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Death of D. P. Moran, Journalist, Activist & Theorist

David Patrick Moran (Irish: Dáithí Pádraig Ó Móráin), better known as simply D. P. Moran, Irish journalist, activist and cultural-political theorist, dies on January 31, 1936. He is known as the principal advocate of a specifically Gaelic Catholic Irish nationalism during the early 20th century. Associated with the wider Celtic Revival, he promotes his ideas primarily through his journal, The Leader, and compilations of his articles such as the book The Philosophy of Irish Ireland.

Moran is born in Manor, a townland in Waterford, the youngest of twenty children born to James Moran, a builder, and Elizabeth Moran (née Casey). One of his brothers goes on to serve on the defense team of Patrick O’Donnell.

Moran is educated at Castleknock College, near Dublin, before working as a journalist in London, where he is a member of the Irish Literary Society. His brand of nationalism and concept of the decolonisation of Ireland is of a homogeneous Irish-speaking and Roman Catholic nation, promoting the revival of the Irish language and of Gaelic games in Irish cultural life. He often employes disparaging terms (West Brits, shoneens, sourfaces) in reference to Unionists and/or non-Catholics.

Despite the failure of the 1893 Home Rule Bill and the division of the Irish Parliamentary Party (IPP) in 1891, nationalists take heart from Douglas Hyde‘s 1892 speech, entitled “The Necessity for De-anglicising Ireland.” Moran builds upon this thesis and provides a wider ideology for enthusiasts, particularly after the re-unification of most of the nationalist parties from 1900.

In his 1905 text The Philosophy of Irish-Ireland, Moran argues that to be Irish requires:

  • the use of the Irish language
  • membership in the Roman Catholic Church
  • an anti-materialist outlook on life
  • the playing of only Gaelic games

Though a sponsor of the use of Irish, he never becomes fluent in the language himself. He emphasises the use of English in 1908–09 as “an active, vigilant, and merciless propaganda in the English language.” In the longer term, when Irish becomes again the language of the people, its use enables a de facto censorship of any foreign and unwelcome ideas written in English.

While Moran argues that the idea of “the Gael” is one that can assimilate others, he also feels that it will be hard if not impossible for members of the Church of Ireland who support the British Empire to ever qualify as Irish, being “resident aliens.” This extends to Anglo-Irish literature. He rejects the Abbey Theatre and questions Yeats‘ genius. He once speaks out against the influence Britain has over Irish Universities, stating, “We are all Palemen now.” In the matter of religious differences, Daniel O’Connell had said in 1826 that “the [Roman] Catholics of Ireland are a nation.” Moran moves beyond that, affirming in 1901 that “…the Irish Nation is de facto a Catholic nation.” He is virulent in his opposition to female suffrage.

Moran’s articles frequently contrast “Belfast” with “Ireland,” yet hope that Belfast can eventually change and assimilate. He feels that Ulster unionists should “… be grateful to the Irish nation for being willing to adopt them.” His paper publishes numerous articles by the future TD Arthur Clery (writing under the pen name “Chanel”), who advocates partition on the grounds that Ulster unionists are a separate nation, but Moran himself disagrees and refuses to concede the legitimacy of a northern Protestant identity.

When Irish republicans initiate the Irish War of Independence in 1919, widescale anti-Catholic rioting breaks out in Belfast in 1920 and 1922. Moran identifies this as being caused by Orangeism, which he describes as “a sore and a cancer” in Ireland. He also alleges that “bigotry on the part of Catholics in the Six Counties is immediately due to Orange bigotry.”

Moran is initially a supporter of the Irish Parliamentary Party, believing that the separatism advocated by Arthur Griffith‘s Sinn Féin is impracticable; however, he opposes John Redmond‘s support of the British World War I effort.

Moran supports the Anglo-Irish Treaty agreed in 1921–22 and sees the partition of Ireland as beneficial for a truly Irish culture in the Irish Free State. This causes a sea-change in his opinions; from now on Northern Ireland can be safely ignored, along with what he sees as the English evils of “free thought, free trade, and free literature.” He claims Irish life and culture has to be protected from foreign influences, including the twin evils of the music hall and the English press. The new jazz music of the 1920s and other imported cultural elements are deprecated as “imported debasement and rot.”

On January 9, 1901, Moran marries Theresa Catherine, daughter of Thomas Francis O’Toole, a former Parnellite mayor of Waterford. They have four sons and one daughter.

Moran dies suddenly at his home in Skerries, Dublin, on January 31, 1936. His daughter, Nuala, who has written for the paper since the early 1920s, generally on artistic and social matters, takes over the running of the paper on his death, though it is then much diminished in size and influence. Nuala, who never marries, retains control of The Leader until it ceases publication in 1971.


