Willes is born on February 13, 1814, in Cork, County Cork, the eldest among six children of James Willes, physician, and his wife, Elizabeth Aldworth, daughter of John Shaw, mayor of Cork in 1792. Educated at Dr. Porter’s school in Cork and Trinity College Dublin (TCD), he graduates BA in 1836, having entered the King’s Inns the previous year. In 1837, he goes to London and joins the Inner Temple as a pupil of the noted barrister Thomas Chitty (1802–78), in whose chambers he remains as a salaried assistant and special pleader before being called to the English bar on June 12, 1840. The Willes and Chitty families are connected, and James’s younger sister, Mary, later marries Thomas Chitty’s son.
Willes joins the home circuit, though his practice is chiefly in London in mercantile and maritime law. A leading junior in the Court of Exchequer, he holds the post of tubman from 1851, an honorary position in the gift of the Lord Chief Baron. Known for his erudition, he is persuaded to edit, with Sir Henry Singer Keating, the third and fourth editions of John William Smith‘s Leading Cases (1849, 1856). In 1850, his reputation is such that he is appointed one of the commissioners to draft the common law procedure bill (1854) and is credited with having effected most of the reform therein. On July 3, 1855, he is appointed judge of the Court of Common Pleas, though he has not yet taken silk and is only 41, the youngest lawyer but one to have been appointed to the bench since 1778.
A classical scholar and linguist who knows oriental as well as European languages, who travels widely, loves poetry, and frequents literary men, and whose judgments are clear and philosophical, Willes is accounted among the best common law judges of his day, and is celebrated for the simplicity and lucidity of his style. Notable judgments include Esposito v. Bowden (1857), which lays down that the force of a declaration of war is equal to that of an act of parliament prohibiting commercial transactions with the enemy. In the law of torts, he gives an oft-cited judgment in the case of Indermaur v. Dames (1866), which has been accepted almost as statutory, on the liability of the occupier of a building for the safety of a visitor. In 1868, as one of the first judges appointed to try election petitions, he lays down the rules of practice generally followed afterward. A strong British patriot, he serves in the Inns of Court Volunteers from 1859 until shortly before his death.
On November 3, 1871, Willes is sworn of the privy council. However, his health has deteriorated through overwork and an emotional temperament, and he has long suffered heart disease and gout. In August 1872, after a heavy assize at Liverpool, he returns to his house, Otterspool, Watford, Hertfordshire, and succumbs to a nervous breakdown, which leads to his shooting himself on October 2, 1872. He is buried on October 7 at Brompton Cemetery in London. He is survived fifteen years by his wife, Helen, daughter of Thomas Jennings of Cork, whom he married on May 17, 1856. There have no children.
A tall, reserved man, with a prominent nose and sad eyes, Willes has great affection for children and animals and is singularly emotional. He is known to return to his room and shed tears before passing sentence on a criminal. He never loses his Irish accent. His marriage is allegedly unhappy, as he had been forced into it after he had fallen out of love. Sir Frederick Pollock (1845–1937), author of the magisterial History of English Law before the Time of Edward I and sometime marshal to Willes, dedicates to him his first textbook on torts in 1879, writing that he was “one of those whose knowledge is radiant and kindles answering fire.” A century later, A. W. B. Simpson maintains that “his reputation as a jurist will last as long as the law reports of England are read.”
(From: “Willes, Sir James Shaw” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Doheny receives a rudimentary education from an itinerant scholar while labouring on his father’s holding, and in 1826 attends Maher’s classical academy near Emly for nine months. Educating himself in the late 1820s and early 1830s while teaching the children of local farmers, he determines on a career in law to help secure political redress for the disenfranchised poor. He is admitted to Gray’s Inn in November 1834, enters the King’s Inns, Dublin, in 1835 and is called to the Irish bar in 1838. Settling later that year in Cashel, County Tipperary, he first practises in the local courts and then on the southern circuit. Appointed legal assessor to the borough of Cashel under the Municipal Corporations (Ireland) Act 1840, he successfully prosecutes former borough officers for misappropriation of funds and fraudulent transfer of property, winning wider attention. He had supported the campaign for repeal in the early 1830s, and in 1841 joins Daniel O’Connell‘s Repeal Association, becoming active in forming temperance bands and setting up town meetings. By May 1841 he is on the association’s general committee. O’Connell finds him less tractable than most and is ruffled by his queries into the association’s financial management.
