During World War II, Buchanan serves as an operations officer in RAF Coastal Command (1940–45). His service includes a period in Sierra Leone, operational liaison with Free France in French Equatorial Africa, and night attacks on U-boats in the Bay of Biscay. After the war, he lives in Limavady, County Londonderry, Northern Ireland, for nearly ten years, which he later describes as a period of regeneration. During this time, he broadcasts for BBC Radio and becomes chairman of the NI town and country development committee (1949–53) and a member (from 1954) of the executive council of the European Society of Culture (Venice), and later president of its London centre.
A versatile writer with wide-ranging concerns, Buchanan publishes his first journal, Passage Through the Present, in 1932. It is followed by six novels, including A London Story (1935) and Naked Reason (1971). His plays include A Trip to the Castle (1960) and War Song (1965). The Politics of Culture (1977) is one of several collections of essays, and Green Seacoast (1959) and Morning Papers (1965) are autobiographical. His writing has been noted for its integrity and for the diversity of its ideas. Recurrent themes are the importance of common experience, living sensitively in the present, and the impoverishment of urban life. He believes in the power of ideas and the creative nature of journalism in the modern world. Despite his prosaic style, he writes poetry from his teenage years. It “was always the base from which everything else was motivated. . . [it] affected, and perhaps energised, everything I did. Its pressure led me to special attitudes in journalism, in the theatre, in the novel.” He publishes his first collection, Bodily Responses, in 1958. Other collections include Annotations (1970) and Inside Traffic (1976). In order to bring the variety of his work to a wider audience, Frank Ormsby devotes a supplement in the Honest Ulsterman (1978) to Buchanan, whom he believes is almost forgotten in Ireland and has been unjustly neglected.
Buchanan lives at 18A Courtnell Street, London W2. He marries four times, first to Winifred Mary Corn (1938-45), secondly to Noel Pulleyne Ritter (1949-51), thirdly to the Hon. Janet Hampden Margesson (1952-68), with whom he had two daughters, and fourthly to Sandra Gail McCloy (1974-89). He dies on June 28, 1989, in Richmond, London, and is cremated at Mortlake Crematorium, Richmond.
(From: “Buchanan, George Henry Perrott” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: George Henry Perrott Buchanan by Howard Coster, 10 x 8 inch film negative, 1935, transferred from Central Office of Information, 1974)
Lalor is born on March 10, 1807, in Tinnakill House, Raheen, County Laois, the first son of twelve children of Patrick “Patt” Lalor and Anne Dillon, the daughter of Patrick Dillon of Sheane near Maryborough. His father is an extensive farmer and is the first CatholicMP for Laois (1832–1835). The household is a very political one where active discussion on national issues is encouraged.
Because of an accident when he is young, Lalor is semi-crippled all his life. He is not a very healthy young man and consequently is educated at home. In February 1825 he goes to St. Patrick’s, Carlow College. He studies chemistry under a Mr. Holt and the classics under Father Andrew Fitzgerald. While in college he becomes a member of the Apollo Society, where literature and music are studied, his favourite author at the time being Henry St. John, 1st Viscount Bolingbroke. He suffers greatly through ill health during his time in college, and in February 1826, being ill and very weak he has to return home.
Lalor’s father is passionately opposed to the payment of tithes and urges Catholics not to pay. He supports this stand, but it is the land question and the power of the landlords to evict tenants that exercises him in particular. His father is also a great supporter of Daniel O’Connell and the Repeal movement. However, Lalor does not support the Repeal movement as he considers it to be flawed. As a result, a rift occurs between him and his father on this question. Such is the rift that he leaves home and spends time in Belfast and Dublin. He finally returns home due to ill health and heals his differences with his father.
