Douglas is the eldest of nine children of John Douglas, proprietor of John Douglas & Sons Ltd, drapers and outfitters of Wexford Street and originally of Grange, County Tyrone, and his wife, Emily, daughter of John and Mary Mitton of Gortin, Coalisland, County Tyrone. The genealogy of the Douglas family to which he belongs can be traced to Samuel Douglas of Coolhill, Killyman, County Tyrone.
Douglas attends (1895–98) a small school for Quaker children and is a boarder (1898–1902) in the Friends’ School, Lisburn. In 1902, he begins a three-year apprenticeship in his father’s business.
On February 14, 1911, Douglas marries Georgina (Ena) Culley (1883–1959), originally of Tirsogue, Lurgan, County Armagh, whom he meets during his apprenticeship. Their children are John Harold Douglas, who succeeds to the family business and replaces his father as senator, and James Arthur Douglas, who becomes a well-known architect.
From an early age Douglas is fascinated by politics and influenced by the newspapers edited by Arthur Griffith. He becomes a member of the Dublin Liberal Association, whose members for the most part are Protestanthome rulers. After the 1916 Easter Rising, with George Russell and others, who also regard themselves as neither unionists nor nationalists, he sets out to promote what they term “full dominion status” for Ireland. This paves the way for the Irish Convention (1917–18), which, however, fails to reconcile the polarised political attitudes of the time.
Douglas goes on to become a very active member of Seanad Éireann between 1922 and 1936 under the constitution he had helped to prepare. In 1922, he is elected as the first vice-chairman of the Senate. The Senate is abolished in 1936 and re-established under the terms of the 1937 Constitution of Ireland. He is again an active Senator between 1938 and 1943, and from 1944 to 1954. The topics most associated with him during his work as Senator are international refugees and the League of Nations.
For some thirty years he runs the family business, and is also a director of Aspro (Ireland) Ltd, Nugent & Cooper Ltd, Philips Lamps (Ireland) Ltd, and the Greenmount & Boyne Linen Co. Ltd. In addition, he serves as president of the Linen and Cotton Textile Manufacturers Association and as a member of the council of the Federated Union of Employers.
Thrift was born in Halifax, West Yorkshire, England, on February 28, 1870, one of at least two sons and two daughters of Henry George Thrift, civil servant, and Sarah Anne Thrift (née Smith). The family moves in his childhood to Dublin, where his father is an officer in the Inland Revenue.
He is educated at The High School, Dublin, and enters Trinity College Dublin in 1889 with a second sizarship in mathematics, and commences a highly distinguished university career, scoring firsts in several examinations and winning numerous prizes. Elected fellow in mathematics and experimental science, and in mental and moral philosophy in 1896, he becomes Erasmus Smith’s Professor of Natural and Experimental Philosophy at TCD from 1901 to 1929. He is awarded a Doctor of Science (DSc) in 1936. He is appointed Provost of Trinity College Dublin in 1937, serving until his death in 1942.
While rarely speaking on controversial issues, Thrift opposes the 1925 legislation banning divorce, which he describes as an infringement of individual and minority rights, and a betrayal of commitments made by Arthur Griffith during the Anglo-Irish Treaty debates. His capable service on various Dáil committees is recognised by his election as Leas-Ceann Comhairle (deputy speaker). A long-serving council member of the Royal Dublin Society (RDS) (1902–42), he is a commissioner of charitable donations and bequests, and financial adviser to the General Synod of the Church of Ireland. He sits on the governing boards of the Erasmus Smith schools and of the Incorporated Society for Promoting Protestant Schools in Ireland.
Thrift’s portrait is painted by Leo Whelan. He marries Etta Robinson, a daughter of C. H. Robinson, a medical doctor, and they have three sons and three daughters. He dies at the provost’s house, Trinity College Dublin, on April 23, 1942. He is buried at Mount Jerome Cemetery, Harold’s Cross, County Dublin.
Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.
Solomons grandmother, Rosa Jacobs Solomons, who is born in Kingston upon Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).
In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.
Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.
Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.
Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.
Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republicanvolunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).
Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.
Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.
Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.
Moylett is born into a farming family and emigrates to London as a young man working in various departments in Harrods for five years before returning to Ireland in 1902. He opens a grocery and provisions business in Ballina and, as it proves successful, he later establishes branches in Galway and London between 1910 and 1914. The London-branch is sold at the outbreak of World War I.
Having founded and organised the recruitment and funding of the Mayo activities of the Irish Republican Army (IRA) he also acts as a justice of the Sinn Féin courts. He is advised to leave the area due to death threats from the Black and Tans and their burning down of his commercial premises in Ballina. On one occasion during the period, according to his military statements, he prevents some over-enthusiastic volunteers from attempting to kidnap and assassinate Prince George, Future King of England, who is sailing and holidaying in the Mayo/Donegal region at the time.
