Sir Michael Terence WoganKBEDL, Irish-British radio and television broadcaster who works for the BBC in the United Kingdom (UK) for most of his career, is born at Cleary’s Nursing Home, Elm Park, Limerick, County Limerick, on August 3, 1938. Between 1993 and his semi-retirement in December 2009, his BBC Radio 2 weekday breakfast programme Wake Up to Wogan regularly draws an estimated eight million listeners. He is believed at the time to be the most listened-to radio broadcaster in Europe.
Wogan is the elder of two children. He is the son of the manager of Leverett & Frye, a high-class grocery store in Limerick, and is educated at Crescent College, a Jesuit school, from the age of eight. He experiences a strongly religious upbringing, later commenting that he had been brainwashed into believing by the threat of going to hell. Despite this, he often expresses his fondness for the city of his birth, commenting on one occasion that “Limerick never left me, whatever it is, my identity is Limerick.”
At the age of 15, after his father is promoted to general manager, Wogan moves to Dublin with his family. While living there he attends Crescent College’s sister school, Belvedere College. He participates in amateur dramatics and discovers a love of rock and roll. After leaving Belvedere in 1956, he has a brief career in the banking profession, joining the Royal Bank of Ireland. Still in his twenties, he joins the national broadcaster of Ireland, Raidió Teilifís Éireann (RTÉ), as a newsreader and announcer, after seeing a newspaper advertisement inviting applicants.
Wogan conducts interviews and presents documentary features during his first two years at RTÉ, before moving to the light entertainment department as a disc jockey and host of TV quiz and variety shows such as Jackpot, a top-rated quiz show on RTÉ in the 1960s.
Wogan is a leading media personality in Ireland and Britain from the late 1960s, and is often referred to as a “national treasure.” In addition to his weekday radio show, he is known for his work on television, including the BBC One chat show Wogan, presenting Children in Need, the game show Blankety Blank and Come Dancing. He is the BBC’s commentator for the Eurovision Song Contest from 1971 to 2008 (radio in 1971, 1974–1977; television in 1973, 1978, 1980–2008) and the Contest’s host in 1998. From 2010 to 2015 he presents Weekend Wogan, a two-hour Sunday morning show on BBC Radio 2.
In 2005, Wogan acquires British citizenship in addition to his Irish nationality and is awarded a knighthood in the same year and is therefore entitled to use the title “Sir” in front of his name.
Wogan’s health declines after Christmas 2015. He does not present Children in Need in November 2015, citing back pain as the reason for his absence from the long-running annual show. One of his friends, Father Brian D’Arcy, visits him during January and notices he is seriously ill. He dies of cancer at the age of 77 on January 31, 2016 at his home.
After Wogan’s death and his private funeral a few weeks later, a public memorial service is held on September 27 the same year. This is held at Westminster Abbey and is opened by a recording of Wogan himself, and features a number of his celebrity friends making speeches, such as Chris Evans and Joanna Lumley. The service is broadcast live on BBC Radio 2.
On November 16, 2016, the BBC renames BBC Western House, home of BBC Radio 2, in his memory, to BBC Wogan House.
McCarthy’s debut novel, The Orchard Keeper, is published in 1965. Awarded literary grants, he is able to travel to southern Europe, where he writes his second novel, Outer Dark (1968). Suttree (1979), like his other early novels, receives generally positive reviews, but is not a commercial success. A MacArthur Fellowship enables him to travel to the American Southwest, where he researches and writes his fifth novel, Blood Meridian (1985). Although it initially garners a lukewarm critical and commercial reception, it has since been regarded as his magnum opus, with some labeling it the Great American Novel.
McCarthy dies of natural causes at his home in Santa Fe, New Mexico, on June 13, 2023, aged 89. Stephen King says McCarthy is “maybe the greatest American novelist of my time … He was full of years and created a fine body of work, but I still mourn his passing.”
Webb is born in 1805 in the Cornmarket, Dublin, the eldest of seven sons of James Webb and Deborah Webb (née Sparrow), who own a linen business. He is educated in Quaker schools at Mountmellick, County Laois, and at Ballitore, County Kildare, where he becomes friendly with Mary Leadbeater, sister of the influential schoolmaster Abraham Shackleton. Schoolfellows include James Haughton and Jonathan Pim.
In 1837, Webb is one of three founding members, with James Haughton and Richard Allen, of the Hibernian Antislavery Association. This is not the first antislavery association, but it is acknowledged to be the most active and considered the most ardent abolitionists in Europe. Allen serves as the secretary of this association.