It is while writing from home that Lalor achieves national prominence. He contributes articles to The Nation and The Felon. He advocates rent strikes and active resistance to any wrongdoings. His central theme is the rights of the tenant farmer to his own land. In his opinion, land reform is the biggest issue of the time. He writes articles such as “What must be done,” “The Faith of a felon,” “Resistance,” and “Clearing Decks.” It is he who says it is time for revolution and active resistance. This is especially evident during the famine years when tenants are being evicted for nonpayment of rent. As a result, he is arrested and imprisoned. Upon his release he continues to write. He is now a nationally acclaimed writer, revolutionary, and reformer.
Ill health once again curtails his efforts. An attack of bronchitis eventually brings about his early death on December 27, 1849, at his lodgings in Great Britain Street (now Parnell Street) at the age of 43. He is buried in Glasnevin Cemetery in Dublin.
The James Fintan Lawlor Commemorative Committee, chaired by David Lawlor is formed in August 2005 to erect a memorial to mark the 200th anniversary of the birth of James Fintan Lalor. Laois County Council provides the site; Irish Life and Permanent sponsors the project; the Department of the Environment provides half the cost. The bronze statue of Lalor holding a pamphlet aloft is sculpted by Mayo-based artist Rory Breslin. The inscription on the limestone plinth reads: “Ireland her own, and all therein, from the sod to the sky. The soil of Ireland for the people of Ireland.”
Michael Davitt considered Lalor “the only real Irish revolutionary mind in the ’48 period.” His ideas were the ideological underpinning of the Irish National League during the Land War.
Criostóir Mac Aonghusa, teacher, author, critic, and campaigner for the Irish language, is born on December 13, 1905, in Gort an Ghabhainn, Banagher, King’s County (now County Offaly), son of Francis McGuiness (surname thus on his birth certificate), farmer, and his wife, Rosanna (née Egan). He is educated at La Sainte Foi, Banagher, Reachra national school, Shannonbridge, and Naas CBS. He qualifies as a primary school teacher from De La Salle Training College, Waterford, in 1926 and has the distinction of being the first person to sit all exams through the medium of Irish. He graduates BA at University College Galway (UCG) in 1933 and his further education includes a diploma in Spanish literature from University of Barcelona and an MA on the Irish scholar Tomás Ó Máille.
Mac Aonghusa’s teaching career begins in 1926 when he becomes headmaster on Inis Treabhair, County Galway, spending fourteen months there. Afterwards he transfers to Gort Mór, Rosmuc, County Galway, where he continues teaching until 1962. He remains an active member of Cumann na Múinteoirí Náisiúnta throughout his life. Between 1962 and 1972 he is employed as an ad-hoc examiner at the civil service commission. An active member of Fianna Fáil, he helps to organise the party in County Galway in the 1920s and 1930s and is elected a member of Galway County Council in 1934.
Mac Aonghusa is a prominent advocate of the Irish language and together with his close friend Máirtín Ó Cadhain and another Connemara schoolteacher, Seosamh Mac Mathúna, founds Cumann na Gaeltachta to agitate for the civil rights of the Gaeltacht communities and of Irish speakers in general. He is one of the main campaigners for the establishment of the Rath Carn Gaeltacht in County Meath and forms part of the delegation that meets Éamon de Valera on November 11, 1932, and receives from him a promise to provide land in County Meath for that purpose. The Gaeltacht is established in 1935. Mac Aonghusa continues to support the project throughout his life and is involved in further campaigns relating to the area, including the recognition of Rath Carn’s Gaeltacht status. He is also an active member of Conradh na Gaeilge in the 1940s and is later involved in the campaign for the establishment of an Irish-language television broadcasting service.
Mac Aonghusa is a prolific writer and begins publishing short stories and articles from 1926 onward. His contributions appear in An tÉireannach, An Phoblacht, The Irish Tribune, An Stoc, and Ar Aghaidh. From 1948, he is a regular contributor to Feasta and his essays and reviews on Máirtín Ó Cadhain’s works appear in Comhar. He is a member of several literary organisations, including Cumann na Scríbhneoirí and the Galway Literary Society. His first book, An Cladóir agus scéalta eile, appears in 1952. Between 1963 and 1972 he is a contributor to The Irish Press and works also as a literary journalist. An essay on Pádraic Ó Conaire earns him a prize from Acadamh Liteartha na hÉireann.
