seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Connemara


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Death of Séamus Ennis, Musician, Singer & Music Collector

Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.

Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.

Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.

From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.

Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.

In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.

Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.

Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.

Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.


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Birth of Bobby Molloy, Independent Politician

Robert Molloy, independent politician, is born in Galway, County Galway, on July 9, 1936.

Molloy’s father, Michael Edward Molloy, is originally from Ballyhaunis, County Mayo, and runs a successful wholesale drapery business in the city. His mother, Rita Stanley, hails from Clifden, County Galway. He is educated at Coláiste Iognáid and University College Galway. Before entering politics, he works for several years in printing, the clothing industry and his family’s drapery firm.

Molloy is first elected to Dáil Éireann as a Fianna Fáil TD for the Galway West constituency at the 1965 Irish general election. In 1968, he is also elected Mayor of Galway. The following year he was appointed as Parliamentary Secretary to the Minister for Education. 

Molloy’s early political career is marked by his loyalty to Fianna Fáil’s leadership under Taoiseach Jack Lynch. He quickly rises through the ranks and is appointed Minister for Local Government in 1970, a position he holds until 1973. His tenure as Minister for Local Government is characterised by his efforts to modernise and streamline local government structures in Ireland. His tenure in Fianna Fáil sees him as a stalwart of the party’s establishment, though tensions with its leadership grow over the years, particularly with Charles Haughey.

In opposition from 1973, Molloy serves as the frontbench spokesman, where he becomes involved in a high-profile dispute with James Tully, the Labour Minister for Local Government, over the controversial redrawing of constituencies, known as the “Tullymander.” Molloy, along with fellow Fianna Fáil member Brendan Crinion, used Dáil privilege to accuse Tully of having an improper commercial relationship with a builder in County Meath. The accusation is strongly denied by Tully and Molloy and Crinion later withdraw the charge. Despite this, Molloy faces severe repercussions, being forced to resign from his frontbench position. He is subsequently condemned by a judicial tribunal and censured by the Dáil for abusing parliamentary privilege.

When Fianna Fáil returns to office in 1977, Molloy becomes Minister for Defence in the final government of Jack Lynch.

Molloy supports George Colley in the 1979 Fianna Fáil leadership election. Charles Haughey wins the contest and drops Molloy, alongside other opponents, from the cabinet. Thereafter Molloy becomes a member of the Gang of 22 who oppose Haughey’s leadership of the party.

In 1986, Molloy resigns from Fianna Fáil and joins the newly formed Progressive Democrats, spearheaded by Haughey’s arch-rival Desmond O’Malley. Molloy’s move is seen as a major break from the political establishment, as the Progressive Democrats advocate for low-tax, market-oriented economic policies and a more liberal economic agenda. His decision is driven by his dissatisfaction with the direction of Fianna Fáil under Haughey’s leadership and his belief that the party has become increasingly alienating. 

In 1989, Molloy contests the European Parliament elections but is unsuccessful in his attempt. Following the 1989 Irish general election, Molloy, along with newly elected MEP for Munster Pat Cox, represents the Progressive Democrats in the lengthy negotiations with Fianna Fáil to form a coalition government. Once the negotiations conclude, he is reinstated in the Cabinet as Minister for Energy under Taoiseach Charles Haughey, who had previously caused Molloy’s political humiliation a decade earlier. Over the following three years, Molloy and his Progressive Democrat colleague Desmond O’Malley have a working relationship with their former Fianna Fáil colleagues, though tensions grow due to resentment over their presence in the Cabinet. The issue comes to a head when Molloy and O’Malley make it clear they will not serve in a Cabinet that includes Brian Lenihan Snr, following his controversial remarks during the 1990 Irish presidential election about alleged phone calls to President Patrick Hillery from 1982.

In January 1992, Haughey faces further complications when Seán Doherty reveals information about the phone tapping of journalists dating back to 1982. Despite this, the coalition government ends when Albert Reynolds, Haughey’s successor, calls for a general election after accusing O’Malley of giving “dishonest” evidence to the Beef Tribunal. Molloy strongly denounces Reynolds’ accusation, describing it as “outrageous,” and criticises him for what he perceives as a “lack of generosity” in recent North-South negotiations, in which Molloy had represented the Progressive Democrats in talks with British Unionists.