Webb marries Hannah Waring, and they have four children: Alfred, Richard, Deborah and Anne. He and his two sons, Alfred and Richard, are regular correspondents with the American abolitionist William Lloyd Garrison.
Webb is one of the few Irish delegates at the 1840 World Anti-Slavery Convention in London which attracts hundreds from the United States. The Irish delegation includes Webb, Richard Allen and Daniel O’Connell. In 1846, he attends another world convention in London. This time the subject is temperance, and his fellow delegate Richard Allen is one of the speakers. He meets the American delegates Wendell Phillips and his wife Ann, with Ann reporting how they are particularly impressed by Webb.
Webb was notable in Douglass’s regard for the arguments that he and Webb have. Douglass feels that white abolitionists would prefer to be hypocritical than be racist and would try not to disagree with him face to face. Webb shows no such false regard, and they argue as equals in a way that Douglass hopes would be a precursor of the relationships that might exist across the races when slavery ends in the United States. Webb, however, quickly comes to distrust and dislike Douglass and his associates.
In 1852 Webb prints and publishs the elaborate Transactions of the Central Relief Committee, compiled by Jonathan Pim. This deals with the relief operations in Ireland in which Quakers had been involved throughout the Great Famine of the 1840s, and also includes statistics and recommendations for reforms. He helps Quaker efforts to provide food for the poor in Ireland, and in April and May 1847 he travels on fact-finding missions in Connacht for the Yearly Meeting. His contributions to Quaker historiography include his edition of Mary Leadbetter’s The Leadbetter Papers, which he prints, and which is published in London (1862). Also, in 1862 he publishes Betsy Shackleton’s Ballitore Seventy Years Ago. He frequently publishes comments on Irish conditions and politics in The Manchester Guardian and elsewhere.
Webb’s commitment to the causes in which he believes so strongly end only with his death on July 14, 1872. He is buried in Temple Hill graveyard, Blackrock, County Dublin.
Hughes is brought up as a devout Roman Catholic and speaks both Irish and English fluently. He starts working at age 12 as a baker’s boy in Armagh and around 1822 tries unsuccessfully to set up his own bakery. To enhance his career prospects, he moves to Belfast in the mid-1820s and becomes a journeyman baker. He soon proves to be a highly skilled and reliable worker and in 1833 is appointed operations manager at the Public Bakery, Church Street.
Hughes is a great admirer of Daniel O’Connell and is part of the delegation that meets him when he visits Belfast in 1840. However, his employer does not share his views on liberal reform, and strained relations lead to Hughes setting up his own bakery in December 1840. At this point he must have already gained a reputation as a highly respected citizen in Belfast, as he is able to borrow £1,400 for the new factory that is built at 71 Donegall Street. This proves a wise investment, as within two years his factory produces more bread than any other bakery in the town. Demand for his loaves and his famous “Belfast bap” is fueled by the thousands of poor Catholics who migrate to the city in search of employment in the two decades before the famine.
Hughes is probably the first entrepreneur in Ireland to appreciate how machinery can create economies of scale in food production. He keeps enlarging his factory by adding ovens (using his own patent design) and dough‐mixing machines, and in 1847 opens another bakery on Donegall Place, which becomes known as the “railway bakery” on account of the rails that are used to transport raw materials by cart between various parts of the site. By using new technology, he is able to produce large quantities of consistently high‐quality bread at prices that are up to 20% cheaper than his local competitors. By 1851 he employs up to a third of those in the Belfast baking trade. He removes much of the human drudgery in the baking process, and higher productivity means that his employees can sleep at home rather than on the bakery floor. The population growth of Belfast continues to increase steeply after the famine years, and in 1858 he opens a third bakery on Divis Street, in the Falls area of the town. Distribution problems during the 1840s had convinced Hughes that he needs tighter control over all elements of the food production chain. By the 1870s his empire includes flour mills, ships to import grain, a brewery, shops, and a fleet of horse‐drawn vans.