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Founding of the Irish American Athletic Club

The Irish American Athletic Club, an amateur athletic organization based in Queens, New York, is established on January 30, 1898, originally as the Greater New York Irish Athletic Association. They shorten the name to the Irish American Athletic Club a few years later. They purchase a plot of land in what is then called Laurel Hill, Long Island, near Calvary Cemetery, Queens, and build a state-of-the-art athletic facility on what is farmland. The stadium, called Celtic Park, formally reopens after renovations on May 9, 1901, and until the facility is sold for housing in 1930, some of the greatest American athletes train or compete on Celtic Park’s track and field. The Irish American Athletic Club adopts a winged fist adorned with American flags and shamrocks as their emblem, with the Irish Gaelic motto “Láim Láidir Abú” or “A strong hand will be victorious,” and are often referred to as the “Winged Fists.” At one time they have clubs in Boston, Chicago, San Francisco and Yonkers, New York.

During the thirty odd years of its existence, all of the following athletes compete for the Irish American Athletic Club at some point:  Dan Ahearn, and his brother Tim Ahearne, Charles Bacon, George Bonhag, Joseph Bromilow, Frank Castleman, Robert Cloughen, Harvey Cohn, Tom Collins, Edward Cook, James Crowley, John Daly, James H. Duncan, John Eller, John Flanagan, William Frank, Patrick J. Flynn, Harry Gissing, Sidney Hatch, Johnny Hayes, Denis Horgan, Bill Horr, Daniel Kelly, Abel Kiviat, Hannes Kolehmainen, Emilio Lunghi, Alvah Meyer, James Mitchel, Pat McDonald, Matt McGrath, Emil Muller, Peter O’Connor, Edwin Pritchard, Harry Porter, Myer Prinstein, Richard Remer, John J. Reynolds, Frank Riley, William Robbins, Lawson Robertson, James Rosenberger, Michael J. Ryan, Pat Ryan, Harry Schaaf, Arthur Shaw, Mel Sheppard, Martin Sheridan, James P. Sullivan, Lee Talbott, John Baxter Taylor, Jr., Con Walsh, William Galvin and Harold Wilson.

The Irish American Athletic Club is predominantly composed of Irish-born and first generation Irish American athletes, but many of the athletes who compete for the Winged Fist organization are neither.

The Irish American Athletic Club wins the Amateur Athletic Union national outdoor track and field team championship titles in 1904, 1906, 1907, 1908, 1910, 1911, 1912, 1913, 1914 and 1916. They also win the national indoor track and field team championship titles in 1906, 1908, 1909, 1911, 1913, 1914 and 1915. Individual athletes of the IAAC win 81 national outdoor championships titles and 36 individual national indoor championship titles.

In addition to winning numerous local and regional Amateur Athletic Union competitions, Irish American Athletic Club members compete for the United States Olympic team in the 1900 Summer Olympics in Paris, the 1904 Summer Olympics in St. Louis, the 1906 Intercalated Games in Athens, Greece, the 1908 Summer Olympics in London, the 1912 Summer Olympics in Stockholm and the 1920 Summer Olympics in Antwerp. From 1900 to 1924, men who are at one time members of the Irish American Athletic Club win 54 Olympic medals for the U.S. Olympic team, including 26 gold medals.

In 1912–13, 1913–14, 1914–15 and 1916–17 the Irish American Athletic Club has a team, the New York Irish-Americans, represented in the American Amateur Hockey League. The team is coached by James C. “Jimmy” O’Brien and has on its roster for various seasons future NHL players Tom McCarthy and Moylan McDonnell. John McGrath and Patsy Séguin also play for the club.

Before the largest crowd that has ever assembled to see a track meet in the United States, on September 9, 1916, the Irish American Athletic Club defeats the New York Athletic Club at the Amateur Athletic Union’s National Championships, by a score of 38 to 27. Before a crowd of 30,000 spectators at Newark, New Jersey‘s Weequahic Park, the Irish American Athletic Club wins what is to be their last national championship title. The club disbands a year later when the United States becomes a combatant in World War I.


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Plantation Agreement Between the Crown & the Irish Society of London

The agreement on January 28, 1610, between the Crown and the Irish Society of London to carry out the plantation of Derry, Coleraine, and part of Tyrone refers to a significant historical event known as the Plantation of Ulster. This event takes place in the early 17th century and is part of the broader policy of the English and later British colonization of Ireland.

The Plantation of Ulster is a process initiated by the English Crown, primarily under King James I, to colonize the province of Ulster in the north of Ireland with English and Scottish Protestant settlers to defend against a future attack from within or without. This follows the Flight of the Earls in 1607, when several Gaelic Irish lords leave Ireland, leading to the confiscation of their lands by the Crown.