Mac Aonghusa speaks a number of European languages including German, Spanish, French, Romanian, and Greek and travels widely throughout Europe. In the early 1970s he lives in Russia, and a collection of essays entitled Ó Rosmuc go Rostov is published in 1972. For health reasons he lives in Málaga, Spain, from the middle of the 1970s until 1987. While there, RTÉ produces a documentary on his life entitled Ó Ros Muc go Malaga.
Mac Aonghusa dies on April 9, 1991, in Portiuncula General Hospital, Ballinasloe, County Galway, and is interred in Clonmacnoise. In 1930 he marries Mairéad Ní Lupain, a nurse from Annaghvane in Connemara, and has four children, Proinsias (1933), Micheál (1937), Róisín (1939), and Máirín (1944). The couple separates in the 1940s. Proinsias follows in his father’s footsteps as a writer and journalist and becomes president of Conradh na Gaeilge and chairman of Bord na Gaeilge.
(From: “Mac Aonghusa, Criostóir” by Lesa Ní Mhunghaile, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Byrne is born into a successful family of journalists from Dublin. Cared for by servants, from a young age Byrne feels like she isn’t loved as much as the other children in the family. She is the middle child with two brothers and two sisters. She attends boarding school in Rathfarnham and has a limited relationship with her parents. Her father is a racing journalist and broadcaster who lives in the Gresham Hotel on O’Connell Street where his job at Radio Éireann is located. She becomes addicted to nicotine and alcohol. Two of her siblings die from alcoholism.
In the late 1940s, Byrne works at the Brazilian embassy in Dublin. She is a pioneer in Irish radio and her program, “Agony Aunt,” leads to public confessionals on the radio. She writes an Agony Aunt column for the Evening Press during the same period. She is best known for her 22 years of the radio program ‘Dear Frankie.’ On the show she gives relationship advice to listener requests. Dear Frankie, sponsored by Jacob’s, paves the way for the contemporary radio programs such as The Gerry Ryan Show and RTÉ Radio 1’s Liveline with Joe Duffy.
Dear Frankie is broadcast from 1963 to 1985. It opens with the words, ‘Welcome to Women’s Page, a program for and about you.’ The program begins as a 15-minute question and answer format on household issues but soon becomes a radio program that allows people to share confidences and seek advice. She shares household problems with her listeners ranging from jealous husband to lovelorn teenagers. She claims to know nothing about domestic science but that she does know about love. She advises on domestic relationships while living a life of turmoil. The most unique feature of Dear Frankie is that the program sets people to talking and helps begin a national conversation on the lonely struggles of generations of Irish women.
Byrne never marries but has a 25+ year relationship with Frank Hall, the satirist and columnist for the Evening Herald. Their relationship has been disputed by some family members who deny they had a child together and that the couple were just good friends. Nevertheless, in the middle of this relationship, she becomes pregnant in the mid-1950s, giving birth to their daughter Valerie on July 12, 1956. She wants to keep the baby but ultimately gives her up to St. Clare’s Orphanage in Stamullen. She frequently visits her baby daughter until she is eventually adopted some 15 weeks later, going to a family who goes on to adopt four more children. Her relationship with Frank Hall comes to an end in the mid-1970s. Although she had struggled with alcoholism for many years, she stops drinking in the mid-1970s but is subsequently prescribed Valium and is addicted to the drug for the remainder of her life.
Byrne and her daughter are reunited on December 13, 1983, a decade before her death. The last time Valerie sees her mother is exactly ten years later, on December 13, 1993, in the mortuary in St. Vincent’s Hospital.