Relocating to Dublin, the Irish overseas Trading Company is formed with a former director of Imperial Chemical Industries. Moylett becomes involved in the Irish nationalist movement and is active in the Mayo and Galway areas during the Irish War of Independence. The Irish Overseas Trading Company, of which he is one of two directors, acts as a front for the importation of armaments covered by consignments of trade goods. According to his subsequent detailed military statements archived in the bureau of military history by the Irish Army, the consignments are imported to a number of warehouses in the Dublin Docks with the three keyholders to the warehouses being Éamon de Valera, Michael Collins and Arthur Griffith.
With Harry Boland in the United States with Éamon de Valera, Moylett succeeds him as president of the Irish Republican Brotherhood (IRB) and, in October 1920, is selected to go to London as the personal envoy of Arthur Griffith. During the next several months, he is involved in secret discussions with British government officials on the recognition of Dáil Éireann, a general amnesty for members of the Irish Republican Army and the organisation of a peace conference to end hostilities between both parties.
Moylett is assisted by John Steele, the London editor of the Chicago Tribune, who helps him contact high-level members of the British Foreign Office. One of these officials, in particular C.J. Phillps, has frequent meetings with him. Discussions center on the possibility of an armistice and amnesty in Ireland with the hope for a settlement in which a national Parliament will be established with safeguards for Unionists of Ulster. These meetings are later attended by H. A. L. Fisher, the President of the Board of Education and one of the most outspoken opponents of unauthorised reprisals against the Irish civilian population by the British government. One of the main points Fisher expresses to Moylett is the necessity of Sinn Féin to compromise on its demands for a free and united republic. His efforts are hindered however, both to the slow and confused pace of the peace negotiations as well as the regularly occurring violence in Ireland, most especially the Bloody Sunday incident on November 21, 1920, which happens while he is in London speaking with members of the cabinet. During the Irish Civil War, although a supporter of the Anglo-Irish Treaty, he chooses not to participate in the Free State government party which he views as an amalgam of Unionists and the old Irish Party. In 1926, he is a founding member of the Clann Éireann party and becomes an early advocate of the withholding of land annuities.
In 1930, Moylett and his family move to Dublin, and by 1940 his political activities in the city have become a concern for the Gardai. He begins moving in antisemitic, pro-German far-right politic circles while in Dublin, engaging with the likes of Gearóid Ó Cuinneagáin and George Griffith. Indeed alongside Griffith, he is deeply involved with the founding of the People’s National Party, an explicitly anti-Jewish Pro-Nazi party whose membership overlaps greatly with that of the Irish Friends of Germany. He leaves the People’s National Party in October 1939 only when he is expelled from the party and his position as treasurer on charges of embezzling party funds. In 1941 he continues to support these far-right groups when he aids Ó Cuinneagáin in setting up the Youth Ireland Association, a group gathered to fight “a campaign against the Jews and Freemasons, also against all cosmopolitan agenda.” When the group is found to be stealing guns from army reservists, the Gardai shuts the group down in September 1942.
Thomas “Tom” Michael Kettle, parliamentarian, writer, and soldier, is born on February 9, 1880, in Artane, Dublin, the seventh among twelve children of Andrew Kettle, farmer and agrarian activist, and his wife, Margaret (née McCourt). His father’s record in nationalist politics and land agitation, including imprisonment in 1881, is a valuable political pedigree.
The family is prosperous. Kettle and his brothers attend Christian Brothers’ O’Connell School in Richmond Street, Dublin, before being sent to board at Clongowes Wood College, County Kildare. Popular, fiery, and something of a prankster, he soon proves to be an exceptional scholar and debater, as well as a keen athlete, cyclist, and cricketer. He enrolls in 1897 at University College Dublin (UCD), his contemporaries including Patrick Pearse, Oliver St. John Gogarty and James Joyce. He thrives in student politics, where his rhetorical genius soon wins him many admirers and is recognised in his election as auditor of the college’s Literary and Historical Society. He also co-founds the Cui Bono Club, a discussion group for recent graduates. In 1899, he distributes pro-Boer propaganda and anti-recruitment leaflets, arguing that the British Empire is based on theft, while becoming active in protests against the Irish Literary Theatre‘s staging of The Countess Cathleen by W. B. Yeats. In 1900, however, he is prevented from taking his BA examinations due to a mysterious “nervous condition” – very likely a nervous breakdown. Occasional references in his private diaries and notes suggest that he is prone to bouts of depression throughout his life. He spends the following two years touring in Europe, including a year at the University of Innsbruck, practising his French and German, before taking a BA in mental and moral science of the Royal University of Ireland (RUI) in 1902. He continues to edit the college newspaper, remaining active in student politics. He participates, for example, in protests against the RUI’s ceremonial playing of “God Save the King” at graduations as well as its senate’s apparent support for government policy, threatening on one occasion to burn publicly his degree certificate.
