In June 1834, Archdale is elected the Member of Parliament for Fermanagh following the retirement of his uncle Mervyn Archdall. He is returned unopposed in the succeeding nine elections. From 1836, he is a noted member of the Orange Order and becomes treasurer of the Grand Lodge of Ireland. He votes in 1856 to disendow Maynooth College. When in 1868 he is asked to support a plea for the reprieve of Michael Barrett, a local Fenian under sentence of death in London, he refuses. He does not stand at the election of January 1874.
On the death of another uncle, Lt. Col. William Archdall, on January 1, 1857, Archdale inherits the family estates of Castle Archdale and Trillick in County Tyrone. He is appointed High Sheriff of Fermanagh in 1879.
Archdale has an interest in and also keeps racehorses. Other pursuits in which he is prominent are coursing and boating. He is a Freemason and member of five clubs.
Archdale marries Emma Inez, the daughter of Jacob Goulding of Kew, Surrey, with whom he has two sons, Mervyn Henry and Hugh James, and three daughters.
Archdale dies on December 22, 1895, at Cannes in the south of France. His estates pass to his brother, William Humphrys Archdale, who also takes over the representation of Fermanagh in Parliament.
Cole starts his career in print journalism in 1945, joining the Belfast Telegraph as a reporter and industrial correspondent. He subsequently works as a political reporter for the paper. He gains a scoop when he interviews the then Prime Minister, Clement Attlee, who is holidaying in Ireland.
Cole joins The Guardian, then The Manchester Guardian, in 1956, reporting on industrial issues. He transfers to the London office in 1957 as the paper’s labour correspondent. Appointed news editor in 1963, succeeding Nesta Roberts, he takes on the task of reorganising the paper’s “amateurish” system for gathering news. He heads opposition to a proposed merger with The Times in the mid-1960s, and later serves as deputy editor under Alastair Hetherington. When Hetherington leaves in 1975, Cole is in the running for the editorship, but fails to secure the post, for reasons which may include his commitment to the cause of unionism in Northern Ireland, as well as what is seen by some as inflexibility and a lack of flair. Unwilling to continue at The Guardian, he then joins The Observer as deputy editor under Donald Trelford, remaining there for six years.
After Tiny Rowland takes over as proprietor of The Observer in 1981, Cole gives evidence against him at the Monopolies Commission. The following day he receives a call from the BBC offering him the job of political editor, succeeding John Simpson. He has little previous television experience but proves a “natural broadcaster.” Reporting through most of the premiership of Margaret Thatcher, he becomes a familiar figure on television and radio.
Cole’s health is put under strain by the workload, and he suffers a heart attack in February 1984. Returning to report on that year’s conference season, he covers the Brighton hotel bombing, getting a “memorable” interview with Thatcher on the pavement in its immediate aftermath, in which she declares that the Tory conference will take place as normal. An astute observer of the political scene, he is one of the earliest to forecast Thatcher’s resignation as Prime Minister in 1990, in what colleague David McKie refers to as “perhaps his greatest exclusive.”
Cole establishes a strong reputation for his “gentle but probing” interviewing style, for his political assessments, and for presenting analysis rather than “bland reporting.” Held in enormous affection by viewers, he is trusted by both politicians and the public. He is known for speaking in the language used by ordinary people rather than so-called Westminster experts. His distinctive Northern Irish accent leads the way for BBC broadcasters with regional accents.
Cole retires as political editor in 1992 at the age of 65, compulsory at the time, but continues to appear on television, including making programmes on golf and travel. He also continues to appear on the BBC programme Westminster Live for several years after he retired as political editor.
In addition to his journalistic writing, Cole authors several books. The earliest are The Poor of the Earth, on developing countries, and The Thatcher Years (1987). After his retirement as BBC political editor, he spends more time writing. His political memoir, As It Seemed to Me, appears in 1995 and becomes a best-seller. He also publishes a novel, A Clouded Peace (2001), set in his birthplace of Belfast in 1977.
