Rosenstock’s father, George, is a doctor and writer from Schleswig-Holstein, Germany, who serves as a medical officer with the Wehrmacht in World War II. His mother is a nurse from County Galway. He is the third of six children and the first born in Ireland. He is educated locally in Kilfinane, then in Mount Sackville, County Dublin.
Rosenstock works for some time on the television series Anois is Arís on RTÉ, then on the weekly newspaper Anois. Until his retirement he works with An Gúm, the publications branch of Foras na Gaeilge, the North-South body which promotes the Irish language.
Although he has worked in prose, drama and translation, Rosenstock is primarily known as a poet. He has written or translated over 180 books.
Rosenstock also writes for children, in prose and verse. Haiku Más É Do Thoil É! (An Gúm) wins the Children’s Books Judges’ Special Prize in 2015.
Rosenstock appears in the anthology Best European Fiction 2012, edited by Aleksandar Hemon, with a preface by Nicole Krauss (Dalkey Archive Press). He gives the keynote address to Haiku Canada in 2015.
Rosenstock has worked with American photographer Ron Rosenstock, Indian Photographer Debiprasad Mukherjee, Greek photographer Kon Markogiannis, Dublin photographer Jason Symes, French photographer Jean-Pierre Favreau and many more to create the new guise of a photo-haiku (or a haiga) – the interplay of visual aesthetic and literature.
Ulster’s Solemn League and Covenant, commonly known as the Ulster Covenant, is signed by nearly 500,000 people on and before September 28, 1912, in protest against the Third Home Rule Bill introduced by the British Government in the same year.
The Covenant has two basic parts: the Covenant itself, which is signed by men, and the Declaration, which is signed by women. In total, the Covenant is signed by 237,368 men; the Declaration, by 234,046 women. Both the Covenant and Declaration are held by the Public Record Office of Northern Ireland (PRONI). An online searchable database is available on the PRONI website.
In January 1913, the Ulster Volunteers aim to recruit 100,000 men between the ages of 17 and 65 who had signed the Covenant as a unionist militia. A British Covenant, similar to the Ulster Covenant in opposition to the Home Rule Bill, receives two million signatures in 1914.
The majority of the signatories of the Covenant are from Ulster, although the signing is also attended by several thousand southern unionists. Acknowledging this, Carson pays tribute to “my own fellow citizens from Dublin, from Wicklow, from Clare [and], yes, from Cork, rebel Cork, who are now holding the hand of Ulster,” to cheers from the crowd.
The signature of Frederick Hugh Crawford is claimed by him to have been written in blood. However, this is disputed. Based on the results of a forensic test that he carries out in September 2012 at PRONI, Dr. Alastair Ruffell of Queen’s University Belfast asserts that he is 90% positive that the signature is not blood. Crawford’s signature is injected with a small amount of luminol. This substance reacts with iron in blood’s hemoglobin to produce a blue-white glow. The test is very sensitive and can detect tiny traces even in old samples. Crawford’s signature is still a rich red colour today which would be unlikely if it had been blood. Nevertheless, some unionists are not convinced by the evidence.
The Ulster Covenant is used as a template for the “Natal Covenant,” signed in 1955 by 33,000 British-descended Natalians against the nationalistSouth African government’s intention of declaring the Union a republic. It is signed in Durban‘s City Hall. Loosely based on Belfast’s Ulster Covenant, the Ulster scene is almost exactly reproduced.
September 28 is today known as “Ulster Day” to unionists.
(Pictured: Sir Edward Carson signing the Solemn League and Covenant)
Ryan attributes to Pearse the saying “[G]ive me a hundred men and I will free Ireland!” He becomes part of a group of former students lodging in St. Enda’s while they go to university who join the Irish Republican Brotherhood (IRB). They meet in a safe house at Rathfarnham in 1911. The men take the tram from Rathfarnham to Nelson’s Pillar in central Dublin. Pearse once told his friend, “Let them talk! I am the most dangerous revolutionary of the whole lot of them!” In 1911, the Dungannon Clubs revive the Volunteers Militia movement. These clubs are not initially successful in Dublin but are more so in Belfast amongst nationalists. One of the northern members is the Dubliner Oscar Traynor, in his youth a professional footballer with Belfast Celtic F.C., later a war hero and later again a politician and Minister for Posts and Telegraphs.