Hughes is an enlightened employer and throughout his life he gives generously to the poor in Belfast. During the famine years of the 1840s he keeps the price of bread as low as possible, and on special days such as Christmas gives away thousands of loaves. In July 1842 he confronts a mob of up to 2,000 hungry and agitated weavers who are intent on causing damage to his bakery. He convinces them that he is a friend of the people. This is borne out by the fact that he is the largest single donor to both the Belfast Relief Committee and the Belfast Relief Fund for Ireland during the great famine. Though he is not politically ambitious, he does feel that he can use his status as one of the largest employers in Belfast and the wealthiest Catholic layman to promote the liberal cause. He is particularly appalled by the way in which the members of the conservative‐dominated council are able to indemnify themselves against the £84,000 debt which they had accrued while in office during the 1840s and 1850s.
Hughes is the first Catholic to be elected to the Belfast town council (1855–58, 1871–72) and the first Catholic alderman (1872–78). There are numerous attempts to smear his reputation, and articles in the Belfast News Letter lampoon his thick Armagh accent. As councillor he imprudently remarks on one public occasion that Belfast is “governed by Protestants, but the bone and sinew of the town is Roman Catholic.” This is seized upon by his conservative adversaries as evidence of an anti‐Protestant stance. In reality, he is always even‐handed and against any form of violent action. In his Smithfield ward there are large groups of poor Catholics and Protestants in close proximity to each other and this leads to regular disturbances. As a JP (1867–78) he urges fellow members of the Belfast Home Rule Association to avoid the tactics of the Fenians. In 1878 he is one of a group of magistrates who upholds the right of the Protestant shipyard workers to hold processions in Belfast.
Hughes’s fair mindedness sometimes brings him into collision with his more zealous Catholic friends. In 1876 he is heavily criticised for supporting the campaign to have a statue of the Rev. Henry Cooke, the Presbyterian preacher with strong anti‐Catholic views, erected in a prominent position in Belfast. He contributes funds to the Catholic Institute in Belfast, donates the site for St. Peter’s Church in 1858, and pays for the Lady Chapel. Despite his generosity, Patrick Dorrian, the coadjutor bishop of Down and Connor, vetoes a plan by the Vatican to award him a papal honour.
Hughes dies on September 23, 1878, and is buried privately at Friar’s Bush Graveyard. His son Edward, later appointed the first chairman of The Irish News at its launch in 1891, takes over the business and builds a large “model bakery” on a two‐acre site on the Springfield Road which is one of the largest and most technically sophisticated factories of its kind in Europe.
(From: “Hughes, Bernard (‘Barney’)” by Daniel Beaumont, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Costello is the younger son of John Costello senior, a civil servant, and Rose Callaghan. He is educated at St. Joseph’s, Fairview, and then moves to O’Connell School, for senior classes, and later attends University College Dublin (UCD), where he graduates with a degree in modern languages and law. He studies at King’s Inns to become a barrister, winning the Victoria Prize there in 1913 and 1914. He is called to the Irish Bar in 1914, and practises as a barrister until 1922.
In 1922, Costello joins the staff at the office of the Attorney General in the newly established Irish Free State. Three years later he is called to the inner bar, and the following year, 1926, he becomes Attorney General of Ireland, upon the formation of the Cumann na nGaedheal government, led by W. T. Cosgrave. While serving in this position he represents the Free State at Imperial Conferences and League of Nations meetings.
Costello is also elected a Bencher of the Honourable Society of King’s Inns. He loses his position as Attorney General of Ireland when Fianna Fáil comes to power in 1932. The following year, however, he is elected to Dáil Éireann as a Cumann na nGaedheal TD. Cumann na nGaedheal soon merges with other parties to form Fine Gael.
During the Dáil debate on the Emergency Powers Act 1939, Costello is highly critical of the Act’s arrogation of powers, stating that “We are asked not merely to give a blank cheque, but to give an uncrossed cheque to the Government.” He loses his seat at the 1943 Irish general election but regains it when Éamon de Valera calls a snap election in 1944. From 1944 to 1948, he is the Fine Gael front-bench Spokesman on External Affairs.
In 1948, Fianna Fáil has been in power for sixteen consecutive years and has been blamed for a downturn in the economy following World War II. The 1948 Irish general election results show Fianna Fáil short of a majority, but still by far the largest party, with twice as many seats as the nearest rival, Fine Gael. It appears that Fianna Fáil is headed for a seventh term in government. However, the other parties in the Dáil realise that between them, they have only one seat fewer than Fianna Fáil, and if they band together, they would be able to form a government with the support of seven Independent deputies. Fine Gael, the Labour Party, the National Labour Party, Clann na Poblachta and Clann na Talmhan join to form the first inter-partygovernment in the history of the Irish state.