In 2007, Cole writes an article for the British Journalism Review, blaming both politicians and the media for the fact that parliamentarians are held in such low esteem, being particularly scathing of Alastair Campbell‘s influence during Tony Blair‘s premiership.
In 1966, the Eisenhower Fellowships selects Cole to represent Great Britain. He receives the Royal Television Society‘s Journalist of the Year award in 1991. After his retirement in 1992, he is awarded an honorary degree from the Open University as Doctor of the University and receives the Richard Dimbleby Award from BAFTA in 1993. He turns down a CBE in 1993, citing the former The Guardian newspaper rule that journalists can only accept gifts which can be consumed within 24 hours.
In his private life Cole is a supporter of the Labour Party and is a believer in the trades union movement. He considers that the combating of unemployment is one of the most important political issues. He is a British Republican and a committed Christian, associating in the latter part of his life with the United Reformed Church at Kingston upon Thames.
Cole suffers health problems in retirement including heart problems and two minor strokes. In 2009, he is diagnosed with cancer. He subsequently develops aphasia. He dies at his home at Claygate in the county of Surrey on November 7, 2013.
Tributes are paid by journalists, broadcasters and politicians across the political spectrum. Prime Minister David Cameron calls Cole a “titan at the BBC” and an “extraordinary broadcaster.” Labour Party leader Ed Miliband says that “my generation grew up watching John Cole. He conveyed the drama and importance of politics.” The Scottish First MinisterAlex Salmond says that Cole is “an extremely able journalist but also extraordinarily helpful and generous to a young politician.” The BBC’s political editor at the time, Nick Robinson, writes that Cole “shaped the way all in my trade do our jobs.”
Father and son, both accounted “notorious womanizers,” have a bitter relationship. His father once challenges him to a duel, but he declines, observing that his father is not a gentleman.
With the support of the Grafton ministry and of the Court, in 1769 Luttrell stands in Middlesex against John Wilkes, the radical and popular figure who had already been the constituency’s three-time democratic choice. He loses the poll (1,143 votes to 269) but is seated in Parliament, Wilkes having once again been barred as an adjudged felon. As a result of the affair, for some months, Luttrell dares not appear in the street and is “the most unpopular man in the House of Commons.”
The government rewards Luttrell by appointing him Adjutant General for Ireland in 1770. He continues to sit in the Commons, where he describes the Whigs in their opposition to the conduct of the American War, as “the abetters of treason and rebellion combined purposely for the ruin of their country.”
In 1788, Luttrell is publicly accused in Dublin of the rape of a 12-year-old girl. Having been paid to deliver a message, Mary Neal claims she is bundled into a brothel and there assaulted throughout the night by Luttrell. The keeper of the house, Maria Llewellyn, is charged in a case marked by accusations of witness tampering, the death in prison of Mary’s mother and newborn baby sister and by the insinuation that Mary was already working as a prostitute. The affair becomes a cause célèbre with the public intervention of Archibald Hamilton Rowan, later a founding member of the Dublin Society of United Irishmen. To clear Mary’s name he brings her to Dublin Castle to see the Lord Lieutenant, John Fane, 10th Earl of Westmorland. Westmorland, unmoved, pardons Llewellyn and sets her at liberty. Luttrell is never asked to answer for raping Mary Neal. In 1790 he re-enters the British Parliament as Member for Plympton Erle.
In 1791 and 1792, Luttrell helps vote down bills to abolish the slave trade. Negroes, he proposes, only want “to murder their masters, ravish their women, and drink all their rum.” At the same time, he opposes lifting civil disabilities on Roman Catholics by abolishing the Test Act in Scotland and speaks scathingly of parliamentary reform.
In October 1793, a younger brother, Temple Simon Luttrell, is arrested in Boulogne and, until February 1795, is held in Paris where, on the strength of their sister Anne Luttrell being married to Prince Henry, Duke of Cumberland, he is publicly exhibited as the brother of the king of England.
In 1795, Luttrell is entrusted with the breakup and disarming of Defenders, the agrarian semi-insurgency, in Connacht. His proceedings and impressment of some 1,300 “rebels” into the British navy elicits criticism in otherwise loyal circles.