In his survey, James I finds that the town of Derry (renamed Londonderry) can become either a great asset as a control over the River Foyle and Lough Swilly, or it can become an inviting back door if the people of the area are against him. He pressures the guilds of the City of London to fund the resettlement of the area, including the building of a new walled city.

The Irish Society is formed by the City of London in response to James I’s royal request to participate in the plantation. The Society is a consortium of London livery companies, which are trade associations and guilds.

The Crown grants the Irish Society lands in Ulster, particularly in modern-day County Londonderry (then including what is now County Tyrone), to establish new settlements. The key areas are the city of Derry and the town of Coleraine.

The primary objective is to settle Ulster with loyal Protestant subjects, thus consolidating English influence in Ireland. The plantation aims to bring about economic development and to establish control over what is considered a rebellious and unruly region.

The livery companies of London undertake the establishment of new towns, fortifications, and the settlement of the land with tenants. However, the implementation faces various challenges, including resistance from the native Irish population, logistical difficulties, and issues of mismanagement.

The Plantation of Ulster has profound and lasting demographic, social, and political impacts. It leads to significant changes in land ownership and contributes to the religious and cultural diversification of the region. The plantation is also a root cause of the sectarian divide in Northern Ireland, contributing to centuries of conflict between the Protestant and Catholic communities.

The agreement between the Crown and the Irish Society of London to carry out the Plantation of Ulster is a pivotal event in Irish history. It plays a crucial role in shaping the historical trajectory of Ireland, particularly Northern Ireland, and its effects are still felt in the region’s complex socio-political landscape.

The Plantation of Ulster remains a subject of historical analysis and debate, reflecting the complex interplay of colonization, cultural identity, and conflict in Irish history.

(From: “The Crown and the Irish Society of London, Agree to Carry Out the Plantation of Derry, Coleraine and Part of Tyrone,” McManus Family History, http://www.mcmanusfamilyhistory.com | Pictured: The crest of the Irish Society of London)


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Birth of Lilian Davidson, Artist, Teacher & Writer

Lilian Davidson ARHA, Irish landscape and portrait artist, teacher and writer, is born on January 26, 1879, at Castle Terrace, Bray, County Wicklow.

Davidson is the sixth of ten children of clerk of petty session, Edward Ellice Davidson, and Lucy Rising Davidson (née Doe). Her mother dies in 1888, and it is presumed that she receives a private education but as the family are not affluent, the details are unclear. She goes on to attend the Dublin Metropolitan School of Art (DMSA) from 1895 to 1905. While at the DMSA, she wins prizes in 1895 and 1896 and is awarded a scholarship and free studentship at the Royal Dublin Society (RDS) in 1897, the same year her father dies. She completes her studies in 1905. In the early 1910s, she is living in Rathmines and spends some time in England and Wales.

Davidson is commissioned by Switzer’s department store on Grafton Street to draw costumes in 1899. In 1909, her painting After Rain is exhibited by the Dublin Sketching Club, with her continuing to show work there until 1920. She exhibits The Bonfire with the Water Colour Society of Ireland in 1912, becoming a committee member in 1934 and continuing to exhibit with them until 1954. In 1914, she is one of the artists included in a sale of paintings to aid Belgian refugees. She is first exhibited at the Royal Hibernian Academy (RHA) in 1914, with The Student. Her painting exhibited by the RHA in 1916, The Harbour, St. Ives, demonstrates an influence from Stanhope Forbes and the Newlyn School, with a bright palette and contrasting illumination, which become characteristic of her work. She illustrates C. H. Bretherton’s collection of humorous poems and recollections about London Zoo, A Zoovenir (1919).

Davidson holds a joint exhibition with Mainie Jellett in 1920, at Mill’s Hall, Merrion Row, Dublin. Jellett produces a pencil portrait of Davison (pictured above), which shows her in a straw hat she frequently wears. The RHA exhibits Davidson’s oil painting, The Flax Pullers, in 1921. This work shows an influence from Paul Henry and French Impressionism in her use of colour-blocking. In the early 1920s, she travels to Switzerland, Belgium, and France, producing works such as Fish Market, Bruges. She lives in Paris in the late 1920s, exhibiting at the Salon de la Societé Nationale in 1924 and 1930. She places a self-portrait in her depiction of a peasant gathering, The Country Races. Reproductions of her drawing of Leinster House and Christ Church Cathedral by Bulmer Hobson are included in A Book of Dublin (1929). Her landscape, Low Tide, Wicklow, which is exhibited at the RHA in 1934, and Boats at Wicklow, Dusk show her ability to depict reflections in water. She continues to paint scenes of rural life, including Cottages – Keel, Achill, which shows an influence from Jack Butler Yeats in her use of space and colour. The fact that her family is not wealthy likely influences her choice of poorer people as her subjects, depicting them in a sympathetic manner. Her work is part of the painting event in the art competitions at the 1928 Summer Olympics.