Byrne dies at the age of 71 from Alzheimer’s disease in St. Vincent’s Hospital, Dublin, on Saturday, December 11, 1993. Tributes are paid by colleagues and friends including the RTÉ assistant Director-General, Bobby Gahan, who describes her voice as “one of the greatest sounds of radio.” Others who pay public tribute to her include fellow broadcasters Larry Gogan and Gay Byrne.
Byrne is remembered as an influential force during the time of her radio show, and it has been said that an entire generation can hum the signature tune to her radio program. Following her death there is an outburst of support. Gay Byrne describes her as having been “a national institution who had been loved by everyone.” Dear Frankie is often credited as the first ‘agony aunt’ radio show program format in Ireland.
Byrne’s talk show and life inspire numerous pieces of literature including a stage production in 2010 and 2012, authored by Niamh Gleeson and produced by the Five Lamps Theater Company, which tells the story of her ‘tragic and secretive life.’ She is also the subject of a book published in 1998, which compiles the advice which she gave on Dear Frankie. In 2006, RTÉ airs a documentary on Byrne, in which they explore her life following the show, and include interviews with her family and friends, including her daughter Valerie.
Byrne is also famous for having been the first woman to found a public relations company in 1963, that works almost exclusively in promoting Jacob’s.
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
McCarthy is educated in Cork. He begins his career as a journalist at the age of 18 in Cork. From 1853 to 1859 he is in Liverpool, on the staff of the Northern Daily Times. In March 1855, he marries Charlotte Ailman. In 1860 he moves to London, as parliamentary reporter to the Morning Star, of which he becomes editor in 1864. He gives up his post in 1868 and, following a lecturing tour in the United States, joins the staff of The Daily News as leader-writer in 1870. In this capacity he becomes one of the most useful and respected upholders of the liberal politics of the time. He lectures again in America in 1870–71 and in 1886–87.
At the 1886 United Kingdom general election, McCarthy is returned unopposed in North Longford, but also stands in Londonderry City, where he is declared the loser to the Irish Unionist Alliance candidate by the narrow margin of 1778 votes to 1781. However, the result is later overturned on petition and McCarthy opts to sit for Londonderry City. During the divorce controversy surrounding Charles Stewart Parnell in November 1890, the British Prime MinisterWilliam Ewart Gladstone expresses a warning, given to McCarthy as intermediary, that if Parnell retains leadership of the Irish Parliamentary Party, it will mean the loss of the next election, the end of their alliance and Home Rule. When the annual party leadership election meeting is called later that month, the threat is somehow not conveyed to the members, who re-elect Parnell leader of the Party.
After a further historical meeting of the Irish Party MPs in early December, Parnell refuses to retire and the Party divides. McCarthy becomes chairman of the Anti-Parnellite group, the Irish National Federation, for a year in 1891–92. His nationalism is of a temperate and orderly kind, and though his personal distinction singles him out for the chairmanship during the party dissensions of this period, he is in no active sense the political leader.
It is claimed that McCarthy’s true vocation is literature. His earliest publications are novels, some of which, such as A Fair Saxon (1873), Dear Lady Disdain (1875), Miss Misanthrope (1878), and Donna Quixote (1879), attain considerable popularity. His most important work is his History of Our Own Times, which treats of the period between Queen Victoria‘s accession and her Diamond Jubilee. He begins a History of the Four Georges (1884–1901) and the latter half is written by his son, Justin Huntly McCarthy.
Justin McCarthy dies at the age of 81 in Folkestone, Kent, England on April 24, 1912.
(Pictured: Portrait style photograph of Irish politician Justin McCarthy, taken in 1891 by Herbert Rose Barraud)
Young is invited to accompany President Ulysses S. Grant on Grant’s famous 1877-79 world tour, chronicled in Young’s book Around the World with General Grant. He impresses Grant, especially in China where he strikes up a friendship with Li Hongzhang. Grant persuades President Chester A. Arthur to appoint Young minister to China in 1882. In this position he distinguishes himself by mediating and settling disputes between the United States and China and France and China. Unlike many other diplomats, he opposes the policy of removing Korea from Chinese suzerainty.