In 1796, with the leaders of the democratic party, the United Irishmen, preparing for a French-assisted insurrection, Luttrell is given overall command of the Crown forces in Ireland. He demonstrates still greater ruthlessness in attempting to “pacify” the country and suppress the eventual rising in the summer of 1798. His command has the unusual distinction of being upbraided by his successor as Commander in Chief, Sir Ralph Abercromby, for an army “in a state of licentiousness, which must render it formidable to everyone but the enemy.”
Luttrell is seen by his critics as having “fanned the flame of disaffection into open rebellion” by “the picketings, the free quarters, half hangings, flogging and pitch-cappings” he directs.
In July 1799, Luttrell sells his Irish property and by his own later account, he takes no part in the Acts of Union. He claims to be “disgusted at the scene that was passing before me”, and to abandon Ireland because, under a “cowardly” government, he sees “the country likely to become Catholic.” When the Dublin Post of May 2, 1811, erroneously reports his death, he demands a retraction which they print under the headline Public Disappointment.
Luttrell purchases an estate at Painshill Park in Surrey and lives for several years in relative obscurity. From 1813 he harries the government of Robert Jenkinson, 2nd Earl of Liverpool, with the claim that George III had promised him a secure seat in the Commons. In June 1817, five weeks short of his eightieth birthday, he finds his own way back to Parliament as Member for Ludgershall and revenges himself, in the four years remaining to him, by voting with the opposition. This, however, does not extend to joining in the attacks on the domestic spy system in 1818 nor to voting for parliamentary reform in 1819. Moreover, in the wake of the Peterloo Massacre, he supports the government, lauding the use of deadly force against “the Radicals and their system.”
Horniman is born at Surrey Mount, Forest Hill, London, on October 3, 1860, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother Emslie are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their Germangoverness takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.
Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.
Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903 Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.
At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.
As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.
Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.
Buckley grows up in a rural environment and is introduced to traditional music learning the button accordion from the local player Liam Moloney when he is 9 years of age. In 1969 he moves to Dublin to study for the Teacher’s Diploma at St. Patrick’s College, Drumcondra. Here he has his first opportunity to hear live classical and modern music including contemporary and avantgarde works by Irish composers including Aloys Fleischmann, Brian Boydell, John Kinsella, and Seóirse Bodley, as well as works by international composers such as Krzysztof Penderecki. He becomes a student at the Royal Irish Academy of Music, Dublin (1969–74), studying the flute with Doris Keogh and composition with A. J. Potter and James Wilson. He continues his musical studies with Alun Hoddinott in Cardiff, Wales (1978–82), Aloys Fleischmann in Cork (M.A. in composition, 1980), and briefly with John Cage during a summer school for composers and choreographers at Guildford, Surrey, in 1981. Initially working as secondary school teacher, from 1982 he is able to work independently as a composer.
In 1983, Buckley is the co-founder, with James Wilson, of the annual Ennis Summer School for composition, which becomes an influential training ground for aspiring young Irish composers; pupils include Michael Alcorn, Rhona Clarke, and Gráinne Mulvey. He becomes a member of Aosdána in 1984. Since 2001 he has been a lecturer in music at St. Patrick’s College, Drumcondra. From the National University of Ireland at Maynooth (now Maynooth University) he receives a PhD in 2002 and a DMus in 2007.
Apart from membership in Aosdána, Buckley is honoured with the Varming Prize (1976), the Macaulay Fellowship (1978), the Arts Council‘s Composers’ Bursary (1982) and the Marten Toonder Award (1991).
Buckley’s output includes many commissions for solo instruments, chamber ensembles, choirs, bands and orchestra. His music has been widely performed and broadcast in Ireland and in more than fifty countries worldwide. He has represented Ireland at the UNESCOInternational Rostrum of Composers on five occasions and at the 1990 Prix Italia. His music has also been performed at five International Society for Contemporary Music (ISCM) festivals.
