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Birth of Sam Hanna Bell, Novelist, Playwright & Broadcaster

Sam Hanna Bell, Scottish-born Northern Irish novelist, short story writer, playwright, and broadcaster, is born in Glasgow to Ulster Scots parents on October 16, 1909.

Following the sudden death of his father in 1918, Bell is brought at the age of seven to live near Raffery in the Strangford Lough area of County Down. He lives with his mother and two brothers in a cottage with no electricity or running water. This is the setting of his acclaimed novel of Ulster rural life, December Bride (1951). He moves to Belfast in 1921, where he works at a variety of manual jobs before securing a post with the BBC in 1945. He is a co-founder of the left-leaning literary journal, Lagan, in 1943.

Bel’s first collection of short stories, Summer Loanen and Other Stories, is published in 1943. His novels include December Bride (1951), The Hollow Ball (1961), A Man Flourishing (1973) and Across the Narrow Sea (1987).

Bell is recruited to the BBC in 1946, along with fellow writer, W. R. Rodgers, by poet and radio producer, Louis MacNeice. Some of his work as a radio producer is highly innovative. This is Northern Ireland, An Ulster Journey (1949) is a classic radio feature incorporating actuality, poetry, music and narration. In later work, Bell incorporates the voices of “ordinary people” in his attempt to paint a picture of Ulster as rooted in the lives and traditions of its people. His collaboration with W. R. Rodgers, The Return Room (1955), is one of the most important post-war Irish radio features and shows the influence of Dylan Thomas on Rodgers, the poet.

In the 1940s, along with his BBC colleague John Boyd, the essayist (and anti-Partition activist) Denis Ireland, actors Joseph Tomelty and J. G. Devlin, poets John Hewitt and Robert Greacen, and the Rev. Arthur Agnew, Bell is one of an intellectual set, “the club of ten” Linen Hall Library members that meets weekly next to the library in Campbell’s cafe.

In 1977, Bell is honoured with an MBE in recognition of his contribution to the cultural life of Northern Ireland.

December Bride is made into an acclaimed film in 1990. Reviewing the film, The Irish Times columnist and literary critic Fintan O’Toole says it is “not just a remarkable artistic achievement, but also a remarkable political one…restoring a richness and complexity to a history that has been deliberately narrowed.” In April 1999, December Bride is selected by award-winning novelist and critic Colm Tóibín and publisher, writer and critic Dame Carmen Callil, for inclusion in The Modern Library: The 200 Best Novels in English Since 1950 (Picador).

Bell dies on February 9, 1990, at 190 King’s Road, Knock, Belfast, aged 80, shortly before the premiere of the film of December Bride. On October 15, 2009, the eve of what would have been Bell’s centenary, a blue plaque is unveiled by Northern Ireland Minister of Culture, Arts and Leisure Nelson McCausland on the Belfast house where Bell had written December Bride. Such plaques are erected to commemorate and honour notable people.


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Birth of Annie Horniman, Theatre Patron & Manager

Annie Elizabeth Fredericka Horniman CH, English theatre patron and manager, is born at Surrey Mount, Forest Hill, London, on October 3, 1860. She establishes the Abbey Theatre in Dublin and founds the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encourages the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what become known as the Manchester School of dramatists.

Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their German governess takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.

Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.

Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.

At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.

As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.

Horniman moves to London where she keeps a flat in Portman Square. In 1933 she is made a Companion of Honour. She and Algernon Blackwood might be the only past or present members of an occult society to receive a United Kingdom honour.

Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.


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Death of Oliver St. John Gogarty, Poet, Author, Athlete & Politician

Oliver Joseph St. John Gogarty, Irish poet, author, otolaryngologist, athlete, politician, and well-known conversationalist, dies in New York City on September 22, 1957. He serves as the inspiration for Buck Mulligan in James Joyce‘s novel Ulysses.