In 1885 Young resumes working for the New York Herald in Europe. In 1890 he returns to Philadelphia. In 1897 President William McKinley appoints him Librarian of Congress, the first librarian confirmed by Congress. During his tenure, the library begins moving from its original home in the United States Capitol building to its own structure, an accomplishment largely the responsibility of his predecessor, Ainsworth Rand Spofford. Spofford serves as Chief Assistant Librarian under Young. Young holds the post of librarian until his death.
Young’s brother is Congressman James Rankin Young. His son is Brigadier General Gordon Russell Young, who is Engineer Commission of the District of Columbia from 1945-51 and a recipient of the Distinguished Service Medal and the Legion of Merit.
O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.
Loughrea is at the centre of the bitterly fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.
While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.
O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.
O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.
Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.
When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.
When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.
O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).
(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
O’Donnell is born in an army barracks in Devon, England, where his father, Sergeant Bernard MacDonald, is stationed. His mother, Mary Kain, is a native of Ballybane, close to Galway city. He is educated at the Erasmus Smith School in Galway, Coláiste Iognáid (the “Jes”), and later enrolls in Queen’s College Galway, where he studies English literature, history and political economy. While a student at the college, he acquires a considerable reputation as an orator, and is a frequent contributor to meetings of the college’s Literary and Debating Society, of which he becomes vice-auditor for the 1864–65 session.
Even in his student days, O’Donnell seems to be quick to voice his opinions, and revells in controversy. In November 1866, addressing the Literary and Debating Society on the question “Was the character of Warren Hastings as Governor-General of India praiseworthy?” he causes uproar by denouncing “the principle and the system which have lain at the root of the international and intercolonial policy of England, from the days when Elizabeth, the Infamous, chartered for profit two of the first ships which opened the African slave trade.” His remarks cause the chairman of the meeting, Professor Thomas Moffett, to prevent him from continuing his speech, stating that “such an epithet ought not to be applied to any predecessor of our present gracious Queen.” O’Donnell regards such action as an unwarranted restriction on his freedom of speech, and in a letter published in the local press gives an early example of his high-flown literary style:
“I hold that Debating Societies are the nurseries of independent thought, and the training schools of sober criticism. I believe in the power and impartiality of an enlightened studenthood … I have followed the mind of Austin. I have sat at the feet of Cairnes. I have drunk of the philosophy of Mill. I claim for Judicial Science, for Economic Science, for the Philosophy of History, a place in the discussions of our society, I pity, and I scorn the formidable confederacy of fools who dare not call a spade a spade.”
This incident, combined with the reluctance of the society to prevent O’Donnell from addressing its meetings, eventually leads to the suspension of the society from the Queen’s College and its temporary migration to rooms in the city of Galway.
O’Donnell graduates from the Queen’s College with an M.A. degree in 1868, winning several gold medals for his academic performance. By this stage, he has begun to style himself ‘Frank Hugh O’Donnell,’ believing himself to be a descendant of Hugh O’Donnell, 2nd Earl of Tyrconnell.
Leaving Galway, O’Donnell moves to London, where he embarks on a career in journalism, following his college contemporary T. P. O’Connor. O’Connor’s knowledge of modern European languages has helped him to establish himself as a correspondent on European affairs, and he assists O’Donnell in developing a similar reputation. He spends a brief period on the staff of The Morning Post.
In the 1874 United Kingdom general election, O’Donnell is elected Member of Parliament (MP) for Galway Borough but is unseated by the courts in what appears to be a politically inspired judgment which uses certain unsavoury campaigning tactics in which O’Donnell had indulged as its basis. He is succeeded in the seat by his election agent, Dr. Michael Francis Ward, who is himself succeeded in 1880 by T. P. O’Connor in an unusual succession, all three having been either auditor or vice-auditor of the Queen’s College Literary and Debating Society in the same era.