In 1903, Kettle is admitted to the Honourable Society of King’s Inns to read law and is called to the bar two years later. Nonetheless, he soon decides on a career in political journalism. Like his father, he is a keen supporter of the Irish Parliamentary Party (IPP), and in 1904 is a co-founder of the resonantly titled Young Ireland Branch of the United Irish League. Here he comes to the notice of John Redmond, who offers him the prospect of a parliamentary seat, but he chooses instead to put his energies into editing the avowedly pro-Irish-party paper, The Nationist, in which he promises that a home rule administration will uphold women’s rights, industrial self-sufficiency, and Gaelic League control of Irish education. He hopes that the paper will offer a corrective alternative to The Leader, run by D. P. Moran, but in 1905 he is compelled to resign the editorship due to an article thought to be anti-clerical. In July 1906, he is persuaded to stand in a by-election in East Tyrone, which he wins with a margin of only eighteen votes. As one of the youngest and most talented men in an ageing party, he is already tipped as a potential future leader. His oratory is immediately put to good use by the party in a propaganda and fund-raising tour of the United States, as well as on the floor of the House of Commons, where his oratorical skills earn him a fearsome reputation. He firmly advocates higher education for Catholics and the improvement of the Irish economy, while developing a close alliance with Joseph Devlin and the Ancient Order of Hibernians (AOH).
Kettle meanwhile makes good use of his connections to ArchbishopWilliam Walsh, the UCD Sodality of the Blessed Virgin Mary, and the Catholic Graduates and Undergraduates Association, as well as political support, to secure the professorship of national economics. T. P. Gill, of the Department of Agriculture and Technical Instruction, exceptionally acts as his referee. His detractors regard the appointment as a political sinecure and Kettle as a somewhat dilettantish “professor of all things,” who frequently neglects his academic duties. However, he takes a keen interest in imperial and continental European economies. He does publish on fiscal policy, even if always taking a pragmatic interest in wider questions, greatly impressing a young Kevin O’Higgins, later Vice-President of the Executive Council of the Irish Free State. He has little time for what he regards as the abstract educational and economic idealism of D. P. Moran. He acknowledges that the “Hungarian policy” of Arthur Griffith has contributed significantly to a necessary debate about the economy, but argues that the Irish are “realists,” that Ireland’s natural resources ought to be scientifically measured, and that the imperial connection is crucial to Ireland’s future development. The achievement of home rule would, he asserts, encourage a healthy self-reliance as opposed to naive belief in self-sufficiency.
Kettle is encouraged by the heightened atmosphere of the constitutional crisis over the 1909 David Lloyd Georgebudget, culminating in the removal of the House of Lords veto, which has been an obstacle to home rule. He is also a supporter of women’s enfranchisement, while stressing that the suffragist cause should not delay or deflect attention from the struggle for home rule. He holds his East Tyrone seat in the January 1910 United Kingdom general election but decides not to stand at the general election in December of the same year. Returning to an essentially journalistic career, he publishes a collection of essays outlining his constitutional nationalist position. He opposes suffragette attacks on private property, but, in contrast, supports the Dublin strikers in 1913, highlighting their harsh working and living conditions. He tries without success to broker an agreement between employers and workers though a peace committee he has formed, on which his colleagues include Joseph Plunkett and Thomas P. Dillon. His efforts are not assisted, however, by an inebriated appearance at a crucial meeting. Indeed, by this time his alcoholic excesses are widely known, forcing him to attend a private hospital in Kent.
In spite of deteriorating health, Kettle becomes deeply involved in the Irish Volunteers formed in November 1913 to oppose the Ulster Volunteers. His appraisal of Ulster unionism is somewhat short-sighted, dismissing it as being “not a party [but] merely an appetite,” and calling for the police to stand aside and allow the nationalists to deal with unionists, whose leaders should be shot, hanged, or imprisoned. These attitudes are mixed in with a developing liberal brand of imperialism based on dominion federalism and devolution, warmly welcoming a pro-home-rule speech by Winston Churchill with a Saint Patrick’s Day toast to “a national day and an empire day.” Nevertheless, he uses his extensive language skills and wide experience of Europe to procure arms for the Irish Volunteers. He is in Belgium when the Germans invade, and the arms he procured are confiscated by the Belgian authorities, to whom they were donated by Redmond on the outbreak of war.