Molloy stands at the European Parliament elections again in 1994 but is again unsuccessful.

Following the 1997 Irish general election, Molloy is part of the negotiations that lead to the formation of a coalition government between the Progressive Democrats and Fianna Fáil. On that occasion, he is appointed as Minister of State at the Department of the Environment and Local Government and sits at cabinet as Minister of State to the Government.

Molloy resigns as a minister and quits politics just before the 2002 Irish general election amid controversy surrounding his involvement in the rape case of Barbara Naughton. The controversy stems from a letter Molloy sent to then Minister for Justice, John O’Donoghue, on behalf of a constituent whose relative had been convicted of rape. The letter, which requests the temporary release of the individual pending an appeal, leads to public criticism. The case is high-profile, involving a Connemara man sentenced to eleven years for the systematic abuse of his young daughter. During the trial, the judge, Philip O’Sullivan, notes that someone acting on Molloy’s behalf had tried to contact him in his chambers to clarify whether he had received certain correspondence from the victim’s sister, which the judge describes as “quite improper.” In response to the backlash, Molloy resigns, describing the letter as a “human error of judgment,” but insisting it was not intended to be dishonest. He retires from politics after the election.

Molloy is a member of Fianna Fáil for over 20 years, but his views are not always in line with the mainstream of the party, particularly under the leadership of Charles Haughey. His decision to leave Fianna Fáil in 1986 and join the Progressive Democrats is motivated by ideological differences, notably the party’s move toward a more conservative, state-controlled economy. Molloy, on the other hand, embraces a platform of fiscal conservatism, with an emphasis on reducing taxes, deregulation, and the liberalisation of the economy.

In terms of social issues, Molloy is ahead of his time in advocating for progressive policies, particularly on women’s rights. In a survey conducted in 1976 by the Women’s Political Association (WPA), Molloy scores among the highest of any member of the Dáil for his progressive stance on issues affecting women. He supports measures such as divorce, contraception, and family law reform, which are seen as highly controversial at the time. His responses to the WPA’s questions reveal that he holds views that are in stark contrast to many of his colleagues within Fianna Fáil. His progressive views on women’s rights are notable, as he is the only member of Jack Lynch’s cabinet who consistently supports reformist policies on issues like family law and the role of women in public life.

In 1972, Molloy marries Phyllis Barry, a Montessori teacher from Foxrock, County Dublin, whose father is a cousin of the executed revolutionary Kevin Barry. The couple meet while campaigning in a by-election in mid-Cork. Together, they have four children: Sinead, Sorcha, Donnacha, and Dara.

Molloy dies at the age of 80 on October 2, 2016, in Salthill, Galway, County Galway. He is buried at Bohermore Cemetery, Bohermore, Galway.


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Birth of Mary Letitia Martin, Novelist & Philanthropist

Mary Letitia Martin, Irish novelist and philanthropist who is known as the “Princess of Connemara,” is born in Ballynahinch Castle, in the Connemara region of County Galway, on August 28, 1815. She publishes two books in her lifetime, and a third is published posthumously.

Martin is born into the chief landowning family of Connemara, the Martins of Ballynahinch Castle, a branch of the Martyn Tribe of Galway. Her parents are Thomas Barnwall Martin and Julia Kirwin. Her paternal grandfather is Richard Martin, a Member of Parliament (MP) for County Galway also known as “Humanity Dick.”

Educated at home in the upper-class style and by herself, Martin becomes fluent in Irish, English, French and a number of other languages. According to Maria Edgeworth, who meets her during her tour of Connemara in 1833, she is courted in 1834 by Count Adolphe de Werdinsky, whom she had met in London earlier in the year. She refuses to marry and de Werdinsky feigns a suicide attempt at Ballynahinch.

Martin publishes her first novel, St. Etienne, a Tale of the Vendean War, in 1845.

In 1847, Martin marries a cousin, Colonel Arthur Gonne Bell. He takes the name of Martin on marriage, by Royal Licence. In the same year, her father dies of famine fever contracted while visiting his tenants in the Clifden workhouse.