Davidson’s paintings are exhibited at the Contemporary Picture Galleries, Dublin in 1930, alongside Yeats, Evie Hone, and Harry Kernoff. She is a member of the Picture Hire Club, 24 Molesworth Street, Dublin from 1941 to 1942, and is a frequent contributor to the Munster Fine Arts Club. Her work is exhibited at the Salon des Beaux Arts, Paris, the Royal Academy of Arts, London, and in Amsterdam. A large number of her works from the 1930s show the Irish-speaking area of Galway, Claddagh, such as Night in Claddagh, exhibited with the RHA in 1933. Her Irish landscapes, such as Claddagh Cottages, are included in the Oireachtas Art Exhibitions from 1932 to 1946. From around 1934, she is a member of the Society of Dublin Painters, exhibiting with them from 1939 to 1954. She influences the Society’s move toward the avant-garde in the 1940s. She is elected associate to the RHA in 1940 and continues to exhibit there until her death. Her 1946 work, Gorta, shows influence from Zola, Rilke, Dostoyevsky and Picasso.

Davidson teaches drawing at her studio at 1 Earlsfort Terrace, Dublin. Her pupils include Bea Orpen, Anne Yeats, and Mo Irwin. She also is a teacher at a number of Dublin schools, such as Belgrave school, Rathmines, Wesley College, St. Stephen’s Green, and Castle Park School, Dalkey. She travels to Abbeyleix, County Laois, once a week to teach at Glenbawn boarding school.

As well as painting, Davidson writes a number of plays, short stories, and monologues under a pseudonym, “Ulick Burke.” In 1927, a collection of her poems and Donegal rhymes is published. In 1931, Hilton Edwards directs her stage play Bride, at the Gate Theatre. Her short story, Her Only Son, is published in The Bell under a pseudonym in 1942. In 1935, she is a founder-member of the Torch Theatre, Dublin. She designs scenery, and is the co-director with Hugh Hyland in 1936, under the stage name “Jennifer Maude.”

Davidson dies at her home at 4 Wilton Terrace, Dublin on March 29, 1954. She is buried in an unmarked grave in Mount Jerome Cemetery. The National Gallery of Ireland (NGI) holds her 1938 portrait of Yeats, as well as her crayon drawing of Sarah Purser. She is a regular attendee at Purser’s “Second Tuesdays” gatherings. The Abbey Theatre holds her portrait of Joseph Holloway. She bequeaths The Golden Shawl to the Hugh Lane Gallery, which is a large self-portrait. Two of her works are included in the NGI’s 1987 exhibition, Irish Women Artists from the Eighteenth Century to the Present Day.


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Charles Blount, 8th Baron Mountjoy, Becomes Lord Deputy of Ireland

Charles Blount, 8th Baron Mountjoy, English nobleman and soldier, becomes Lord Deputy of Ireland under Queen Elizabeth I on January 21, 1600.

Blount is born in 1563, the second son of James, 6th Baron Mountjoy, and Catherine, only daughter of Sir Thomas Legh. He is among the most distinguished of the family, succeeding as 8th Baron Mountjoy on the death in 1594 of his unmarried elder brother William, 7th Baron Mountjoy. The good fortune of his youthful and handsome looks find favour with Queen Elizabeth I which arouses the jealousy of Robert Devereux, 2nd Earl of Essex, leading to a duel between the two courtiers, who later become close friends.

Blount is returned to the House of Commons as MP for St. Ives, Cornwall in 1584 and for Bere Alston in 1586 and 1593, before entering the House of Lords in 1594. Between 1586 and 1598, he spends most of his time on the Continent, serving in the Netherlands and Brittany. He joins Lord Essex and Sir Walter Raleigh in their expedition to the Azores in 1597, along with his distant cousin, Sir Christopher Blount.

The downfall of Lord Essex does not damage Blount’s career. After the failure of his rebellion, Essex shocks many by denouncing his sister Penelope, who is Blount’s mistress, as a traitor, which inevitably raises the question of his own possible involvement. But the Crown, anxious to retain Blount’s services, and also to show as much leniency as possible to the defeated rebels, simply ignore the accusation.

On February 24, 1600, Blount lands in Ireland as Lord Deputy following Lord Essex and in the ensuing years brings the Nine Years’ War to an end. The leader of the rebellion, Hugh O’Neill, Earl of Tyrone, writes about Blount’s “refined manners” that he would lose a whole season of campaigning “while waiting until breakfast is prepared to his mind!” Despite this, Blount proves that he is quite qualified to pursue the war.

In early 1600, Blount dispatches Sir Henry Docwra with an army of 4,200 troops to land at Culmore to erect a fortress commanding the shores of Lough Foyle in the northwest of Ulster. To prevent Hugh O’Neill from sending a strong force to repulse Dowcra’s forces, Blount advances in force from Dublin to Newry causing O’Neill to fear a southern advance into Tyrone.