Gogarty is born on August 17, 1878, in Rutland Square, Dublin. In 1887, his father dies of a burst appendix, and he is sent to Mungret College, a boarding school near Limerick. He is unhappy in his new school, and the following year he transfers to Stonyhurst College in Lancashire, England, which he likes little better, later referring to it as “a religious jail.” He returns to Ireland in 1896 and boards at Clongowes Wood College while studying for examinations with the Royal University of Ireland. In 1898, he switches to the medical school at Trinity College Dublin (TCD), having failed eight of his ten examinations at the Royal.

A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.

In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.

In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.

As a Sinn Féiner during the Irish War of Independence, Gogarty participates in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised Irish Republican Army (IRA) volunteers in his car. Following the ratification of the Anglo-Irish Treaty, he sides with the pro-Treaty government and is made a Free State Senator. He remains a senator until the abolition of the Seanad in 1936, during which time he identifies with none of the existing political parties and votes according to his own whims.

Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.

With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.

Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.

(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)


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Birth of Irish Novelist Joseph O’Connor

Joseph Victor O’Connor, an Irish novelist, is born in Dublin on September 20, 1963. His 2002 historical novel Star of the Sea is an international number one bestseller. Before success as an author, he is a journalist with the Sunday Tribune newspaper and Esquire. He is a regular contributor to RTÉ and a member of the Irish artists’ association Aosdána.

O’Connor is the eldest of five children and brother of singer Sinéad O’Connor. He is from the Glenageary area of south Dublin. His parents are Sean O’Connor, a structural engineer who later turns barrister, and Marie O’Connor.

Educated at Blackrock College, O’Connor graduates from University College Dublin (UCD)with an MA in Anglo-Irish literature. He does post-graduate work at Oxford University and receives a second MA from Leeds Metropolitan University‘s Northern School of Film and Television in screenwriting. In the late 1980s, he works for the British Nicaragua Solidarity Campaign. His second novel, Desperadoes (1993), draws on his experiences in revolutionary Nicaragua.

O’Connor’s novel Cowboys and Indians (1991) is on the shortlist for the Whitbread Book Award.

On February 10, 1985, O’Connor’s mother is killed in a car accident. The mother of his character Sweeney in The Salesman (1998) dies in the same manner.

In 2002, O’Connor writes the novel Star of the Sea, which The Economist lists as one of the top books of 2003. His 2010 novel Ghost Light is loosely based on the life of the actress Maire O’Neill, born Mary “Molly” Allgood, and her relationship with the Irish playwright John Millington Synge. It is published by Harvill Secker of London in 2010.

O’Connor is a Research Fellow at the New York Public Library and Visiting Professor of Creative Writing/Writer in Residence at Baruch College, the City University of New York.

In 2014, O’Connor is announced as the inaugural Frank McCourt Chair in Creative Writing at the University of Limerick, where he teaches on the MA in Creative Writing.

O’Connor is a regular contributor to Drivetime, an evening news and current affairs programme on RTÉ Radio 1.

O’Connor’s Shadowplay, published in 2019, is shortlisted for the2019 Costa Book Award in the Novel category.

O’Connor is married to television and film writer Anne-Marie Casey. They have two sons. He and his family have lived in London and Dublin, and occasionally reside in New York City.


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Death of Sybil le Brocquy, Playwright & Conservationist

Sybil le Brocquy, Irish playwright, patron of the arts and conservationist, dies in Dublin on September 4, 1973. Two of her three children are involved with the arts: a son is the painter Louis le Brocquy and her daughter is the sculptor Melanie le Brocquy.

She is born Helen Mary Sybil Staunton on December 21, 1892, in Herbert Street, Dublin, to Dorothy Eleanor Redington and Peter Maurice Staunton. Her father is a barrister who later becomes a solicitor. Though he moves to Aram Lodge, Castlerea, County Roscommon where he practises law, she grows up in Dublin and Howth, going to secondary school in Loreto Abbey, Rathfarnham, and later at Loreto Convent, St. Stephen’s Green. She goes on to study German and singing in Koblenz. She marries Albert le Brocquy on December 30, 1915, and settles in Dublin. They have three children, Louis, Noel and Melanie.