On his return to Dublin, Kettle follows Redmond’s exhortation to support the war effort. He is refused an immediate commission on health grounds, but is eventually granted the rank of lieutenant, with responsibilities for recruitment in Ireland and England. He makes further enemies among the advanced nationalists of Sinn Féin, taunting the party for its posturing and cowardly refusal to confront Ulster unionists, the British Army, and German invaders alike. Coming from a staunchly Parnellite tradition, he is no clericalist, yet he is a devout if liberal Catholic, imbued by his Jesuit schooling with a cosmopolitan admiration for European civilisation which has been reinforced by his European travels, and in particular has been outraged by the German destruction of the ancient university library of Louvain. Despite a youthful flirtation with the philosophy of Friedrich Nietzsche, he comes to regard “Prussianism” as the deadliest enemy of European civilisation and the culture of the Ten Commandments, there not being “room on earth for the two.” He increasingly believes that the German threat is so great that Irish farmers’ sons ought to be conscripted to defend Ireland. He also believes that considerable good might come out of the conflict, exhorting voters in East Galway to support what is practically a future home rule prime minister, cabinet, and Irish army corps. He unsuccessfully seeks nomination as nationalist candidate in the 1914 East Galway by-election in December. Nevertheless, he continues to work tirelessly on behalf of the party, publishing reviews, translations, and treatises widely in such journals as the Freeman’s Journal, The Fortnightly Review, and the Irish Ecclesiastical Record.
As a recruiting officer based far from the fighting, Kettle is stung by accusations of cowardice from advanced nationalists. He had tried repeatedly to secure a front-line position, but was rejected, effectively because of his alcoholism. He is appalled by trench conditions and the prolongation of the war, a disillusionment further encouraged by the Easter Rising, in which his brother-in-law, Francis Sheehy-Skeffington, is murdered by a deranged Anglo-Irish officer, J. C. Bowen-Colthurst. He senses that opinion in Ireland is changing, anticipating that the Easter insurgents will “go down in history as heroes and martyrs,” while he will go down, if at all, as “a bloody British officer.” Nevertheless, he regards the cause of European civilisation as greater than that of Ireland, remaining as determined as ever to secure a combat role. Despite his own poor health and the continuing intensity of the Somme campaign, he insists on returning to his unit, the 9th Battalion, Royal Dublin Fusiliers.
Kettle’s writings demonstrate the mortal danger he is placing himself in, evident not least in his frequently quoted poem, “To my daughter, Betty, the gift of God,” as well as letters settling debts, apologising for old offences, and providing for his family – his wealth at death being less than £200. He has no death wish, wearing body armour frequently, but as Patrick Maume notes, “As with Pearse, there is some self-conscious collusion with the hoped-for cult.” He is killed on September 9, 1916, during the Irish assault on German positions at Ginchy.
Kettle marries Mary Sheehy, alumna of UCD, student activist, suffragist, daughter of nationalist MPDavid Sheehy, and sister-in-law of his friend Francis Sheehy Skeffington, on September 8, 1909. In 1913 the couple has a daughter, Elizabeth.
Kettle is commemorated by a bust in St. Stephen’s Green, Dublin, and in the House of Commons war memorial in London. He is a man of great passions and proven courage. George William Russell put his sacrifice on a par with Thomas MacDonagh and the Easter insurgents:
“You proved by death as true as they, In mightier conflicts played your part, Equal your sacrifice may weigh, Dear Kettle, of the generous heart (quoted in Summerfield, The myriad minded man, 187).
(From: “Kettle, Thomas Michael (‘Tom’)” by Donal Lowry, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Tom Kettle as a barrister when called to the Irish law bar in 1905)
David Patrick Moran (Irish: Dáithí Pádraig Ó Móráin), better known as simply D. P. Moran, Irish journalist, activist and cultural-political theorist, dies on January 31, 1936. He is known as the principal advocate of a specifically Gaelic CatholicIrish nationalism during the early 20th century. Associated with the wider Celtic Revival, he promotes his ideas primarily through his journal, The Leader, and compilations of his articles such as the book The Philosophy of Irish Ireland.
Moran is born in Manor, a townland in Waterford, the youngest of twenty children born to James Moran, a builder, and Elizabeth Moran (née Casey). One of his brothers goes on to serve on the defense team of Patrick O’Donnell.
Despite the failure of the 1893 Home Rule Bill and the division of the Irish Parliamentary Party (IPP) in 1891, nationalists take heart from Douglas Hyde‘s 1892 speech, entitled “The Necessity for De-anglicising Ireland.” Moran builds upon this thesis and provides a wider ideology for enthusiasts, particularly after the re-unification of most of the nationalist parties from 1900.
In his 1905 text The Philosophy of Irish-Ireland, Moran argues that to be Irish requires:
the use of the Irish language
membership in the Roman Catholic Church
an anti-materialist outlook on life
the playing of only Gaelic games
Though a sponsor of the use of Irish, he never becomes fluent in the language himself. He emphasises the use of English in 1908–09 as “an active, vigilant, and merciless propaganda in the English language.” In the longer term, when Irish becomes again the language of the people, its use enables a de facto censorship of any foreign and unwelcome ideas written in English.