During 1842 Doheny begins to associate with the more militant members of the repeal movement such as Thomas Davis. There is a marked gap in age and class between Doheny and most of this group and some look down on his lack of refinement. Others, however, admire his zeal and sincerity, and an anonymous colleague describes him as “rough, generous, bold, a son of the soil, slovenly in dress, red-haired and red-featured, but a true personification of the hopes, passions, and traditions of the people.” Assisting in the launch of The Nation in October 1842, he is chagrined to find most of his articles rejected as unfit for publication, although fifteen are published between January 1843 and September 1844. He also publishes a competent History of the American Revolution (1846) for The Nation‘s “Library of Ireland” series. More impressive as a speaker than a writer, he contributes regularly to repeal meetings at Conciliation Hall, Burgh Quay, Dublin. He enthuses at the apparent martial potential of the immense, ordered crowds attending the “monster” repeal meetings of 1843, and is one of the main organisers of the Cashel meeting of May 31, 1843, at which he is loudly cheered. However, his later claim to have deliberately set up these meetings, with Davis and John Blake Dillon, on quasi-military lines in order to prepare the peasantry for a future war with Britain, is far-fetched. His opposition to O’Connell’s decision to submit to proclamation of the proposed meeting of October 8, 1843, at Clontarf again greatly irritates O’Connell.
An active member of the Repeal Association parliamentary committee from February 1844, in February and March 1845 Doheny chairs a sub-committee of five senior barristers investigating the legality of withdrawal from the House of Commons by the body of repeal MPs, coming “reluctantly” to the verdict that such an action is open to criminal prosecution. O’Connell’s gruff dismissal of his report testifies to their awkward relationship. He further vexes O’Connell by his advocacy of non-denominational university education during debates over the Maynooth College Act 1845. Irrevocable divisions between the Young Irelanders and O’Connell open up between April and July 1846 when Doheny leads calls for endorsement of the conduct of William Smith O’Brien – imprisoned for a month for refusal to serve on a parliamentary committee – and voices Young Ireland’s martial convictions in a speech at Liverpool. After the secession of the Young Irelanders from the Repeal Association in July 1846, he opposes attempts at reconciliation and is one of the founders of the Irish Confederation on January 13, 1847.
During the summer of 1847, Doheny begins setting up “Confederate Clubs” in east Tipperary and aids James Fintan Lalor in organising a failed tenant league meeting at Holycross, County Tipperary, on September 19. He is one of the few Young Irelanders attracted to Lalor’s revolutionary agrarian philosophy, but supports Smith O’Brien against John Mitchel in January 1848, deploring irresponsible demands for insurrection. However, after Mitchel’s conviction for treason felony in May, he supports armed action. Arrested for seditious speechmaking at Cashel on July 12, he is bailed on July 20. During the confused period of “rebellion” in late July, he attempts to organise the peasantry in Tipperary but is frustrated by O’Brien’s vacillation.
After the collapse of the armed adventure at Ballingarry on July 31, Doheny takes refuge near Slievenamon and, with James Stephens, eludes pursuit for nearly two months, until he finally escapes, disguised as a clergyman, on a cattle-ship from Cork to Bristol. Some days later he reaches Paris, where he stays for two months with Stephens and John O’Mahony before leaving for New York City. Practising law in New York, he dedicates himself to the development of an Irish Americanrepublican movement. Tensions between conservative and radical Young Ireland exiles, perhaps aggravated by social snobbery, surface by late 1849, when he is arrested for attempting to push Thomas D’Arcy McGee into an open cellar on a New York street, angered by accusations of boasting, drunkenness, and incompetence. Similar criticisms are made by John Blake Dillon and appear to have some foundation.
Doheny finds time to write The Felon’s Track (1849), a polemical account of the repeal agitation and the 1848 insurrection that is highly critical of O’Connell. Despite a rambling narrative, it becomes a popular work and is reprinted several times. He also gives several lectures on historical and literary subjects to Irish American societies and contributes a memoir on Geoffrey Keating to O’Mahony’s translation (1857) of Foras Feasa ar Éirinn.