Le Brocquy becomes involved in various women’s movements, helping to organise the Women’s International League for Peace and Freedom in July 1926. She is involved with the League of Nations Association as well as helps to establish Irish Civil Rights, PEN International, and Amnesty International in Ireland. She is an active member of Old Dublin Society and for a time president of the Irish Women Writers’ Society. She acts with the Drama League appearing as Helen Staunton. She writes plays and dramatic pieces which are staged by the Drama League at the Abbey Theatre and broadcast by Radio Éireann.

Her writings and work are often historically investigative, finding W. B. Yeats’s birthplace and arguing that Jonathan Swift had a child by Vanessa. She is involved in the Swift Tercentenary celebrations with Cearbhall Ó Dálaigh. As a result of her work, including with Trinity College Dublin Library and representing the Library on the Royal Irish Academy’s National Committee for Anglo-Irish Literature, she is co-opted to the Cultural Committee of the Department of External Affairs and appointed a Trustee of the National Library of Ireland. She is an excellent organiser and fundraiser and is heavily responsible for securing money for the Gate Theatre, Dublin, in 1970. She also initiates the literary prize, the Book of the Year award.

Le Brocquy becomes ill with an undiagnosed illness and dies on September 4, 1973, at the Meath Hospital, Dublin.


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Reopening of New Abbey Theatre

The newly unveiled Abbey Theatre opens its doors for the first time on July 18, 1966.

Fifteen years earlier, in 1951, the original buildings of the theatre are destroyed by fire during the run of The Plough and the Stars. Ironically, the play closes to the strains of “Keep the Home Fires Burning.” The fire forces the theatre company to find a new home.

They relocate to the Queen’s Theater on Pearse Street for what is intended to be a temporary stay but instead lasts for a decade and a half. A week before the brand new premises on Abbey Street are opened, the company has its final performance at the Queen’s Theatre in what is a bittersweet evening. For the Abbey Theatre it signals the end of an era and the beginning a new one, but the future of the Queen’s Theatre is far less bright.

After the final performances from the Abbey, Never the Time and the Place by Lennox Robinson and The Irishwoman of the Year by John Power, uncertainty shrouds the fate of the theatre with the Irish Independent reporting that “It will be used for variety performances up to the end of September, but after that it is just a matter for speculation.” It is ultimately closed in 1969 and is demolished in 1975.

The jubilee year of the 1916 Easter Rising, the 1966 Abbey opening recalls memories of the events that had taken place fifty years earlier.

In an article published the day after opening night, the Irish Independent recalls that “Thomas MacDonagh, one of the executed leaders of the Rising was himself an Abbey playwright and when news of the seizure of the General Post Office reached the theatre at a rehearsal, members of the Abbey players and other hands made a hurried exit to join the fighting. And by then others of the company were already at the barricades.”

A world away from the battleground of the Rising, the opening of the new Abbey Theatre is attended by a who’s who of arts, culture and politics.

Alongside Abbey actors, playwrights and staff are members of parliament including President of Ireland Éamon de Valera, Minister for Finance Jack Lynch, James Dillon and Lord Mayor of Dublin Eugene Timmons. Eammon Andrews, Raidió Teilifís Éireann’s director-general Kevin McCourt, theatre personalities Hilton Edwards and Micheál Mac Liammóir and Lord Moyne, himself an Abbey playwright and who gave the Company its temporary home immediately after the fire in Rupert Guinness Memorial Home, are also there on the night.

The Abbey’s new home is opened by President Éamon de Valera, who once graced the Abbey Stage as an amateur actor.

The new building is designed by Irish architect Michael Scott, who also designed the nearby Busáras building. He is considered one of the great modern architects and his vision for the new Abbey is thought to be the last word in modern-day design.