While Moran argues that the idea of “the Gael” is one that can assimilate others, he also feels that it will be hard if not impossible for members of the Church of Ireland who support the British Empire to ever qualify as Irish, being “resident aliens.” This extends to Anglo-Irish literature. He rejects the Abbey Theatre and questions Yeats‘ genius. He once speaks out against the influence Britain has over Irish Universities, stating, “We are all Palemen now.” In the matter of religious differences, Daniel O’Connell had said in 1826 that “the [Roman] Catholics of Ireland are a nation.” Moran moves beyond that, affirming in 1901 that “…the Irish Nation is de facto a Catholic nation.” He is virulent in his opposition to female suffrage.
Moran’s articles frequently contrast “Belfast” with “Ireland,” yet hope that Belfast can eventually change and assimilate. He feels that Ulster unionists should “… be grateful to the Irish nation for being willing to adopt them.” His paper publishes numerous articles by the future TDArthur Clery (writing under the pen name “Chanel”), who advocates partition on the grounds that Ulster unionists are a separate nation, but Moran himself disagrees and refuses to concede the legitimacy of a northern Protestant identity.
When Irish republicans initiate the Irish War of Independence in 1919, widescale anti-Catholic rioting breaks out in Belfast in 1920 and 1922. Moran identifies this as being caused by Orangeism, which he describes as “a sore and a cancer” in Ireland. He also alleges that “bigotry on the part of Catholics in the Six Counties is immediately due to Orange bigotry.”
Moran is initially a supporter of the Irish Parliamentary Party, believing that the separatism advocated by Arthur Griffith‘s Sinn Féin is impracticable; however, he opposes John Redmond‘s support of the British World War I effort.
Moran supports the Anglo-Irish Treaty agreed in 1921–22 and sees the partition of Ireland as beneficial for a truly Irish culture in the Irish Free State. This causes a sea-change in his opinions; from now on Northern Ireland can be safely ignored, along with what he sees as the English evils of “free thought, free trade, and free literature.” He claims Irish life and culture has to be protected from foreign influences, including the twin evils of the music hall and the English press. The new jazz music of the 1920s and other imported cultural elements are deprecated as “imported debasement and rot.”
On January 9, 1901, Moran marries Theresa Catherine, daughter of Thomas Francis O’Toole, a former Parnellite mayor of Waterford. They have four sons and one daughter.
Moran dies suddenly at his home in Skerries, Dublin, on January 31, 1936. His daughter, Nuala, who has written for the paper since the early 1920s, generally on artistic and social matters, takes over the running of the paper on his death, though it is then much diminished in size and influence. Nuala, who never marries, retains control of The Leader until it ceases publication in 1971.
Blackham is born in London, England, on December 16, 1891. His father, William George Blackham, is an Ulster Protestant from Newry, while his mother is an Englishwoman named Evison Elizabeth Saunders. An uncle is Robert J. Blackham who is the Surgeon-General to the British Army in Ireland. The family are evangelical Protestants, against which he rebels. Having been brought up to take the Bible literally, he suffers a religious crisis upon the realisation his teachers at school do not. He finds the transition to adulthood difficult, particularly due to the early death of his father.
For a time, Blackham moves in socialist circles, under the influence of Ulster socialist Robert Wilson Lynd. However, upon the discovery that his father had been a Protestant who had been in favour of Irish home rule and also had some republican sympathies, he turns toward Irish nationalism.
Blackham becomes involved in the Gaelic League while in London. he Gaelicizes his name to Aodh Sandrach de Blácam or Hugh de Blácam, despite his non-Gaelic ethnic origin. He learns the Irish language from the essayist Robert Wilson Lynd. During this time, he seeks to synthesize his urge to reclaim his sense of Irish nationality with the works and thoughts of hardline Catholic author G. K. Chesterton. It is partially because of Chesterton’s influence that he converts to Catholicism, although the conversion of Protestant Irish Nationalists to Catholicism is common throughout the early 20th century. Another influence upon his decision to convert is his desire to marry Catholic Mary McCarville of County Monaghan.
In May 1914 de Blácam returns to Ireland and begins working as a freelance journalist. He joins the Enniscorthy Echo as a journalist in 1915.
During the Irish War of Independence de Blácam writes nationalist propaganda alongside Arthur Griffith and Herbert Moore Pim. He is interned by the British in 1919. During this time period he writes two political manifestoes: Towards the Republic; a study of new Ireland’s social and political aims (1918) and What Sinn Féin Stands For (1921). The two books argue that at their root, Catholic social teaching (CST) and Bolshevism are essentially identical and that Ireland, having only experienced feudalism and capitalism because of external forces, can skip many of the phrases normally described in the Marxist Trajectory of historical development and go straight to a soviet-type society, an idea not dissimilar to the two-stage theory. He imagines this soviet-type society to be an Irish-speaking decentralised rural cooperative commonwealth. Critics of Sinn Féin frequently cite his works as proof of the infeasibility of Sinn Féin’s aims.
