On a cold December day in 1919, a group of young IRA volunteers wait at a public house near the Ashtown gate of Dublin’s Phoenix Park. Some are from Dublin, members of Michael Collins’ recently created assassination unit, the Squad. Others are from farther afield, like Dan Breen and Seán Treacy from County Tipperary and Martin Savage from County Sligo.
They are waiting for Sir John French, Lord Lieutenant of Ireland, the most senior British official in the land. He is returning from a visit to the west of Ireland and has alighted at Ashtown train station before returning by car to his official residence, the Viceregal Lodge, in the Phoenix Park.
The IRA men have a signaler in a tree and when French’s car approaches, they attempt to block the road with a farm cart. However, they are too late to block the Lord Lieutenant’s car which sweeps through the impromptu barricade. Shots are fired and one policeman is wounded but French himself emerges unscathed.
A second car, which the IRA believes to contain French, bears the brunt of the volunteers’ revolver fire and grenades. Though the car is badly damaged, there are no casualties.
The third car in the convoy contains French’s military escort and the soldiers inside the vehicle return fire, killing one of the attackers, Martin Savage. Some of the volunteers attempt to recover his body but the Crown forces’ fire is too heavy. Savage’s body is left on the scene as the IRA party flees on bicycles back to the city.
The Irish Times, for one, expresses outrage at the attack, “the attempted assassination of the greatest of Irishmen” which it says will “shock Ireland” and force Sinn Féin, victorious in the election of the previous year, to reflect on whether it wants to be associated with “outrage and assassination.” “There will now be many throughout the world ready to attribute the character of a murder society to the whole new Irish movement.”
Many in Ireland are even less sympathetic to hear of the escape of the Lord Lieutenant. The Irish Catholicbishops issue a statement the next day condemning not the attack but British rule in Ireland, which they characterise as “rule of the sword, utterly unsuited to a civilised nation.”
The attack is, in hindsight, a turning point, moving the standoff over Irish independence toward all out guerrilla warfare, but also, in a way, symbolising the eclipse of French and of his vision for what the country should be.
Sir John French’s health declines in 1920 and though he holds the position of Lord Lieutenant until April 1921, his central role in Irish affairs is eclipsed by new Chief Secretary for Ireland Sir Hamar Greenwood. He wants to retire to his estates in Ireland in 1922 but is told it is simply too dangerous for him. During the Irish Civil War (1922-23), his country house at Drumdoe, County Roscommon, is raided by armed men who carry off much of the furniture.
(From: “Today in Irish History: 19 December 1919, The Attempted Assassination of Sir John French” by John Dorney, The Irish Story, http://www.theirishstory.com, December 18,2019 | Pictured: L to R, Sir John French and Martin Savage)
Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.
But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.
When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.
In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.
Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.
Gregory becomes involved in republican politics, joining Sinn Féin and the Irish Republican Army (IRA) in 1964. In UCD he helps found the UCD Republican Club, despite pressure from college authorities, and becomes involved with the Dublin Housing Action Committee. Within the party he is a supporter of Wicklow Republican Seamus Costello. Costello, who is a member of Wicklow County Council, emphasises involvement in local politics and is an opponent of abstentionism. Gregory sides with the Officials in the 1970 split within Sinn Féin. Despite having a promising future within the party, he resigns in 1972 citing frustration with ideological infighting in the party. Later, Costello, who had been expelled by Official Sinn Féin, approaches him and asks him to join his new party, the Irish Republican Socialist Party. He leaves the party after Costello’s assassination in 1977. He is briefly associated with the Socialist Labour Party.
Gregory contests the 1979 local elections for Dublin City Council as a “Dublin Community Independent” candidate. At the February 1982 general election, he is elected to Dáil Éireann as an Independent TD. On his election he immediately achieves national prominence through the famous “Gregory Deal,” which he negotiates with Fianna Fáil leader Charles Haughey. In return for supporting Haughey as Taoiseach, he is guaranteed a massive cash injection for his inner-city Dublin constituency, an area beset by poverty and neglect.
Although Gregory is reviled in certain quarters for effectively holding a government to ransom, his uncompromising commitment to the poor is widely admired. Fianna Fáil loses power at the November 1982 general election, and many of the promises made in the Gregory Deal are not implemented by the incoming Fine Gael–Labour Party coalition.