While it looks as if cooperation between these parties will not be feasible, a shared opposition to Fianna Fáil and Éamon de Valera overcomes all other difficulties, and the coalition government is formed.
Since Fine Gael is the largest party in the government, it has the task of providing a suitable candidate for Taoiseach. Naturally, it is assumed that its leader, Richard Mulcahy, will be offered the post. However, he is an unacceptable choice to Clann na Poblachta and its deeply republican leader, Seán MacBride. This is due to Mulcahy’s record during the Irish Civil War. Instead, Fine Gael and Clann na Poblachta agree on Costello as a compromise candidate. Costello had never held a ministerial position nor was he involved in the Civil War. When told by Mulcahy of his nomination, Costello is appalled, content with his life as a barrister and as a part-time politician. He is persuaded to accept the nomination as Taoiseach by close non-political friends.
During the campaign, Clann na Poblachta had promised to repeal the Executive Authority (External Relations) Act 1936 but does not make an issue of this when the government is being formed. However, Costello and his Tánaiste, William Norton of the Labour Party, also dislike the act. During the summer of 1948, the cabinet discusses repealing the act, however, no firm decision is made.
In September 1948, Costello is on an official visit to Canada when a reporter asks him about the possibility of Ireland leaving the British Commonwealth. For the first time, he declares publicly that the Irish government is indeed going to repeal the External Relations Act and declare Ireland a republic. It has been suggested that this is a reaction to offence caused by the Governor General of Canada at the time, Harold Alexander, 1st Earl Alexander of Tunis, who is of Northern Irish descent and who allegedly arranges to have placed symbols of Northern Ireland in front of Costello at an official dinner. Costello makes no mention of these aspects on the second reading of the Republic of Ireland Bill on November 24 and, in his memoirs, claims that Alexander’s behaviour had in fact been perfectly civil and could have had no bearing on a decision which had already been made.
The news takes the Government of the United Kingdom and even some of Costello’s ministers by surprise. The former had not been consulted and following the declaration of the Republic in 1949, the UK passes the Ireland Act that year. This recognises the Republic of Ireland and guarantees the position of Northern Ireland within the United Kingdom for so long as a majority there want to remain in the United Kingdom. It also grants full rights to any citizens of the Republic living in the United Kingdom. Ireland leaves the Commonwealth on April 18, 1949, when The Republic of Ireland Act 1948 comes into force. Frederick Henry Boland, Secretary of the Department of External Affairs, says caustically that the affair demonstrates that “the Taoiseach has as much notion of diplomacy as I have of astrology.” The British envoy, John Maffey, 1st Baron Rugby, is equally critical of what he calls a “slipshod and amateur” move.
Many nationalists now see partition as the last obstacle on the road to total national independence. Costello tables a motion of protest against partition on May 10, 1949, without result.
In 1950, the independent-minded Minister for Health, Noël Browne, introduces the Mother and Child Scheme. The scheme would provide mothers with free maternity treatment and their children with free medical care up to the age of sixteen, which is the normal provision in other parts of Europe at that time. The bill is opposed by doctors, who fear a loss of income, and Roman Catholic bishops, who oppose the lack of means testing envisaged and fear the scheme could lead to birth control and abortion. The cabinet is divided over the issue, many feeling that the state cannot afford such a scheme priced at IR£2,000,000 annually. Costello and others in the cabinet make it clear that in the face of such opposition they will not support the Minister. Browne resigns from the government on April 11, 1951, and the scheme is dropped. He immediately publishes his correspondence with Costello and the bishops, something which had hitherto not been done. Derivatives of the Mother and Child Scheme are introduced in Public Health Acts of 1954, 1957 and 1970.
The Costello government has a number of noteworthy achievements. A new record is set in housebuilding, the Industrial Development Authority and Córas Tráchtála are established, and the Minister for Health, Noel Browne, with the then new Streptomycin, bring about an advance in the treatment of tuberculosis. Ireland also joins a number of organisations such as the Organization for European Economic Co-operation and the Council of Europe. However, the government refuses to join NATO, allegedly because the British remain in Northern Ireland. The scheme to supply electricity to even the remotest parts of Ireland is also accelerated.
While the “Mother and Child” incident does destabilise the government to some extent, it does not lead to its collapse as is generally thought. The government continues; however, prices are rising, a balance of payments crisis is looming, and two TDs withdraw their support for the government. These incidents add to the pressure on Costello and so he decides to call a general election for June 1951. The result is inconclusive but Fianna Fáil returns to power. Costello resigns as Taoiseach. It is at this election that his son Declan is elected to the Dáil.