Involved with the New York Irish militia from his arrival, he is elected lieutenant colonel of the 69th Infantry Regiment in November 1851, and in September 1852 becomes colonel of a new regiment, the Irish Republican Rifles. These formations are often wracked by dissension over strategy and leadership, and in February 1856 he and O’Mahony found the Emmet Monument Association, planning to mobilise an Irish American force to invade Ireland. Efforts to acquire Russian backing fails on the close of the Crimean War in March 1857.
In autumn 1857, Doheny and O’Mahony make overtures to James Stephens to reorganise the republican movement in Ireland, and in March 1858 they accept Stephens’s demands for undisputed authority there, though by the winter of 1858–59 Doheny shows increasing distrust of Stephens’s ambitions. Adopting the organisational structure set out by Stephens in establishing the IRB in 1858, he and O’Mahony found the American equivalent, the Fenian Brotherhood, in early 1859, although he plays a subordinate part. In July 1859, he founds and edits a short-lived newspaper in New York, The Phoenix, to promote Fenian ideals. Active in opposing the national petition for self-government of 1860–61, he argues that Britain will only yield to force. He assists in making preparations for the funeral of Terence Bellew MacManus in Ireland and acts as one of the pallbearers in New York. Travelling to Ireland in October 1861, he appears to argue for using the excitement engendered by the funeral to spark an insurrection in Dublin but is thwarted by Stephens.
Doheny dies suddenly on April 1, 1862, in New York and is buried in Calvary Cemetery in the city’s borough of Queens.
(From: “Doheny, Michael” by James Quinn and Desmond McCabe, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
The second of two bombing attacks in early 1993 in Warrington, Cheshire, England, takes place on March 20, 1993. The first attack takes place on February 26, when a bomb explodes at a gas storage facility. This explosion causes extensive damage, but no injuries. In the March 20 attack, two smaller bombs explode in litter bins outside shops and businesses on Bridge Street. Two children are killed and 56 people are injured.
The attacks are carried out by the Provisional Irish Republican Army (IRA). From the early 1970s, the IRA had been carrying out attacks in both Northern Ireland and England with the stated goal of putting pressure on the UK Government to withdraw from Northern Ireland. The IRA is designated a terrorist organisation in the United Kingdom.
Shortly before midday on Saturday, March 20, 1993, the Samaritans in Liverpool receive a bomb warning by telephone. According to police, the caller says only that a bomb has been planted outside a Boots shop. Merseyside Police send officers to branches of Boots in Liverpool and warn the Cheshire Constabulary, who patrols nearby Warrington. About 30 minutes later, at about 12:25 p.m., two bombs explode on Bridge Street in Warrington, about 100 yards apart. The blasts happen within a minute of each other. One explodes outside Boots and McDonald’s, and the other outside the Argos catalogue store. The area is crowded with shoppers. Witnesses say that shoppers flee from the first explosion into the path of the second. It is later found that the bombs had been placed inside cast iron litter bins, causing large amounts of shrapnel. Buses are organised to ferry people away from the scene and twenty paramedics and crews from seventeen ambulances are sent to deal with the aftermath.
Three-year-old Johnathan Ball dies at the scene. He had been in town with his babysitter, shopping for a Mother’s Day card. The second victim, 12-year-old Tim Parry, is gravely wounded. He dies on March 25, 1993, when his life support machine is switched off, after tests find only minimal brain activity. Another 54 people are injured, four of them seriously. One of the survivors, 32-year-old Bronwen Vickers, the mother of two young daughters, has to have a leg amputated, and dies just over a year later from cancer.
The Provisional IRA issues a statement the day after the bombing, acknowledging its involvement but saying:
“Responsibility for the tragic and deeply regrettable death and injuries caused in Warrington yesterday lies squarely at the door of those in the British authorities who deliberately failed to act on precise and adequate warnings.”
A day later, an IRA spokesman says that “two precise warnings” had been given “in adequate time,” one to the Samaritans and one to Merseyside Police. He adds, “You don’t provide warnings if it is your intention to kill.” Cheshire’s assistant chief constable denies there had been a second warning and says, “Yes, a warning was given half-an-hour before, but no mention was made of Warrington. If the IRA think they can pass on their responsibility for this terrible act by issuing such a nonsensical statement, they have sadly underestimated the understanding of the British public.”