Gregory is involved in the 1980s in tackling Dublin’s growing drug problem. Heroin had largely been introduced to Dublin by the Dunne criminal group, based in Crumlin, in the late 1970s. In 1982 a report reveals that 10% of 15- to 24-year-olds have used heroin at least once in the north inner city. The spread of heroin use also leads to a sharp increase in petty crime. He confronts the government’s handling of the problem as well as senior Gardaí, for what he sees as their inadequate response to the problem. He co-ordinates with the Concerned Parents Against Drugs group in 1986, who protest and highlight the activities of local drug dealers and defend the group against accusations by government Ministers Michael Noonan and Barry Desmond that it is a front for the Provisional IRA. He believes that the solution to the problem is multi-faceted and works on a number of policy level efforts across policing, service co-ordination and rehabilitation of addicts. In 1995 in an article in The Irish Times, he proposes what would later become the Criminal Assets Bureau, which is set up in 1996, catalysed by the death of journalistVeronica Guerin. His role in its development is later acknowledged by then Minister for JusticeNora Owen.
Gregory also advocates for Dublin’s street traders. After attending a sit-down protest with Sinn Féin Councillor Christy Burke, and future Labour Party TD Joe Costello on Dublin’s O’Connell Street in defence of a street trader, he, Burke and four others are arrested and charged with obstruction and threatening behaviour. He spends two weeks in Mountjoy Prison after refusing to sign a bond to keep the peace.
Gregory remains a TD from 1982 and, although he never holds a government position, remains one of the country’s most recognised Dáil deputies. He always refuses to wear a tie in the Dáil chamber stating that many of his constituents could not afford them.
Gregory dies on January 2, 2009, following a long battle with cancer. Following his death, tributes pour in from politicians from every party, recognising his contribution to Dublin’s north inner city. During his funeral, politicians from the Labour Party, Fianna Fáil and Fine Gael are told that although they speak highly of Gregory following his death, during his time in the Dáil he had been excluded by many of them and that they were not to use his funeral as a “photo opportunity.” He is buried on January 7, with the Socialist Party‘s Joe Higgins delivering the graveside oration.
O’Kelly is born on August 25, 1882, on Capel Street in the north inner-city of Dublin. He joins the National Library of Ireland in 1898 as a junior assistant. That same year, he joins the Gaelic League, becoming a member of the governing body in 1910 and General Secretary in 1915.
In 1905 O’Kelly joins Sinn Féin who, at the time, supports a dual monarchy. He is an honorary secretary of the party from 1908 until 1925. In 1906 he is elected to Dublin Corporation, which is Dublin’s city council. He retains the seat for the Inns Quay Ward until 1924.
O’Kelly is elected Sinn Féin MP for Dublin College Green in the 1918 Irish general election. Along with other Sinn Féin MPs he refuses to take his seat in the British House of Commons. Instead, they set up an Irish parliament, called Dáil Éireann, in Dublin. O’Kelly is Ceann Comhairle (Chairman) of the First Dáil. He is the Irish Republic’s envoy to the post-World War I peace treaty negotiations at the Palace of Versailles, but the other countries refuse to allow him to speak as they do not recognise the Irish Republic.
O’Kelly is a close friend of Éamon de Valera, and both he and de Valera oppose the Anglo-Irish Treaty of December 1921. When de Valera resigns as President of the Irish Republic on January 6, 1922, O’Kelly returns from Paris to try to persuade de Valera to return to the presidency but de Valera orders him to return to Paris.
During the Irish Civil War, O’Kelly is jailed until December 1923. Afterwards he spends the next two years as a Sinn Féin envoy to the United States.
In 1926 when de Valera leaves Sinn Féin to found his own republican party, Fianna Fáil, O’Kelly follows him, becoming one of the party’s founding members. In 1932, when de Valera is appointed President of the Executive Council of the Irish Free State, he makes O’Kelly the Minister for Local Government and Public Health. He often tries to publicly humiliate the Governor-General of the Irish Free State, James McNeill, which damages O’Kelly’s reputation and image, particularly when the campaign backfires.
In 1938, many believe that de Valera wants to make O’Kelly the Fianna Fáil choice to become President of Ireland, under the new Irish constitution, Bunreacht na hÉireann. When Lord Mayor of Dublin, Alfie Byrne, says he wants to be president there is an all-party agreement to nominate Douglas Hyde, a Protestant Irish Senator, Irish language enthusiast and founder of the Gaelic League. They believe Hyde to be the only person who might win an election against Alfie Byrne. O’Kelly is instead appointed Minister of Finance and helps create Central Bank in 1942.
O’Kelly leaves the cabinet when he is elected President of Ireland on June 18, 1945, in a popular vote of the people, defeating two other candidates. He is re-elected unopposed in 1952. During his second term he visits many nations in Europe and speaks before the United States Congress in 1959. He retires at the end of his second term in 1959, to be replaced by his old friend, Éamon de Valera. Following his retirement, he is described as a model president by the normally hostile newspaper, The Irish Times. Though controversial, he is widely seen as genuine and honest, but tactless.