Eoin MacNeill is appointed leader of the Irish Volunteers. Ryan writes that Pearse, a risk-taker and idealist, tells him MacNeill is “too tactful.” MacNeill is prepared to entertain the Irish Parliamentary Party with negotiations. Ryan quotes Pearse as saying, “[MacNeill] has the reputation of being tactful, but his tact consists in bowing to the will of the Redmondites every time. He never makes a fight except when they assail his personal honour, when he bridles up at once… very delicate position… he is weak, hopelessly weak.”
Pearse tells Ryan that MacNeill is “a Grattan come to life again.” Henry Grattan is a constitutional orator and MP in the Protestant-only 18th-century Irish House of Commons, but one of those who fiercely opposes the notorious Acts of Union 1800, secured by massive bribery (which is then repaid out of Irish taxes), making Ireland part of the United Kingdom. Moreover, MacNeill is an “inconclusive ditherer.” He wants the Irish Volunteers to be apolitical.
The Easter Rising is preceded by the revelation of the “Castle Document,” a plan by the British government to arrest the leaders of the Irish Volunteers and Irish Citizen Army and other radicals. Ryan claims that this document, presented to MacNeill on the Wednesday before the Rising and said to have been stolen from high-ranking British staff in Dublin Castle, is a forgery. Some claim that it is concocted by Joseph Plunkett with the implicit approval of Catholic Archbishop Cullen of Dublin, a sympathiser with Dublin Castle and Redmond’s war stratagem. “Forgery is a strong word,” Ryan says, “but that in its final form the document was a forgery no doubt can exist whatever.” Modern interpretation from Charles Townshend has judged the document to be genuine, and the opinion attributed to the Archbishop’s Palace as circumstantial. Grace Gifford, Plunkett’s widow, says that she was with Plunkett when he deciphered it at Larkfield House. Prior to his execution, Seán Mac Diarmada is met by a priest, and makes the assumptive response that it is a fraudulent document.
Ryan fights through the Easter Rising from April 24, 1916, in the General Post Office (GPO) under murderous artillery fire and describes the battle vividly in his witness statement to the Bureau of Military History. He describes the garrison retreating to Moore Street and quotes Pearse’s sculptor brother Willie Pearse, who is executed a few days later, as saying “Connolly has been asked out to negotiate. They have decided to go to save the men from slaughter, for slaughter it is.”
Ryan fights in the Irish War of Independence and afterwards writes about his experiences. However, the Irish Civil War which follows from June 1922 to April 1923 repels him. He cannot accept that Irishmen would fight Irishmen.
Ryan marries Sarah Hartley in 1933. In 1939 they return to Ireland, where he edits the Torch, a Labour paper. Finding his views at odds with the Labour Party‘s official line, publication ceases in 1944. He and his wife then move to Swords in north County Dublin, where they operate a poultry farm.
McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.
At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.
In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”
McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).
In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.
McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.
McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.
Lawless is the only surviving son of Nicholas Lawless, wool merchant, brewer, and banker, who becomes 1st Baron Cloncurry in 1789, and Margaret Lawless (née Browne), only daughter and heiress of Valentine Browne of Mount Browne, County Limerick. He is educated privately at Portarlington, Queen’s County (now County Laois), and at Blackrock, County Dublin. He enters Trinity College Dublin (TCD) in 1789, graduating BA in 1792. After completing a tour of Europe (1792–95) he returns to Ireland, where he joins the Society of United Irishmen and the loyalistyeomanry. Pressurized by his father, he decides to study law, and is at Middle Temple from 1795 to 1798. He later claims that at a dinner party in the spring of 1797 he hears the prime minister, William Pitt, discuss his plans for a legislative union with Ireland, prompting him to write an anti-union pamphlet in response. Like many of the claims in his published recollections, the story is unreliable.