De Blácam opposes the Anglo-Irish Treaty and subsequently aids the Anti-Treaty Irish Republican Army (IRA) during the Irish Civil War. For this he is interned by the newly created Irish Free State in 1922. Following his release, he continues to pin his flag to the mast of Éamon de Valera and his newly formed Fianna Fáil party. He believes De Valera fully embodies his own political ideas.
During the 1920s de Blácam joins The Irish Times, which he later leaves to become editor of The Catholic Standard. For seventeen years he writes a feature in the Fianna Fáil aligned The Irish Press called “Roddy the Rover.”
It was also during the 1920s that de Blácam moves to Dublin, where he begins to move in the same circles as George Bernard Shaw, George Russell, and W. B. Yeats. He hopes all three men might one day convert to Catholicism as he did and is sorely disappointed when each do not. Upon the death of Yeats, he goes so far as to refer to Yeats’ poem as “Demonic.” He has similar hopes for Peadar O’Donnell but is similarly disappointed in his lack of interest in conversion.
In 1938 de Blácam publishes The Black North, a book which carries an introduction by de Valera. In the book he argues that Ulster Protestants are in actuality both Irish and Catholic, but they simply do not realise it. Among his arguments to support this idea are the suggestions that the presbyterian emphasis on self-government is derived from the Gaelic clan tradition, that presbyterian “kailyard” writers of rural nostalgia such as Lydia Mary Foster exemplify the naturally Irish piety and purity of her co-religionists, and that the fact that some workers commute from the Armagh borderland to work in Dundalk factories prove that the south is better off economically than the north.
It is suggested de Blácam is an influence upon de Valera’s 1943 broadcast “The Ireland That We Dreamed Of.” Politically he is highly considered about rural depopulation and is involved in a number of organisations seeking to end it. He advocates more economic autarky and cultural protectionism to combat rural depopulation and lamented urbanisation and industrialisation. He also tries to convince the Fianna Fáil executive that they should ban women from emigration as well as ban women from factories in order to force women to remain in rural Ireland. His ideas fail to impress the executive, with Seán MacEntee in particular standing in strong disagreement.
De Blácam is a member of the Fianna Fáil executive until 1947, when he defects to the upstart Irish Republican party Clann na Poblachta. For this move he is immediately fired from The Irish Press. He stands for Clann na Poblachta in the Louth constituency at the 1948 Irish general election but is not elected.
During the brief period in which Clann na Poblachta is in government, de Blácam serves as an official spokesman for the Department of Health and as a speechwriter to Noël Browne, the embattled Minister for Health.
De Blácam dies while working in the Custom House on January 16, 1951. His funeral is attended by many dignitaries including TaoiseachJohn A. Costello and former Taoiseach Éamon de Valera. He is buried in New Mellifont Abbey, County Louth.
Fay is born on August 30, 1870, at 10 Lower Dorset Street, Dublin, the eldest son of four children of William Patrick Fay, a government clerk, and his wife, Martha Fay (née Dowling). He is educated at Belvedere College, Dublin, where he learns shorthand and typing, before leaving to become a secretary for an accountancy firm in Dublin. From an early age he has a passion for the theatre and immerses himself in books on the subject, becoming a drama expert. His brother, William George Fay, shares his enthusiasm and they take part in many amateur productions, setting up the Ormonde Dramatic Company in 1891.
Fay is an ardent nationalist, and Arthur Griffith appoints him drama critic for his newspaper, the United Irishman (1899–1902), where he develops his ideas on how the theatre should be run. Initially in favour of plays in the Irish language, he soon abandons this as unworkable. In May 1901 he attacks W. B. Yeats for his faulty notions about theatre and even his work as a dramatist, ending with the fiercely nationalistic assertion that “there is a herd of Saxon and other swine fattening on us. They must be swept into the sea with the pestilent breed of West Britons with which we are troubled, or they will sweep us there.” Yeats’s and Lady Gregory‘s next play is Cathleen ni Houlihan.
In 1902, Fay writes a famous article advocating a national theatre company that will “be the nursery of an Irish dramatic literature which, while making a world-wide appeal, would see life through Irish eyes.” He is a member of his brother’s National Dramatic Society, which merges with the Irish Literary Theatre in 1902 to form the Irish National Theatre Society, the originating body of the Abbey Theatre. The following year Yeats declares that the national theatre owes its existence to the two Fay brothers. Fay soon abandons Griffith and begins to champion the cause of Yeats.
An excellent tragic actor, Fay can make audiences forget his less than five feet six-inch stature through the power of his voice. When the Abbey Theatre opens on December 27, 1904, he stars in Yeats’s On Baile’s Strand as Cú Chulainn, a role he makes his own. He spends much time training the other actors. As an elocution teacher he has no equal. One play has Yeats leaving with his “head on fire” because of the quality of the voices on stage. Yeats dedicates his play The King’s Threshold (1904) with the words: “In memory of Frank Fay and his beautiful speaking in the character of Seanchan.”