O’Kelly’s strong Roman Catholic beliefs sometimes cause problems. Éamon de Valera often thinks that O’Kelly either deliberately or accidentally leaks information to the Knights of Saint Columbanus and the Church leaders. He ensures that his first state visit, following the creation of the Republic of Ireland in 1949, is to the Vatican City to meet Pope Pius XII. He accidentally reveals the Pope’s private views on communism. This angers the Pope and Joseph Stalin and is why he is not given the papal Supreme Order of Christ which is given to many Catholic heads of state.
On his retirement O’Kelly gives a series of radio talks about his early life and the independence movement. These form the basis of an account serialised in TheIrish Press (July 3 to August 9, 1961) and subsequently translated into Irish and published as Seán T. (1963), echoing the nickname by which he is commonly known. The book relies heavily on memory and its accuracy on points of detail has been questioned by scholars such as F. X. Martin. In retirement he lived at his home, Roundwood Park in County Wicklow.
O’Kelly dies at the Mater Private Nursing Home in Dublin on November 23, 1966, at the age of 84, fifty years after the Easter Rising that first brought him to prominence. He is buried in Glasnevin Cemetery, Glasnevin, Dublin. His perceived unctuousness and his opportunistic tendencies in his later career should not efface his significance as a separatist organiser and an effective populist politician, who played a major role in the establishment of Fianna Fáil political hegemony.
Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.
Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.
Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.
Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.
Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married. He is buried in St. Finbarr’s Cemetery, Cork. He leaves the valuable contents of his library – over 1,200 volumes on philology and other scholarly subjects, many with important annotations – and a collection of personal papers to the Royal Irish Academy (RIA). There is a portrait of Bergin at UCD.
Leventhal is born Abraham Jacob Leventhal in Lower Clanbrassil Street, Dublin, on May 9, 1896. His parents are Moses (Maurice) Leventhal and Rosa (née Levenberg). His father is a draper, and his mother is a poet. She is a Zionist, who is a founding member of the Women’s Zionist Society. He lives in the “Little Jerusalem” area of Dublin, the area around the South Circular Road, in his youth. He attends Wesley College, Dublin, and then Trinity College Dublin (TCD) to study modern languages. He edits the TCD student magazine in 1918. It is in TCD that he acquires the nickname “Con,” an allusion to his father’s job as a “Continental” agent. He joins the first Zionist commission and travels to Palestine after World War I and helps to found the newspaper Palestine Weekly. He is then invited to join the Jewish National Fund‘s London office and begins working on the Zionist Review. He returns to Dublin to complete his degree in 1920, and in 1921 travels to Paris where he meets James Joyce.
Leventhal marries Gertrude Zlotover in October 1922. He works with his father-in-law, Joseph Zlotover, at the family furniture business on Mary Street for a time. After, he starts a number of unsuccessful businesses of his own, including the Irish Book Shop on Dawson Street from 1924 to 1925. It is possibly his business failures that inspire the idea of the TCD Students Appointment Association, which would give students pragmatic business skills. TCD accepts this proposal and employes him as the first administrator.
Leventhal completes a PhD in contemporary French literature, and in 1932 is appointed to the staff of the French department at TCD. He replaces his friend Samuel Beckett. During his time in TCD, he is an assistant editor to Hermathena, to which he also contributes his translations of French poetry. He is associated with a number of progressive cultural movements in Dublin of the 1920s and 1930s. He is a regular attendee at meetings held to promote Jewish culture and nationalism and lectures this group on Joyce. Through his interest in Joyce, he becomes an associate of Seumas O’Sullivan, and The Dublin Magazine. When the printers refuse to set his review of Ulysses in 1923 for The Dublin Magazine, he is moved to found his own magazine, The Klaxon, in response to the censorship. The only issue of the magazine publishes a shortened version of the review under the pseudonym “Lawrence K. Emery.” He is also associated with Francis Stuart‘s Tomorrow magazine. He is also interested in drama and is a member of the avant-garde Dublin Drama League, occasionally performing with them. Among his close friends are Daisy Bannard Cogley, Micheál Mac Liammóir, and Lennox Robinson. From 1943 to 1958 his column, “Dramatic commentary”, is published in The Dublin Magazine. He is also published in The Irish Times, The Irish Press, The Listener, Westminster Weekly, Financial Times, and International Herald Tribune. He is a regular contributor to Radio Éireann and BBC broadcasts.
Leventhal begins a long-term relationship with Ethna MacCarthy, marrying her after the death of his first wife in 1956. She dies in 1959. He retires from TCD in 1963 and moves to Paris, where he becomes Beckett’s literary assistant. He lives on Boulevard du Montparnasse with his partner Marion Leigh.