During 1797 Lawless helps Arthur O’Connor form his United Irishman newspaper The Press, and Leonard McNally informs Dublin Castle that Lawless is its principal shareholder. In October 1797 Lawless attends a meeting of the executive directory of the United Irishmen, of which he is elected a member. Throughout this period and after his return to London he is carefully watched by the British secret service. His friendship with O’Connor, and the fact that he provides funds for Fr. James Coigly, arouse deep suspicion. After the outbreak of open rebellion in Ireland he is arrested at his lodgings in Pall Mall on May 31, 1798, on suspicion of high treason, and imprisoned for six weeks in the Tower of London. Arabella Jefferyes, sister of the Earl of Clare, apparently tries to extort money from Lawless in return for pleading his case to the Duke of Portland. He refuses the offer. On his release he tours England on horseback but is rearrested on April 14, 1799, and held until March 1801. His father votes for the Act of Union, hoping to secure his son’s release, and dies on August 28, 1799. Lawless succeeds him as 2nd Baron Cloncurry. His grandfather and his fiancée, Mary Ryal, also die while he is imprisoned.
Embittered by his experience, Lawless tours the Continent from 1801 to 1805 before returning to his family estate at Lyons Hill, Ardclough, County Kildare. Throwing himself into improving his estates and into local concerns, he founds the County Kildare Farming Society in 1814. He is also involved in canal developments and agricultural improvements in the country. Opposed to the rural constabulary bill of 1822, he supports Catholic emancipation and the attempts of Daniel O’Connell to repeal the Act of Union. He breaks with O’Connell in the 1830s when his friend, Henry Paget, 1st Marquess of Anglesey, is viceroy, because he believes repeal can now be achieved through official means. The rift is never healed.
In 1831, Lawless is admitted to the Privy Council of Ireland (PC) and an English peer but rarely attends the House of Lords. Involved in anti-tithe campaigns, he retires from politics in 1840. Travelling on the Continent in 1841 and 1842, he returns to defend O’Connell’s planned Clontarf meeting in the privy council but refuses to attend any further meetings after his advice on dealing with the Great Famine is ignored in 1846. In 1849 he publishes his personal reminiscences, which appear to have been ghost-written.
Lawless’s health begins to fail in 1851. He dies at the older family home, Maretimo House, Blackrock, on October 28, 1853, and is buried in the family vault at Lyons Hill.
Lawless first marries Elizabeth Georgiana, youngest daughter of Lieutenant-GeneralCharles Morgan, at Rome on April 16, 1803. They have one son and one daughter. The marriage ends in divorce in 1811 after her adultery with Sir John Piers. In 1811, he then marries Emily, daughter of Archibald Douglas of England, and widow of Joseph Leeson. They have two sons and a daughter. The elder son, Edward, succeeds as 3rd Baron Cloncurry. He commits suicide in 1869 by throwing himself out of a third-floor window at Lyons Hill. The younger, Cecil-John, is an MP, but catches a chill at his father’s funeral and dies on November 5, 1853.
(From: “Lawless, Valentine Browne” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Lyons House, Lyons Hill, Ardclough, County Kildare)
In London, developing his interest in the theatre, Johnston abandons plans for a legal and political career.
Johnston is a protégé of W. B. Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work includes both original plays and adaptation of the work of many different writers.
Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of Dublin’s Gate Theatre. His second play, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such storied names as James Mason, Jack Hawkins, Claude Rains, Barry Fitzgerald, James Coco and Errol Flynn. Later plays deal with the life of Jonathan Swift, the 1916 Rebellion, the pursuit of justice, and the fear of death. He writes two opera libretti and a pageant.
“Passionate in his radical skepticism and loathing of what he saw as the pernicious influence of the Roman Catholic Church,” at the end of 1933, Johnston joins the trade unionistJohn Swift, the Dublin novelistMary Manning, and fellow northerner, the libertarian socialistJack White, in forming The Secular Society of Ireland. “Convinced that clerical domination in the community is harmful to advance,” the society seeks “to establish in this country complete freedom of thought, speech and publication, liberty for mind, in the widest toleration compatible with orderly progress and rational conduct.” Among other things it aims to terminate the clerically-dictated ban on divorce, the Censorship of Publications Act and the system of clerical management, and consequent sectarian teaching, in schools.