Over the next three years while Fianna Fáil is in power a dual-leadership role of Fine Gael is taking place. While Richard Mulcahy is the leader of the party, Costello, who has proved his skill as Taoiseach, remains as parliamentary leader of the party. He resumes his practice at the Bar. In what is arguably his most celebrated case, the successful defence of The Leader against a libel action brought by the poet Patrick Kavanagh, dates from this period. Kavanagh generously praises Costello’s forensic skill, and the two men become friends.
At the 1954 Irish general election Fianna Fáil loses power. A campaign dominated by economic issues results in a Fine Gael-Labour Party-Clann na Talmhan government coming to power. Costello is elected Taoiseach for the second time.
The government can do little to change the ailing nature of Ireland’s economy, with emigration and unemployment remaining high, and external problems such as the Suez Crisis compounding the difficulty. Measures to expand the Irish economy such as export profits tax relief introduced in 1956 would take years have sizable impact. Costello’s government does have some success with Ireland becoming a member of the United Nations in 1955, and a highly successful visit to the United States in 1956, which begins the custom by which the Taoiseach visits the White House each St. Patrick’s Day to present the U.S. President with a bowl of shamrock. Although the government has a comfortable majority and seems set for a full term in office, a resumption of Irish Republican Army (IRA) activity in Northern Ireland and Great Britain causes internal strains. The government takes strong action against the republicans.
In spite of supporting the government from the backbenches, Seán MacBride, the leader of Clann na Poblachta, tables a motion of no confidence, based on the weakening state of the economy and in opposition to the government’s stance on the IRA. Fianna Fáil also tables its own motion of no confidence, and rather than face almost certain defeat, Costello again asks PresidentSeán T. O’Kelly to dissolve the Oireachtas. The general election which follows in 1957 gives Fianna Fáil an overall majority and starts another sixteen years of unbroken rule for the party. Some of his colleagues questioned the wisdom of his decision to call an election. The view is expressed that he was tired of politics and depressed by his wife’s sudden death the previous year.
Following the defeat of his government, Costello returns to the bar. In 1959, when Richard Mulcahy resigns the leadership of Fine Gael to James Dillon, he retires to the backbenches. He could have become party leader had he been willing to act in a full-time capacity. He remains as a TD until 1969, when he retires from politics, being succeeded as Fine Gael TD for Dublin South-East by Garret FitzGerald, who himself goes onto to become Taoiseach in a Fine Gael-led government.
During his career, Costello is presented with a number of awards from many universities in the United States. He is also a member of the Royal Irish Academy from 1948. In March 1975, he is made a freeman of the city of Dublin, along with his old political opponent Éamon de Valera. He practises at the bar until a short time before his death at the age of 84, in Ranelagh, Dublin, on January 5, 1976. He is buried at Dean’s Grange Cemetery in Dublin.
Dillon is born in Belfast in 1915 or 1916. He leaves school at the age of fourteen and for seven years works as a painter and decorator, mostly in London. From an early age he is interested in art, cinema, and theatre. About 1936 he starts out as an artist.
Dillon’s Connemara landscapes provide the viewer with context, portraits of the characters who work the land, atmosphere and idiosyncratic colour interpretations. At the age of 18, Dillon goes to London, initially working as a decorator. With the outbreak of World War II, he returns to Belfast. Over the next five years he develops as a painter in Dublin and Belfast. His works during this period are more than simple depictions of the life and people around him, they are reactions and interactions in paint.
In 1942, Dillon’s first solo exhibition is opened by his friend and fellow artist, Mainie Jellett, at The Country Shop, St. Stephen’s Green, Dublin. “Father, Forgive Them Their Sins” features depicting his concerns about the new war that had broken out. Despite a growing reputation, he has to return to London in 1944 to work on demolition gangs to restore his finances. In the late 1940s and during the 1950s, he finds himself favouring the town of Roundstone, Connemara. In 1951 he is introduced to Noreen Rice by her piano teacher. She has no formal training and she takes Dillon and George Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1958, Dillon has the double honour of representing Ireland at the Guggenheim International, and Great Britain at the Pittsburg International Exhibition. He and his sister, Mollie, have a property on Abbey Road in 1958. They let out part of the house to Arthur Armstrong and they let a flat to Noreen Rice and her brother. He and Noreen tour junk yards to find objects like leather and string that they include in their artwork.