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Death of Donal McCann, Stage, Film & Television Actor

Donal McCann, Irish stage, film, and television actor, dies from pancreatic cancer in Dublin on July 17, 1999. He is best known for his roles in the works of Brian Friel and for his lead role in John Huston‘s last film, The Dead (1987). In 2020, he is listed as number 45 on The Irish Times list of Ireland’s greatest film actors.

McCann is born on May 7, 1943, in Terenure, Dublin. His father is John J. McCann, a playwright and politician who serves twice as Lord Mayor of Dublin. Although he acts in a production of his father’s Give Me a Bed of Roses at Terenure College in 1962, he briefly studies architecture before taking a job as a trainee sub-editor at the Evening Press which allows him to pursue part-time acting classes at the Abbey School of Acting at the same time. He joins the Abbey Players in the late 1960s.

Among his most important early roles are Cú Chulainn in W. B. Yeats‘s On Baile Strand (1966), and as Estragon in a seminal production of Samuel Beckett‘s Waiting for Godot, partnering with Peter O’Toole as Vladimir (1969).

McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.

McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).

Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweek hailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”

On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.

McCann begins his film career early, in 1966, in Walt Disney Pictures’s The Fighting Prince of Donegal (this later becomes a TV series). More significant roles include the title character’s father Shamie in Cal and one of the feuding brothers in Thaddeus O’Sullivan‘s December Bride (1990). He works a number of times with Neil Jordan (in Angel, The Miracle and High Spirits).

His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).

McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.

McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.

In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.

Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”


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Death of Dermot Healy, Novelist, Playwright, Poet & Short Story Writer

Dermot Healy, Irish novelist, playwright, poet and short story writer, dies at his home in Ballyconnell, Sligo, County Sligo, on June 29, 2014. A member of Aosdána, he is also part of its governing body, the Toscaireacht. He is described variously as a “master,” a “Celtic Hemingway” and as “Ireland’s finest living novelist.”

Healy is born in Finnea, County Westmeath, on November 9, 1947, the son of a Guard. As a child the family moves to Cavan, County Cavan, where he attends the local secondary school. In his late teens he moves to London and works in a succession of jobs, including barman, security man and as a labourer. He later returns to Ireland, settling in Ballyconnell, County Sligo, a small settlement on the Atlantic coast.

Often overlooked due to his relatively low public profile, Healy’s work is admired by his Irish literary predecessors, peers and successors alike, many of whom idolise him. Among the writers to have spoken highly of him are Seamus Heaney, Eugene McCabe, Roddy Doyle, Patrick McCabe and Anne Enright.

Healy’s work is influenced by an eclectic range of writers from around the world, including Anna Akhmatova, John Arden, Isaac Babel, Matsuo Bashō, Samuel Beckett, Jorge Luis Borges, Angela Carter, J. M. Coetzee, Emily Dickinson, Maria Edgeworth, T. S. Eliot, Hermann Hesse, Nâzım Hikmet, Aidan Higgins, Miroslav Holub, Eugène Ionesco, Franz Kafka, Mary Lavin, Federico García Lorca, Guy de Maupassant, Edgar Allan Poe, Sylvia Plath, Ezra Pound, William Shakespeare and Robert Louis Stevenson. Healy writes in a shed and is fascinated by etymology. However, on being a writer, he is quoted as saying, “I know writing is what I do but I still don’t see myself as one.”

Healy is longlisted for the Booker Prize with his novel A Goats Song. He wins the Hennessy Literary Award (1974 and 1976), the Tom-Gallon Trust Award (1983), and the Encore Award (1995). In 2011, he is shortlisted for the Poetry Now Award for his 2010 poetry collection, A Fool’s Errand. Long Time, No See is nominated for the International Dublin Literary Award, the world’s most valuable literary award for a single work in the English language, by libraries in Russia and Norway.

Healy dies at his home in Ballyconnell on June 29, 2014, while awaiting an ambulance after suddenly being taken ill. He is laid to rest at Carrigans Cemetery following funeral mass by Fr. Michael Donnelly at St. Patrick’s Church in Maugherow, County Sligo.