This is at a time of heightened clerical militancy and as soon the meeting place of the Society (from which it distributed the British journal The Freethinker) is exposed, it has to shift to private houses outside of Dublin. In 1936, Johnston and the other members disband the society and donate the proceeds to the government of the beleaguered Spanish Republic. He has become a recognised man of the left. In 1930 he joins the Irish Friends of Soviet Russia, and though never a party member, until as late as the 1950s he professes faith in a communist future.
Johnston dies on August 8, 1984, at Ballybrack, County Dublin, and is buried in St. Patrick’s Cathedralclose. His epitaph is a quotation from The Old Lady Says “No!” – Emmet’s lines praising Dublin “the strumpet city.”
The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screenplay or musical written by an undergraduate at Smith College, Mount Holyoke College, Amherst College, Hampshire College and the University of Massachusetts Amherst. The prize is endowed by his former student at Smith, Carol Sobieski.
Father and son, both accounted “notorious womanizers,” have a bitter relationship. His father once challenges him to a duel, but he declines, observing that his father is not a gentleman.
With the support of the Grafton ministry and of the Court, in 1769 Luttrell stands in Middlesex against John Wilkes, the radical and popular figure who had already been the constituency’s three-time democratic choice. He loses the poll (1,143 votes to 269) but is seated in Parliament, Wilkes having once again been barred as an adjudged felon. As a result of the affair, for some months, Luttrell dares not appear in the street and is “the most unpopular man in the House of Commons.”
The government rewards Luttrell by appointing him Adjutant General for Ireland in 1770. He continues to sit in the Commons, where he describes the Whigs in their opposition to the conduct of the American War, as “the abetters of treason and rebellion combined purposely for the ruin of their country.”
In 1788, Luttrell is publicly accused in Dublin of the rape of a 12-year-old girl. Having been paid to deliver a message, Mary Neal claims she is bundled into a brothel and there assaulted throughout the night by Luttrell. The keeper of the house, Maria Llewellyn, is charged in a case marked by accusations of witness tampering, the death in prison of Mary’s mother and newborn baby sister and by the insinuation that Mary was already working as a prostitute. The affair becomes a cause célèbre with the public intervention of Archibald Hamilton Rowan, later a founding member of the Dublin Society of United Irishmen. To clear Mary’s name he brings her to Dublin Castle to see the Lord Lieutenant, John Fane, 10th Earl of Westmorland. Westmorland, unmoved, pardons Llewellyn and sets her at liberty. Luttrell is never asked to answer for raping Mary Neal. In 1790 he re-enters the British Parliament as Member for Plympton Erle.
In 1791 and 1792, Luttrell helps vote down bills to abolish the slave trade. Negroes, he proposes, only want “to murder their masters, ravish their women, and drink all their rum.” At the same time, he opposes lifting civil disabilities on Roman Catholics by abolishing the Test Act in Scotland and speaks scathingly of parliamentary reform.
In October 1793, a younger brother, Temple Simon Luttrell, is arrested in Boulogne and, until February 1795, is held in Paris where, on the strength of their sister Anne Luttrell being married to Prince Henry, Duke of Cumberland, he is publicly exhibited as the brother of the king of England.
In 1795, Luttrell is entrusted with the breakup and disarming of Defenders, the agrarian semi-insurgency, in Connacht. His proceedings and impressment of some 1,300 “rebels” into the British navy elicits criticism in otherwise loyal circles.
In 1796, with the leaders of the democratic party, the United Irishmen, preparing for a French-assisted insurrection, Luttrell is given overall command of the Crown forces in Ireland. He demonstrates still greater ruthlessness in attempting to “pacify” the country and suppress the eventual rising in the summer of 1798. His command has the unusual distinction of being upbraided by his successor as Commander in Chief, Sir Ralph Abercromby, for an army “in a state of licentiousness, which must render it formidable to everyone but the enemy.”
Luttrell is seen by his critics as having “fanned the flame of disaffection into open rebellion” by “the picketings, the free quarters, half hangings, flogging and pitch-cappings” he directs.