The deaths of two young children ensures that the March 20 bombings receive major coverage in the media and cause widespread public anger. Shortly after the bombings, a group called “Peace ’93” is set up in Dublin. The main organiser is Susan McHugh, a Dublin housewife and mother. On March 25, 1993, thousands hold a peace rally in Dublin. They sign a condolence book outside the General Post Office and lay bouquets and wreaths, with messages of sorrow and apology, to be taken to Warrington for the boys’ funerals. Some criticise Peace ’93 for focusing only on IRA violence and for not responding to the deaths of children in Northern Ireland.
On September 19, 1994, Irish rock band The Cranberries release the song “Zombie,” which is written in protest of the bombings. The song goes on to become their biggest hit.
On November 14, 1996, the Duchess of Kent officially inaugurates a memorial called The River of Life, depicting “a symbol of hope for future generations,” in Bridge Street. It is developed in the aftermath of the bomb attack and commissioned by the Warrington Borough Council. The project, consisting of a symbolic water sculpture that features a commemorative plaque, is designed by the local primary school and Stephen Broadbent.
The parents of Tim Parry set up the Tim Parry Trust Fund to promote greater understanding between Great Britain and Ireland. The Tim Parry Johnathan Ball Foundation for Peace works jointly with the National Society for the Prevention of Cruelty to Children (NSPCC) to develop The Peace Centre, close to Warrington town centre, which opens on the seventh anniversary of the attack in 2000. Its purpose is to promote peace and understanding amongst all communities affected by conflict and violence. The centre hosts an annual peace lecture, as well as being home to the local NSPCC and is the home of Warrington Youth Club until 2022.
The bombings receive further attention in 2019 after the Brexit Party selects former Living Marxism writer Claire Fox as their lead candidate in the North West England constituency for the 2019 European Parliament election. The Revolutionary Communist Party, of which Fox is a leading member in 1993, defends the IRA’s bombing in their party newsletter. Despite the controversy, which sees another Brexit Party candidate resign from the party list in protest at the comments, Fox and the Brexit Party top the poll in several areas of the North West, including in Warrington.
The killing of Ball and Parry is still on Cheshire Police’s list of unsolved murders.
A piece on BBC North West‘s Inside Out programme in September 2013 speculates that the bombing may have been the work of a “rogue” IRA unit, which was supported by the IRA but operated independently and who used operatives who were from England to avoid suspicion. The programme also examines a possible link between the attack and British leftist political group Red Action, though nothing is ever proven.
(Pictured: Army bomb disposal at the Warrington Bomb scene in March 1993, photo credit: Walker Howard)
St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.
The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.
St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.
In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.
St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”
St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”
St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.
St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.
St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”
St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.
In June 1919, de Valera arrives in the United States for what is to be an 18-month visit. He has recently escaped from Lincoln Gaol in England in sensational fashion, after a duplicate key is smuggled into the jail in a cake and he escapes dressed as a woman. A few months later he is a stowaway aboard the SS Lapland from Liverpool bound for America.
De Valera’s plan is to secure recognition for the emerging Irish nation, tap into the huge Irish American community for funds, and to pressurize the U.S. government to take a stance on Irish independence. Playing on his mind is the upcoming Versailles conference where the nascent League of Nations is preparing to guarantee “existing international borders” – a provision that will imply Ireland remaining within the United Kingdom.
De Valera also has a challenge in winning over PresidentWoodrow Wilson, who is less than sympathetic to Ireland’s cause.
De Valera’s interest in America is of course personal. He is born in New York City on October 14, 1882, and his U.S. citizenship is one of the reasons he is spared execution after the 1916 Easter Rising.
At first de Valera keeps a low profile in America. Though he is greeted by Harry Boland and others when he docks in New York City, he first goes to Philadelphia and stays with Joseph McGarrity, the County Tyrone-born leader of Clan na Gael and a well-known figure in Irish America. He also quietly pays a visit to his mother in Rochester, New York.