On the death of her father, Martin inherits a heavily encumbered estate of 200,000 acres. In the following two years, her remaining fortune is destroyed in the famine as she attempts to alleviate its effects on her tenants. Penniless, she emigrates with her husband to Belgium. There she contributes to a number of periodicals, notably Encyclopaedie Des Gens Du Monde.

In 1850, Martin’s autobiographical novel, Julia Howard: A Romance, is published. Martin and her husband sail to the United States in 1850, but she dies at the Union Place Hotel in New York City on November 7, 1950, ten days after arrival due to complications of premature childbirth in which the baby does not survive.

Martin’s husband returns to England. He arranges for the posthumous publication of her novel, Deed, not Words (1857). In 1883, he is killed in a railway accident.


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Death of Patrick Weston Joyce, Historian, Writer & Music Collector

Patrick Weston “P. W.” Joyce, Irish historian, writer and music collector, dies in Dublin on January 7, 1914. He is known particularly for his research in Irish etymology and local place names of Ireland.

Joyce is born in Ballyorgan, County Limerick, in the Ballyhoura Mountains, on the border of counties Limerick and Cork, and grows up in nearby Glenosheen. The family claims descent from one Seán Mór Seoighe (fl. 1680), a stonemason from Connemara, County Galway. Robert Dwyer Joyce is a younger brother.

Joyce is a native Irish speaker who starts his education at a hedge school. He then attends school in Mitchelstown, County Cork.

Joyce starts work in 1845 with the Commission of National Education. He becomes a teacher and principal of the Model School, Clonmel. In 1856 he is one of fifteen teachers selected to re-organize the national school system in Ireland. Meanwhile he earns his B.A. in 1861 and M.A. in 1863 from Trinity College Dublin.

Joyce is principal of the Training College, Marlborough Street, in Dublin from 1874 to 1893. As a member of the Society for the Preservation of the Irish Language he writes an Irish Grammar in 1878. He is President of the Royal Society of Antiquaries of Ireland from 1906 to 1908, an association of which he is a member from 1865.

Joyce is a key cultural figure of his time. His wide interests include the Irish language, Hiberno-English, music, education, Irish literature and folklore, Irish history and antiquities, place names and much else. He produces many works on the history and culture of Ireland. His most enduring work is the pioneering The Origin and History of Irish Names of Places (first edition published in 1869). He is a member of the Royal Irish Academy.

In 1856 Joyce marries Caroline Waters of Baltinglass, County Wicklow, with whom he has two daughters and three sons, one of whom is the author Weston St. John Joyce. He dies on January 7, 1914, at his home, Barnalee, Rathmines, Dublin, and is buried two days later in Glasnevin Cemetery.

The P.W. Joyce collection at the Cregan Library in St. Patrick’s College, Drumcondra, Dublin, reflects many of Joyce’s interests and includes several rarities. These include autographed presentation copies by Joyce and his brother Robert, as well as books from Joyce’s own library. The collection also contains nine manuscripts associated with Joyce and his family members, including a manuscript in P.W. Joyce’s own hand of Echtra Cormaic itir Tairngiri agus Ceart Claíd Cormaic (Adventures of Cormac in the Land of Promise), a passage from the Book of Ballymote, which Joyce translated into English.


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The Holywell Ambush

The Holywell Ambush is an ambush on the Ballyhaunis to Claremorris road near Holywell in the early hours of Monday, August 2, 1920, carried out by the Irish Republican Army (IRA) during the Irish War of Independence. Approximately 20 local IRA volunteers commanded by Patrick Kenny attack a British Military outpost that is guarding a broken down lorry.

A large lorry transporting petrol which is part of a British military convoy travelling from Claremorris towards Ballyhaunis comes off the road on the Claremorris-Ballyhaunis road near Holywell on Saturday, July 31, 1920. The driver of the lorry loses control and crashes off the road into the bog below. The lorry sinks somewhat and is stuck in the bog. A military guard of between 12-20 British soldiers from the 2nd Battalion Argyll and Sutherland Highlanders, who are garrisoned in the old workhouse in Claremorris, is placed on the lorry while the rest of the convoy continues on their journey.