In July 1799, Luttrell sells his Irish property and by his own later account, he takes no part in the Acts of Union. He claims to be “disgusted at the scene that was passing before me”, and to abandon Ireland because, under a “cowardly” government, he sees “the country likely to become Catholic.” When the Dublin Post of May 2, 1811, erroneously reports his death, he demands a retraction which they print under the headline Public Disappointment.
Luttrell purchases an estate at Painshill Park in Surrey and lives for several years in relative obscurity. From 1813 he harries the government of Robert Jenkinson, 2nd Earl of Liverpool, with the claim that George III had promised him a secure seat in the Commons. In June 1817, five weeks short of his eightieth birthday, he finds his own way back to Parliament as Member for Ludgershall and revenges himself, in the four years remaining to him, by voting with the opposition. This, however, does not extend to joining in the attacks on the domestic spy system in 1818 nor to voting for parliamentary reform in 1819. Moreover, in the wake of the Peterloo Massacre, he supports the government, lauding the use of deadly force against “the Radicals and their system.”
Webb is born in 1805 in the Cornmarket, Dublin, the eldest of seven sons of James Webb and Deborah Webb (née Sparrow), who own a linen business. He is educated in Quaker schools at Mountmellick, County Laois, and at Ballitore, County Kildare, where he becomes friendly with Mary Leadbeater, sister of the influential schoolmaster Abraham Shackleton. Schoolfellows include James Haughton and Jonathan Pim.
In 1837, Webb is one of three founding members, with James Haughton and Richard Allen, of the Hibernian Antislavery Association. This is not the first antislavery association, but it is acknowledged to be the most active and considered the most ardent abolitionists in Europe. Allen serves as the secretary of this association.
Webb marries Hannah Waring, and they have four children: Alfred, Richard, Deborah and Anne. He and his two sons, Alfred and Richard, are regular correspondents with the American abolitionist William Lloyd Garrison.
Webb is one of the few Irish delegates at the 1840 World Anti-Slavery Convention in London which attracts hundreds from the United States. The Irish delegation includes Webb, Richard Allen and Daniel O’Connell. In 1846, he attends another world convention in London. This time the subject is temperance, and his fellow delegate Richard Allen is one of the speakers. He meets the American delegates Wendell Phillips and his wife Ann, with Ann reporting how they are particularly impressed by Webb.
Webb was notable in Douglass’s regard for the arguments that he and Webb have. Douglass feels that white abolitionists would prefer to be hypocritical than be racist and would try not to disagree with him face to face. Webb shows no such false regard, and they argue as equals in a way that Douglass hopes would be a precursor of the relationships that might exist across the races when slavery ends in the United States. Webb, however, quickly comes to distrust and dislike Douglass and his associates.
In 1852 Webb prints and publishs the elaborate Transactions of the Central Relief Committee, compiled by Jonathan Pim. This deals with the relief operations in Ireland in which Quakers had been involved throughout the Great Famine of the 1840s, and also includes statistics and recommendations for reforms. He helps Quaker efforts to provide food for the poor in Ireland, and in April and May 1847 he travels on fact-finding missions in Connacht for the Yearly Meeting. His contributions to Quaker historiography include his edition of Mary Leadbetter’s The Leadbetter Papers, which he prints, and which is published in London (1862). Also, in 1862 he publishes Betsy Shackleton’s Ballitore Seventy Years Ago. He frequently publishes comments on Irish conditions and politics in The Manchester Guardian and elsewhere.
Webb’s commitment to the causes in which he believes so strongly end only with his death on July 14, 1872. He is buried in Temple Hill graveyard, Blackrock, County Dublin.
Kathleen Cox, Irish artist, sculptor, and mystic, is born Christina Mary Kathleen Cox in Wo-Sung, China, on July 2, 1904. Cox is considered a pioneer of contemporary Irish pottery.