De Valera’s first major engagement is on June 23, 1919, when he is unveiled to the American public at a press conference in the Waldorf-Astoria hotel in New York City. Crowds throng the streets around the hotel, and de Valera proclaims, “I am in America as the official head of the Republic established by the will of the Irish people in accordance with the principle of self-determination.”
De Valera then embarks upon a tour across America. Vast crowds turn out to see the self-proclaimed “president of the Irish republic.” In Boston an estimated crowd of 70,000 people hear him talk in Fenway Park. In San Francisco he unveils a statute of Irish revolutionary hero Robert Emmet in Golden Gate Park.
Later in the year, de Valera holds a huge rally in Philadelphia, where he is welcomed by the mayor at Independence Hall. He also visits smaller towns and cities across the United States, and his trip garners huge press coverage – an invaluable boon for his campaign to heighten awareness of the Irish issue in America.
But difficulties soon emerged during de Valera’s visit. He becomes embroiled in a bitter split among Irish Americans. He finds himself at odds with Judge Daniel Cohalan and John Devoy, central figures in the Friends of Irish Freedom (FOIF) association. Part of the dispute centers around money. De Valera had settled on an idea for a bond sale as a way of raising money for the cause – investors would be given bond certificates that would be exchangeable for bonds of the Irish Republic once it gets international recognition. But Cohalan and Devoy, who have already raised thousands through the Friends of Irish Freedom, are opposed, concerned about the scheme’s legality for one.
De Valera’s claim in an interview that Irish-British relations can be analogous to the relationship between Cuba and America also enrages the Cohalan-Devoy camp, who accuse him of surrendering the idea of full Irish sovereignty.
De Valera’s increasingly acrimonious relationship with Cohalan and Devoy spills over into the 1920 Republican and Democratic conventions. Against the advice of Cohalan and Devoy, he advances a resolution about Irish independence which is rejected 12-1 at the Republican convention in June of that year. A rival resolution by Cohalan squeezes through but ultimately is overturned. Similarly, he fails to secure the inclusion of the Irish issue in the Democratic Party’s policy platform during the Democrats’ convention in San Francisco.
De Valera leaves the United States in December 1920 with mixed results. Though he has raised millions of dollars through the bond sale, he has made little progress in co-opting official America to Ireland’s cause. Much as division is to characterise the next chapter of his political career in Ireland, de Valera’s sojourn in America leaves Irish America more divided than it has ever been.
(From: “Éamon de Valera’s US trip that left Irish America divided” by Suzanne Lynch, The Irish Times, http://www.irishtimes.com, June 1, 2019 | Pictured: Éamon de Valera (center) in New York with Friends of Irish Freedom’s Judge Daniel Cohalan and John Devoy in July 1919, Topical Press Agency/Getty)
The 32CSM has been described as the “political wing” of the now defunct Real Irish Republican Army (RIRA), but this is denied by both organisations. The group originates in a split from Sinn Féin over the Mitchell Principles.
Those present at the initial meeting are opposed to the direction taken by Sinn Féin and other mainstream republican groups in the Northern Ireland peace process, which leads to the Belfast Agreement (also known as the Good Friday Agreement) the following year. The same division in the republican movement leads to the paramilitary group now known as the Real IRA breaking away from the Provisional Irish Republican Army at around the same time.
Most of the 32CSM’s founders had been members of Sinn Féin. Some had been expelled from the party for challenging the leadership’s direction, while others felt they had not been properly able to air their concerns within Sinn Féin at the direction its leadership had taken. Bernadette Sands McKevitt, wife of Michael McKevitt and a sister of hunger strikerBobby Sands, is a prominent member of the group until a split in the organisation.
The name refers to the 32 counties of Ireland which are created during the Lordship and Kingdom of Ireland. With the partition of Ireland in 1920–22, twenty-six of these counties form the Irish Free State which is abolished in 1937 and is now known as Ireland since 1949. The remaining six counties of Northern Ireland remain part of the United Kingdom. Founder Bernadette Sands McKevitt says in a 1998 interview with the Irish Mirror that people did not fight for “peace” – “they fought for independence” – and that the organisation reaffirms to the republican position in the 1919 Irish Declaration of Independence.