The soldiers set up camp in a little old, abandoned house nearby, throwing a large tarpaulin over the roof of the house for shelter. They place two sentries on the road while the rest of the guard retires to the abandoned house where they light a fire in the ruin’s fireplace. Martin Forkhan, a local IRA volunteer, happens upon the scene of the crashed lorry and immediately notifies the Ballyhaunis Battalion Commandant, Patrick Kenny, of the situation. Kenny issues instructions to mobilise all officers in the Ballyhaunis Battalion area.

On that same night, a train leaving Ballyhaunis towards Westport is held up by armed and masked men not far from the military encampment. A unit of 25 IRA men under the command of Capt. Martin Forde take control of the train after firing a number of warning shots. The IRA then removes steel shutters destined for Westport Royal Irish Constabulary (RIC) Barracks and bury them in the bog nearby. The steel shutters are part of a program of fortification of RIC Barracks country-wide. Some of these men then mobilise with the other IRA officers gathering at Holywell Wood, where arrangements are made for an attempt to overpower and disarm the soldiers guarding the crashed lorry.

The assembled IRA, approximately 40 strong, march to the site of the military encampment where they take up positions. The volunteers are unsure of the size of the British force guarding the lorry, as all they can see is one sentry. An IRA officer approaches the sentry and asks for a light for a cigarette. The sentry sends him into the camp. As he lights his cigarette from the camp fire he looks around and counts 18 rifles present. It is then presumed that there are roughly 18 soldiers at the encampment. Cmdt. Kenny mades a plan and orders an attack, but as the IRA volunteers are crawling through the fields toward their assigned positions to surround the encampment, a line of motorcars appears on the Claremorris road. The headlights from the motorcars would have exposed the positions taken up by the IRA, so due to their poor positions, the delay in organising a plan and the coming dawn, it is decided that the attack is to be postponed until the following night.

The next day, Sunday, August 1, 1920, a section of men under the command of Capt. Patrick McNieve is positioned near the site of the encampment to keep it under observation while the officers mobilise the entire battalion. On this day, there are sports taking place in Aghamore and many of the battalions volunteers gather in that area so are easily located. Back at Holywell, scouts are posted on the surrounding roads to notify of any advancing British reinforcements and a trench has been dug across the road to delay any traffic from getting by. During the day, members of Cumann na mBán assist in transferring ammunition from arms dumps to the ambush site. That night, with all available men in the battalion area mobilised, the IRA assembles once more and organises a plan of attack. Orders are issued, they manoeuvre into their assigned positions and wait. D Coy (Brackloon) proceeds to their positions between Ballyhaunis and Holywell where they are on outpost duty guarding the road about half a mile from the ambush site. The IRA officers decide that while the soldiers in the camp sleep, some volunteers will attempt to sneak into the camp and take their weapons. Cmdt. Patrick Kenny leads a small ambush party of about 20 men and creeps into the camp at approximately 3:00 a.m. They are armed with shotguns and revolvers. A further 188 IRA men, many of them unarmed, from the Battalion are on scouting, road trenching, sentry and outpost duties in the surrounding district.

The ambush party successfully infiltrates the camp without alerting the sentries and Cmdt. Kenny manages to gather up five or six rifles that are stacked together. But as he is leaving the camp, the alarm is raised and the British soldiers begin to awaken. The IRA shouts a demand for the British military guard to surrender but when no surrender comes, the IRA opens fire. Three British soldiers are badly wounded in the opening salvo. One takes a full shotgun blast to his back, another has a portion of his arm blown off and the third is badly wounded in the leg. With three of their men knocked out, the British soldiers organise their defence and return fire on the IRA. The IRA ambush party retreats to positions behind a fence where they maintain constant fire on the camp. A fierce gun battle ensues. In the darkness, as Cmdt. Kenny retreats with the rifles in his arms, he is caught in the crossfire and severely wounded in the left arm and face by a shotgun blast from one of his own men. He falls from his wounds and drops the rifles he had been carrying. Capt. Martin Forde and several other officers run to Kenny’s aid. Forde and his comrades are able to carry Kenny to safety. The battle continues on for about an hour and before dawn, just as the military guard seems about to surrender, two lorries of British reinforcements come from Claremorris to their assistance. The British reinforcements open fire from their lorries on the outposts as they encounter those who return fire with their shotguns. With the IRA running low on ammunition and now out-gunned, Cmdt. Kenny issues an order for the IRA to retreat under fire. There are varied accounts of the length of time the ambush lasts. Some accounts state the attack on the camp lasts 15 minutes, with other accounts indicating that from beginning to end, the ambush lasts for between one and two hours. Dawn is breaking just as the engagement ends.