In 1875, O’Donnell is a founding member of the Constitutional Society of India, a group promoting political autonomy for India. In 1877, he secures a more permanent election to the House of Commons of the United Kingdom as MP for Dungarvan. He holds the seat until 1885, when the constituency is abolished. He strikes a colourful and controversial figure in parliament and becomes renowned for his declamatory speech-making. He is a prominent obstructionist and claims credit for inventing the tactic of obstructionism which is to yield such results for the Home Rule League under Charles Stewart Parnell. Indeed, he sees himself as a natural leader and becomes disillusioned when Parnell is selected in May 1880 to succeed William Shaw as leader of the Irish Parliamentary Party. He calls the British ‘Imperial pirates’ and inaugurates the Constitutional Society of India. Its aim is Home Rule for India, “Mr. O’Donnell’s grand passion in politics was a confederation of all the discontented races of the Empire under the lead of the Irish party. He once brought down some scores of dusky students of all the races and creeds of Hindustan to the House of Commons.”
Parnell refuses to let O’Donnell be nominated in 1885. He leaves the Irish Parliamentary Party and conventional politics, but not its general aims of promoting home rule and tenant farmers’ rights. His last and perhaps most important contribution to the fortunes of the party is the libel case he launches against The Times in 1888 over the series “Parnellism and Crime.” Though the case is lost, it results in the establishment of the Parnell Commission which exonerates Parnell from condoning the Phoenix Park Murders and exposes the Pigott Forgeries.
In his later years O’Donnell begins investigating misconduct by both the British Civil Service and the Roman Catholic church in Ireland. His Paraguay on Shannon (1908) is an amusing but serious critique of unethical practices by the Catholic clergy in local politics, education, and their involvement in the Congested Districts Board for Ireland that is financed by Parliament in order to improve the depressed economy of western Ireland. Parliament believes that by improving the living standards of the Irish peasant class, they can “kill Home Rule with kindness.”
After careful investigation, O’Donnell accuses members of the Catholic clergy of illegally diverting Government money earmarked for economic development into new Cathedrals, parish churches, and other ecclesiastical building projects. He argues that the British Government needs to provide better oversight of how the Congested Districts Board’s funds are being used. He believes that “in Ireland material ruin has accompanied clerical despotism.” His hostility to the Church draws the ire of Catholic historians who systematically undermine his credibility.
Ernest Belfort Bax writes that O’Donnell’s “matter is better than his manner.”
O’Donnell dies a bachelor in London on November 2, 1916, and is buried in Glasnevin Cemetery, Dublin.
Eccles is the fourth daughter of Alexander O’Conor Eccles of Ballingard House, the founder of a home-rule newspaper, The Roscommon Messenger. She attends a Catholic grammar school, Upton Hall School FCJ, near Birkenhead and convents in Paris and Germany.
Eccles later lives in London with her mother and sister where, after a number of setbacks, she becomes a journalist in the London office of the New York Herald. She goes on to become a staff member of the Daily Chronicle and the Star. She comments in an article in the June 1893 issue of Blackwood’s Magazine on “the immense difficulty a woman finds in getting into an office in any recognised capacity,”
Eccles joins the agricultural reformer Sir Horace Plunkett in writing and lecturing around Ireland for the Department of Agriculture and Technical Instruction. Another of her Blackwood’s Magazine articles, in December 1888, covers “Irish Housekeeping and Irish Customs in the Last Century.”
Eccles’s other books include Aliens of the West (Cassell, 1904) and The Matrimonial Lottery (Eveleigh Nash, 1906). An obituary in The Times describes Aliens of the West as “one of the best modern books of short stories on Ireland yet written.”