Before the referendums on the 1998 Good Friday Agreement, the 32CSM lodges a legal submission with the United Nations challenging British sovereignty in Ireland. The referendums are opposed by the 32CSM but are supported by 71% of voters in Northern Ireland and by 94% in the Republic of Ireland. It is reported in February 2000 that the group established a “branch” in Kilburn, London.
In November 2005, the 32CSM launches a political initiative titled Irish Democracy, A Framework for Unity.
On May 24, 2014, Gary Donnelly, a member of the 32CSM, is elected to the Derry City and Strabane District Council. In July 2014, a delegation from the 32CSM travels to Canada to take part in a six-day speaking tour. On arrival the delegation is detained and refused entry into Canada.
In 2015, the 32CSM organises a demonstration in Dundee, Scotland, in solidarity with the men convicted of shooting Constable Stephen Carroll, the first police officer to be killed in Northern Ireland since the formation of the PSNI. The organisation says the “Craigavon Two” are innocent and have been victims of a miscarriage of justice.
The group is currently considered a Foreign Terrorist Organization (FTO) in the United States, because the group is considered to be inseparable from the Real IRA, which is designated as an FTO. At a briefing in 2001, a spokesman for the U.S. Department of State states that “evidence provided by both the British and Irish governments and open-source materials demonstrate clearly that the individuals who created the Real IRA also established these two entities to serve as the public face of the Real IRA. These alias organizations engage in propaganda and fundraising on behalf of and in collaboration with the Real IRA.” The U.S. Department of State’s designation makes it illegal for Americans to provide material support to the Real IRA, requires U.S. financial institutions to block the group’s assets and denies alleged Real IRA members visas into the U.S.
The 32CSM also operates outside of the island of Ireland to some extent. The Gaughan/Stagg Cumann covers England, Scotland and Wales, and has an active relationship of mutual promotion with a minority of British left-wing groups and anti-fascist organisations. The James Larkin Republican Flute Band in Liverpool, and the West of Scotland Band Alliance, the largest section of which is the Glasgow-based Parkhead Republican Flute Band, are also supporters of the 32CSM. As of 2014, the 32CSM’s alleged paramilitary wing, the Real IRA, is reported to have been still involved in attempts to perpetrate bombings in Britain as part of the Dissident Irish Republican campaign, which has been ongoing since 1998.
Craig is born at Sydenham, Belfast, on January 8, 1871, the seventh of nine children of James Craig (1828–1900), a wealthy whiskey distiller who had entered the firm of Dunville & Co. as a clerk and by age 40 is a millionaire and a partner in the firm. Craig Snr. owns a large house called Craigavon, overlooking Belfast Lough. His mother, Eleanor Gilmore Browne, is the daughter of Robert Browne, a prosperous man who owned property in Belfast and a farm outside Lisburn. Craig is educated at Merchiston Castle School in Edinburgh, Scotland. After school he begins work as a stockbroker, eventually opening his own firm in Belfast.
Craig enlists in the 3rd (Militia) battalion of the Royal Irish Rifles on January 17, 1900, to serve in the Second Boer War. He is seconded to the Imperial Yeomanry, a cavalry force created for service during the war, as a lieutenant in the 13th battalion on February 24, 1900, and leaves Liverpool for South Africa on the SS Cymric in March 1900. After arrival he is soon sent to the front and is taken prisoner in May 1900, but released by the Boers because of a perforated colon. On his recovery he becomes deputy assistant director of the Imperial Military Railways, showing the qualities of organisation that are to mark his involvement in both British and Ulster politics. In June 1901 he is sent home suffering from dysentery, and by the time he is fit for service again the war is over. He is promoted to captain in the 3rd Royal Irish Rifles on September 20, 1902, while still seconded to South Africa.
On June 7, 1921, Craig is appointed the first Prime Minister of Northern Ireland by the Lord Lieutenant of Ireland. The House of Commons of Northern Ireland assembles for the first time later that day.
Craig had made his career in British as well as Northern Irish politics, but his premiership shows little sign of his earlier close acquaintance with the British political world. He becomes intensely parochial and suffers from his loss of intimacy with British politicians in 1938, when the British government concludes agreements with Dublin to end the Anglo-Irish trade war between the two countries. He never tries to persuade Westminster to protect Northern Ireland‘s industries, especially the linen industry, which is central to its economy. He is anxious not to provoke Westminster, given the precarious state of Northern Ireland’s position. In April 1939, and again in May 1940 during World War II, he calls for conscription to be introduced in Northern Ireland (which the British government, fearing a backlash from nationalists, refuses). He also calls for Winston Churchill to invade Ireland using Scottish and Welsh troops in order to seize the valuable ports and install a Governor-General at Dublin.
