Ó Muirthile is educated at cork, taking a BA in Irish and French at UCC. His Irish is acquired at school and from sojourns in the Gaeltacht of West Kerry. He is a member of a group of poets at UCC in the late 1960s who choose Irish as a creative medium and are closely associated with the modernist poetry journal Innti, founded by fellow poet Michael Davitt. They are influenced by the work of Cork poet Seán Ó Ríordáin, by the musician and composer Seán Ó Riada, and by popular American culture.
Greg Delanty, writing for Poetry International, claims that a fundamental achievement of Ó Muirthile and other members of the Innti group was to adapt the language to a contemporary urban landscape in a way that reflected the counterculture of the sixties.
Ó Muirthile has been described as a poet of immense formal and musical mastery who reads deeply into the classical and neo-classical poetry of the Irish language. He studies French literature as a student and this influences his work. He translates poetry by Guillaume Apollinaire, François Villon, Jacques Prévert and Anne Hébert.
Ó Muirthile’s first collection of poetry is Tine Chnámh (1984). This receives the Irish American Cultural Institute’s literary award and an Oireachtas prize for poetry. He subsequently publishes a number of other collections. In 1996, he receives the Butler Award for his novel Ar Bhruach na Laoi. Several plays by him have been staged. From 1989 to 2003 he writes a weekly column, “An Peann Coitianta,” for The Irish Times. Poems by him have been translated into English, German, French, Italian, Hungarian and Romanian.
Two of Ó Muirthile‘s poems, Meachán Rudaí and Áthas, have been put to music by the Irish/American group The Gloaming and featured on their third studio album The Gloaming 3.
Mary Esperance (“Nancy”) Wynne-Jones is born on December 10, 1922, in Penmaenucha, Wales, to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra. After the start of World War II, she continues in Aberystwyth. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war, Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London, from 1951 to 1952 and the Chelsea School of Art from 1952 to 1955. She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
In 1962, Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Gallery, run by John and Patrick Taylor. She is elected an honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well-known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however, it is the death of her mentor Peter Lanyon which devastates her. She meets the sculptor Conor Fallon through their mutual friend, Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by her. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972, she moves with her family to Kinsale, County Cork. It is in the area around here that a number of her paintings are created. Later she paints the mountain visible from her Wicklow home after the family moves in the late 1980s. She moves to Ballard House, near Rathdrum, County Wicklow in 1987.
Wynne-Jones dies on November 9, 2006, and is buried in Ballinatone (Church of Ireland), Rathdrum.
Twomey is educated at St. Mary’s Secondary School in Midleton, County Cork but leaves before completing the Leaving Certificate at the age of fifteen. She does manual labor at a local factory but continues to draw and briefly studies fine art before she is admitted to Ballyfermot Senior College in Dublin to their School of Animation program on the basis of her portfolio. In the factory she operates a conveyor belt for up to twelve hours on end during the night shift. She credits this period of her life to much of her success, as she wears headphones to drown out the loud noise of machinery, the silence combined with the monotony of the task she performs allows her to ponder concepts and generate ideas, many of which are put to film later in her life.
After graduating from Ballyfermot Senior College in 1995, Twomey begins to work for Brown Bags Film, an animation studio in Dublin. In 1999, she helps found Cartoon Saloon, along with Tomm Moore, Paul Young and Ross Murray. In 2002, she directs the award-winning short animated film From Darkness. The short film has no dialogue and is based on an Inuit folk tale where a man helps a woman with only a skeleton for a body to regenerate. She also works on the successful animated TV series Skunk Fu!.
Twomey goes on to write and direct the animated short Cúilín Dualach (Backwards Boy), released in 2004. Based on a story by Jackie Mac Donacha, a boy with his head on backwards finds only love and acceptance in his mother and has to work to gain that from the rest of his community but most of all his father.
Twomey continues to work on feature films with Cartoon Saloon with 2014’s Song of the Sea directed by Tomm Moore. She works as the film’s head of story and voice director.
Twomey next directs the animated film The Breadwinner, released in 2017. Based on the best-selling young adult novel by Deborah Ellis, an 11-year-old girl named Parvana must dress as a boy and become the titular breadwinner for her family when her father is wrongfully arrested by the Taliban. It premieres at the Toronto International Film Festival in September 2017 with a wide release in November 2017. It is the first feature-length film she has sole director credit on. She works on the project with actress Angelina Jolie, who helps fund the project and works as an executive producer. The project is a huge success for Twomey, as she is recognized as a solo female filmmaker, and given accolades as well as being lauded by many as a source of female empowerment, all while battling cancer during production. During the development of The Breadwinner, she is named in Variety‘s “2017 10 Animators to Watch.”