Dillon travels widely in Europe and teaches for brief periods in the London art schools.
In 1967, Dillon suffers a stroke and spends six weeks in hospital. From this time his work changes direction. A notion of imminent death sends his work almost into another world, a realm of dreams and paintings intimating his death. In 1968 he is back in Dublin, where he helps to design sets and costumes for Seán O’Casey‘s play Juno and the Paycock. He continues to paint and also to make tapestries, sitting at his Singer sewing machine.
In 1969, Dillon pulls his artworks from the Belfast leg of the Irish Exhibition of Living Art in purported protest during the Troubles against the “arrogance of the Unionist mob.” However, he does send work to Ulster when he donates work to Sheelagh Flanagan who had organised an exhibition for the relief of victims of the Belfast riots, in October 1969. His picture is hanged alongside the donated works of T. P. Flanagan, William Scott, F. E. McWilliam, Deborah Brown and Carolyn Mulholland as well as more than twenty others. Michael Longley retorts in a further letter, “Belfast needed creativity, it needed people like Gerard Dillon.” During his last years, he is invited to be involved in a children’s art workshop in the National Gallery of Ireland.
Dillon dies of a second stroke at the age of 55 on June 14, 1971. His grave, as requested, is unmarked in Belfast’s Milltown Cemetery. Danlann Gerard Dillon/The Gerard Dillon Gallery in Cultúrlann McAdam Ó Fiaich is named in his honour.
In his biography of the artist, James White briefly touches on the artists homosexuality: “such was his religious feeling that although he was drawn to people of that type, if he once had an encounter I believe that it never occurred again.” The artist’s nephew, Martin Dillon, recalls that after his uncle’s death he found a diary entry describing a homosexual encounter with a sense of guilt, but the author Gerard Keenan insists he was “a very well-adjusted homosexual.” Reihill expands on this, pointing to a probably unrequited love for the painter Daniel O’Neill and also highlighted Dillon’s association with Basil Rákóczi and The White Stag Group‘s Kenneth Hall both strong gay connections. Pictures with both overt and covert references are known.
Lever is born in Amiens Street, Dublin, on August 31, 1806. He is the second son of James Lever, an architect and builder, and is educated in private schools. His escapades at Trinity College, Dublin (1823–1828), where he earns a degree in medicine in 1831, are drawn on for the plots of some of his novels. The character Frank Webber in the novel Charles O’Malley is based on a college friend, Robert Boyle, who later becomes a clergyman. He and Boyle earn pocket-money singing ballads of their own composing in the streets of Dublin and play many other pranks which he embellishes in the novels Charles O’Malley, Con Cregan and Lord Kilgobbin.
Before seriously embarking upon his medical studies, Lever visits Canada as an unqualified surgeon on an emigrant ship. Arriving in Canada, he journeys into the backwoods, where he is affiliated to a tribe of Native Americans but has to flee because his life is in danger, as later his character Bagenal Daly does in his novel The Knight of Gwynne.
Back in Europe, Lever pretends he is a student from the University of Göttingen and travels to the University of Jena and then to Vienna. He loves German student life and several of his songs, such as “The Pope He Loved a Merry Life,” are based on student-song models. His medical degree earns him an appointment to the Board of Health in County Clare and then as a dispensary doctor in Portstewart, County Londonderry, but his conduct as a country doctor earns him the censure of the authorities.
In 1833 Lever marries his first love, Catherine Baker, and in February 1837, after varied experiences, he begins publishing The Confessions of Harry Lorrequer in the recently established Dublin University Magazine. Before Harry Lorrequer appears in volume form (1839), he has settled on the strength of a slight diplomatic connection as a fashionable physician in Brussels.
In 1842 Lever returns to Dublin to edit the Dublin University Magazine and gathers round him a typical coterie of Irish wits. In June 1842 he welcomes William Makepeace Thackeray, the author of The Snob Papers, to Templeogue, four miles southwest of Dublin, on his Irish tour. The O’Donoghue and Arthur O’Leary (1845) make his native land an impossible place for Lever to continue in. Thackeray suggests London, but Lever requires a new field of literary observation and anecdote. His creative inspiration exhausted, he decides to renew it on the continent. In 1845 he resigns his editorship and goes back to Brussels, whence he starts upon an unlimited tour of central Europe in a family coach. Now and again, he halts for a few months and entertains to the limit of his resources in some ducal castle or other which he hires for an off season.