Fay has a close but turbulent relationship with his brother William, whom he defers to in all theatrical matters except acting. Their heated arguments sometimes lead to blows. His temper is always volatile, and he is prone to histrionics and fits of depression. After 1905, the Abbey Theatre becomes a limited company owing to the patronage of Annie Horniman, and the Fays lose most of their control, which results in much tension and bitterness. In 1907, Fay plays Shawn Keogh in the first production of The Playboy of the Western World by John Millington Synge.
Disagreements with Yeats over the approach to choosing and staging of plays comes to a head late in late 1907 and the Fays resign on January 13, 1908. On March 13 they are suspended from the Irish National Theatre Society. They tour the United States with Charles Frohman before separating. Fay then tours England in minor Shakespearean roles and melodrama. Between 1912 and 1914, Thomas MacDonagh and Joseph Mary Plunkett attempt to persuade him to become actor-manager of an Irish theatre. In 1918 he returns to the Abbey Theatre in two short-lived revivals of Yeats’s The Hour Glass and The King’s Threshold. He retires to Dublin permanently in 1921, teaching elocution and directing plays in local colleges.
Fay marries, in 1912, Freda, known as “Bird.” They live at Upper Mount Street, Dublin, and have one son, Gerard, who becomes a popular writer and memoirist. Fay dies on January 2, 1931, having never really recovered from the death of his wife, and is buried at Glasnevin Cemetery. He is credited with creating the Abbey Theatre style of acting, which becomes internationally known, and influences many other schools of acting. He wanted actors to behave as naturally as possible and to speak the lines as people would in real life, rather than with an exaggerated stage delivery. His training is a major influence on subsequent generations, as actors learned to “speak words with quiet force, like feathers borne on puffs of wind.”
(From: “Fay, Frank J. (Francis John)” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009) | Pictured: Portrait of Frank Fay by John Butler Yeats, commissioned by Annie Horniman for the opening of the Abbey Theatre, December 27, 1904)
Moving to Dublin by September 1916, MacDonagh is headmaster for a time of Patrick Pearse‘s St. Enda’s School, the bilingual school where his brother Thomas had formerly served on the staff under Pearse, which had reopened after the rising in Cullenswood House, Oakley Road, Rathmines. By 1918 he is in private practice as an income tax recovery expert. He later quips that by recovering thousands of pounds annually for clients, he has done greater harm to the British government than any other Irishman. He is also partner by 1919 in an insurance brokerage with fellow Sinn FéinTDWilliam Cosgrave. Following Cosgrave’s departure, the firm trades from 1920 as MacDonagh & Boland, with offices first on Dame Street, and latterly on College Green.
MacDonagh’s prominence in the post-1916 reorganisation of Sinn Féin commences at the April 19, 1917, convention of advanced nationalists summoned by George Noble Plunkett after his parliamentary by-election victory. MacDonagh makes a resounding speech ratifying Plunkett’s determination not only to abstain from attendance at Westminster, but also to affirm the principles of the republican Easter Week proclamation rather than the dual-monarchy programme of Sinn Féin under Arthur Griffith. After campaigning vigorously on behalf of the successful by-election candidacy of Éamon de Valera in East Clare, he is arrested on August 30 and sentenced to six-months’ imprisonment for making a seditious speech. He joins in the hunger strike of republican prisoners seeking prisoner-of-war status in Mountjoy Gaol, on which Thomas Ashe dies on September 25 after enduring forcible feeding. Released with the other surviving strikers, he is a principal witness at the emotional inquest into the circumstances of Ashe’s death.
Elected to the Sinn Féin executive at the October 1917 ardfheis, at which the party adopts a republican constitution, MacDonagh is alternately rearrested and released on several occasions under the “cat-and-mouse act,” enduring further hunger strikes in both Belfast and Dundalk jails, before serving out in its entirety the original six-month sentence (1917–18). After deportation to England and while incarcerated in Reading Gaol, he is returned unopposed in the 1918 United Kingdom general election in Ireland as Sinn Féin candidate in North Tipperary and is released in time to attend the second session of the first Dáil Éireann on April 10, 1919. With the Dáil driven underground in September 1919 after its proscription, he protests against the infrequency of sessions, querying whether “private members [were] to abstain from Dublin as well as Westminster.”