Buckley’s music does not adhere to any particular compositional school. He acknowledges the influence of Luciano Berio, Witold Lutoslawski,György Ligeti, and Olivier Messiaen. His harmonic approach is freely atonal. Structurally, there is frequently a gradual build-up from initially very limited pitch material to large formal constructions. Many compositions work towards a climax in the fourth quarter of a piece and then return to initial pitch sequences. In a number of early works he explores the Celtic myths of his native Ireland in orchestral scores such as Taller than Roman Spears (1977) and Fornocht do chonac thú (1980) and in small-scale works such as Oileáin (1979) for piano, Boireann (1983) for flute and piano, or I am Wind on Sea (1987) for mezzo-soprano and percussion. Later this aspect becomes less important for him. Works since the late 1980s display “a textural subtlety in marked contrast to the more robust sonorities explored in Buckley’s earlier keyboard works,” a “French refinement of sound, and an elevation of timbre as central characteristics” and “a concern with achieving a greater degree of formal unity” and “an exploration of analogies between sound and light.” O’Leary (2013) describes his style as “characterised by a broad harmonic idiom, contrasting consonance and dissonance in a non-tonal but strongly coloured soundworld.”
In 2010, Buckley arranges a number of Irish traditional songs for flute, some with harp, viola, percussion and string quartet. These are skilled and tasteful settings in a tonal harmonic language, quite unlike his original compositions.
Swift’s father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew with one of his cousins in Kilkenny College, which is perhaps the best school in Ireland at the time. He arrives there at the age of six, where he is expected to have already learned the basic declensions in Latin. He has not and thus begins his schooling in a lower form. He graduates in 1682, when he is 15. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.
In 1682, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple, 1st Baronet.
During his Moor Park years, Swift meets the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson, known as “Stella.” They become lovers for the rest of their lives until Johnson’s death in 1728. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.
During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.
In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.
When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of Dean at St. Patrick’s Cathedral, Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.
Not long after the celebration of this work, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.
In 1742, Swift suffers a stroke and loses the ability to speak. He dies on October 19, 1745. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.
Rokeby is born at Kirk Sandall, eldest of the five sons of John Rokeby (died 1506). His younger brother, Sir Richard Rokeby (died 1523), is Comptroller of the Household to CardinalThomas Wolsey and later Treasurer of Ireland. He retains a deep affection for Kirk Sandall and returns there to die. He goes to school at Rotherham, studies at the University of Oxford and becomes a fellow of King’s Hall, later Trinity College, Cambridge. He becomes vicar of his home parish in 1487 and is transferred to Halifax, another town for which he has a deep attachment, in about 1499. In 1507 he is made Bishop of Meath.
On the death of Walter Fitzsimon in 1511, Rokeby becomes Archbishop of Dublin. It has been suggested that his elevation is due at least in part to his English birth, as the Crown is anxious to place Englishmen high up in the Irish hierarchy. No doubt his brother’s close connection to Wolsey also plays a part. He is Lord Chancellor of Ireland from 1512 to 1513 and from 1516 to 1522.
As Archbishop Rokeby makes a reputation as a peacemaker, settling a long and bitter dispute between the Dean and Chapter of St. Patrick’s Cathedral, Dublin. He gives permission to Gerald FitzGerald, 9th Earl of Kildare, for the original foundation of Maynooth College, which is suppressed in 1535. He is frequently at the English Court, so often indeed that he is accused of neglecting his official duties back in Ireland. He participates in the christening of the future Queen Mary I in 1516 and the ceremony by which Wolsey receives his cardinal’s hat.
As Archbishop of Dublin, Rokeby is best remembered for the Synod of 1518. The Synod prohibits the use of any tin chalice at Mass, and the disposal of Church property by laymen; and attempts to regulate the procedure for dealing with intestate estates, the payment of tithes and burial fees and the rules for admission to the clergy. Rather comically, he strictly forbids clergymen to play football.
Rokeby is appointed Archdeacon of Surrey on March 27, 1519. By 1521 his health is failing, and he retires to Kirk Sandall, where he dies on November 29. In his will he leaves £200 to rebuild St. Mary’s Church, Beverley, whose tower had collapsed the previous year.