Twomey becomes the seventh graduate of Ballyfermot Senior College to be nominated for an Academy Award with her work on The Breadwinner when it is nominated for Best Animated Feature at the 90th Academy Awards. She is also nominated for an award at the Golden Globe Awards.
Twomey’s work also has a heavy presence at the Emile Awards, an annual event held by the European Animation Awards Association that honors European creators of animation. During the awards of 2018, which are hosted in Lile, France, her film The Breadwinner wins awards in five categories: Best Direction, Best Storyboarding, Best Character Animation, Best Background, and Best Character Design.
Twomey has won several awards according to the Screen Directors Guild of Ireland (SDGI). These awards include the best New Irish Short Animation at the Galway Film Fleadh (2002), Best Short at the Boston Irish Film Festival (2003), Best Animation at the Kerry Film Festival (2003), and the Silver Award at the Kalamazoo Animation Festival International (2003) for her film From Darkness. Her film Cúilín Dualach (Backwards Boy) also wins the Best Animated Short from the Irish Film & Television Academy (2005), Best Short Film at Cartoons on the Bay (2005), Best Animation for Children at Animadrid (2005) and the Best Animation at the Celtic Film Festival (2005). Among other awards, the 2018 Cinema for Peace Award for Justice for her movie The Breadwinner can be included.
She is the eldest daughter of John and Anne Gaynor, of Athlone. At the age of fifteen she moves with her family to Dublin where her education is completed. Two of her sisters, Anna and Marcella, become nuns with Religious Sisters of Charity. At twenty-five, she marries the much older George Atkinson, a medical doctor and, with Sir John Gray, joint proprietor of the Freeman’s Journal. They are both interested in art and she accompanies her husband on many trips abroad, taking in the cultural centres of Europe. At home they make the acquaintance of prominent politicians, journalists and musicians. Regular guests at their house are Dr. John Shaw, editor of the Evening Mail, Rosa Mulholland and Katharine Tynan.
The loss of her only child in his fourth year deeply affected Atkinson and she throws herself into charitable and other good works. She moves with her husband to Drumcondra in Dublin, where she makes the acquaintance of Ellen Woodlock. Woodlock, a sister of Francis Sylvester Mahony, is born in Cork, County Cork, in 1811 and is married in 1830 and widowed quite young, just before the birth of her only son. Woodlock is the sister-in-law of Rev. Dr. Bartholomew Woodlock, who is President of All Hallows College. She intends to join a religious community in France but after spending a few years in that country (with her son in a nearby school) returns to Cork and then moves to Dublin. At this time the post-famine city is inundated with poverty-stricken families and abandoned children. Fever and disease are rife, and the Poor Law of the day is insufficient to meet the needs of the starving population. Many evictions are taking place in deplorable circumstances, which force the poor, however reluctantly, to seek refuge in the workhouses. The most vulnerable sections of the community are single women (including widows) and children. Woodlock is totally against placing children in workhouses and founds St. Joseph’s Industrial Institute in 1855 to rescue girls from that situation. With her, Atkinson interests herself in the female paupers of the South Dublin Union. With much difficulty in the 1860s, she gains permission for ladies like herself to enter and inspect the condition of young girls in the North and South Dublin Unions, after which she opens a better home to which many were transferred. She campaigns for years to improve the state of the workhouses and provide better conditions for the poverty-stricken. One of her sisters runs the Our Lady’s Hospice in Dublin, to which she donates funds. She helps Woodlock establish the Children’s Health Ireland at 9 Buckingham Street in 1872, which later moves to Temple Street, which she visits every day. Every week she visits hospitals and prisons, in the 1880s accompanying Katharine Tynan to visit the last of the Land Leaguers incarcerated in Kilmainham Gaol.
From the 1850s Atkinson contributes a large number of historical and biographical articles and essays to several publications, including Duffy’s Hibernian Magazine, The Month, The Nation and the Freeman’s Journal. She later writes for the Irish Monthly after it is established, and for the Irish Quarterly Review. Her Life of Mary Aikenhead is published in 1875 and is very well received. She follows this with biographies of the Irish sculptors John Henry Foley and John Hogan and also a life of Catherine of Siena. A collection of her essays, with a preface and biography by Rosa Mulholland, is published posthumously in 1895.
Atkinson dies in County Dublin on July 8, 1893, and is buried in Glasnevin Cemetery, Dublin, where the cemetery committee places a Celtic cross as a monument to her and her husband after his death on December 8, 1893.