Blount aims to avoid the mistakes of previous Lords-Deputy. After the Battle of Moyry Pass, he has it cleared, and a garrison is established there. It had long been a problem for English forces advancing into Ulster from the south. He also establishes posts with garrisons at Mountnorris and Armagh.

On July 13, 1601, Blount and his army along with Turlough McHenry O’Neill of the Fews who had recently switched to the English side in the war, have a stand-off with Hugh O’Neill’s forces at the River Blackwater. After a few shots in vain from either side, O’Neill’s forces withdraw, and Blount sends his forces to occupy the ruined Blackwater fort destroyed by O’Neill in 1595. Later O’Neill’s forces attack Blount’s camp before withdrawing. In response, the Lord-Deputy sends his forces across the river where they find strong artificially fortified fords, which would have held out against the English.

By July 15, 1601, the Lord-Deputy has secured the surrender of O’Neill’s ally Hugh Magennis. That month, he has a new fort near the old Blackwater fort erected.

Blount reports to the council in England that O’Neill is determined to prevent his forces from advancing into Tyrone and toward Dungannon. As such, he initiates a policy of burning large quantities of corn to induce a famine to drive the rebels out of their strongholds.

Blount sets about trying to entice Hugh’s forces to come out and attack by fetching some materials for the new fort from the Tyrone side of the river as well as burning more corn. Further skirmishes between Blount and O’Neill’s forces ensue during the summer of 1601.

Spanish forces land in Munster in August 1601, forcing Blount to send his forces southward leaving O’Neill remaining in his unbroken heartland of Tyrone. The Spanish arrival culminates in the Siege of Kinsale that December, which sees a major defeat of the rebels and their allies.

O’Neill during this time has also moved south to assist some of his allies, however, after some serious defeats at the hands of the forces of Richard Burke, 4th Earl of Clanricarde of Connacht, he is in no place to offer any effective resistance once Blount marches once more to Tyrone in the summer of 1602.

Blount advances to the location he found the previous summer at the River Blackwater, which commands safe and secure passage into Tyrone, previously inaccessible, and sets about erecting a new fort. Having observed this, O’Neill burns his capital at Dungannon and flees to his last refuge in Glenconkeyne.

Advancing northward through Tyrone, Blount erects a fort in the townland of Magheralamfield, afterward known as Mountjoy Castle. He also christens the new fort at the Blackwater Charlemont Fort after himself.

Once in Tyrone, Blount carries out a campaign of devastation throughout it resulting in the mass hunting of rebels, spoiling of corn, the burning of houses and the killing of churls so as to force the submission of O’Neill and his remaining allies. Most symbolically, Blount has the inauguration site of the O’Neill’s at Tullyhogue Fort destroyed.

On March 30, 1603, six days after the death of Elizabeth and the accession of James I, O’Neill makes peace with Blount, signing the Treaty of Mellifont. Blount continues in office with the more distinguished title of Lord-Lieutenant. He declares amnesty for the rebels and grants them honourable terms, which causes some severe criticism from England. He shows similar moderation in putting down the abortive risings in Cork, Waterford and Wexford, where the aldermen, apparently with some vague idea of gaining greater toleration for Roman Catholics, refuse to proclaim the new King. In Cork, three insurgents are hanged after a summary trial, but the rest are acquitted or pardoned.

As part of the Plantation of Ulster, the majority of the barony of Loughinsholin is detached from County Tyrone and made part of the newly created County Londonderry. The rest of Loughinsholin along with the northern parts of Dungannon barony are merged to create the short-lived barony of Mountjoy. It is later amalgamated with the barony of Dungannon.

On his return to England, Blount serves as one of Sir Walter Raleigh’s judges in 1603, and in the same year King James I appoints him Master-General of the Ordnance as well as creating him Earl of Devonshire, granting him extensive estates. He is one of the founder members of the Spanish Company re-founded by royal charter in 1605.

Toward the end of Blount’s life, on December 26, 1605, at Wanstead House near London, in a ceremony conducted by his chaplain William Laud, afterward Archbishop of Canterbury, he marries his long-time mistress Lady Penelope, formerly wife of Robert Rich, 3rd Baron Rich (later 1st Earl of Warwick) and sister of Robert Devereux, 2nd Earl of Essex.

Blount leaves no legitimate children, and so his hereditary titles become extinct at his death on April 3, 1606, at Savoy House, London.


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Birth of Kevin Barry, IRA Volunteer & Medical Student

Kevin Gerard Barry, Irish Republican Army (IRA) volunteer and medical student, is born on January 20, 1902, at 8 Fleet Street, Dublin. He becomes the first Irish republican to be executed by the British Government since the leaders of the Easter Rising.