Rokeby makes elaborate provisions in his will for the disposal of his remains. In accordance with his wishes, his body is buried in St. Oswald’s Church, Kirk Sandall, but his heart and bowels are buried in the Church of St. John the Baptist, Halifax (now known as Halifax Minster). Mortuary chapels are erected at both spots, which still exist today.
O’Flanagan praises Rokeby as a good man, a good bishop and, so far as we can tell from the scanty records, a good judge. Irish author F. Elrington Ball, while acknowledging his good qualities, suggests that he was a failure as Irish Lord Chancellor, due partly to his frequent absences in England.
(Pictured: Halifax Minster, where Rokeby’s heart is buried)
Lawless’s grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Brooke is born in the rectory of Glendoen, near Letterkenny, County Donegal on November 14, 1832, the eldest son of the Rev. Richard Sinclair Brooke, later incumbent of the Mariners’ Church, Kingstown (now Dún Laoghaire). His maternal grandfather, Joseph Stopford, is then rector of the parish. He is educated at Trinity College, Dublin. He is ordained in the Church of England in 1857 and holds various charges in London. From 1863 to 1865 he is chaplain to Victoria, Princess Royal in Berlin. In 1869, with his brother Edward, he makes long tours of Counties Donegal and Sligo, and spends much time at Kells, County Meath studying Irish antiquities. Between 1866 and 1875 he is the minister at St. James’s Chapel, a proprietary chapel. After it closes, he takes services at Bedford Chapel, Bloomsbury where he continues to attract large congregations. In 1875, he becomes chaplain in ordinary to Queen Victoria. But in 1880 he secedes from the Church, being no longer able to accept its leading dogmas, and officiates as an independent preacher for some years at Bedford Chapel, Bloomsbury.
Bedford Chapel is pulled down about 1894, and from that time Brooke has no church of his own, but his eloquence and powerful religious personality continues to make themselves felt among a wide circle. A man of independent means, he is always keenly interested in literature and art, and a fine critic of both. The two-volume Life and Letters of Stopford Brooke, written by his son-in-law L. P. Jacks and published in 1917, contains many details of different facets of his life.
In 1890-1891 Brooke takes the lead in raising the funds to purchase Dove Cottage, William Wordsworth’s home in Grasmere from 1800 to 1808, and establishing it “for the eternal possession of those who love English poetry all over the world.” Dove Cottage is now administered by the Wordsworth Trust.
Brooke publishes in 1865 his Life and Letters of FW Robertson (of Brighton), and in 1876 writes an admirable primer of English Literature, followed in 1892 by The History of Early English Literature down to the accession of Alfred the Great, and English Literature from the Beginnings to the Norman Conquest (1898).
Brooke gives the inaugural lecture to the Irish Literary Society, London, on “The Need and Use of Getting Irish Literature into the English Tongue” at Bloomsbury House, March 11, 1893. He delivers a sermon on “The Kingdom of God Within” to the International Council of Unitarian and Other Liberal Religious Thinkers and Workers, meeting in London in May 1901. He continues preaching at Bedford Chapel and to unitarian congregations throughout Britain until forced to retire because of ill-health in 1895.
Bullock is born on May 17, 1865 at Inisherk, County Fermanagh just outside the County Cavan border near Belturbet, in what is now Northern Ireland. His father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.
Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.
Bullock is well respected in literary circles but his books are never successful enough for him to become a full time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orangesectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.
Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.
Bullock’s daughter presents his literary papers, including two unpublished novels, two plays, numerous short stories and essays, and some correspondence to the Queen’s University Belfast library in the 1960s. A portrait of Bullock by Dermod O’Brien, RHA, is also at Queen’s University Belfast. His correspondence with Sir Horace Plunkett is in the archives of the Plunkett Foundation, Long Hanborough Business Park, Woodstock, Oxfordshire. Enniskillen public library has a collection of cuttings on Bullock, including some photocopied letters.
seamus dubhghaill 