While still prime minister, Craig dies peacefully at his home at Glencraig, County Down at the age of 69 on November 24, 1940. He is buried on the Stormont Estate on December 5, 1940, and is succeeded as the Prime Minister of Northern Ireland by the Minister of Finance, J. M. Andrews.
(Pictured: James Craig, 1st Viscount Craigavon, bromide print by Olive Edis, National Portrait Gallery, London)
The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.
The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841, and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”
October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.
In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.
The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.
Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the AberdeenEvening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”
Hogan is the third child of John Hogan, a carpenter and builder of Cove Street, Cork, County Cork, and Frances Cos, the great-granddaughter of Sir Richard Cox, Lord Chancellor of Ireland from 1703 to 1707. As the family feels that she had married beneath her station, she is disinherited.
At the age of fourteen, Hogan is placed as clerk to an attorney, where he spends much of his time carving figures in wood. After two years, he chooses to be apprenticed to the architect Sir Thomas Deane, where his talents for drawing and carving are developed. He carves balusters, capitals, and ornamental figures for Deane’s buildings. At the completion of his apprenticeship in March 1820, Deane encourages him to consider taking up sculpture as a profession. For the next three years, he attends lectures on anatomy, copies casts of classic statuary in the Gallery of the Cork Society of Arts, and makes anatomical studies in wood of feet, hands, and legs. Among the first of his works to attract notice is a life-size figure of Minerva for an insurance building built by Deane.
In 1821, Hogan carves twenty-seven statues in wood for the North Chapel in Cork for the reredos behind the high altar. After subsequent cathedral renovations, these are now positioned in decorative plasterwork over the nave. He also does a bas-relief of the “Last Supper” for the altar. This work keeps him employed for about a year.
In 1823, the engraver William Paulet Carey visits Cork, and impressed with Hogan’s talent, begins to publicise his work in order to raise subscriptions for him to study in Italy. Hogan arrives in Rome, by way of Dublin and Liverpool, in 1824. He works in the galleries of the Vatican but cannot afford a studio. Additional subscriptions allow him to improve his situation, rent a studio, purchase marble, and hire models. Danish sculptor Bertel Thorvaldsen says to him, “My son, you are the best sculptor I leave after me in Rome.”
In 1829, Hogan visits Ireland, bringing several works with him. The Royal Arts Society provides a venue for an exhibition. The Royal Dublin Society awards him a gold medal.
Hogan’s best-known work and masterpiece are the three versions of the statue of The Dead Christ or The Redeemer in Death. Created in flawless Carrara marble, the first version (1829) is located in St. Therese’s Church, Dublin, the second (1833) in St. Finbarr’s (South) Church, Cork, and the third and final version (1854) is located in the Basilica of St. John the Baptist, Newfoundland. His other works include the Sleeping Shepherd and The Drunken Faun. He assures his international reputation in 1829 with The Dead Christ. Thereafter, his creations are snapped up by Irish bishops visiting his Rome studio.
In 1840, a monumental group in memory of Bishop James Warren Doyle, founder of the Cathedral of the Assumption in Carlow, is brought to Dublin and exhibited at the Royal Exchange. The statue of Bishop Doyle is in the Cathedral of the Assumption, as is a second Hogan work depicting the Holy Family.
Hogan marries Cornelia Bevignani in Rome in 1838. The figure of Hibernia, in Hogan’s work Hibernia with the Bust of Lord Cloncurry (1844), is reportedly modelled on his wife. A representation of this work is later used as the watermark on all Series A banknotes printed in Ireland from the 1920s to the 1970s. The couple has four sons and eight daughters.
With the revolutionary movement growing in Italy during the 1840s, and after spending twenty-four years in Rome, Hogan returns with his family to Ireland in 1848. At first, he finds little work in the aftermath of the Great Famine, but gradually commissions increase. He can be impatient with ignorance, intolerant of professional inferiority, and independent. He holds aloof from other artists and refuses to join the Royal Hibernian Academy.