Barry is the fourth of seven children born to Thomas Barry, dairyman, and Mary Barry (née Dowling), both originally from northeast County Carlow. His father dies of heart disease on February 8, 1908, at the age of 56. His mother then moves the family to the family’s farm at Tombeagh, Hacketstown, County Carlow, while retaining the family’s townhouse on Fleet Street. As a child he goes to the National School in Rathvilly. In 1915, he is sent to live in Dublin and attends the O’Connell Schools for three months, before enrolling in the Preparatory Grade at St. Mary’s College, Rathmines, in September 1915. He remains at that school until May 31, 1916, when it is closed by its clerical sponsors. With the closure of St. Mary’s College, he transfers to Belvedere College, a Jesuit school in Dublin. He joins the Irish Volunteers, the forerunner of the IRA, while still at Belvedere College, and enters University College Dublin (UCD) in 1919 to study medicine.

As a member of 1st Battalion, Dublin Brigade of the Irish Volunteers, he takes part in a successful raid for arms on the military post in King’s Inns, Dublin, on June 1, 1920. Within only six minutes the raiders secure rifles, light machine guns, and large quantities of ammunition, and depart the site with no casualties. He also takes part in an abortive attempt to burn Aughavanagh House, Aughrim, County Wicklow in July 1920, and an attack on a British ration party in Church Street, Dublin, on September 20, with the aim of seizing arms. The final operation fails. Gunfire breaks out, three soldiers of around Barry’s own age are killed or fatally wounded, and he becomes the first Volunteer to be captured in an armed attack since 1916.

During interrogation, Barry is threatened with a bayonet and is mistreated. A general court-martial on October 20, which he refuses to recognise, condemns him to death for murdering the three soldiers, although one of the bullets taken from Private Marshall Whitehead’s body is a .45 calibre, while all witnesses state that Barry was armed with a .38 Mauser Parabellum. Despite widespread appeals on grounds of both clemency and expediency, the cabinet in London and officials in Dublin decide separately against a reprieve, probably because of its likely effect on the morale of soldiers and police.

On October 28, the Irish Bulletin, the official propaganda newspaper produced by Dáil Éireann‘s Department of Publicity, publishes Barry’s statement alleging torture. The headline reads English Military Government Torture a Prisoner of War and are about to Hang him. The Irish Bulletin declares Barry to be a prisoner of war, suggesting a conflict of principles is at the heart of the conflict. The British do not recognise a war and treat all killings by the Irish Republican Army (IRA) as murder. The public learns on this day that the date of execution has been fixed for November 1.

He was hanged in Mountjoy Prison, Dublin, on November 1, after hearing two Masses in his cell. The timing of the execution, only seven days after the death by hunger strike of Terence MacSwiney, the republican Lord Mayor of Cork, brings public opinion to a fever-pitch. He is buried in unconsecrated ground on the jail property. His comrade and fellow student Frank Flood is buried alongside him four months later. A plain cross marks their graves and those of Patrick Moran, Thomas Whelan, Thomas Traynor, Patrick Doyle, Thomas Bryan, Bernard Ryan, Edmond Foley and Patrick Maher who are hanged in the same prison before the Anglo-Irish Treaty of July 1921 which ends hostilities between Irish republicans and the British. The graves go unidentified until 1934. They become known as the Forgotten Ten by republicans campaigning for the bodies to be reburied with honour and proper rites. On October 14, 2001, the remains of the ten men are given a state funeral and moved from Mountjoy Prison to be re-interred at Glasnevin Cemetery in Dublin.

Barry is the first person to be tried and executed for a capital offence under the Restoration of Order in Ireland Act 1920, passed twelve weeks earlier. Together with his youth, this makes him a republican martyr celebrated in many ballads and verses. The best-known, set to a tune popular with British servicemen, is recorded by the American singer Paul Robeson, among others. A memorial stained-glass window by Richard King of the Harry Clarke Studio is later installed in the former UCD council chamber (afterward called the Kevin Barry Room), Earlsfort Terrace, Dublin.


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Birth of Mildred Anne Butler, Animal & Genre Painter

Mildred Anne Butler, Irish artist who works in watercolour and oil of landscape, genre and animal subjects, is born on January 11, 1858, in Kilmurry, a Georgian house near Thomastown, County Kilkenny.

The youngest daughter of Captain Henry Butler, a grandson of the Edmund Butler, 11th Viscount Mountgarret, and Clara Butler (née Taylor) of the Newarke, Leicester, England. Her father is himself an enthusiastic painter, known for his publication South African sketches: illustrative of the wildlife of a hunter on the frontier of Cape Colony (1841). Her early artistic efforts are mainly copies of romantic subjects, but the influence of the London artist Paul Jacob Naftel, with whom she begins corresponding in the early 1880s, proves to be crucial to her artistic development. Studies with William Frank Calderon, an expert in animal painting, are also significant. She subsequently spends the summers of 1894 and 1895 in Newlyn, Cornwall, England, with the Irish artist Norman Garstin, who introduces her to contemporary French painting.