The IRA operation is deemed unsuccessful as they did not achieved their primary objective of disarming the British soldiers and their commanding officer is badly wounded in the attack. The inability to capture the British soldiers’ weapons will hamper the battalion and the wider East Mayo Brigade’s ability to conduct large ambushes in an area that is already in very short supply of rifles and ammunition. There are varying accounts of casualties from both sides. The IRA inflicts a minimum of three casualties on the British side and the ambush gives many volunteers their first experience of battle. Some of the volunteers who take part in the ambush claim that five and upwards of ten on the British side are wounded. The British claim that they killed one IRA man and wounded several others. They also admit that three of their soldiers are wounded. The following day, British police and military carry out an exhaustive search in the intervening districts. It is reported in the Western People, that in the search that follows, the police and military from Claremorris and Ballyhaunis find blood stains over the ground covered by the IRA and two shotguns, a loaded revolver and two overcoats. In reality the IRA suffers only one casualty, that of their Cmdt. Patrick Kenny. In the military drive that follows, the number of private houses raided totals one hundred and fifty, however nothing incriminating is found.

After Cmdt. Kenny is safely extracted from the engagement; he is carried by Volunteers Jack and William Caulfield along with others to a house nearby and then on to Pat Healy’s house. The British military’s account reports that the soldiers witness a body being carried into a house nearby. From there he is taken to be treated first by Dr. A Smyth, Ballyhaunis, who is the battalion’s Medical Officer. He is moved to Mayo County infirmary and treated by Dr. McBride, however, it is deemed unsafe for him to stay there so after 24 hours he has to leave and is treated by Dr. Hopkins Castlebar in Union hospital for ten days. Members of Cumann na mBan employed in the Union hospital had established an IRA ward in a disused portion of the hospital where numerous wounded volunteers are treated throughout the war. When Kenny has recovered sufficiently, he is taken to Surgeon M Ó Máille in Galway, where he receives treatment for five weeks. He then goes on to recuperate in the home of Pádraic Ó Máille TD near Maum in Connemara for four months. Ó Máille’s home is used as a safe house by the West Connemara, West Mayo and South Mayo IRA Brigades. Kenny returns to the Ballyhaunis area in April 1921.

(Pictured: Ballyhaunis IRA September 1921: Back L-R:Capt. Pat McNieve (Logboy Coy), Capt Austin Tarpey (Holywell Coy), Bn Cmdt. Patrick Kenny, Vol Joe Taylor (Aghamore Coy), Vol John Forde (Bekan Coy), Capt. Luke Taylor (Aghamore Coy), Vol Sonny Biesty (Holywell Coy), Bn Vice Cmdt. Dom Byrne, Front L-R: Vol Jack Kilduff (Bekan Coy), Bn Adjt. Austin Kenny, Capt. Michael Devaney (Brackloon Coy), Capt. Jim Kilkenny (Crossard Coy), Lt Michael Nolan (Knock Coy). Nearly all of the men photographed played some part in the Holywell Ambush)


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Death of Gerard Dillon, Painter and Artist

Gerard Dillon, Irish painter and artist, dies following a second stroke on June 14, 1971.

Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.

Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.

In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.

Dillon travels widely in Europe and teaches for brief periods in the London art schools.

In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.

In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.

Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.

In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.

(Pictured: “Washing Day” by Gerard Dillon)


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Death of William Wilde, Surgeon, Author & Father of Oscar Wilde

Sir William Robert Wills Wilde, Irish oto–ophthalmologic surgeon and the author of significant works on medicine, archaeology and folklore, particularly concerning his native Ireland dies on April 19, 1876. He is the father of poet and playwright Oscar Wilde.

Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.

Once back in Ireland, Wilde publishes an article in the Dublin University Magazine suggesting that one of the “Cleopatra’s Needles” be transported to England. In 1878, one of the Needles is transported to London, and in 1880 the other one is brought to New York City‘s Central Park. In 1873 he is awarded the Cunningham Gold Medal by the Royal Irish Academy.

Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.

Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.

Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.

Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.

In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.

From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.

Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.

From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.

(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)


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Birth of Criostóir Mac Aonghusa, Teacher, Author, & Campaigner for Irish Language

Criostóir Mac Aonghusa, teacher, author, critic, and campaigner for the Irish language, is born on December 13, 1905, in Gort an Ghabhainn, Banagher, King’s County (now County Offaly), son of Francis McGuiness (surname thus on his birth certificate), farmer, and his wife, Rosanna (née Egan). He is educated at La Sainte Foi, Banagher, Reachra national school, Shannonbridge, and Naas CBS. He qualifies as a primary school teacher from De La Salle Training College, Waterford, in 1926 and has the distinction of being the first person to sit all exams through the medium of Irish. He graduates BA at University College Galway (UCG) in 1933 and his further education includes a diploma in Spanish literature from University of Barcelona and an MA on the Irish scholar Tomás Ó Máille.

Mac Aonghusa’s teaching career begins in 1926 when he becomes headmaster on Inis Treabhair, County Galway, spending fourteen months there. Afterwards he transfers to Gort Mór, Rosmuc, County Galway, where he continues teaching until 1962. He remains an active member of Cumann na Múinteoirí Náisiúnta throughout his life. Between 1962 and 1972 he is employed as an ad-hoc examiner at the civil service commission. An active member of Fianna Fáil, he helps to organise the party in County Galway in the 1920s and 1930s and is elected a member of Galway County Council in 1934.

Mac Aonghusa is a prominent advocate of the Irish language and together with his close friend Máirtín Ó Cadhain and another Connemara schoolteacher, Seosamh Mac Mathúna, founds Cumann na Gaeltachta to agitate for the civil rights of the Gaeltacht communities and of Irish speakers in general. He is one of the main campaigners for the establishment of the Rath Carn Gaeltacht in County Meath and forms part of the delegation that meets Éamon de Valera on November 11, 1932, and receives from him a promise to provide land in County Meath for that purpose. The Gaeltacht is established in 1935. Mac Aonghusa continues to support the project throughout his life and is involved in further campaigns relating to the area, including the recognition of Rath Carn’s Gaeltacht status. He is also an active member of Conradh na Gaeilge in the 1940s and is later involved in the campaign for the establishment of an Irish-language television broadcasting service.

Mac Aonghusa is a prolific writer and begins publishing short stories and articles from 1926 onward. His contributions appear in An tÉireannach, An Phoblacht, The Irish Tribune, An Stoc, and Ar Aghaidh. From 1948, he is a regular contributor to Feasta and his essays and reviews on Máirtín Ó Cadhain’s works appear in Comhar. He is a member of several literary organisations, including Cumann na Scríbhneoirí and the Galway Literary Society. His first book, An Cladóir agus scéalta eile, appears in 1952. Between 1963 and 1972 he is a contributor to The Irish Press and works also as a literary journalist. An essay on Pádraic Ó Conaire earns him a prize from Acadamh Liteartha na hÉireann.

Mac Aonghusa speaks a number of European languages including German, Spanish, French, Romanian, and Greek and travels widely throughout Europe. In the early 1970s he lives in Russia, and a collection of essays entitled Ó Rosmuc go Rostov is published in 1972. For health reasons he lives in Málaga, Spain, from the middle of the 1970s until 1987. While there, RTÉ produces a documentary on his life entitled Ó Ros Muc go Malaga.

Mac Aonghusa dies on April 9, 1991, in Portiuncula General Hospital, Ballinasloe, County Galway, and is interred in Clonmacnoise. In 1930 he marries Mairéad Ní Lupain, a nurse from Annaghvane in Connemara, and has four children, Proinsias (1933), Micheál (1937), Róisín (1939), and Máirín (1944). The couple separates in the 1940s. Proinsias follows in his father’s footsteps as a writer and journalist and becomes president of Conradh na Gaeilge and chairman of Bord na Gaeilge.