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Kettle is one among six children of Thomas Kettle, a prosperous farmer, and his wife, Alice (née Kavanagh). His maternal grandmother, Mary O’Brien, had smuggled arms to United Irishmen in the district in 1798, while her future husband, Billy Kavanagh, had been a senior figure in the movement. He is educated at Ireland’s most prestigious Catholicboarding school, Clongowes Wood College. His education is cut short when he is called to help full-time on the farm. Though an autodidact and always a forceful writer, he is beset later by an exaggerated sense of his “defective education and want of talking powers.” Fascinated by politics, he enjoys the repeal excitement of 1841–44 and in his late teens speaks once or twice at Tenant Right League meetings in Swords. Through the 1850s and most of the 1860s he sets about expanding the family farm into a composite of fertile holdings in Swords, St. Margaret’s, Artane, and Malahide (c.150 acres). Getting on well with the Russell-Cruise family of Swords, his first landlords, he benefits from a favourable leasehold arrangement on their demesne in the early 1860s. The farm is mostly in tillage, though Kettle also raises some fat cattle and Clydesdale horses, which he eventually sells to Guinness’s.
Kettle first enters politics in 1867, when he disagrees with John Paul Byrne of Dublin Corporation in public and in print over the right of graziers to state aid during an outbreak of cattle distemper. In 1868, he joins an agricultural reform group initiated by Isaac Butt. He becomes friendly with Butt and later claims to have converted him to support tenant-right. His memoirs, which are somewhat egocentric, contain a number of such questionable claims. It is, however, the case that he habitually writes up, for his own use, cogent summaries of the direction of current political tendencies, which sometimes become useful confidential briefs for Butt and later Charles Stewart Parnell. He is among the published list of subscribers to the Home Rule League in July 1870.
In 1872, disappointed by the Landlord and Tenant (Ireland) Act 1870, Kettle organises a Tenants’ Defence Association (TDA) in north County Dublin, soon sensing the need for a central body to coordinate the grievances of similar groups around the country. The Dublin TDA effectively acts as this central body, under his guidance as honorary secretary. At the 1874 United Kingdom general election in Ireland, the Dublin TDA decides to challenge the electoral control of certain corporation interests in County Dublin. Kettle secures the cautious approval of CardinalPaul Cullen for any candidate supporting the principle of denominational education. He is also one of a deputation to ask Parnell to fight the constituency, which the latter loses. He becomes closely acquainted with Parnell, who frequently attends Dublin TDA meetings after his election for Meath in April 1875.
Taking a sombre view of the threat of famine in the west of Ireland after evidence of crop failure appears in early summer 1879, Kettle calls a conference of TDA delegates at the European Hotel in Bolton Street, Dublin, in late May. After a heated debate in which a proposal for a rent strike is greatly modified, Parnell comes to seek Kettle’s advice on whether to become involved in the evolving land agitation in County Mayo. Kettle urges him to go to the Westport meeting set for June 8, 1879, and claims later to have stressed in passing that “if you keep in the open you can scarcely go too far or be too extreme on the land question.” If the incident is correctly recounted, this is a most important statement, which virtually defines Parnell’s oratorical strategy throughout the land war. In October 1879, Kettle agrees to merge the TDA with a new Irish National Land League, set up at a meeting in the Imperial Hotel, Dublin, chaired by Kettle. As honorary secretary of the Land League, Kettle frankly admits that he is able to attend meetings without “the necessity of working.” His attendance is, however, among the most regular of all League officers, with him taking part in 73 of 107 meetings scheduled between December 1879 and October 1881.
In March 1880, Kettle disputes Michael Davitt‘s reluctance to use League funds in the general election. He canvasses vigorously together with Parnell in Kildare, Carlow, and Wicklow and is later pressed by his party leader into standing for election in County Cork, though aware that the local tenant movement has already prepared their own candidates. His association with Parnell antagonises the catholic hierarchy in Munster, who issues a condemnation of his candidacy. The hurly-burly of this election creates the persistent impression that Kettle is anti-clerical in politics, and he is defeated by 151 votes.
On a train journey to Ballinasloe in early April 1880, Kettle confides to Parnell his idea that land purchase can be facilitated by the recovery of tax allegedly charged in excess on Ireland by the British government since the act of union. At League meetings in June and July 1880, he advances his “catastrophist” plan: to cease attempts to prevent the development of an irresistible crisis among the Irish smallholding population, by diverting the application of League funds from general relief solely to the aid of evicted tenants, who might be temporarily housed “encamped like gypsies and the land lying idle,” in the belief that the British government will thereby be compelled to introduce radical remedial legislation. Smallholders do not have enough faith in either League or parliamentary politicians to listen.