In 1885, Butler makes her first visit to the continent, traveling through France, Switzerland, and Italy. From 1905 to 1914 she travels regularly to Europe, most particularly Aix-les-Bains and Wiesbaden, during which time she produces genre views of French and German villages. After 1914 her life at the family home is interrupted only by visits to London exhibitions. She is best known for her paintings of Kilmurry and its environs, many of which display an interest in botany. Much of her work is dominated by detailed representations of animals and birds, often drawn from photographs and stuffed specimens.

Butler’s career as an exhibitor begins in 1882 with the Irish Fine Arts Society, later known as the Water Colour Society of Ireland (WCSI), with which she has a long association. She exhibits regularly with the society from 1892 onward and is a member of its committee for many years. She is also closely associated with the Dudley Museum and Art Gallery in London. Her work is first shown there in 1888, and on this evidence, she is elected to their society. The purchase by the Chantrey bequest for the Tate Gallery of The Morning Bath for £50 in 1896 is a high point in her career. The first painting by a woman to be selected by the council, its purchase is followed by almost consistently good press reviews for her work. The Athenaeum of May 5, 1897, writes: “The young lady knows how to look at her subjects with the eyes of a well-trained artist.”

Butler also comes to the attention of the American artistic press. She contributes to the portfolio of drawings given by the Society of Lady Artists to Princess May on her marriage to the Duke of York in 1893, while in 1922 her work is included in the portfolio presented to Princess Mary on her marriage. Her patrons include Queen Alexandra, and the grand duke of Hesse, who purchases two of her paintings after she is invited to exhibit in Hesse Darmstadt in 1911. In 1914 she is made a member of the Union Internationale des Beaux Arts, and in 1921 her paintings are shown in Japan. She regularly exhibits with the Belfast Ramblers, the Royal Ulster Academy, the Royal Academy of Arts (RA), the Royal Hibernian Academy (RHA), the Society of Lady Artists, and the Royal Watercolour Society, of which she is made an associate member in 1896, and a full member in 1937.

In her later years, severe rheumatism prevents Butler from painting. She has a keen interest in music. She survives all five of her siblings, and inherits Kilmurry, where she dies on October 11, 1941. She is buried at Thomastown, County Kilkenny. Her paintings are represented in the collections of the National Gallery of Ireland, Dublin City Gallery the Hugh Lane, the Ulster Museum, and the Tate, London.

(From: “Butler, Mildred Anne” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Edmund Dwyer Gray, Journalist & Politician

Edmund William Dwyer Gray, Irish newspaper proprietor, politician and MP in the House of Commons of the United Kingdom of Great Britain and Ireland, is born on December 29, 1845, in Dublin. He is also Lord Mayor of Dublin and later Sheriff of Dublin City and becomes a strong supporter of Charles Stewart Parnell.

Gray is the second son of Sir John Gray and his wife, Anna Dwyer. He has three brothers and two sisters. After receiving his education, he joins his father in managing the Freeman’s Journal, the oldest nationalist newspaper in Ireland. When his father dies in 1875, he takes over proprietorship of the Journal, and his family’s other newspaper properties such as the Belfast Morning News and the Dublin Evening Telegraph.

In 1868, Gray saves five people from drowning in a wrecked schooner at Killiney Bay, an action for which he receives the Tayleur Fund Gold Medal for bravery from the Royal Humane Society. By coincidence, the rescue is witnessed by his future wife, Caroline Agnes Gray, whom he meets shortly afterwards. Agnes is the daughter of Caroline Chisholm, an English humanitarian renowned for her work in female immigrant welfare in Australia, and although Gray is descended from a Protestant family, he converts to Catholicism to marry her. The wedding in London on July 17, 1869, is conducted by the Bishop of Northampton, Francis Amherst. The couple has one son, Edmund Dwyer-Gray, who eventually takes over from his father as proprietor of his newspapers and goes on to become Premier of Tasmania.

From 1875 to 1883, Gray serves as a member of the Dublin Corporation, and in 1880 serves a term as Lord Mayor of Dublin. Unusual for an Irish nationalist politician, he is very much focused on urban rather than rural affairs, and like his father is heavily involved in public health and water provision for Dublin. He also promotes reform in the municipal health system.