Hogan has a stroke in 1855 and, though he recovers somewhat, his health begins to fail. By the year prior to his death, he can no longer work and his sons, John Valentine Hogan and James Cahill, assist at his studio and complete some of the work.
Hogan dies at his home at 14 Wentworth Place (later renamed Hogan Place), Dublin, on March 27, 1858. He is buried at Glasnevin Cemetery in Dublin.
(Pictured: Scan of a drawing depicting the Irish sculptor John Hogan with his sculpture The Drunken Faun in background, published in the Dublin University Magazine, January 1850)
Holmes, the son of parents who are natives of Antrim, County Antrim, and settled in Belfast, is born during a visit by his parents to Dublin in 1765. He enters Trinity College, Dublin in 1782, and graduates B.A. in 1787. He at first devotes himself to medicine, but he soon turns his attention to the law. In 1795, he is called to the bar. He spends a substantial period of his professional life travelling the northeast circuit in Ireland, where he gains a reputation for great ability and legal skill.
Holmes studies law and becomes one of the best-known defenders of the Nationalist leaders in Ireland. He speaks in 1846 in defence of Charles Gavan Duffy, editor of The Nation. Duffy had been indicted over an article written by John Mitchel, which comes to be known as the “Railway Article.” His defence proves successful and his speech on behalf of his client is described by Lord Chief JusticeEdward Pennefather as “the most eloquent ever heard in a court of Justice.”
In 1798, during a parade of the lawyer’s corps of yeomanry, of which he is a member, Holmes throws down his arms on learning that the corps is to be placed under the military authorities, dreading that he might have to act against the populace. To one Joy, a barrister, who had used insulting language to him respecting this circumstance, he sends a challenge, for which he suffers three months’ imprisonment. In 1799, he publishes a satirical pamphlet on the projected Acts of Union, entitled A Demonstration of the Necessity of the Legislative Union of Great Britain and Ireland. With the rising of his brother-in-law, Robert Emmet, on July 23, 1803, he has no connection, although he is arrested on suspicion and imprisoned for some months. This retards his advancement. He declines to receive any favours from the government, refusing in succession the offices of Crown prosecutor, King’s Counsel, and Solicitor-General, and to the last he remains a member of the outer bar.
Holmes has for many years the largest practice of any member of the Irish courts, and is listened to with attention by judges, although he is not always very civil to them. His law arguments form an important set of articles in the Irish Law Reports, and he is an impressive advocate, notably in his speeches in Watson v. Dill, in defence of The Nation newspaper, and his oration on behalf of John Mitchel, tried for treason-felony on May 24, 1848. During the course of his practice he makes over £100,000.
Holmes marries, firstly, Mary Anne Emmet, daughter of Dr. Robert Emmet. She is the sister of Robert Emmet, who leads an unsuccessful rebellion in 1803, and whose brother, Thomas Addis Emmet, is a leading member, with Theobald Wolfe Tone, of the Society of United Irishmen. Both take part in the Irish Rebellion of 1798. The marriage produces one surviving child, a daughter, who later marries George William Lenox-Conyngham, chief clerk of the Foreign Office, and in turn has an only daughter who in 1861 marries Viscount Doneraile.
Holmes marries in 1810 at Childwall, Liverpool, as his second wife, the English educator and writer Eliza Lawrence. She dies in 1811.
After his retirement in 1852, Holmes resides in London with his only child Elizabeth. He dies at the age of 94 at her home, 37 Eaton Place, Belgrave Square, London, on October 7, 1859.
During the course of his life, Holmes is the author of three published works. The first, published in 1799, is entitled A Demonstration of the Necessity of the Legislative Union of Great Britain and Ireland, a satirical pamphlet ridiculing the arguments of its supporters. The next is An Address to the Yeomanry of Ireland, demonstrating the necessity of their declaring their opinions upon Political Subjects. His most important work however, according to Peter Aloysius Sillard, is The Case of Ireland Stated, which apparently goes through six editions, the last in 1847.
(Pictured: Image of Robert Holmes from Michael Doheny’s “The Felon’s Track”)
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