Depressed in spirit as Lever is, his wit is unextinguished. He is still the delight of the salons with his stories, and in 1867, after a few years’ experience of a similar kind at La Spezia, he is cheered by a letter from Lord Derby offering him the more lucrative consulship of Trieste. The $600 annual salary does not atone to Lever for the lassitude of prolonged exile. Trieste, at first “all that I could desire,” became with characteristic abruptness “detestable and damnable.”
Lever’s depression, partly due to incipient heart disease, partly to the growing conviction that he is the victim of literary and critical conspiracy, is confirmed by the death of his wife on April 23, 1870, to whom he is tenderly attached. He visits Ireland in the following year and seems alternately in high and low spirits. Death had already given him one or two runaway knocks, and, after his return to Trieste, he fails gradually, dying suddenly, however, and almost painlessly, from heart failure on June 1, 1872, at his home, Villa Gasteiger. His daughters, one of whom, Sydney, is believed to have been the real author of A Rent in a Cloud (1869), are well provided for.
Melesina Trench (née Chenevix), Irish writer, poet and diarist, dies in Malvern, Worcestershire, England, on May 27, 1827. During her lifetime she is known more for her beauty than her writing. It is not until her son, Richard Chenevix Trench, publishes her diaries posthumously in 1861 that her work receives notice.
Chenevix is born in Dublin on March 22, 1768, to Philip Chenevix and Mary Elizabeth Gervais. She is orphaned before her fourth birthday and is brought up by her paternal grandfather, Richard Chenevix (1698–1779), the AnglicanBishop of Waterford and Lismore. The family is of Huguenot extraction.
After the death of Richard Chenevix, Chenevix goes to live with her other grandfather, the Archdeacon Gervais. On October 31, 1786, she marries Colonel Richard St. George, who dies only four years later in Portugal, leaving one son, Charles Manners St. George, who becomes a diplomat.
On March 3, 1803, in Paris she marries her second husband, Richard Trench, who is the sixth son of Frederick Trench and brother of Frederick Trench, 1st Baron Ashtown.
After the breakdown of the Peace of Amiens, Richard Trench is detained in France by Napoleon‘s armies, and in August 1805 Melesina takes it upon herself to petition Napoleon in person and pleads for her husband’s release. Her husband is released in 1807, and the couple settles at Elm Lodge in Bursledon, Hampshire, England.
Their son, Francis Chenevix Trench, is born in 1805. In 1807, when they are on holiday in Dublin, their son Richard Chenevix Trench is born. He goes on to be the Archbishop of Dublin, renowned poet and contemporary of Alfred, Lord Tennyson. Her only daughter dies a few years later at the age of four.
Trench corresponds with, amongst others, Mary Leadbeater, with whom she works to improve the lot of the peasantry at her estate at Ballybarney. She dies at the age of 59 in Malvern, Worcestershire on May 27, 1827.
Melesina Trench’s diaries and letters are compiled posthumously by Richard Chenevix Trench as The remains of the late Mrs. Richard Trench in 1861 with an engraving of her taken from a painting by George Romney. Another oil painting, The Evening Star by Sir Thomas Lawrence, has her as a subject, and she is reproduced in portrait miniatures – one in Paris by Jean-Baptiste Isabey and another by Hamilton that is copied by the engraver Francis Engleheart.
Richards is born to John William Richards, a lawyer, and Adelaide Roper, suffragist who had chained herself to the railings in St. Stephen’s Green. She goes to school at Alexandra College, Dublin, and after that she attends a finishing school in Paris. Though her family is not in the arts, her godmother is Beatrice Elvery. Shes attends Elvery’s salons with her parents as a child. She meets W. B. Yeats when she is sixteen. Her niece, Geraldine Fitzgerald, daughter of her sister, Edith Catherine Richards, is also one of Ireland’s pre-eminent actresses.
Richards’s acting career starts while attending the Dublin drama league and she is asked at short notice to replace Eileen Crowe in Juno and the Paycock, playing the role of Mary Boyle in the Abbey Theatre production. Richards gets the role of Nora Clithero in the 1926 production of The Plough and the Stars, Seán O’Casey‘s next production. This role means that she ends up with police protection for the duration of the run due to the disturbances the play engenders. Another important role is to take on playing the lead in The Player Queen by Yeats. Maire O’Neill had previously made the role her own and Yeats had let no one perform the part since then so taking on such a challenge is intimidating. Richards continues to take on leading roles with the Abbey Theatre but in 1926 she also begins to direct.