Gray unsuccessfully runs for his father’s seat of Kilkenny City at Westminster in the 1875 by-election that follows Sir John Gray’s death. He wins a later by-election in 1877, becoming a Member of Parliament representing Tipperary for the Home Rule League. At the 1880 United Kingdom general election, he is elected for County Carlow. At the 1885 United Kingdom general election, as a member of the Irish Parliamentary Party (IPP), he wins representation of both County Carlow and the new constituency of Dublin St. Stephen’s Green and chooses to represent the latter.

Gray is imprisoned for six weeks in 1882 for remarks made in the Freeman’s Journal with regard to the composition of the jury in the case of a murder trial. He is actually Sheriff of Dublin City at the time of his imprisonment and, because of the conflict of office, is taken into custody by the city coroner. The defendant in the case in question is later hanged.

A heavy drinker and asthma sufferer, Gray dies at his home, Pembroke House, Upper Mount Street, Dublin, on March 27, 1888, at the age of 42 following a short illness. He is buried at Glasnevin Cemetery in Dublin.


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Death of P. S. O’Hegarty, Writer, Editor & Historian

Patrick Sarsfield O’Hegarty (Irish: Pádraig Sáirséal Ó hÉigeartaigh), Irish writer, editor and historian and a member of the Supreme Council of the Irish Republican Brotherhood, dies on December 17, 1955.

O’Hegarty is born on December 29, 1879, at Carrignavar, County Cork, to John and Katherine (née Hallahan) Hegarty. His parents’ families emigrate to the United States after the Great Famine, and his parents are married in Boston, Massachusetts. His father is a member of the Irish Republican Brotherhood (IRB).

He is educated at North Monastery CBS, where he forms an enduring friendship with Terence MacSwiney. In 1888, his father dies of tuberculosis at the age of 42. Left destitute, his mother pawns her wedding ring to pay for an advertisement looking for work, and eventually becomes a cook.

He joins the postal service in Cork in 1897. Along with J. J. Walsh, he plays on the Head Post Office hurling team. He joins the IRB and represents Munster on the IRB Supreme Council. He starts writing for Arthur Griffith‘s United Irishman and the Shan van Vocht, a periodical established by Alice Milligan and Ethna Carbery.

He serves at the main Postal Sorting Office in Mount Pleasant, London, from 1902 to 1913. Along with J. J. Walsh, he spends three years at King’s College London, studying for the Secretary’s Office. While he succeeds in his studies, Walsh does not and returns to Ireland. O’Hegarty becomes the IRB representative for South East England and joins the Gaelic League and Sinn Féin and becomes a strong advocate of the Irish language. In 1905, he is elected secretary of the local Dungannon Club, which draws in as members Robert Lynd, Herbert Hughes and George Cavan. In 1907, as Sinn Féin’s London Secretary, he approves and signs the membership card of Michael Collins, later becoming friend and mentor to Collins.

He has to return to Ireland for a break due to overwork in 1909 and gives up some of his work for the Gaelic League. However, he takes over as editor of the IRB publication, Irish Freedom. It is in this publication that he famously writes, concerning the visit of King George V to Ireland in 1911: “Damn your concessions, England: we want our country!” In 1912, at the height of the Playboy riots, he writes four articles entitled “Art and the Nation” in Irish Freedom, which take a very liberal and inclusionist approach to Anglo-Irish literature and art in general but invokes the wrath of many of the paper’s readers.

In 1913, he is re-posted to Queenstown (present-day Cobh) as postmaster. He continues editing nationalist newspapers such as Irish Freedom (founded in 1910 and suppressed in December 1914 on account of its seditious content) and An tÉireannach and joins the Irish Volunteers. At the outbreak of war he is moved to Shrewsbury, probably on account of his political activities. In 1915, he marries Wilhelmina “Mina” Smyth, a schoolteacher and suffragist, and is then moved to Welshpool, Montgomeryshire. In the aftermath of the 1916 Easter Rising, he is opposed to physical force. In 1918, he refuses to take the British Oath of Allegiance and resigns his position in the Post Office.

O’Hegarty feels that the Abbey Theatre is “doing good for Ireland” and supports W. B. Yeats against attacks from Arthur Griffith and like-minded Nationalists. He opposes the extremist views of D. P. Moran, who seeks a Roman Catholic Irish-speaking Ireland.

He is Secretary of the Irish Department of Post and Telegraphs from 1922 to 1945. He is elected a member of the Irish Academy of Letters in 1954.

His son, Seán Ó hÉigeartaigh, is a founder of the Irish-language publishing house Sáirséal agus Dill. His daughter Gráinne, a harpist, marries Senator Michael Yeats, son of W. B. Yeats.

O’Hegarty’s papers are acquired by the Kenneth Spencer Research Library at the University of Kansas. This includes an outstanding collection of books, pamphlets and periodicals of W. B. Yeats.

(Pictured: “P. S. O’Hegarty, 1929,” pastel on paper by Harry Kernoff, RHA, property from the Yeats family)