At a meeting of the League executive in London and in Paris, before and after Davitt’s arrest on February 3, 1881, Kettle presents his plan that the parliamentary party should, if faced with coercive legislation, withdraw from Westminster, “concentrate” in Ireland, and call a general rent strike. Republicans on the League executive continually find themselves embarrassed by Kettle’s radical calls to action motivated solely by the project of agrarian reform. Parnell is later supposed to have lamented party failure to execute the plan at this juncture.
Kettle is arrested in June 1881 for calling for a collective refusal of rent. After two weeks in Naas jail he is transferred to Kilmainham Gaol, where in October he is, with some misgivings, one of the signatories to the No Rent Manifesto. Discharged from Kilmainham in late December 1881 owing to poor health, he returns principally to work on the family farm for most of the 1880s, though he claims to have formulated a draft solution for the plight of the agricultural labourer and “pushed it through” in correspondence with Parnell. He reemerges in 1890 to defend Parnell after the divorce scandal breaks. Attempting to establish a new ”centre” party independent of extreme Catholic and Protestant interests, he stands for election as a Parnellite at the 1891 County Carlow by-election, where he is comprehensively beaten, having endured weeks of insinuating harangues by Tim Healy, and raucous mob insults to the din of tin kettles bashed by women and children at meetings around the county. He is intermittently involved in County Dublin politics in the 1890s and 1900s and maintains a brusque correspondence on matters of the day in the national press.
Kettle dies on September 22, 1916, at his residence, St. Margaret’s, County Dublin, anguished by the death on September 9 of his brilliant son, Tom Kettle, near the village of Ginchy during the Battle of the Somme. He is buried at St. Colmcille’s cemetery, Swords.
Kettle marries Margaret McCourt, daughter of Laurence McCourt of Newtown, St. Margaret’s, County Dublin, farmer and agricultural commodity factor. They have five sons and six daughters.
In March 1917, Ryan passes his final medical examinations. That June he sets up medical practice in Wexford. In 1921, he moves to Dublin where he opens a doctor’s practice at Harcourt Street, specialising in skin diseases at the Skin and Cancer Hospital on Holles Street. He leaves medicine in 1925, after he purchases Kindlestown, a large farm near Delgany, County Wicklow. He lives there and it remains a working farm until his death.
In July 1919, Ryan marries Máirín Cregan, originally from County Kerry and a close friend of Sinéad de Valera throughout her life. Cregan, like her husband, also fought in the Easter Rising and is subsequently an author of children’s stories in Irish. They have three children together.
While studying at university in 1913, Ryan joins the Gaelic League at Clonmel. The company commander recruits the young Catholicnationalist, who becomes a founder-member of the Irish Volunteers and is sworn into the Irish Republican Brotherhood (IRB) the following year. In 1916, he goes first to Cork to deliver a message from Seán Mac Diarmada to Tomás Mac Curtain that the Easter Rising is due to happen on Easter Sunday, then to Cork again in a 12-hour journey in a car to deliver Eoin MacNeill‘s cancellation order, which attempts to stop the rising. When he arrives back on Tuesday, he serves as the medical officer in the General Post Office (GPO) and treats many wounds, including James Connolly‘s shattered ankle, a wound which gradually turns gangrenous. He is, along with Connolly, one of the last people to leave the GPO when the evacuation takes place. Following the surrender of the garrison, he is deported to HM Prison Stafford in England and subsequently Frongoch internment camp. He is released in August 1916.
Ryan rejoins the Volunteers immediately after his release from prison, and in June 1917, he is elected Commandant of the Wexford Battalion. His political career begins the following year when he is elected as a Sinn Féin candidate for the constituency of South Wexford in the 1918 United Kingdom general election in Ireland. Like his fellow Sinn Féin MPs, he refuses to attend the Westminster Parliament. Instead he attends the proceedings of the First Dáil on January 21, 1919. As the Irish War of Independence goes on, he becomes Brigade Commandant of South Wexford and is also elected to Wexford County Council, serving as chairman on one occasion. In September 1919, he is arrested by the British and interned on Spike Island and later Bere Island. In February 1921, he is imprisoned at Kilworth Internment Camp, County Cork. He is later moved on Ballykinlar Barracks in County Down and released in August 1921.
In 1926, Ryan is among the Sinn Féin TDs who follow leader Éamon de Valera out of the party to found Fianna Fáil. They enter the Dáil in 1927 and spend five years on the opposition benches.