Cox is the eldest daughter of Dr. R. H. Cox, originally from Dundalk, County Louth, and the port health officer in Shanghai. He is also an amateur geologist and models in clay. In his retirement, he invents a periscope later used during World War I by the Royal Navy. The years living in China leave an impression on the young Cox, visually and culturally. The family returns to Ireland in 1911, first moving to Listowel, County Kerry, and later to Howth, County Dublin. She attends Alexandra College, and later the Dublin Metropolitan School of Art in 1921. While there she studies sculpture under Oliver Sheppard and is considered one of his most talented students, winning the Royal Dublin Society Taylor prize for modelling in 1925, 1926, and 1927. The money from these prizes allows Cox to travel to Paris in 1929.
Cox exhibits in 1924 at the Tailteann exhibitions, and in 1925 submits textile designs to the Arts and Crafts Society of Ireland. She establishes a pottery studio at 7 Schoolhouse Lane, Dublin, with college friend Stella Rayner in 1929. The studio has the first electric kiln in Ireland. The first exhibited piece by Cox shown by the Royal Hibernian Academy (RHA) is in 1930, with a pair of Madonna bookends, and portrait masks of the daughter of Dermod O’Brien, Brigid O’Brien, and writer Norris Davidson. Davidson is a friend and neighbour, who commissions her to design the poster for his 1929 film, Suicide. She exhibits with the RHA from 1931 to 1933, and the Tailteann 1932, while also holding exhibitions in her studio. During this period Hilda Roberts paints her portrait, Strange Spirit. Kathleen Cox in her studio. The theme of womanhood is prominent in her work, including in the sign of her studio.
In 1932, Cox begins producing a line of more commercial figurines, drawing influence from the Royal Doulton Burslem factory, where she works for a time. One such figurine is The Lavender Man (pictured), modelled on Michael Clifford, a Dublin street trader. In the mid 1930s, she develops a frustration with her work and with her lack of impact on the wider world. In attending the Chinese exhibition in London in 1935, it is confirmed to her that pottery should be practical rather than ornamental. It spurs her to destroy all her moulds and sell her kiln upon her return to Dublin.
Cox marries Alan Palmer in 1937, the couple has two daughters and relocate to England. Palmer is a conscientious objector during World War II, with the couple running a farm at Meopham, Kent, returning to London after the war.
Cox dies in early September 1972 in London. Some of her work is held in the collections of the National Museum of Ireland and with four works featured in the exhibition Not Just Pots: Contemporary Irish Ceramics of the 21st Century.
It is during the 1920s that Cox begins to question mainstream religion and becomes a vegetarian. Finding that her personal philosophy is similar to that of theosophy, she joins the movement and speaks at meetings. She is heavily influenced by the founder of the Order of the Great Companions, the Rev. William Hayes, who is living in Dublin in the 1930s. She writes and illustrates a children’s book on world religions, A story of stories, which she publishes under the pseudonym C.M. Kay in 1970.
Raised in Dublin, Manning goes to school in Morehampton House and Alexandra College, Dublin. She gets her theatre training in Sara Allgood‘s teaching class in the Abbey Theatre.
Prior to her career as a writer and filmmaker, Manning works as a film critic throughout the 1920s and 30s. She works as a film critic for TheIrish Statesman for a year during that time until it goes out of business. She is known to disapprove of Hollywood‘s “unimaginable stories and its stereotypical portrayal of Ireland and the Irish.” She also works as a writer for the Gate Theatre. She adapts the short story “Guests of the Nation” for a film directed by Denis Johnston. She also helps found the Dublin Film Society in 1930 and co-founds the Gate Theatre arts magazine Motley in 1932.
From 1914 to 1926, Ireland experiences a surge of new film styles being produced, consisting of historical melodramas and romantic comedies. Following this, 1930 to 1935 births a second wave of industry produced silent films that are intended to be less cliche compared to the first wave. The films produced under the second wave are much more experimental and deal less with the commercial appeals of the first wave. There’s minimal information on how Manning specifically contributed to the second wave, however, it is stated that she plays an important role producing five out of the six films to come out of that wave.
Manning is a founder of the Poets’ Theatre in Cambridge, Massachusetts, and works as drama director at Radcliffe College during World War II. She marries Faneuil Adams of Boston, Massachusetts, in 1980.
Manning dies at the age of 93 on June 27, 1999, at Mt. Auburn Hospital in Cambridge, Massachusetts.
seamus dubhghaill 