1868 and, following a lecturing tour in the United States, joins the staff of The Daily News as leader-writer in 1870. In this capacity he becomes one of the most useful and respected upholders of the liberal politics of the time. He lectures again in America in 1870–71 and in 1886–87.
At the 1886 United Kingdom general election, McCarthy is returned unopposed in North Longford, but also stands in Londonderry City, where he is declared the loser to the Irish Unionist Alliance candidate by the narrow margin of 1778 votes to 1781. However, the result is later overturned on petition and McCarthy opts to sit for Londonderry City. During the divorce controversy surrounding Charles Stewart Parnell in November 1890, the British Prime MinisterWilliam Ewart Gladstone expresses a warning, given to McCarthy as intermediary, that if Parnell retains leadership of the Irish Parliamentary Party, it will mean the loss of the next election, the end of their alliance and Home Rule. When the annual party leadership election meeting is called later that month, the threat is somehow not conveyed to the members, who re-elect Parnell leader of the Party.
After a further historical meeting of the Irish Party MPs in early December, Parnell refuses to retire and the Party divides. McCarthy becomes chairman of the Anti-Parnellite group, the Irish National Federation, for a year in 1891–92. His nationalism is of a temperate and orderly kind, and though his personal distinction singles him out for the chairmanship during the party dissensions of this period, he is in no active sense the political leader.
It is claimed that McCarthy’s true vocation is literature. His earliest publications are novels, some of which, such as A Fair Saxon (1873), Dear Lady Disdain (1875), Miss Misanthrope (1878), and Donna Quixote (1879), attain considerable popularity. His most important work is his History of Our Own Times, which treats of the period between Queen Victoria‘s accession and her Diamond Jubilee. He begins a History of the Four Georges (1884–1901) and the latter half is written by his son, Justin Huntly McCarthy.
Justin McCarthy dies at the age of 81 in Folkestone, Kent, England on April 24, 1912.
(Pictured: Portrait style photograph of Irish politician Justin McCarthy, taken in 1891 by Herbert Rose Barraud)
Young is invited to accompany President Ulysses S. Grant on Grant’s famous 1877-79 world tour, chronicled in Young’s book Around the World with General Grant. He impresses Grant, especially in China where he strikes up a friendship with Li Hongzhang. Grant persuades President Chester A. Arthur to appoint Young minister to China in 1882. In this position he distinguishes himself by mediating and settling disputes between the United States and China and France and China. Unlike many other diplomats, he opposes the policy of removing Korea from Chinese suzerainty.
In 1885 Young resumes working for the New York Herald in Europe. In 1890 he returns to Philadelphia. In 1897 President William McKinley appoints him Librarian of Congress, the first librarian confirmed by Congress. During his tenure, the library begins moving from its original home in the United States Capitol building to its own structure, an accomplishment largely the responsibility of his predecessor, Ainsworth Rand Spofford. Spofford serves as Chief Assistant Librarian under Young. Young holds the post of librarian until his death.
Young’s brother is Congressman James Rankin Young. His son is Brigadier General Gordon Russell Young, who is Engineer Commission of the District of Columbia from 1945-51 and a recipient of the Distinguished Service Medal and the Legion of Merit.
O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.
Loughrea is at the centre of the bitterly fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.
While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.
O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.
O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.
Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.
When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.
When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.
O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).
(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)