In 1947, after spending fifteen years as Minister for Agriculture, Ryan is appointed to the newly created positions of Minister for Health and Minister for Social Welfare. Following Fianna Fáil’s return to power at the 1951 Irish general election, he returns as Minister for Health and Social Welfare. Following the 1954 Irish general election, Fianna Fáil loses power and he moves to the backbenches once again.
Following the 1957 Irish general election, Fianna Fáil are back in office and de Valera’s cabinet has a new look to it. In a clear message that there will be a change to economic policy, Ryan, a close ally of Seán Lemass, is appointed Minister for Finance, replacing the conservative Seán MacEntee. The first sign of a new economic approach comes in 1958, when Ryan brings the First Programme for Economic Development to the cabinet table. This plan, the brainchild of T. K. Whitaker, recognises that Ireland will have to move away from self-sufficiency toward free trade. It also proposes that foreign firms should be given grants and tax breaks to set up in Ireland.
When Lemass succeeds de Valera as Taoiseach in 1959, Ryan is re-appointed as Minister for Finance. Lemass wants to reward him for his loyalty by also naming him Tánaiste. However, the new leader feels obliged to appoint MacEntee, one of the party elders to the position. Ryan continues to implement the First Programme throughout the early 1960s, achieving a record growth rate of 4 percent by 1963. That year an even more ambitious Second Programme is introduced. However, it overreaches and has to be abandoned. In spite of this, the annual growth rate averages five percent, the highest achieved since independence.
Ryan does not stand in the 1965 Irish general election, after which he is nominated by the Taoiseach to Seanad Éireann, where he joins his son, Eoin Ryan Snr. At the 1969 dissolution he retires to his farm at Kindlestown, County Wicklow, where he dies at age 77 on September 25, 1970. He is buried at Redford Cemetery, Greystones, County Wicklow. His grandson, Eoin Ryan Jnr, serves in the Oireachtas from 1989 to 2007 and later in the European Parliament from 2004 to 2009.
Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionistSligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.
After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with TheIrish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.
Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna FáilTDs, signaling the volatile politics of the early state years.
Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.
When Healy dies in 1934, Smyllie becomes editor of TheIrish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.
One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures TheIrish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.
During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.
Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on TheIrish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for HealthNoël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.
Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, TheIrish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.
In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.
In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.
Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.
Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the IRB, founded two years later in Dublin.
In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.
After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”
In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”
Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies suddenly at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.
He marries firstly Mary Halloran of Cloyne, County Cork, in 1845. She dies in 1901. In the year of his retirement, he remarries Florence Henrietta Gore, widow of Edward Croker. He has no children. James Joyce remarks in Ulysses that his second marriage at the age of 85 infuriates his nephew, who had been waiting patiently for years to inherit his money.
Despite his many years of service on the Bench, Chatterton does not seem to be highly regarded as a judge. On his retirement the Bar pays tribute to his good qualities but adds several qualifications: “there might have been on the Bench lawyers more profound, reasoners more acute…” In his first decade on the Bench, Chatterton has to endure the continual denigration of Jonathan Christian, the Lord Justice of Appeal in Chancery. Christian is notoriously bitter-tongued, and while he despises most of his colleagues, he seems to have a particular dislike of Chatterton. He regularly votes on appeal to overturn his judgments, and frequently adds personal insults. Nor does he confine his attacks to the courtroom: there is controversy in 1870 when remarks of Christian that Chatterton is “lazy, stupid, conceited and so incompetent that he ought to be pensioned off” find their way into The Irish Times. The hint about pensioning off Chatterton is not taken up, no doubt because he enjoys the confidence of the Lord Chancellor of Ireland, Thomas O’Hagan, 1st Baron O’Hagan, who is also on bad terms with Christian. In an appeal from Chatterton in 1873, the two appeal judges clash publicly, with O’Hagan reprimanding Christian for insulting a judge who is not there to defend himself.
Chatterton becomes involved in controversy in 1885, over the first attempt to rename Sackville Street to O’Connell Street. Dublin Corporation votes for the name change, but it arouses considerable objections from local residents, one of whom seeks an injunction. Chatterton grants the injunction on the ground that the corporation has exceeded its statutory powers. Rather unwisely, he also attacks the merits of the decision, accusing the Corporation of “sentimental notions.” The corporation is angered by both the decision and the criticisms: while it may have been a coincidence, the fact that Temple Street is briefly renamed Chatterton Street is interpreted by some as an insult to the judge, since the street is much frequented by prostitutes. The controversy is short-lived as the corporation is granted the necessary statutory powers in 1890, and the new name becomes official in 1924, by which time it has gained popular acceptance.
seamus dubhghaill 