Elected in January 1920 to both Dublin Corporation and Rathmines town council, MacDonagh concentrates his political energies on local government until appointment in January 1921 as acting Dáil Minister for Labour, and director of the Belfast boycott. Exercising effective authority over the labour department because of the imprisonment of the minister, Constance Markievicz, he seeks to define a comprehensive industrial and economic strategy and establishes a labour commission to formulate proposals. The resultant radical plan for supplanting capitalist ownership by developing cooperative and distributive industrial structures is ignored by his cabinet colleagues. His organisation and enforcement of the Belfast boycott – a response to the anti-Catholic rioting of July 1920, and expulsion of workers from jobs and families from homes – is relentless and efficient. He appoints a team of boycott organisers and local boycott committees empowered to impose fines and to seize goods, and blacklists firms that are facilitating circumvention of the boycott by trans-shipment of Belfast goods through non-boycotted northern towns or through British ports.
Throughout the Irish War of Independence MacDonagh is constantly on the run, usually under disguise as a priest, and is imprisoned for a time in Mountjoy Gaol in 1920. One of four Sinn Féin candidates returned unopposed to the Second Dáil for Tipperary Mid, North, and South, after a cabinet reorganisation in August 1921 following the truce, he remains as boycott director but is removed from the Labour Department. Bitterly opposed to the Anglo–Irish Treaty, in the Dáil debates he responds to Griffith’s assertion that the agreement is indeed a treaty concluded between two sovereign nations by asking why the pro-Treatyites are conducting the sovereign Irish nation into the British empire, and whether they are doing so “with their heads up or their hands up.”
Manager of the anti-Treaty bulletin Poblacht na hÉireann, in the 1922 Irish general election MacDonagh is returned on the first count to the third seat in his constituency. Arrested soon after the outbreak of the Irish Civil War, he escapes from Portobello military barracks. Rearrested on September 30 and imprisoned in Mountjoy Gaol, he falls seriously ill with acute appendicitis but refuses to sign the required form to secure release for medical treatment because it implicitly recognises the legitimacy of the Free State government. Transferred at length to the Mater Misericordiae private nursing home, he undergoes an operation, but two days later, having developed peritonitis, he dies on December 25, 1922. He is buried in Glasnevin Cemetery.
A small, supple man with alert blue eyes, MacDonagh wielded a swift and stinging tongue in debate. It is said that he indulged his caustic wit more for the delight in the bon mot than for the bitterness of the invective. Genial in company, with a store of amusing anecdote, he was celebrated for hearty humour even in the face of hardship and danger. On a prison sickbed days before his death, he referred to another inmate, bald-headed like himself, “who wears his hair like mine.” In 1913, he married Margaret O’Toole of Dublin. They had one daughter and two sons. They resided in Rathmines, first at 86 Moyne Road, before moving during 1922 to 9 Palmerston Road.
(From: “MacDonagh, Joseph” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Clarke is the son of William Clarke, merchant seaman, and Margaret Clarke (née Austin). Educated locally, he leaves school at the age of eleven and begins work as a kitchen porter, later becoming a boot-shop assistant, a harness maker and a van driver. Influenced by a series of lectures at the Oliver Bond Club, Parnell Square, and by the writings of Arthur Griffith, he commits himself to the republican cause, joining the Irish Republican Brotherhood (IRB) in 1913 and subsequently the Irish Volunteers.
On his return to Ireland, Clarke acts as the courier for the First Dáil and serves as an usher at the first meeting of the First Dáil. He is interned from January 1921. Released in 1923, he acts as caretaker of the Sinn Féin headquarters on Harcourt Street and founds the Irish Book Bureau. Although the Anti-Treaty Sinn Féin rejects participation in the Dáil, they continue to contest local elections, and Clarke sits on Dublin City Council.
Although jailed many times between 1922 and 1940, Clarke remains an active republican campaigner, supporting the Irish Republican Army (IRA) initiatives of the 1940s and 1950s, taking a prominent role at republican meetings, and publicising the conditions of republican prisoners.
Although Clarke had served under Éamon de Valera during the Easter Rising, the two become implacable opponents. He is ejected from an official commemoration of the fiftieth anniversary of the First Dáil for interrupting de Valera’s speech in order to raise the complaints of the Dublin Housing Action Committee (DHAC). He vows to outlive de Valera and succeeds in this endeavour by outliving him a year.
Clarke is elected as a Vice-President of Sinn Féin in 1966. In the split of 1970, he supports the provisional wing, remaining Vice-President. In 1973 he is deported from Britain upon his arrival at Heathrow Airport.
Despite crippling arthritis, Clarke continues his work, refusing an IRA pension as he considers himself still on active service. He dies on April 22, 1976, at St. James’s Hospital, Dublin, and is buried in Glasnevin Cemetery close to the republican plot.
Clarke marries Anne, daughter of Thomas Hughes, sawyer, on July 25, 1909. They have two sons and one daughter. After her death, he marries Elizabeth Delaney on May 30, 1949.
The Dublin South West Inner City cumann of Sinn Féin is named for Clarke.
(Pictured: Joe Clarke selling Easter Lilies on Dublin’s O’Connell Street in 1966)
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