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Death of Playwright T. C. Murray

Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia.

Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).


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Birth of Jake Burns, Frontman of Stiff Little Fingers

John “Jake” Burns, singer and guitarist best known as the frontman of Stiff Little Fingers, is born on February 21, 1958, in Belfast, Northern Ireland. He also records with Jake Burns and the Big Wheel, 3 Men + Black, and as a solo artist.

Burns grows up in Joanmount in Ballysillan. His mother is a seamstress, and his father is a machinist in a textile machinery factory/steel foundry, where he is a shop steward, and his socialist views are an influence on his son. Prior to punk, Burns’s musical influences include Rory Gallagher, Dr. Feelgood, Graham Parker, and Bob Marley.

Burns starts off his career at Belfast Boys’ Model School with a rock covers band, Highway Star, which consists of Burns, Gordon Blair, Henry Cluney, and Brian Faloon. Blair subsequently leaves the group to join Rudi, and Ali McMordie joins at about the time the band discovers punk.

The band is briefly named the Fast, but as there is already a group of that name, they change it to Stiff Little Fingers, taken from the song of the same name that had appeared on Pure Mania, the 1977 album by the Vibrators. Apart from a five-year gap from 1983 to 1987, Stiff Little Fingers has been active since 1977 to the present day and have released ten studio albums.

In 1981, Burns makes his acting debut in an episode of the BBC‘s Play for Today series entitled Iris in the Traffic, Ruby in the Rain, written by Belfast-born poet and playwright Stewart Parker, which also features the rest of Stiff Little Fingers effectively playing themselves as “The Band.”

After the breakup of Stiff Little Fingers in 1983, Burns forms Jake Burns and the Big Wheel. The band consists of Burns on vocals and guitar, Steve Grantley on drums, Sean Martin on bass guitar, and Pete Saunders on keyboards. Big Wheel records a total of three singles, “On Fortune Street,” “She Grew Up” and “Breathless.” A compilation album, also called On Fortune Street, is released in 2002 after the band’s demise.

In 1987, Burns disbands Big Wheel, and Stiff Little Fingers reforms, because they are “skint and wanted to make a bit of cash to get back to Ireland for Christmas.”

From about 2001 to 2005, Burns is involved in a side project with Pauline Black of the Selecter, called 3 Men and Black. This involves Black touring with three male artists from the late 1970s and early 1980s doing acoustic versions of songs they are famous for and talking a little about how they came to write the songs. The lineup for the concerts is fairly fluid, and includes such people as Bruce Foxton, Jean-Jacques Burnel, Eric Faulkner and Nick Welsh.

On March 27, 2006, Burns releases a solo album titled Drinkin’ Again.

In 2009, Burns forms a Chicago punk rock supergroup called the Nefarious Fat Cats to raise money for local charities. Notable members include John Haggerty (Pegboy, Naked Raygun), Joe Haggerty (Pegboy), Joe Principe (Rise Against), Scott Lucas (Local H), Herb Rosen (Beer Nuts, Right of the Accused) and Mark DeRosa (Dummy). Burns also contributes guitar and vocals on a track of the Black Sheep Band charity record for Children’s Memorial Hospital, A Chicago Punk Rock Collaboration for the Kids, Vol 1.

In 2016, Burns joins an acoustic “supergroup” formed by Kirk Brandon of Spear of Destiny, called Dead Men Walking which also includes David Ruffy and John “Segs” Jennings, both of Ruts DC.

Burns lives in London for over ten years from 1978 after Stiff Little Fingers relocates there. His first wife lives in Newcastle upon Tyne, and after their marriage, he moves to Newcastle, where he lives for 16 years, becoming a supporter of Newcastle United F.C. He is also an avid supporter of the Northern Ireland national football team.

Burns’s second wife, Shirley, is American and they have lived in Chicago since 2004. Burns eventually becomes a U.S. citizen, partially so he can help vote out Donald Trump.

(Pictured: Jake Burns, performing with Stiff Little Fingers in 2019)