Leventhal dies of cancer in Paris on October 3, 1979. There are two known portraits of Leventhal, one by John Russell (1920) and a second by Avigdor Arikha. The Leventhal Scholarship at TCD is founded in his memory. TCD and the Harry Ransom Center hold papers relating to Leventhal.
Christened as William O’Brien, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath, Ó Briain takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
Thornley is the youngest child of Welshman Frederick Edward Thornley and Dublin-born Maud Helen Thornley (née Browne). His parents, both civil servants, meet while working in Inland Revenue in Dublin in the 1910s.
Thornley receives a BA and PhD at Trinity College Dublin. His PhD is entitled “Isaac Butt and the creation of an Irish Parliamentary Party (1868–1879)” and is written under the supervision of Theodore William Moody. Working as a presenter on 7 Days since 1963, he is appointed Associate professor of Trinity in 1968. In 1964, he publishes the book Isaac Butt and Home Rule.
In December 1972, Thornley calls for the immediate release of Seán Mac Stíofáin, then leader of the Provisional Irish Republican Army. He is re-elected at the 1973 Irish general election. In April 1976, he loses the Labour Party whip after appearing on a Sinn Féin platform during Easter Rising commemorations. In September 1976, he votes for the Criminal Justice (Jurisdiction) Bill despite misgivings. He tells The Irish Times, “When I get very depressed, I drink too much. When I voted for the Criminal Justice (Jurisdiction Bill) I went on the batter for a forthnight [sic].” In February 1977, he is re-admitted to the Labour Parliamentary Party. He loses his seat at the 1977 Irish general election.
In 1978, Thornley joins the newly formed Socialist Labour Party (SLP) stating that he has done so because “There is no man in politics that I respect more than Noël Browne, despite our occasional differences. If the SLP is good for him, it’s good enough for me.”
Overweight, afflicted with undiagnosed diabetes, his judgement increasingly erratic, from the early 1970s Thornley suffers a steady deterioration of health, compounded by his heavy drinking, on which he relies to cope with stress and emotional depression. On one occasion he collapses in the Dáil and is attended by party colleague Dr. John O’Connell. He dies at the age of 42 on June 18, 1978, one week after admission into Jervis Street private nursing home. After a sung Latin Requiem Mass in St. Andrew’s Church, Westland Row, Dublin, he is buried in Bohernabreena Cemetery, County Dublin.
The Trinity College Labour Branch is formerly named the David Thornley Branch in his honour.
Kathleen Hayes Rollins Snavely, the world’s oldest ever Irish-born woman, dies on July 6, 2015, at the age of 113 years and 140 days in a nursing home in Syracuse, New York, her hometown since leaving Ireland as a 19-year-old immigrant in 1921. Her grandniece attributes her long life to hard work, love, family and the odd Manhattan cocktail.
Born on February 16, 1902, Snavely is the 16th oldest person in the world at the time of her death and the sixth oldest in the United States.
A native of Feakle, County Clare, Snavely is listed on the 1911 Irish Census as an eight-year-old scholar. Her father Patrick (42) is described as an agricultural labourer and there are three other members at her family home: mother Ellen and her sisters Anna May (9) and Lena (1).
A successful businesswoman, Snavely founds and runs a dairy in Syracuse with her first husband, Roxie Rollins. She outlives him by 47 years and her second husband, Jesse Snavely, by 27 years. She also outlives some of her second husband’s children. She has none of her own but has an extended close family.
“She was a pull-yourself-up person,” her grandniece Donna Moore tells The Irish Times. “She came over to a whole new world at 19 and left everything she knew and loved behind.” Asked about the secret of her aunt’s long life, Moore says, “Her spirit, hard work and two good loves – her two wonderful husbands, a wonderful family and maybe the occasional Manhattan.”
Snavely arrives in New York City on September 30, 1921, on the Scythia, from Queenstown, now Cobh, in County Cork, according to the immigration records at Ellis Island, then a hub for new emigrants.
Snavely marries Rollins, a young cook, in 1924 and they open the Seneca Dairy in 1933 during the depths of the Great Depression. She lives through two world wars and eighteen American presidents.
Moore says she and her husband Bruce meet her grandaunt for the last time in April 2015. Still business savvy at the age of 113, Snavely chides her grandniece for not selling another relative’s house more quickly to avoid the costs of holding on to the property. “She yelled at me for not selling the house,” she says. “She always had a laugh.”
Moore says that Snavely continues to check her financial statements on monthly visits from her lawyer right up to her death. “She was a wonderful lady, sharp as a tack,” she says. “She was very quick-witted and a very nice, very caring person. Everybody liked her. She just had a way about her. It is the end of an era in our family.”
(From: “Oldest Irish person Kathleen Snavely dies a 113” by Simon Carswell, The Irish Times, http://www.irishtimes.com, July 7, 2015)
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