(From: “Mac Aonghusa, Criostóir” by Lesa Ní Mhunghaile, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Author Muiris Ó Súilleabháin

Muiris Ó Súilleabháin, anglicised as Maurice O’Sullivan, Irish author famous for his Irish language memoir of growing up on the Great Blasket Island and in Dingle, County Kerry, off the western coast of Ireland, drowns on June 25, 1950, while swimming at Knocknacarra off the Connemara coast.

Ó Súilleabháin is born on the Great Blasket Island on February 19, 1904. Following the death of his mother when he is six months old, he is raised in an institution in Dingle, County Kerry. At the age of eight, he returns to the Great Blasket Island to live with his father, grandfather and the rest of his siblings, and learns the native language.

Ó Súilleabháin is persuaded to write his memoirs by George Derwent Thomson, a linguist and professor of Greek who had come to the island to hear and learn the Irish language. It is Thomson who encourages him to join Garda Síochána in Dublin in 1927 rather than emigrate to the United States as do most of the young people. He is stationed in the Gaeltacht area of Connemara, where he maintains contact with Thomson.

Fiche Blian ag Fás is published in Irish and English in 1933. As one of the last areas of Ireland in which the old Irish language and culture has continued unchanged, the Great Blasket Island is a place of enormous interest to those seeking traditional Irish narratives. Thomson edits and assembles the memoir, and arranges for its translation into English with the help of Moya Llewelyn Davies.

While Fiche Blian ag Fás is received with tremendous enthusiasm by critics, including E. M. Forster, their praise at times has a condescending tone. Forster describes the book as a document of a surviving “Neolithic” culture. Such interest is tied up with romantic notions of the Irish primitive, and thus when Ó Súilleabháin tries to find a publisher for his second book, Fiche Bliain faoi Bhláth (in English, Twenty Years a-Flowering), there is little interest, as this narrative necessarily departs from the romantic realm of turf fires and pipe-smoking wise-women.

In 1934, Ó Súilleabháin leaves the Guards and settles in Connemara. He marries Cáit ní Chatháin of Carraroe on July 10, 1934. They have one daughter, Máirín, and one son, Eoin, a dramatist and writer.

Ó Súilleabháin drowns on June 25, 1950, while swimming off the Connemara coast. He is buried at Barr an Doire near Carraroe. Dylan Thomas commences, but does not finish, a film script of Twenty Years a-Growing. The partially completed film script is published in 1964.


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Birth of Arthur Armstrong, Landscape & Still Life Painter

Arthur Armstrong, landscape and still life painter who often works in a Cubist style, is born in Carrickfergus, County Antrim, Northern Ireland, on January 12, 1924. A prolific painter, completing up to 300 paintings a year, in oils, watercolour and mixed media, he regards himself first and foremost as an abstract artist.

Armstrong is the son of a house painter and attends Strandtown Primary School. Later he studies architecture at Queen’s University Belfast, but after two years he moves to study art at Belfast School of Art. The influence of Cubism and the School of Paris can be clearly seen in his work, which takes him to England, France and Spain. He also travels and paints in the west of Ireland and Connemara inspires some of his best work. In 1950 his work is exhibited in the Grafton Gallery in Dublin, and subsequent exhibitions take place in England, Spain and the United States, as well as in Belfast and Dublin. In 1957 he is awarded a travelling scholarship from the Council for the Encouragement of Music and the Arts (CEMA), a forerunner of the Arts Council of Great Britain, and goes to Spain. He eventually settles in Dublin in 1962 and begins showing work at the Royal Hibernian Academy.

In 1968 Armstrong is awarded the Douglas Hyde Gold Medal at the Oireachtas Exhibition. In 1969 he designs sets, with George Campbell and Gerard Dillon, for the Seán O’Casey play, Juno and the Paycock, at the Abbey Theatre in Dublin. He becomes a member of the Royal Hibernian Academy in 1972 and in 1973 he is awarded the Art in Context prize from the Arts Council of Northern Ireland. He becomes a member of Aosdána in 1981, the same year that a retrospective exhibition of his work from 1950 to 1980 is held by the Arts Council of Northern Ireland.

From 1971 Armstrong lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon. A bachelor, Armstrong dies in a Dublin hospital on January 13, 1996. The contents of his studio are sold February 3, 1998.

(Pictured: “Glendalough” by Arthur Armstrong, oil on board)