On December 28, 1928, Richards marries playwright Denis Johnston in St. Anne’s Church in Dublin. She tours the United States with the Abbey players in 1932 and with the Irish Players in the mid 1930s. A role in 1938 in Molly Keane‘s Spring Meeting starring Gladys Cooper and A. E. Matthews takes her to Broadway in New York City. War in Europe breaks out while the run is still going on and Richards is advised to stay in the United States. However, by then she has two children, producer Micheal and novelist Jennifer Johnston, so she returns to Dublin. There she runs her own theater company at the Olympia Theatre with Nigel Heseltine. Her marriage to Johnston, broken in 1938, ends with divorce in February 1945.
In 1961 Ireland launches its first television service, Raidió Teilifís Éireann. Richards is one of the first producers, recommended to the station by Hilton Edwards. She is one of the few women in the new station. The first Irish play produced during the opening week is directed by her and she is nominated for a Best Actress award in another production, Inquiry at Lisieux. She works as producer on a wide number of programs for the station including documentaries, soap operas and religious programming. Both Tolka Row and The Riordans are produced by her as well as Denis Johnston’s The Moon on the Yellow River, George Bernard Shaw‘s Arms and the Man and John Millington Synge‘s Riders to the Sea.
Richards retires from her RTÉ career in the early 1970s though she continues to raise funds for the Gate Theatre through the Edwards–MacLiammóir Playhouse Society. In 1983, for her 80th birthday, the Abbey puts on a party for her which includes a special rendition of “Nora” from The Plough and the Stars. Richards is the last living member of the original 1926 cast. The song is repeated at her funeral in 1985. She died in Ballybrack, County Dublin, on January 19, 1985. Her funeral is held in St. Anne’s Church in Dublin and she is cremated in Glasnevin Cemetery.
Aer Lingus (Irish: Aer Loingeas) is founded by the Irish government as the national airline of the Republic of Ireland on April 15, 1936.
Aer Lingus is founded with a capital of £100,000. Its first chairman is Seán Ó hUadhaigh. Pending legislation for Government investment through a parent company, Aer Lingus is associated with Blackpool and West Coast Air Services which advances the money for the first aircraft and operates with Aer Lingus under the common title “Irish Sea Airways.” Aer Lingus Teoranta is registered as an airline on May 22, 1936. The name Aer Lingus is proposed by Richard F. O’Connor, who is County Cork Surveyor, as well as an aviation enthusiast.
Later that year, the airline acquires its second aircraft, a four-engined biplane de Havilland DH.86 Express named Éire, with a capacity of 14 passengers. This aircraft provides the first air link between Dublin and London by extending the Bristol service to Croydon. At the same time, the DH.84 Dragon is used to inaugurate an Aer Lingus service on the Dublin-Liverpool route.
Aer Lingus is established as the national carrier under the Air Navigation and Transport Act (1936). In 1937, the Irish government creates Aer Rianta, now called Dublin Airport Authority (DAA), a company to assume financial responsibility for the new airline and the entire country’s civil aviation infrastructure. In April 1937, Aer Lingus becomes wholly owned by the Irish government via Aer Rianta.
Aer Lingus is privatised between 2006 and 2015. It is a former member of the Oneworld airline alliance, which it leaves on March 31, 2007.
Ryanair owns over 29% of Aer Lingus stock and the Irish state owns over 25% before being bought out by International Airlines Group (IAG) in 2015. The state had previously held an 85% shareholding until the Government’s decision to float the company on the Dublin and London stock exchanges on October 2, 2006. The principal group companies include Aer Lingus Limited, Aer Lingus Beachey Limited, Aer Lingus (Ireland) Limited and Dirnan Insurance Company Limited, all of which are wholly owned.
On May 26, 2015, after months of negotiations on a possible IAG takeover, the Irish government agrees to sell its stake in Aer Lingus. Ryanair retains a 30% stake in the company which it agrees to sell to IAG on July 10, 2015, for €2.55 per share. In August 2015, Aer Lingus’ shareholders officially accept IAG’s takeover offer. IAG subsequently assumed control of Aer Lingus on September 2, 2015.
After the takeover by IAG, it is expected that Aer Lingus would re-enter Oneworld, however, at a press briefing on November 15, 2017, the airline’s then CEO Stephen Kavanagh states that the airline has “no plans to join Oneworld.” The airline is now a wholly owned subsidiary of IAG.
seamus dubhghaill 